Archive for the ‘Ancient’ Category

Lost temple of Artemis found on Greek island

Friday, September 29th, 2017

An international team of archaeologists led by the Swiss School of Archaeology in Greece (ESAG) in collaboration with the regional archaeological service have discovered the remains of the long-lost temple of Artemis near the village of Amarynthos on the island of Euboea in Greece.

Under the current director the excavations, University of Lausanne Professor Karl Reber, the team has been searching for the sanctuary since 2007, but they’re the new kids on the block, comparatively speaking. Researchers have been looking in vain for more than a century. The first Swiss archaeologists were invited to explore the ancient city of Eretria for the temple in 1964. Eleven years later, that initial foray cemented itself into a permanent institution when the mission was recognized by the Greek national government as the Swiss School of Archaeology in Athens. The dig has been so successful it has continued for more than 50 years. In 2014, 50 years after the first Swiss excavation broke ground in Eretria, the ESAG team could claim to have cleared the temple of Apollo, a shrine to Athena, the fortifications of the city’s western gate, a theater, luxury villas with elaborate mosaics, Roman-era public baths and a large gymnasium.

The sanctuary of Artemis Amarynthia, however, remained elusive. If it had ever been in Eretria, the Swiss team could find no trace of it. Starting in 2007, they moved further afield to study the environs of the city, territories under its control but not part of the actual city itself. At the foot of the Paleoekklisies hill just over five miles east of Eretria, ESAG archaeologists found a monumental portico dating to the 4th century B.C. that ran along the east and north boundary of an open-air structure.

This summer, the team dug survey trenches inside the portico perimeter in the hope of finding evidence from the most central location that this was indeed the much sought-after sanctuary. They were successful beyond their wildest dreams. They found the remains of a number of structures constructed between the 6th-2nd century B.C. (the period when the temple was at its most active) and an underground fountain made of architectural blocks and the recycled bases of monumental statues. Those statue bases proved to be the smoking gun that identified the temple. They were inscribed with dedicated to Artemis, her twin brother Apollo and their mother Leto.

The inscriptions and the architectural significance of the materials strongly indicate that this was the Artemis sanctuary. That was confirmed by another discovery, not as glamorous as the statue bases, more on the utilitarian side, but just as meaningful to archaeologists: multiple tiles stamped with the name “Artemidos” (meaning “of the Artemis”) inside a rectangular cartouche.

Now, after also finding artefacts with inscriptions, they are sure that they have located the site of the Artemis Amarynthia, which was the end point of the annual procession of people from the once prosperous trading city of Eretrea, 10km away. They held a festival in honour of Artemis, the untameable goddess of hunting in Greek mythology. She was worshipped as the patron goddess of Amarynthos, which takes its name from an Eretrean man who was besotted by Artemis.

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“Licking Dog” found in hoard of Roman bronze

Thursday, September 28th, 2017

Metal detectorists Pete Cresswell and Andrew Boughton discovered a hoard of Roman bronze in Gloucestershire (the exact location is not being disclosed) that includes a figurine of a type never before found in Britain. It’s a free-standing bronze statuette of a dog with his tongue hanging out. Known as a “licking dog” figure, it is believed to have been a symbol of healing and may have some connection to the temple to Nodens, a deity of hunting, dogs and healing, at nearby Lydney Park.

Licking Dog from all views. Photo by Eve Andreski.The dog stands at attention, his expression alert and focused upward, like he knows his master has a ball and is waiting for him to throw it. Holes drilled in his paws suggest he was once mounted to a base and there are two more holes on the upper left flank that may have once held pins that were part of the mounting system. There’s also a square hole on its underbelly. Each shoulder is decorated with a sideways teardrop-shaped panel incised with what could be stylized leaf or feather designs.

Cresswell, from Gloucestershire, said: “It’s not every day you come across a hoard of Roman bronze.

