1.5 tons of bronze coins found in China

A massive hoard of 1.5 tons of bronze coins dating to the Tang (618-907) and Song (960-1279) dynasties has been unearthed in the village of Shuangdun in eastern China’s Jiangsu province. The coins were strong together with straw ropes and arranged in tidy stacks.

The uncovered coins were well-preserved, and most of them had clear inscriptions, suggesting important value for further research.

In ancient China, such hoards were often buried in the ground so as to preserve precious porcelain, coins, metal tools, and other valuables, said the researchers.

Seventy wells were also found around the coin hoard, which was near the battle frontline of the Song and Jin troops, making the researchers wonder whether the excavation site belonged to a hutted camp.

Most of the coins in the hoard are from the Song dynasty wens. Bronze wens were the common currency of the period until a severe copper shortage forced the Southern Song dynasty (1127-1279) to issue coins of lower quality and value. Iron was hard to mint and rusted too easily once in circulation. Due to the scarcity of bronze coinage, the government was forced to cut military wages in half in 1161, ultimately leading to the emergence of paper money. In 1170, the state began to require that half of all taxes be paid with Huizi paper currency stepped into the breach.

Human sacrifice bones found in Denmark

Skeletal remains from what archaeologists believe is an ancient sacrificial victim have been discovered in Egedal on the island of Zealand, Denmark. The bones were found in an archaeological survey of a site slated for development around Town Hall. The found a femur and jaw bone first, and then unearthed legs, pelvis and more of the jaw. The bones belong to a single individual, and while an initial osteological examination found no direct evidence of sacrifice on the skeletal remains, the discovery of a Neolithic flint axe and a concentration of animal bones and pottery next to the body strongly suggests a ceremonial offering context from the Danish Neolithic (3900-1700 B.C.).

“That’s the early phase of the Danish Neolithic,” said excavation leader Emil Struve(opens in new tab), an archaeologist and curator at the ROMU museums in Roskilde. “We know that traditions of human sacrifices date back that far — we have other examples of it.” [..]

Struve said the flint ax-head found near the body was not polished after it was made and may have never been used, and so it seems likely that this, too, was a deliberate offering.

The style of the axe dates it to around 3600 B.C.

The area around ancient Egedal was a well-travelled transport corridor through the Værebro river valley dotted with settlements. The find site was a marshy area and the bog that evolved from it was still actively mined for peat well into the 20th century. Bog bodies are known for the preservation of soft tissue and organic materials that can take place in the anaerobic environment of peat bogs, but only the bones of this individual have been preserved.

The remains are now being cleaned and studied. Researchers will radiocarbon date the bones to narrow down when the person died. They also hope to be able to approximate their age by the wear on the teeth and their sex by the shape of the pelvis. More questions may be answered if ancient DNA can be extracted from the teeth.

Bronze Age shipwreck tin came from remote Uzbekistan mine

Metallurgical analysis of tin ingots found on a fabulously wealthy Late Bronze Age (ca. 1320 B.C.) shipwreck found off the coast of Uluburun, Turkey, has revealed that a full third of the tin was sourced from a remote shepherding region in Uzbekistan, more than 2,000 miles away from Haifa where the ship set sail. That means small pastoralist communities in the Central Asian highlands also ran local mining operations that connected to vast international trade networks linking Bronze Age Europe, Africa and the Near East.

The shipwreck was discovered in 1982 by a sponge diver plying his trade in the Mediterranean waters off Uluburun. He spotted oxhide ingots (rectangular in shape with four handles in the corner that give them the appearance of a hide) and reported them as “metal biscuits with ears,” a description as charming as it is accurate. Institute of Nautical Archaeology divers confirmed the find and dated the wreck to the Late Bronze Age.

Resting on a slope between 140 and 170 feet below the surface, the wreck posed a significant challenge to excavate. Dives were limited to 20 minutes at a time during a three-month season. It took eleven consecutive diving campaigns from 1984 until 1994 for a total of 22,413 individual dives to explore the wreck and recover the cargo. The final tally was a jaw-dropping 17 tons of cargo, more than 18,000 artifacts from luxury finished goods for the elitest of the elite to stone tools to raw materials. It is one of the largest and wealthiest Bronze Age assemblages ever found and was sourced from 11 different civilizations including the Egyptian, Canaanite, Syrian, Nubian and Mycenaean cultures.

