Spain was displeased, to put it mildly. Odyssey claimed the find was made in international waters in full compliance with the United Nations’ Law of the Seas, but since they refused to reveal the wreck site and pleaded ignorance about the name of the ship, Spanish authorities got suspicious. They filed suit against Odyssey Marine in a federal courthouse in Tampa, demanding that the company reveal everything it knows about the wreck so Spain could claim ownership, and they got a Spanish court order to seize Odyssey ships around Gibraltar and search them for historical artifacts.

The case has been winding its way through the legal system ever since then. In 2009, a Florida judge declared that the “Black Swan” was the Nuestra Señora de las Mercedes, a Spanish frigate sunk by the British off the coast of Cape St. Mary, Portugal in 1804, that Odyssey had specifically set out to find the Mercedes and had succeeded, and that Spain was the rightful owner of the recovered treasure. Odyssey’s claims of ignorance did not impress.

The judge argued that the coins, all dated prior to 1804, matched the Mercedes’ haul of mainly silver coins minted in Lima – part of a haul being brought back to finance Spain’s European wars. He also said cannon found there matched those on board the Mercedes.

“The debris field’s location, coins, cannons, and artefacts persuasively match the Mercedes’s historical record,” the judge said.

“That Odyssey, which set out to discover the Mercedes, found this mix strewn about in an area a few football fields square where the vessel met its explosive ending makes the conclusion even more compelling.”

Judge Pizzo also ruled that Peru, which had filed a suit of its own in 2008 claiming the treasure because the coins were made from Peruvian gold and silver, did not have a valid claim because there was no nation of Peru in 1804.

Odyssey appealed the ruling. Now a federal circuit court judge has upheld Judge Pizzo’s decision, giving Odyssey Marine 10 days to return the loot to Spain. Odyssey will doubtless appeal to a higher court next, so this story isn’t over yet, but they’ll run out of courts soon enough.

Don’t worry about Odyssey, though. They just made a sweet deal with the British government and the Maritime Heritage Foundation to recover the wreck of the HMS Victory which an Odyssey team discovered in 2008. This is the predecessor of Admiral Nelson’s famed vessel; it went down in a storm in 1744 carrying four tons of gold.

The terms of the agreement ensure that all of Odyssey’s costs will be reimbursed and they will in addition receive a percentage of the market value of any recovered artifacts. If the Maritime Heritage Foundation chooses, they will get paid in artifacts rather than cash, but Odyssey prefers cash.

Odyssey will receive the equivalent of 80% of the fair value of artifacts which were primarily used in trade or commerce or were private property and bear no direct connection to the construction, navigation, defense or crew of the ship, such as coins or other cargo.

Odyssey will receive the equivalent of 50% of the fair value of all other objects typically associated with the construction, crewing and sailing of ships including, but not limited to, the ship’s hull, fittings, fasteners, construction elements, clothing, organic remains, foodstuffs, cooking utensils, pottery, weapons, ammunition, ground tackle and navigational equipment.

For any private property including coins or other cargo administered through the Receiver of Wreck, the Foundation has agreed that Odyssey shall receive 80% of the value.

So yeah, they’re doing okay.

This particular barn design, a long nave with a high roof supported by rows of posts, requires a great many internal braces to ensure the wind doesn’t knock it down. Those exposed buttresses and the central nave with side aisles and bays give the structure a cathedral-like look, and in fact the construction techniques required to build this barn were also used in the building of cathedrals at that time. It’s likely that Master Kypping’s crew included experienced cathedral builders. No wonder, then, that Poet Laureate and passionate historical preservation advocate Sir John Betjeman dubbed Harmondsworth Great Barn the “Cathedral of Middlesex.”

The building used to be even bigger, but a north wing was demolished in 1774. It had a close encounter with a German bomb during World War II, but survived with just a few roof tiles askew. The barn was granted Grade I listed building status — the same grade as Buckingham Palace and the Houses of Parliament — in 1950, and then designated a Scheduled Ancient Monument on top of that. It continued to be used for agricultural purposes until the 1970s when the encroaching sprawl of London made it the only Medieval barn in the area to survive its absorption into the west London suburbs.

In 1986, the barn was purchased by property developers the John Wiltshier Group who planned a full restoration. When the John Wiltshier Group went into receivership in 2006, the receiver offered the barn to the National Trust, English Heritage and Hillingdon Council for a token £1, but amazingly all three declined to purchase, probably intimidated by the daunting process of dealing with a Scheduled Ancient Monument (every change, even necessary repairs to a leaking roof, say, requires a literal act of Parliament) and the large sums of money they’ve had to spend every year to maintain such venerable carpentry.