“We have been metal detecting for a combined 40 years, but this is a once in a lifetime discovery. As soon as I realised the items were of historical significance I contacted the local archaeology team, who were equally excited by the find.

“It’s a great privilege to be able to contribute to local and British history.”

Archaeologist Kurt Adams, Gloucestershire and Avon Finds Liaison Officer, examined the hoard. He provisionally dated it to the 4th century (318 – 450 A.D.) and the exceptional dog is the only intact piece in the group excepting a coin or two. The other artifacts are all fragments, mostly made of copper alloy. They include pieces of a broken statue of a person wearing an elaborately draped garment, vase and furniture fittings, escutcheons shaped like animal and human heads, handle terminals, bangles, folded up banding from chests or boxes, a little spoon, a hinge and a great many bits and bobs of undeterminate origin. There’s even an inscribed copper alloy plaque broken into four pieces that when puzzled back together reads (V?)MCONIA. It is curved at the back, suggesting that it too was once mounted on something. These fragments appear to have been deliberately cut up or broken, perhaps by a metal worker collecting scraps to melt down for reuse.

Intact or fragment, these objects are of great archaeological significance and require specialized treatment for their conservation and security. They are being kept at Bristol museum for the time being to give experts the opportunity to fully document, photograph and catalogue them. Once that task is complete, the British Museum’s Treasure Valuation Committee will assess the hoard’s full market value and recommend a reward to be paid in that amount, half going to the finder, half the to the landowner.

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Bones of headless frogs found in 4,000-year-old jar

Tuesday, September 26th, 2017

Archaeologists with the Israel Antiquities Authority (IAA) have discovered a jar containing the skeletal remains of at least nine frogs, all of them headless, in a Canaanite tomb outside Jerusalem. The discovery was made three years ago during an archaeological excavation in advance of development in the Minhat neighborhood near the Jerusalem Biblical Zoo. In 2014, the IAA team’s exploration unearthed an intact tomb from the Canaanite period, about 4,000 years ago during the Middle Bronze Age. It contained several clay vessels of different shapes and sizes, some undamaged and in exceptional condition.

According to [IAA excavation directors Shua Kisilevitz and Zohar Turgeman-Yaffe]: “For an archaeologist, finding tombs that were intentionally sealed in antiquity is a priceless treasure, because they are a time capsule that allows us to encounter objects almost just as they were originally left. At that time, it was customary to bury the dead with offerings that constituted a kind of “burial kit,” which, it was believed, would serve the deceased in the afterworld. When we removed the stone that blocked the tomb opening, we were excited to discover intact bowls and jars.

“In one of the jars, to our surprise, we found a heap of small bones. The study of the bones, by Dr. Lior Weisbrod of the University of Haifa, revealed at least nine toads. Interestingly, they had been decapitated.”

The study also identified material from plants, including date palms and myrtles, in samples taken from inside the clay vessels. These could only have been transferred into the jars shortly before they were buried in the tomb. Date palms and myrtles are not native to the area, so the Canaanites must have planted the trees themselves.

According to Dr. [Dafna Langgut of Tel Aviv University], in this period the date palm symbolized fertility and rejuvenation, which could explain why the ancients cultivated the trees in this environment, where they do not grow naturally. According to the scholars, these plants may have been part of an orchard planted in an area where funeral rituals were held, during which offerings of food and objects were made to the deceased. The scholars surmise that the jar with the headless toads was among these offerings.

This video from the IAA YouTube channel is in Hebrew with no English subtitles, alas, but it’s well worth watching even if you can’t understand the commentary because there’s cool footage of the intact vessels and the broken one filled with frog bones being recovered from the tomb. You can see how challenging it was to get into the narrow, deep space. IAA archaeologist David Tanami had to be upside-down and almost completely vertical to reach the opening.

The study’s findings will be presented on October 18th at the “New Studies in the Archaeology of Jerusalem and its Region” conference held at the Hebrew University of Jerusalem. The presentation is open to the public.