The bulk of the cargo consisted of copper and tin ingots in a ratio of 10:1, the exact proportion needed to smelt bronze, and an enormous quantity of it. This one ship was carrying enough copper and tin to make 5,000 swords.

A brief non-comprehensive summary of its contents:

  • 10 tons of Cypriot copper in 354 slab ingots, 317 of them in the usual oxhide shape, 31 in a similar form but with only two protrusions on the long side (a shape unique to the Uluburun ship), 121 cake or bun-shaped ingots.
  • One ton of tin in oxhide and bun ingots.
  • 149 Canaanite amphorae filled with, among other things, many colors of glass beads, olives and terebinth resin (a fragrant oil burned as incense). This is the largest deposit of ancient terebinth ever found.
  • 175 flat, circular glass ingots in cobalt blue, turquoise, amber and lavender (NB: before glass blowing was invented, glass was made by melting ingots and pouring the liquid glass into molds.)
    Raw ivory (elephant tusks, 14 hippopotamus teeth)
  • 18 African blackwood logs, so highly favored by the Egyptian elite for their furniture and wood accessory needs that their word for it “hbny” has come down to us 3,500 years later as the English “ebony.”
  • Thousands of murex (sea snails from which the famed Tyrian purple dye was derived) shells.
  • Large ceramic storage jars (pithoi), some packed with Cypriot pottery (oil lamps, jugs, bowls) made for export, others with fruits and other foodstuffs including olive oil, almonds, pine nuts, figs, grapes, pomegranates, olives and spices like coriander, nigella and safflower.
  • One large gold chalice weighing 236 grams.
  • A small gold scarab inscribed with the name of Nefertiti, queen consort of Pharaoh Ahkenaten. This is the only gold scarab of Nefertiti ever discovered.

The cargo recovered from Uluburun is part of the permanent collection of the Bodrum Museum of Underwater Archaeology where it is displayed in a reconstruction of the wreck. The assemblage is a unique and invaluable source of information about Late Bronze Age trade, industry, economics and technology, even how hulls of merchant ships were packed for their long voyages. Analyses of the Uluburun materials continue to this day.

One of the questions researchers have long sought to answer is the source of the tin. Tin is scarce in the Mediterranean, and you can’t make bronze without it, so how were these giant Bronze Age empires and kingdoms supplying the high demand for so scarce a material? Up until recently, metallurgical analysis has not been able to pinpoint the source of Bronze Age tin. Thanks to decades of data collection on the composition of tin ore from different locations around the world, scientists were able to use isotope analysis to narrow down the origin of the Uluburun ingots: one third of it came from the Mušiston mine in Uzbekistan, two thirds from the Kestel mine in ancient Anatolia. Kestel was under the control of the Hittite Empire in the Late Bronze Age, a powerful centralized state that could afford and arrange major mining and transport operations. Uzbeki shepherds had no such resources.

[The research team’s] findings unveiled a shockingly complex supply chain that involved multiple steps to get the tin from the small mining community to the Mediterranean marketplace.

“It appears these local miners had access to vast international networks and—through overland trade and other forms of connectivity—were able to pass this all-important commodity all the way to the Mediterranean,” [Michael Frachetti, professor of archaeology in Arts & Sciences at Washington University in St. Louis] said.

“It’s quite amazing to learn that a culturally diverse, multiregional and multivector system of trade underpinned Eurasian tin exchange during the Late Bronze Age.”

Adding to the mystique is the fact that the mining industry appears to have been run by small-scale local communities or free laborers who negotiated this marketplace outside of the control of kings, emperors or other political organizations, Frachetti said.

“To put it into perspective, this would be the trade equivalent of the entire United States sourcing its energy needs from small backyard oil rigs in central Kansas,” he said.

The study has been published in the journal Science Advances and can be read in its entirety here.

Two Late Bronze Age hoards found on top of each other in Poland

Two Late Bronze Age (1300–700 B.C.) metal hoards were discovered buried one on top of the other in the village of Kaliska, Poland. The largest of the two is one of the largest and most varied Bronze Age assemblages ever found in Pomerania, and that is saying something because more than 320 Bronze Age and Early Iron Age hoards have been unearthed there.

The details of both discoveries are murky because the finders illegally excavated the artifacts and then did their damnedest to deliberately obscure the facts of discovery and avoid surrendering the loot to cultural heritage authorities. The find first came to light in spring of 2017 when metal detectorists posted pictures of a large number of Bronze Age artifacts on a website. Authorities were alerted to the postings and pursued the finders who dodged them repeatedly. They also inaccurately reported where they had found the treasure. Eleven objects from the hoard were finally recovered in a police raid in June. The rest were handed over to a local museum in July.

