Late Roman cemetery found outside Mantua

Irrigation works in the town of San Martino dall’Argine outside of Mantua have revealed the presence of a small Late Roman cemetery dating to the early 6th century. Excavations along the canal route have unearthed eleven tombs five feet under the surface. They are contained in a small area along a stretch less than a quarter mile long of the Ca de Marcotti street, but archaeologists believe there may be other tombs on the site.

The graves are arranged in four distinct groupings separated by a hundred feet or so between them. Three of the 11 tombs are in the “capuccina” style, a burial form that was popular in the Late Roman Imperial era for members of the lower classes. They were made by arranging bricks or tegulae (terracotta roof tiles) to line a grave and then tilting larger ones against each other to form a pitched roof structure. The skeletal remains found inside the graves are mostly adults but there were also some children buried there.

As is common in capuccina graves, no grave goods were buried with the dead. Radiocarbon dating of the bones will narrow down when the deceased were buried. Right now, the ca. 500 A.D. dating is an estimate based on the reused brick materials and the construction techniques in the more structured tombs. Borrowed architectural elements may have come from a nearby Roman settlement — the Roman village of Bedriacum was discovered five miles away in 1836 — and may have taken place later than the 6th century as Roman building materials were actively recycled in the early Middle Ages as well.

The tombs have now been removed and transported to a secure location for study and conservation. There’s already talk about creating a museum or archaeological park dedicated to the San Martino ancient cemetery. Excavations will continue in the hope of discovering more of the cemetery and perhaps the settlement that may have been the source of the tile used to craft the tombs.

Will reveals existence of Marco Polo’s daughter Agnese

Researchers at the State Archive of Venice have discovered that the explorer Marco Polo had a previously unknown daughter named Agnese. The sole surviving record of her existence is a fragment of her will. It is dated July 7th, 1319, and names as fideicommissarii (executors) her husband Nicoletto Calbo, her father Marco Polo and another relative, Stefano Polo.

“Agnese’s testament,” says [Ca’ Foscari University researcher] Marcello Bolognari, “depicts an intimate and affectionate portrait of family life. She mentions her husband Nicolò, known as Nicoletto, as well as their children Barbarella, Papon (i.e. “Big Eater”) and Franceschino. The diminutives that she used to refer to her children tell us that this young mother wanted to leave something behind for her husband and children, but also — as the document shows — for the children’s tutor (magister) Raffaele da Cremona, their godmother (santola) Benvenuta, and the maid (famula) Reni.”

Before this discovery, Marco was recorded as having had three daughters — Fantina, Bellela and Moreta — with his wife Donata Badoer, but Agnese’s birth predates his marriage in 1300. Marco Polo returned to Venice from his epic voyage east in 1295. He was taken prisoner in 1298 after a naval battle between Venice and Genoa and was released from Genoese prison in 1299, so there is a very brief window for Agnese’s possible birth year.

As far as we know, he only married the one time, which might explain why Agnese was kept so firmly on the down-low that we only found out about her 700 years later. That’s not to say she was necessarily born out of wedlock. Her will does not mention a mother, but it’s possible the mother may have died when Agnese was a baby, leaving Marco a widower. If they were married, however, there are no known records of it, nor is there evidence of Marco raising his first daughter with her stepmother and half-sisters. We know from her will that she did live in the same neighborhood (the contrada or parish of St. John Chrysostom Church) as her father and the rest of the extended Polo family.

Marco died less than four years after Agnese wrote her will. He had a will drawn on up while he was on his deathbed, appointing his wife and their three daughters co-executors. His will was detailed with several individual bequests. Agnese is not named. Again, that doesn’t necessarily imply a secondary status, given that she was sick enough to write a will in 1319 when she was in her early 20s and in all likelihood died before her father’s final illness.

It’s only a slight tangent to note that issues related to Marco Polo, his daughters and wills come up in a big way in the Venice state archives later in the century. In 1366, Fantina, Marco’s eldest daughter with his wife took the family of her deceased husband to court for stealing the vast sums she had inherited from her father who had returned from the court of Kublai Khan absolutely laden with riches and made even more upon his return working in the family trading business.

The inheritance was not marital property — a rare jolt of economic autonomy for a married woman at the time — but her snake of a husband Marco Bragadin just snatched it out from under her and then had the gall to leave “his” wealth to his snake family. They refused to return it to her and entrusted it to the custody of two Venice magistrates acting as administrators of the late Marco Bragadin’s assets.

Fantina, who by then was 65 years old, was not having it. Defying her powerful in-laws and the magistrates who obviously now had a huge vested interest in seeing Fantina continue to be cut off from her inheritance, she and her lawyer presented her father’s will, a full inventory of his treasures and all the evidence that they had been stolen from her to judges Marco Dandolo, Giovanni Michiel and Natale Ghezzo. The Polo inheritance recorded in the records of the suit includes 40 horse silks, six silver belts, 12 carpets, bolts of Chinese silk, 16 garments in vermillion silk woven with gold thread, 91 other silk garments, a bag of cashmere, 537 chests with amber beads, a large gold table, rings of gold, silver, ruby and turquoise, a sack of aloe wood and one piece of silk described as “almost changing color.”

After a long court battle, the judges ruled in her favor, not just against the Bragadin family, but against their fellow magistrates, the estate administrators Andrea Contarini and Niccolò Morosini. The Bragadin’s had to reimburse her in full for her purloined inheritance and Contarini and Morosini had to pay her legal costs in the amount of nine gold ducats.

Henry III gold penny sells for $873,000

An extremely rare 13th century gold penny of 20 pence minted by King Henry III discovered last September by a metal detectorist has sold at auction for £648,000 ($873,000), far exceeding the pre-sale estimate of £400,000 ($546,000). It is one of just eight documented examples of the gold penny, four of them in museums.

The coin was found in a field in the village of Hemyock in Devon by Michael Leigh-Mallory, a metal detector aficionado who had just returning to the hobby after stopping for a few years when his children were born. He reported his find to the Portable Antiquities Scheme, but he didn’t realize how important the coin was until he posted a picture on Facebook and it was recognized by numismatist Gregory Edmund of auctioneers Spink & Son.

The penny depicts the crowned and enthroned king holding a scepter and globe on the obverse. It is inscribed “H / ENRIC / REX III” . The reverse features a long voided cross with five-petal rosettes and three pellets in each field between the cross arms. It is inscribed “WIL / LEM / ON L / UND,” referencing the name of the moneyer Willem of Gloucester (also known as Willem Fitz Otto) and the London mint where the coins were struck in 1257.

Henry III’s penny was the first gold coin issued by a king of England since Edward the Confessor (1042-66). Edward’s gold coins were more like medallions, however, intended for use as presentation gifts. Henry’s gold penny was an actual circulation coin valued at 20 pence.

About 52,000 gold pennies were minted, but they did not get much use because they were widely believed to be undervalued, that the gold weight alone was worth more than the struck coin. They were soon withdrawn from circulation and a decade later Henry bought back the coins for 24 pence each and melted them down. No more gold coins would be minted in England for circulation until 1344 in the reign of Edward III.

The winning bidder is a UK private collector who has chosen to remain anonymous. The good news is he plans to loan the coin permanently to a museum.

14th c. painted burial vault raised

One of the 14th century painted burial vaults discovered last year under the street in front of the Church of Our Lady in Bruges, Belgium, has been lifted whole and moved to a new location for conservation and eventual display. Similar vaults found before in Bruges were filled with lightweight clay aggregates to preserve the interior wall paintings and reburied for their own protection, but the most recent discoveries have to be moved due to the planned construction of a new pumping station on the street where they were found.

Raising a 700-year-old masonry vault presents numerous  logistical challenges. They were built to order, as it were, hastily constructed so that a body could be buried within 24 hours of death. The lime plaster coating the interior was painted when still wet and quickly sealed. Past attempts to raise burial vaults have failed and damaged the priceless paintings, so the City of Bruges created a multi-disciplinary committee of scientists, archaeologists and specialist conservators to coordinate the removal of the best-preserved vault first.

The wall paintings were fixed using Japanese rice paper to prevent plaster loss. While conservators were working on the interior, the exterior base was reinforced with a new poured concrete slab to make it possible to lift the entire vault even in cold, wet and windy weather without the bottom falling out of it.

The vault is now inside the Church of Our Lady where it will be meticulously conserved. The restoration process begins with a controlled drying period. It is a Goldilocks situation. The temperature and humidity levels must be strictly maintained to ensure the tomb doesn’t dry too quickly (because the paint will flake off the contracting walls) or too slowly (because mold will form).

It will be conserved in public view, pandemic permitting, in the church museum where it will go on permanent display when the restoration is complete.

Here’s a time-lapse video of conservators working on the vault before it was raised.

Stick with Norse and Latin runes found in Oslo

The excavation of the Medieval Park in Oslo where the falconer figurine was discovered last month has unearthed two more rare artifacts: a large bone inscribed with Norse runes, and a stick with runic text in Norse on one side and Latin on the other.

The bone is from a large domesticated mammal (probably a cow or a horse) and is believed to be rib. It is carved on one side with 13 clearly visible runes. The other side is also carved with runes, but they are worn and difficult to read. It has not been radiocarbon dated yet. Comparable rune bones date to between 1100 and 1350.

The rune stick is flat and has writing on both long sides and one edge. It is broken at both ends so is likely missing some of the text. The grain and damage to the wood makes the runes that have survived challenging to interpret.

The legible text of both pieces has been interpreted by Runologist Kristel Zilmer from the Cultural History Museum, University of Oslo. The bone’s runes read “basmarþærbæin,” which could be a name or nickname. It could also be a self-reference, as “bæin” means bone in Old Scandinavian, so the word may be describing the object, much like the runes found on a comb in Denmark which spelled out “comb.”

The rune stick features both a prayer and a personal name.

On one of the broad sides, there are two latin words: manus and Domine or Domini.

Manus means hand, and Dominus means lord, or God. The words are found in a known latin prayer: “In manus tuas, Domine, commendo spiritum meum”, meaning “Into thy hands, O Lord, I commend my spirit”. These are words traditionally attributed to Jesus as he was crucified.

The short side of the stick may be a continuation of the prayer, Zilmer explains. The first rune is difficult to pin down without a microscope. So far it can be read in different ways. […]

It is possible that it says “it is true”. If so, then the prayer is similar to one found in the Urnes stave church: “Hold thy sacred Lord hand over Brynjolvs spirit. This be true”.

The female name Bryngjerd is also inscribed.

After her name is a damaged section that appears to include the verb “fela” which means both to hide and to surrender. The latter interpretation could suggest that Bryngjerd surrendered her life in the service of God.

The combination of Latin and Norse on the stick is a fine example of the complexity of runic script even among the general population. Latin literacy was not solely the province of the clergy in medieval Norway.

The stick was found in a waste layer while the bone was on the southern end of the site, one of the oldest sections. Dates are difficult to derive from the archaeological context, but comparable finds, the carving style and the use of certain characters point to a date of between 1100 and 1350.