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After many arduous labors, Hercules back in Turkey

Sunday, September 24th, 2017

A Roman-era marble sarcophagus decorated with a bas relief of the Twelve Labors of Hercules on its sides has returned to Turkey after a long sojourn in the at haven of looted antiquities smuggling that is the Geneva Free Port. The saga begins on December 3rd, 2010, when the 2nd century A.D. sarcophagus was discovered in one of the Free Port warehouses by customs officials during an inventory check. Measuring 7.7 x 3.7 feet and weighing three tons, the sarcophagus is actually on the smaller side for its type, but it’s still hard to miss as a suspect antiquity, even hidden under piles of blankets and boxes.

This type of sarcophagus was a popular consumer good, produced on a large scale in workshops in Dokimenion (modern-day Iscehisar, western Turkey) from locally quarried marble in the second half of the second century. They weren’t all cookie-cutter pieces, however. Some are distinctly better than others, commissioned by people who could afford the highest reliefs, the most prized marble and the greatest sculptors. This sarcophagus is the best of all the surviving examples, with top-notch carving depth and anatomical detail. A very wealthy person must have commissioned it.

After years of being used as a pivot for the illicit trade in antiquities thanks to its no questions asked approached and tax-free Geneva warehouse complex, Switzerland was now taking a different approach. In 2003, it finally ratified the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. In 2005 it passed a law requiring that all objects of cultural patrimony had to have verified ownership records. In 2009, a new law forced international traders in cultural goods to file complete and accurate inventories. This law had teeth too, with funding for a customs notification system and thorough inspection of the goods stashed in Free Port warehouses.

So when the sarcophagus’ so-called owner, Phoenix Ancient Art, an antiquities dealership co-owned by brothers Ali and Hicham Aboutaam who have been involved in many, many highly questionable transactions of looted artifacts, was unable to provide proper documentation in compliance with Switzerland’s more stringent regulation, the object was sequestered. Ali protested vociferously. He insisted it had belonged, like all of his loot, to his father who had bought it legally in the 1990s. He fought all attempts at restitution, and the case dragged through the courts for six years.

A joint investigation by Swiss and Turkish authorities found that the sarcophagus had likely been looted from the ancient site of Perge in Antalya during an illegal excavation in the 1970s. This was confirmed by soil and marble analyses. How it wound its way from Turkey to Switzerland remains unclear and the Aboutaam’s father Sleiman died in 1998 so he can’t answer any questions. He also can’t be prosecuted. On September 21st, 2015, a Swiss prosecutor issued an order that the sarcophagus be restituted to Turkey. The Aboutaam’s appealed twice before withdrawing the last appeal in March 2016. That left the restitution order as the final legal say in the matter, and all that was left was for the slow grind of the legal grist mill to finish its work before the piece was returned. Culture and Tourism Ministry officials in Geneva received the sarcophagus on September 13th. It was in Turkey on September 14th.

After almost seven years of legal wrangling, detective work and waiting, the Hercules sarcophagus was welcomed to its new home, the Antalya Museum, on Sunday in an unveiling ceremony presided over by Culture and Tourism Minister Numan Kurtulmuş. It is now on display next to the Weary Herakles, a Roman copy in marble of a 4th century B.C. original bronze by the Greek sculptor Lysippos of Sikyon, which was also looted from Perge and whose torso was pried out of the Boston Museum of Fine Arts after a lengthy battle so it could be reunited with the legs already on display the museum.

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Unusual Bronze Age hoard found in Cumbria

Saturday, September 23rd, 2017

Metal detectorists in Cumbria have discovered a small Bronze Age hoard that is the first of its kind found in the county. The hoard was cached in a hole in the bedrock covered by stones. The group, small in size but large in historical significance, consists of one gold bracelet, three gold penannular lock-rings and one copper alloy cauldron fragment, all dating to the late Bronze Age. Three of the four jewelry pieces (the bracelet and two lock rings) have stains that may be corrosion or the residue of an organic material buried with them. The stains could also have been caused by something in the soil itself at the time of deposition, although if that were the case it seems like the other objects would have the same kind of staining.

