Indy, Rockwell and WWI veteran unemployment

Norman Rockwell's first Collier's cover, 'War Hero Job Hunting'A couple of months ago I wrote about an original Norman Rockwell oil painting that had been brought in for appraisal to the Antiques Roadshow in Eugene, Oregon. The painting of a poor young girl dressing up as a fine lady would be published on the cover of Collier’s magazine on March 29, 1919, after The Saturday Evening Post (and every other mag of decent circulation) had rejected it. I noted that Rockwell’s first Collier’s cover, “War Hero Job Hunting,” had also been rejected by other publishers as too controversial a subject.

I asked:

Norman Rockwell’s first Collier’s cover illustration depicts a uniformed World War I veteran being welcomed home by his father and little brother. I’m not sure why it was controversial enough to get rejected by the bigger magazines. The war wasn’t officially over yet — the Versailles Treaty would officially end the war on June 28, 1919 — but armistice had been declared on November 11, 1918, so troops were already coming home and looking for civilian work. Maybe they thought the title implied something malicious, like the war hero is a slacker, or that it described a social problem of veteran unemployment?

Yesterday, while researching the post on the Indiana Jones map, I got my answer. It’s the latter. Disabled American Veterans, the organization artist Matt Busch will be donating the map proceeds to, was founded as the Disabled American Veterans of the World War (DAVWW) on September 25, 1920 to support soldiers who had been injured fighting in World War I and who returned home facing immense physical, psychological and bureaucratic hardships.

Certificate given to all WWI veterans wounded in action, by E.H. Blashfield, commissioned by Woodrow WilsonAmong many other accomplishments, the DAVWW advocated consolidation of veteran’s programs currently spread out under the jurisdiction of three agencies, the Bureau of War Risk Insurance, the Public Health Service, and the Federal Board of Vocational Training. It was DAVWW lawyers who got a bill passed establishing the Veterans Bureau, later renamed the Veterans Administration, the predecessor of today’s Department of Veterans Affairs.

Medical advances allowed a great many more disabled veterans to return from Europe rather than die on the field as had been so often the case during the Civil War. They couldn’t just go back to their old jobs, though. Some of them were no longer physically able to do what they had done before, some had psychological challenges from the trauma of war, and all of them faced a collapsing economy. Within six months of armistice (November 11, 1918), 2,000,000 soldiers were released from military service, flooding the country looking for work.

DAV emblem, inspired by "Columbia" certificate and officially authorized by Wilson and BlashfieldAt the same time, factories that had been working at full pitch producing weapons, ammunition, uniforms, vehicles, all the complex requirements of wartime industry that had provided more than enough employment to anyone not fighting, shut down production overnight. As Secretary of the Interior Franklin Lane wrote in a letter to his brother George on January 30, 1919:

The one thing that bothers us here is the problem of unemployment. We have not, of course, had time to turn around and develop any plan for reconstruction. Our whole war machine went to pieces in a night. Everybody who was doing war work dropped his job with the thought of [the Paris peace conference] in his mind, with the result that everything has come down with a crash, in the way of production, but nothing in the way of wages or living costs.

In an attempt to forestall the looming issue of unemployable disabled veterans, Congress had passed the Smith-Sears Veterans Rehabilitation Act on June 27, 1918. The bill established a vocational training program for injured soldiers while providing them with a stipend to live on while they learned a new trade. It was inspired by a number of popular state programs that retrained workers injured on the job, was the first federal statute to define legitimate disability, and was the precursor to the Americans with Disabilities Act, as well as the precursor to the far more successful G.I. Bill that would be passed after the next world war.

WWI amputees at a Red Cross event in 1919Unfortunately, the Veterans Rehabilitation Act did not provide the support necessary for the vast majority of disabled veterans. Thanks to an economy that had lost 43% of GNP by the end of 1918, the program was underfunded and swamped by the great numbers of soldiers returning home. Its requirements were also incredibly arcane. All the forms and hoops veterans had to jump through to enroll in the program were major challenges in a society that was still widely illiterate, and of the 675,000 who did apply less than half completed their training. A full 345,000 applicants were denied tout court.