Instead, in 2006 a shady anonymous offshore trust registered in Gibraltar and named Harmondsworth Barn Ltd. purchased the barn for £1 and proceeded to do nothing at all to it. They let it rot and closed it to the public except for one open weekend a year. English Heritage wrote them increasingly concerned letters about the condition of the barn, even going so far as to offer them grants to help fund necessary repairs. Harmondsworth Barn Ltd. didn’t respond. It seems their sole interest in the property was how a proposed expansion of Heathrow Airport would bring a new runway just yards away from the barn. If the Heathrow build had gone through and the barn had been damaged or demolished, then the owners would have been due compensation.

The airport expansion plans were abandoned. Obviously the “investors” didn’t exactly spend big money to buy the property and they certainly had no interest in spending the tens of thousands of pounds a year required just to keep a 15th century barn from falling apart. Finally last year English Heritage got the barn delisted as a Scheduled Ancient Monument smoothing the way for them to step in and save the day. Those dirty offshore rats actually had the testes to protest the delisting because they preferred to keep their £1 investment in a state of increasing decay.

English Heritage immediately spent £30,000 on emergency repairs, primarily to the roof which had holes in it from slipped and broken tiles. They also did some repair work to the weatherboard siding, most of which is also original, a very rare thing for barn siding.

Once the worst holes were plugged, EH took Harmondsworth Barn Ltd. to court to recover the public moneys they were forced to spend. Again the offshore corporation protested and rejected any attempts to settle out of court. Almost a year later, a settlement has been reached: English Heritage pays £20,000 to Harmondsworth Barn Ltd. and becomes the new owner.

Last week, English Heritage, which sees the purchase of the Great Barn as a welcome victory after a long series of drastic cuts in its budget, told the Independent that the building is “a supreme example of late-medieval craftsmanship – a masterpiece of carpentry containing one of the best and most intact interiors of its age and type in all of Europe”.

English Heritage will be handing over the running of Harmondsworth’s Great Barn to members of local campaign group The Friends of the Great Barn at Harmondsworth. It is expected to be open to the public from this April.

I can’t help but resent that those land speculator groinpulls managed to convert their single pound into 20,000 despite their shameless and deliberate neglect of the place. I bet English Heritage wishes they’d fished through their couch cushions for that pound back in 2006.

The islet is the tiny, rugged tip of an underwater volcano, and the only humans living there are one official caretaker and his family. Sights include an 18th century villa and the ruins of a 7th century A.D. monastery dedicated to Saint Mamilian of Palermo, a 5th century bishop who slew a dragon on the island and changed its name from Montegiove (“Jupiter’s Mountain”) to Montecristo (“Christ’s Mountain”). Very few tourists get to see them, however, since the island can only be reached by private yacht and only 1000 travel permits a year are issued.

Those few boats — and perhaps many others before them over the centuries — have carried an even more pernicious kind of tourist: the black rat. As they so often do, the rats have made a cozy home for themselves on Montecristo, breeding lustfully and invading every niche of the delicate islet ecosystem. There’s an estimated one rat per square meter.

Italian and European government agencies are planning to solve this problem by nuking it from orbit. It’s the only way to be sure. Okay, not exactly, but the scheme is almost as cockamamie as that. The National Park, the region of Tuscany, the Italian Ministry of Agriculture and the European Union announced that starting at the end of January, they will fly airplanes over Montecristo and drop 26 tons of pesticide pellets to kill all the black rats. They plan to use brodifacoum, an anti-coagulant poison often used as a rodenticide which is classified as “extremely toxic” for its devastating effect on mammals, birds and fish.

How do they plan to ensure none of the pellets miss the tiny tip of the volcano in the middle of an island chain national park, and having ensured this, how did they plan to ensure that only the invasive rats eat them instead of the native fauna? They have top men working on it right now. Top. Men.

Director [of the national park authority] Franca Zanichelli defends the project. “Nobody wants to poison the island,” she explains. “The project, prepared by experts, involves the use of 26 tons of food pellets, similar to that used to contain the rats everywhere, consisting of edible cereal feed which inside holds a fraction of a percent of the active poison. The baits, which can not be placed off the ground to the inaccessibility of the rugged interior, will be distributed by air with a special funnel provided by another protected area in Sardinia that has already performed a similar operation. Rat exterminations were performed with similar success in smaller Giannutri [, the southernmost islet in the Tuscan Archipelago].

Ecological groups, anti-vivisection organizations and former world champion dive fisher Carlo Gasparri (a native of Elba, home of Napoleon’s first exile and the largest island in the archipelago) vocally oppose the plan and have requested a halt to the project pending an official government investigation. Gasparri believes rats should be eradicated using a less toxic product that doesn’t persist in the environment for years, accumulating in animal tissues, tainting the food chain for God knows how long.

Fiorella Ceccacci Rubino, a representative from the ruling center-right People of Freedom party, has introduced a parliamentary inquiry on the merits of the plan, submitting that a less environmentally damaging method should be used.

P.S. – The top picture is from the phenomenal anime science fiction version of Dumas’ immortal novel, Gankutsuou: The Count of Monte Cristo. Although there are of course a number of major departures from the original, this is the only filmed version of the book I’ve ever seen that does the novel justice. If you love the book, like me, and if like me you’ve seen every live action movie version only to be disappointed, even renting the late 1990s French mini-series hoping that at least Dumas’ countrymen would respect the genius of his plot, pacing, and characterization only to stare in undisguised horror at Gerard Depardieu playing the starved and driven-to-madness Edmond Dantès in the Chateau d’If pretty much like he played Obelix, then Gankutsuou can make you whole again.

The head belongs to a statue of Flavia Domitilla Minor, the daughter of the emperor Vespasian and sister of emperors Titus and Domitian. The statue was excavated from the UNESCO World Heritage archaeological site of Sabratha and was on display at Sabratha’s Roman museum in 1990 when thieves broke the head off of the body and absconded with it. (Some of the news stories are saying it was stolen in the 1960s, but I think that’s just one of the AP’s trademark typos getting passed around like a game of telephone.)

It turned up last year as lot #261 of the April 14 Antiques sale at Christie’s London. I will give you one guess as to the provenance they claimed on the piece. Oh yeah. It’s our old friend the Swiss private collection. They removed the lot from their website after they got busted, but this article quotes their original lot notes: “private collection, Switzerland, circa 1975; acquired by the present owner in Switzerland in 1988.” It was still attached to its body in a Libyan museum in 1988. Such a blatant lie.

London-based Libyan archaeologist Hafed Walda saw the lot before the auction and alerted Christie’s that it was the Domitilla head stolen from the Sabratha Museum. They ignored him and sold it to an Italian buyer for £91,250 ($142,000). Archaeologist and brilliant blogger Dorothy King also tried to get Christie’s attention but they blew her off too.

My experience of Christie’s is that that’s par for the course, but just in case … I knew they couldn’t give me the buyer’s details, so I asked the head of department, Ms Georgina Aitken, to pass mine on to the buyer as I had some information about the history of the piece. Ms Aitken said she would not do so unless I told her what the information was. I briefly explained that there was evidence to suggest that the head might have been looted and that the provenance was faked, and that Christie’s were aware of this and did nothing. There are more chances of pigs flying than of this information being passed on to the buyer.

Said buyer took his purchase home only to voluntarily relinquish it a few months later to the Carabinieri Art Squad. Christie’s had the audacity to respond thus:

A Christie’s spokesman said: “Additional information was brought to our attention after the auction. We subsequently cancelled the sale and are assisting all relevant bodies with the return of this object.”

See how weaselly that “additional information” bit is? Because Hafed Walda told them where that head really came from before the auction so they couldn’t say they had no idea they were selling stolen goods again. No, they just got additional info long after the fact, you see, that really clinched it for them. Please. Anyway they just reimbursed the buyer and that’s the end of that. No consequences. This is why they keep selling artifacts from “Swiss private collections” over and over again, even when there’s hard evidence that they were stolen.

To close on a less enraging note, here’s a fun fact about Flavia Domitilla Minor: she died at just 21 years old three years before her father Vespasian became emperor in 69 A.D. Twelve years after that, her younger brother Domitian became emperor. He deified her and granted her the title of Augusta.

Her daughter Flavia Domitilla converted to Judaism/Christianity (the Talmud claims the former, Eusebius the latter) and was exiled to the island of Pandataria by her uncle Domitian for her “atheism” which included a refusal to worship her own mother along with the rest of the imperial family and traditional Roman pantheon. She is now a Christian saint and her former property is the exquisite catacomb of Santa Domitilla.

Authorities are keeping mum on the details while the investigation is ongoing — the vicar’s name is not being released because he is terrified of drawing attention to himself — but we know that among the stolen pieces are paintings by 18th-century Venetian master Canaletto. The total value of the stolen works is well into the millions of dollars. No word on what the rest of the vicar’s collection was worth before they took a hatchet to it, but he’s been an avid collector and a fixture at auctions for decades.

A source said: “This robbery was well-planned and ruthlessly executed. They had possibly been watching the house for months, watching the major art sales where the victim was well known.[...]

The Irish Daily Mirror understands the two men worked with a third party to assist them with the robbery. A source said: “They were on the phone to someone outside the house and from what I understand they used a hi-tech phone to show the third party which pieces were in the house.

They wanted to know which were most valuable because those are the ones that were stolen. There was a lot taken, an awful lot.

“This was a horrendous experience for the victim and it was carefully planned and executed.”

The thieves also stole the victim’s contact books which had personal information about a number of other high end art collectors, including scions of the Guinness family and Edward Haughey, Baron Ballyedmond, the richest man in Northern Ireland. All the people in the book have been alerted to the theft and advised to increase their security.

Two similar thefts took place in the same county two years ago. The Police Service of Northern Ireland and Ireland’s national police force, An Garda Siochana, are investigating any connection between the crimes.