The lock rings are made from sheets of gold curved into circular shapes. They are bound to an outer circle with gold wire and have been delicately incised with concentric rings vaguely reminiscent of the tracks on old wax or vinyl records. Two of the lock rings are almost identical in size — only 1 cm difference in width and .1 gram in weight — and while the third is smaller than the other two, the craftsmanship is so similar experts believe they were created if not by the same hand, then by the same workshop.

The lock rings, meanwhile, are very similar to an example from Portfield Camp, near Whalley, Lancashire.

The purpose of this latter kind of artefact is much debated, through – as they are normally found in pairs, it has been suggested that they may have been a form of high-status personal ornament peculiar to the late Bronze Age (c.1000-800 BC), possibly earrings or some kind of hair decoration.

These newly discovered examples, decorated with concentric rings and bound with gold wire, are unusual for being a group of three.

The gold penannular bracelet, with its undecorated design, flat, circular terminals and uneven curvature has features in common with an example now in the British Museum which was unearthed at Beachy Head, East Sussex, in the 19th century and is now in the British Museum. The bracelet and three lock rings are all a strong yellow color, an indication that the gold has copper added to the alloy.

The find spot — isolated, out-of-reach, high places located near notable features like hillforts and stone circles — is very much in keeping with past Bronze Age lock ring finds. The cauldron fragment is unusual for a lock ring cache. It may have been a previous deposition, but experts don’t think so because it was so found so close to the other pieces that it seems they were all buried together.

The findspot lies in an isolated high place on a prominent ridge that seems to have been an area visited throughout later prehistory. It is situated just below a possible Iron Age hillfort and close to a number of other prehistoric settlement sites, as well as a concentric stone circle. The presence of roughed-out stone axes found nearby hints at the site lying on one of the major transmission routes south for the Langdale axe factories during the Neolithic period, while socketed bronze axes that were also found nearby, probably from a smith’s hoard, point to the area’s importance during the Bronze Age.

‘The enclosed platform, sometimes described as a hillfort, has no evidence of buildings or habitation,’ said Stuart [Noon, Finds Liaison Officer for Lancashire and Cumbria]. ‘It appears that the site may have been of ritual importance, a place where offerings could be placed or buried in the ground or even inserted into the limestone outcrops, and which, it could be speculated, may have hosted gatherings and celebrations.’

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Peruvian child mummy X-rayed in Texas hospital

Tuesday, September 19th, 2017

An ancient Peruvian mummy that has been part of the collection of the Corpus Christi Museum of Natural History and Science for 60 years received its first X-ray yesterday at Driscoll Children’s Hospital. Very little is known about the mummy which was removed from Peru by unknown (illegal?) means at an unknown time. It has been at the museum since it opened in 1957, a gift from New York’s American Museum of Natural History via its former employee and the Corpus Christi Museum’s first director, Aalbert Heine. The mummy was one of many ancient artifacts and remains Heine brought to the new museum, accession number 137 in a collection that now counts in the millions.

There are no records extant of the mummy at the Museum of Natural History. The Corpus Christi Museum of Natural History and Science’s tag labels it the mummy of an Inca child approximately 2,000 years old. As the Inca Empire is nowhere near that old (the civilization’s origin story places its founding in the 13th century), the label is drastically off-base. It is wrapped in a coiled rope that looks like a basket but isn’t. The only other potential source of information about the mummy are a few textile fragments that have somehow managed to remain on her body, but they have yielded no more answers so far.

Attitudes towards the display of human remains have changed over the years as the anthropological approach shifted from treating people like curios to respect for the dead (and living, for that matter) within their cultural context. The mummy was removed from display in the 1980s and has been kept in storage ever since. Last year, collections manager Jillian Becquet and assistant curator of education Madeleine Fontenot began to investigate the history of the mummy with the aim of repatriating it to its homeland. After extensive research in the museum archives, newspaper records and scrapbooks, the two had little new information to show for it.

Enter the Driscoll Children’s Hospital. An X-ray might reveal important information that would confirm its Peruvian provenance, an essential step in the repatriation process.

“She was not my average patient!” said Suzi Beckwith, Diagnostic X-ray Coordinator at Driscoll Children’s Hospital. […]

“Because of the size of the mummy, I thought it was a baby,” Beckwith said. “But looking at the X-rays, you see her legs are actually tucked in. So she’s not a baby. She’s a little girl.

X-rays can confirm gender, age, and even cause of death.

“We’re looking for things that can help us give information to anthropologists in Peru, and then hopefully confirm cultural group that she belongs to, said Jillian Becquet, Collections Manager at the Corpus Christi Museum of Science and History.

The burial position confirmed by the X-rays could be one of the most important pieces of the puzzle. Different cultural groups buried their dead in different positions, so experts could determine her origins from that alone. Examination of her bones could pinpoint injuries, healed, peri-mortem or post-mortem.

The museum is working with Peruvian Embassy officials to identify the mummy and arrange for her return. Fontenot and Becquet hope Peruvian experts can learn more about her by studying the rope that binds her and the fragments of cloth. They’re not at that stage yet, however. Before they decide whether to invest in that kind of research, Peruvian officials will study the X-rays and documentation to see if the mummy is a likely candidate for repatriation to Peru. The more data they have, the more securely they will be able to claim her as their own.

“Whatever group was around her chose to do this very caring thing, to wrap her purposefully and bury her,” Becquet said. “Somebody along the way disrespected that, and so we want that to be restored.”

When this little mummy is returned to the land of her ancestors, the Corpus Christi Museum of Natural History and Science will have no people left languishing in its storage cabinets. She is the last one.

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Indian manuscript with zero symbol far older than realized

Monday, September 18th, 2017

Researchers have discovered that an ancient Indian manuscript is far older than previously realized and therefore contains the earliest known example of the symbol for zero as it is used today. The Bakhshali manuscript, written on 70 delicate leaves of birch bark, was discovered buried in a field near Peshawar in 1881. Indologist AFR Hoernle bought it from the farmer who found it and in 1902 gifted it to the Bodleian Library at the University of Oxford where it is kept in the rare books collection.

Replete with Sanskrit numerals, including many instances of the small dot that is the ancestor of our zero, the manuscript is believed to have been written by Silk Road merchants practicing math rather than being a philosophical or scholarly work. Its age has long been subject to debate among scholars and the best guesses, based on factors like writing style and the mathematical concepts it convers, put it between the 8th and 12th century.

University researchers hoped radiocarbon testing would provide an absolute date and answer some of these long-standing questions. They were astounded when several of the pages turned out to date between 200 and 400 A.D. Before now, the zero dot on the wall of the Ganesh temple at the 9th century Gwalior Fort in Madhya Pradesh, India, was believed to be the oldest visual representation of the ancestor of the modern zero numeral. Researchers expected the Bakshali manuscript to date to around the same time as the depiction in the temple.

The zero symbol that we use today evolved from a dot that was used in ancient India and can be seen throughout the Bakhshali manuscript. The dot was originally used as a ‘placeholder’, meaning it was used to indicate orders of magnitude in a number system – for example, denoting 10s, 100s and 1000s.