Later that year, word got out that a second hoard had been found in the same location. It too was a Late Bronze Age metal hoard, containing horse harness fittings, weapons, armor accessories and metal vessels, much of them copper. The landowner discovered the hoard under a boulder, dug it up, took it home and hid it. He was finally caught out that fall and the hoard confiscated. Three of the metal detectorists would later be convicted of illegally digging up an archaeological monuments. The landowner was also convicted of heritage crimes.

From what police and archaeologists have been able to piece together, the two discoveries were made back-to-back. First the farmer moved the boulder and found what would be dubbed Kaliska II, and then the metal detectorists snuck in after him, scanned the trench and found Kaliska I beneath it.

Kaliska I consists of 124 artifacts, most of them bronze objects including vessels, collars, bracelets and buttons. Inside one of the vessels were organic artifacts — leather straps, wood elements — that survived in fragmentary condition thanks to the amateurish, ignorant and hasty excavation by the looters. Of particular note are a large, sheet-bronze vessels, three Nordic cast bronze vessels, four collars made from sickle-shaped rings, six crescent-shaped collars, 13 necklaces, five plate brooches, three dress clasps, five phalerae (disk-shaped horse harness decorations) 43 bracelets, seven of them kidney bracelets (oval bracelets worn on the arms that feature a kidney-shaped knob in the center). The quantity and nature of its contents makes Kaliska I unique in comparison to other Late Bronze Age hoards unearthed in Pomerania.

The style of the metalwork suggests the bronze artifacts date to the Bronze Age Period V (ca. 950–800/750 B.C.), but there is evidence that some of the objects were in use a little after that. Archaeologists estimate the hoard was probably buried in the second half of Period V (ca. 875–780/750 B.C.). The surviving organic elements provided a rare opportunity to get an absolute date for the hoard. The radiocarbon analysis results date the deposit of the Kaliska I hoard to between 790 and 740 B.C.

Egtved Girl enters the uncanny valley

The Bronze Age grave was discovered in 1921 near the village of Egtved on southeastern Denmark’s Jutland peninsula when a farmer who was digging up her burial mound struck her coffin with his shovel. She had been buried in a hollowed out oak trunk which was dendrochronologically dated to 1,370 B.C. The trunk was lined with cowhide and furnished with grave goods including a birch bucket at her feet. She was wearing a wool tunic under a cord skirt and a belt with a large circular bronze buckle.

The tree trunk coffin, delicate woolen clothing and the hairs of the cow hide were beautifully preserved, but there was little left of Egtved Girl herself, only her blonde hair, some teeth, nails and traces of skin and brain matter. She also left behind the imprint of her body on the cowhide. One molar was sufficient for researchers to determine via strontium isotope analysis that she was not born and raised in Denmark. She was likely from the Black Forest area of southern Germany and only lived in Denmark for a year or so before her death.

From the remains and body impression, researchers were able to determine she was between 16 and 18 years old when she died. She had shoulder-length hair with a whorl on the back of her head and was between 5’3″ and 5’5″ tall. With the information discovered from her burial and a large portion of educated guesswork, National Museum researchers worked with 3D artists to create a virtual avatar of Egtved Girl.

This isn’t a facial reconstruction derived from a skull. There is no skull. Her skin shade, facial features and eye color are guesses. The purpose is to create an engaging representation of Egtved Girl to introduce the exhibition to museum visitors.

Together with developers, 3D artists from Khora and the program Metahuman, the National Museum’s researchers have revived her as a digital human with a voice and living facial expressions. Her face is built with the help of the latest technology, which is usually used in computer games like Fortnite and The Witcher and in movies like Dune, Star Wars and The Mandalorian.

That technology has not previously been used in a museum. But it helps bring the past to life for a wide audience.

“Egtved Girl is important for our cultural heritage, and therefore it is crucial that we constantly increase the dissemination of her. Many visitors pass by her coffin and are in doubt as to whether she is actually lying there because the bones are gone. But now she draws attention to herself. At the same time, our desire is to create a stronger connection to the past, and this is best achieved if you can identify with a person from the past. Now you can come face to face with Egtved Girl”, says exhibition editor Mette Boritz.

It might be a bit of an unsettling encounter for unwitting visitors. But don’t take my word for it. Hear it from Egtved Girl herself: