Awesomely named MEGA — Middle Eastern Geodatabase for Antiquities — the database uses Google Earth satellite images and archaeologist field reports to catalogue over 10,000 ancient sites in Jordan. Some of the information was available in a local Jordanian database, but it wasn’t web-based and was clunky to browse and update. Now anybody in the know can easily record any news about a site’s condition, from encroaching development, looters, environmental threats, whatever is relevant.

Obviously real-time updates are not going to stop someone from looting a site, but it will help authorities track problems almost as soon as they happen, and get a better idea of how to apportion protection and conservation resources.

It was the devastation of Iraq’s archaeological sites in the wake of the US invasion that actually inspired this project. The looting of the National Museum in Baghdad got much of the attention at the time, but the Getty thought they could devise a database to help authorities cope with the archaeological sites being destroyed by looters. Unfortunately, the chaos in the country over the next few years kept the Getty from being able to work with local Iraqi experts, so the project never got off the ground.

“The idea of shipping a couple of big computers to Iraq and hoping that they would get there and that it would all work just seemed too crazy,” said Alison Dalgity, a senior project manager at the Getty who helped develop MEGA.

And so the institute accepted an invitation from Jordan to develop the system there first, a plan that coincided with a sea change in Web-based mapping tools and the rise of open-source software, meaning that the system could exist on the Web and be built and updated cheaply.

It’s not even live yet, but already Jordanian authorities are so delighted with the database that they’re considering opening it to everyone, not just authorized experts but tourist schmoes like the rest of us. Jordan isn’t exactly comfortable with open information sharing when it comes to official government data, so it says a lot that they’re seriously considering upending their customary attitude towards transparency to share the wealth of their archaeological sites.

Jordan’s experience with MEGA might be something of a template for Iraq and other antiquities-rich countries. Change the Google settings and the names, and then it’s just a matter of data entry.

A court has arrested and charged five of 10 people detained in the raid, the state-run Anatolia news agency reported.

Anatolia, which was allowed to enter the tomb, said the suspects had dug two tunnels — 6 and 8 yards long — from the house and an adjacent barn, leading to the tomb that is buried about 10 yards deep.

They used sophisticated equipment to drill through the thick marble walls of the tomb and were working to remove the coffin from the underground chamber.

So I gather then that the tomb is a marble structure, not just a grave. Maybe it was an inspiration for his son Mausolos’ famous excess.

Culture Minister Ertugrul Gunay noted that these looters weren’t some fly-by-night amateurs with shovels. They had funding and access to specialized equipment. Turkey intends to follow the money, investigating any potential international links. Gunay has also ordered further digs on the site and in nearby areas.

It was for King Mausolos that a tomb was built which was so large and lavish that it would become known as one of the Seven Wonders of the Ancient World. In fact, it was so wondrous that they named that whole category of grandiose tombs after Mausolos.

His father King Hekataois, also known as Hekatomnus, was a satrap of the Persian empire, but his success on the battlefield carved out an autonomous kindgom in Caria, a kingdom ruled by his descendants for 50 years, until Alexander swept through on his way to conquering the world.

So far what’s been found is a large tombstone that dates to 390 B.C., but who knows what else is on the site. There is some damage on the stone already, some caused by humans trying to dig it up in God knows what atrocious way, some by time.

“Even with its damaged parts the tomb stone is one of the most important archeological discoveries of all times. It has a very rare and precious workmanship.”

“The tomb stone could be as precious as Great Alexander’s, which is exhibited at the Istanbul Archeology Museum,” said [Undersecretariat of Culture and Tourism Ministry Özgür] Özarslan, adding that the relic first had to be saved. “The Ministry of Culture and Tourism will deal with that issue,” he said.

“The tomb stone has a length of 2.75 meters and a width of 1.85 meters,” said Culture and Tourism Ministry Properties and Museums Managing Director Murat Süslü.

The declared purpose of the law is to recover undocumented patrimony and to allow it to be catalogued. In reality the law will end up being an enormous boon to looters and organized criminals, the so-called “archaeomafia,” involved in illegal digging and international trafficking of antiquities.

We’re not dealing here with the remittance of the common earthenware jar or ceramic pot that a farmer happened to unearth in his field or that an enthusiast has misguidedly acquired, but of an indiscriminate legalization of archaeological antiquities from clandestine excavations, unethically removed from the collective archaeological record with irreparable harm to the finds themselves, especially in terms of provenance. [...]

The antiquities thus “legalized” will also probably be allowed to be bequeathed in wills or even sold. The department of cultural heritage will only have the power to contest the declared value of the artifact and request the difference.

Thus overnight, the law will officially transform looters and the “archaeomafia,” which the current legal system condemns and prosecutes, into collectors and managers of cultural heritage, who with the antiquities they have robbed from the public patrimony, can engage, legally, in commercial activities and with museums and art galleries.

Enjoying that chill running up and down your spine?

Similar laws have come up in the Italian legislature before, but they were always defeated by the subsequent uproar from the archaeological community and supporters. This time things were scarier because instead of being proposed as a law unto itself, it was a measure attached to the budget, and legislators tend to pass budgets no matter what heinousness lies within.

There is good news, however. The Italian National Association of Archaeologists (ANA) has raised hell and the story got traction in the Italian press and all over the Internet. There’s a Facebook group protesting the measure and an online petition. (The text of the Facebook page and the petition is the same as the open letter I link to and quote above, just fyi.)

In the space of just a few days, the ruckus has forced a retreat. The parliamentary majority has said they will not add the archeo-remittance measure to the state budget. Assuming they actually make good on that, the acute danger will settle into a chronic one. The measure will remain in the pipeline as proposed bill, so the ruckus must remain loud to keep the scoundrels from making this monstrosity law.

Ukraine’s Interior Minister Anatoly Mogylyov said that investigations have linked this gang to 20 other major art thefts in the Ukraine, and 20 suspected members of the gang have been detained there. The ministry is filing for extradition of the alleged thieves arrested in Germany.

The German newspaper said police in Germany detained three Ukrainian nationals and a Russian when they attempted to hand over the painting to the buyer.

The painting was brought to Odessa at the beginning of the 20th century. It was long believed to be a copy of a Caravaggio, but the authenticity of the work was established in 2005 while the canvas was on exhibit in Spain.

Soviet experts had declared it authentic in the 1950’s, but the attribution was still questioned until it went on tour in 2005. It was restored in 2006, although from the looks of it it’s going to need a whole new round of tender loving care after how the thieves manhandled it.

The painting, known as “The Taking of Christ,” or “The Kiss of Judas,” was stolen 2 years ago from the Museum of Western and Eastern Art in Odessa, Ukraine. The thieves broke into the museum through a window at night, removed the glass pane shielding the canvas and cut it out of the frame, all without setting off a single alarm. It was major loss to the museum and to the Ukraine. It was their only Caravaggio and the single most valuable painting in the country, worth tens of millions of dollars.

There is another copy of the same painting in Dublin’s National Gallery of Ireland. It too is thought to be in Caravaggio’s hand, but it’s hard to say.