In this close-up image of folio 16v, you can see the use of a dot as a placeholder in the bottom line. This dot evolved into the use of zero as a number in its own right. Photo courtesy Bodleian Libraries, University of Oxford.While the use of zero as a placeholder was seen in several different ancient cultures, such as among the ancient Mayans and Babylonians, the symbol in the Bakhshali manuscript is particularly significant for two reasons. Firstly, it is this dot that evolved to have a hollow centre and became the symbol that we use as zero today. Secondly, it was only in India that this zero developed into a number in its own right, hence creating the concept and the number zero that we understand today – this happened in 628 AD, just a few centuries after the Bakhshali manuscript was produced, when the Indian astronomer and mathematician Brahmagupta wrote a text called Brahmasphutasiddhanta, which is the first document to discuss zero as a number.

The reason for the confusion about its date is that the birch pages date to three different periods, hence the range of styles and arithmetic.

Marcus du Sautoy, Professor of Mathematics at the University of Oxford, said:

‘Today we take it for granted that the concept of zero is used across the globe and is a key building block of the digital world. But the creation of zero as a number in its own right, which evolved from the placeholder dot symbol found in the Bakhshali manuscript, was one of the greatest breakthroughs in the history of mathematics.

‘We now know that it was as early as the 3rd century that mathematicians in India planted the seed of the idea that would later become so fundamental to the modern world. The findings show how vibrant mathematics have been in the Indian sub-continent for centuries.’

The Bodleian will loan one folio from the Bakhshali manuscript to the Science Museum in London for its upcoming Illuminating India: 5000 Years of Science and Innovation exhibition. This is the first time any part of the manuscript has been loaned to another institution and a unique opportunity to see a seminal piece of mathematical history alongside other important of India’s contributions to the history of math, science and technology. It runs from October 4th, 2017, through March 31st, 2018.

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Oldest royal tomb of Centipede dynasty found in Guatemala

Sunday, September 17th, 2017

Archaeologists excavating the ancient Maya city of El Perú-Waka’ have discovered the oldest known royal tomb of the Wak or Centipede dynasty. The international team from the El Perú-Waka’ Archaeological Project (PAW) found the tomb excavating tunnels under the Palace Acropolis. Analysis of the ceramic grave goods date the tomb to 300-350 A.D. Going from the date alone, the deceased could be King Te’ Chan Ahk who ruled in the early 4th century.

The skeletal remains of an adult male were found inside the tomb, but there were no inscriptions that would conclusively prove his identity. One artifact did make it clear that this was a royal tomb: a jade funerary mask. The portrait mask, painted a bright red with cinnabar, has a tell-tale hair tab on the forehead characteristic of the Maize God. There’s a symbol on the tab reminscent of a Greek Cross which is a combination of the glyphs for “Yellow” and “Precious,” another reference to the corn deity.

[Guatemalan archaeologists Griselda Pérez Robles and Damaris Menéndez] discovered the mask under the head of the ruler, and it may have been made to cover the face rather than as a chest pectoral. Archaeologists at Tikal in the 1960s discovered a similar greenstone mask in the earliest Maya royal tomb, dating to the first century A.D.

Additional offerings in Burial 80 included 22 ceramic vessels, Spondylus shells, jade ornaments and a shell pendant carved as a crocodile. The remains of the ruler and some ornaments like the portrait mask were painted bright red. Burial 80 was reverentially reentered after 600 A.D. at least once, and it is possible that the bones were painted during this reentry.

El Perú-Waka’ was an important city-state that controlled major north-south and east-west trade routes during the Mayan classical period. It produced a wide range of goods for trade — maize avocados, latex, jade — and its support was hungrily sought after by the greatest rivals of the time: Tikal and Calakmul. The north-south trade route linked the great Classical period Mayan power center of Calakmul in modern-day Campeche, Mexico, with its allies to the south in what is today Guatemala. The rulers of Calakmul, the mighty Snake dynasty, cemented their relationships with the rulers of conquered, vassal and allied cities in strategically significant areas by marriage. Lady K’abel, aka Lady Snake Lord, daughter of King Yuhknoom Ch’een the Great of Calakmul, married King K’inich Bahlam II of the Centipede dynasty in the 7th century.

The Wak dynasty long predates the rise of Calakmul and its military and political machinations, however. Drawing from later inscriptions found at El Perú-Waka’, historians believe the dynasty was founded in the 2nd century A.D. making it one of the earliest Mayan ruling families. By the early 5th century A.D., the city’s population numbered in the tens of thousands and the city had dozens of public buildings, squares, religious centers and more. That was the heyday of the city’s prosperity, even though its alliance with Calakmul and the benefits it incurred from the relationship were still hundreds of years away.

“The Classic Maya revered their divine rulers and treated them as living souls after death,” said research co-director David Freidel, professor of anthropology in Arts & Sciences at Washington University in St. Louis.

“This king’s tomb helped to make the royal palace acropolis holy ground, a place of majesty, early in the history of the Wak — centipede — dynasty. It’s like the ancient Saxon kings England buried in Old Minister, the original church underneath Winchester Cathedral.”

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Met acquires splendid gilded Egyptian coffin

Thursday, September 14th, 2017

The Metropolitan Museum of Art has acquired an exceptional gilded cartonnage coffin from Late Ptolemaic Period Egypt. Cartonnage was made of layers of linen or papyrus plastered together to create a material that when wet could be molded into a desired shape and then dried into a hard shell. The hardened shell was then painted or gilded, more frequently the former than the latter. Cartonnage funerary masks and sarcophagi were used in Egypt from the First Intermediate Period (2181–2055 B.C.) well into the Roman era.

Molded into a mummiform shape, the coffin was made between 150 and 50 B.C. to hold the remains of one Nedjemankh. He was a priest of Heryshef, a fertility god depicted with the head of a ram, in Heracleopolis Magna. The city had been the cult center of Heryshef since the third millennium B.C. and the Ptolemies, keen to associate their Greek religious traditions with the ancient Egypt pantheon, declared Heryshaf the equivalent of Herakles and renamed the city to match.

The recently-acquired coffin is a spectacular example of a very high status cartonnage artifact, even unique in several ways. It is composed of layers ofa linen, gesso and resin and decorated with gold, silver and glass. The lid is covered with scenes of funerary spells and one long inscription referring to the gold and silver that are so prominently displayed in the coffin itself. Inside the lid is an image of the sky goddess Nut adorned with silver foil. The base of the coffin is decorated with a djed pillar, symbol of stability and the creator god Osiris.

Unique to this coffin are the thin sheets of silver foil on the interior of the lid, intended to protect Nedjemankh’s face. To the ancient Egyptians, the precious metals gold and silver symbolized several things. On a general level, they could represent the flesh and bones of the gods, or the sun and the moon; on a more specific level, they were identified with the eyes of the cosmic deity Heryshef, whom Nedjemankh served.

Even more remarkably, the long inscription on the front of the coffin’s lid explicitly connects gold and “fine gold” (electrum) to the flesh of the gods, the sun, and the rebirth of the deceased. The association of the inscription with the actual use of metals on the coffin is a rare — possibly unique — occurrence.

Perhaps even rarer than the beauty, condition and quality of the cartonnage coffin is that it was actually legally exported. No fraudulent “private Swiss collection,” no forged documents, no fake history ginned up by sellers seeking to justify a sudden appearance on the market in the 90s. Instead, there is a full ownership record and legal paperwork proving that it was exported from Egypt in 1971 with a license from the authorities. Believe it or not, it was bought by a real Swiss private collector from the shop of Cairo dealer Habib Tawadrus. (This is the first time I can recall seeing the Swiss private collector be an actual flesh-and-blood human instead of a convenient fiction to cover the widespread flouting of cultural patrimony laws in the antiquities trade.) The coffin has remained in the owner’s family until the Metropolitan bought it from them this year.

It is now on display in the Met’s Lila Acheson Wallace Galleries for Egyptian Art.

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One of largest Mycenaean tombs found in Greece

Wednesday, September 13th, 2017

Archaeologists have discovered one of the largest tombs of the Mycenaean era in Orchomenos, Greece. The burial chamber is an estimated 3,350 years old, dating to the 14th century B.C. and is the ninth-largest Mycenaean chamber tomb of the 4,000 known to have been excavated in the last century and a half.

It is of monumental scale, with a road 20 meters (66 feet) long carved of out of stone leading into the tomb. The burial chamber is a single large room 42 square meters (452 square feet) in surface area. The walls were topped by a stone roof that was originally around 3.5 meters (11 feet) high. That figure is an estimate because the roof collapse in antiquity, perhaps even shortly after it was constructed in the Mycenaean era.

The cave-in damaged some of the artifacts and human remains inside the tomb, but it also saved it from a far worse danger than architectural failure or natural disaster: human beings. Covered by the collapsed pile of rocks, the tomb was hidden from looters and from well-meaning people who might seek to reuse the tomb, a very common practice in ancient Greece. That makes this find extremely valuable to archaeologists, because they can learn so much about a single identified point on the timeline without concern that later interventions have contaminated the scene. It will be one of the best documented Mycenaean tombs ever found on the Greek mainland.

The remains discovered inside the tomb are of an adult male, about 40-50 years old. He was buried with a selection of expensive and meaningful objects: more than 10 tin vessels, a pair of bronze hooks from horseshoes, bow fittings, arrows, brooches, jewelry, a seal ring, pottery and more. Because there are no other people buried there — almost unheard of with monumental Mycenaean tombs which were usually built to accommodate multiple family members over the course of generations — archaeologists are in the unique position of being able to associate every artifact with the one man interred in the chamber.

It has already upended some of the received wisdom on Mycenaean funerary practices.

Finding this burial site and its features will give researchers the opportunity to better understand the burial practices of the region during the Mycenaean times. For example, the deposition of many jewels on a man-made burial contests – as in the case of a centuries-old warrior from Pylos found in 2015 – the widespread belief that the jewelry was mostly accompanied by women in their last home. It is also noteworthy that, with the exception of two small false amphoras, no Mycenaean ceramics were found in the grave, which, moreover, is extremely popular in this period.

This was a great way to inaugurate the first year of a five-year collaboration between the Greek Culture Ministry, the Ephorate of Antiquities of Viotia, the British School of Athens and the University of Cambridge. The interdisciplinary program combines excavation with osteoarchaeological study to find out more about the Mycenaean era. The discovery of the tomb dovetails perfectly with the program’s mission.

Orchomenos in the southeastern Greek province of Boetia traced its founding back to the mythological king Minyas, described as the son of an array of different deities and demigods depending on which account you read. He moved his people inland from Thessaly and established a new royal dynasty in a new capital. Heracles burned it down once in a fight against the Minyan king who was exacting heavy tribute from the Greeks.

Whatever the kernel of truth in the city’s origin myth, by the Mycenaean era Orchomenos was a center of wealth and civilization. It had a grand palace with elaborately frescoed walls, monumental tombs and ambitious infrastructure projects. The wetlands of nearby Lake Copaïs were drained to reclaim the fertile land for agriculture.

Tin cup with one handle. Photo by Yannis Galanakis.At its peak in the 14th and 13th centuries B.C., Orchomenos was comparable in prosperity and pomp to Thebes, the most important city in Mycenaean Greece. Its rise was halted in the 12th century B.C. when the city was razed — archaeological remains attest to Orchomenos being devastated by fire — but it was rebuilt successfully enough to reengage its rivalry with Thebes. That’s what did them in the end, internecine warfare. It was sacked repeatedly by Thebes and its allies in the 4th century B.C., and while it was rebuilt by Philip II of Macedon and his son, the future Alexander the Great, in 335 B.C., it never recovered its former significance. Under the Roman Empire and the Byzantine, Orchomenos had declined into just another sleepy little town among many, albeit one with an excellent theater courtesy of the Macedons.

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