The New York Evening Post, as conservative then as its descendant the New York Post is now, ran a series of articles by Pulitzer Prize-winning reporter Harold A. Littledale exposing the vast panoply of horrors experienced by veterans applying to the Federal Board of Vocational Training for support under the Rehabilitation Act. In December of 1920, Congressional hearings were held to investigate the board. You can read the full transcript of the hearings online, courtesy of Google Books, or just follow the link to a letter written by a veteran describing his brush with bureaucratic hell.

All these unemployed, increasingly desperate, war-hardened soldiers made people antsy. The Russian Revolution of 1917 had proved that socialism was no distant it’ll-never-happen-here fantasy, and an army of 2,000,000 — even missing a few thousand limbs — was a terrifying prospect to many. Here’s one example of that terror in a June 1921 New York Times article about the Industrial Workers of the World targeting unemployed veterans for their filthy red propaganda. Just a month later, another NYT article describes veterans as “storming” the Welfare Building in Bridgeport, Connecticut, demanding city jobs.

One fellow, Sergeant J.A. Kirk of the 117th Engineers of the Rainbow Division of San Diego, California, in March of 1919 proposed an interesting solution to the problem of widespread veteran employment: move them all to Baja California.

“I suggest a scheme by which we can all become independent. I propose that the 2,000,000 men or more who went to Europe to form ourselves into an organization, with sufficient capital to purchase Lower Callifornia. I am familiar with this undeveloped land, capable of a population of not less than 5,000,000 people which contains at present not to exceed 5,000.

“It has a climate that is unexcelled. It offers to the seeker after health or wealth the opportunity of no other country in the world. This great peninsula is wonderfully rich in gold, silver, copper, tin, onyx, marble and sulphur, none of which has been touched. The west coast of the entire country, lying along the pacific, is the finest citrus fruit country in the world, barring none. Stock raising could be carried on without cost to the owner. Grasses of the nutritious kind grow the year around.

“For agriculture, gardening, poultry, it has no superior. It must, however, be borne in mind that this country is practically virgin. Although it lies contingent to our own country and is only a few hours from San Diego by auto or coastwise boat, it offers to our soldiers an opportunity to pioneer, to build, to create a great State.”

That one didn’t pan out, I can’t imagine why.

So when The Saturday Evening Post‘s conservative editor George Horace Lorimer turned down Norman Rockwell’s “War Hero Job Hunting,” he wasn’t rejecting a wholesome image of a handsome returning hero being welcomed home by his proud father and awed little brother. He was rejecting socialism, revolution, and best case scenario, the prospect of 2,000,000 men suckling at the government teat.

The Archaeological Discoveries of Prof. Henry Walton Jones, Jr., Ph.D.

Artist and visionary Matt Busch has created a masterpiece: a complete world map of every ancient artifact discovered by Professor Henry Walton Jones, Jr., Ph.D., aka Indiana Jones. When I saw every artifact, I mean every artifact Indy found in all four movies, all the video games, the Young Indiana Jones TV series, comics and the theme park rides. Everything.

Authorized by Lucasfilm to utilize the trademarked names and graphics of the Indy Jones oeuvre, Busch spent three years compiling the data and painting the map by hand.

There are 36 different archeological artifacts displayed, each illustrated where Indy discovered it, and numbered chronologically. Three legend sections list info on the artifacts, including name, city and country, year, title of the story the artifact was discovered in, followed by symbols. The Key chart lets you decipher those symbols for each artifact to see how the story was presented, be it film, novel, TV Episode, etc… In many cases, these stories have been delivered in multiple platforms. In other words, “Indiana Jones and the Fate of Atlantis” was at first designed as a video game, but later developed as a comic book, too…

In each of the four corners, Busch illustrated an exotic stone relief carving, each representing a cultural motif from one of the four Indiana Jones feature films.

The maps are movie poster size (2 feet by 3 feet) so you can use ready-made frames and spare yourself the hundreds of dollars in custom framing costs. Each poster sold will be signed and numbered by the artist, and this is a big deal because the print run is extremely limited. Only 255 of these maps have been made. Once they’re sold out, that’s all folks.

You can purchase your print on Matt Busch’s site for $59.95. All the proceeds will be donated to Disabled American Veterans, a non-profit organization that provides, among many services, physical and psychological rehabilitation for disabled veterans, food and shelter for homeless vets, transportation, job training, help navigating the VA bureaucracy and support for families.

If that doesn’t whet your appetite, this video by Matt Busch describing how the map came about should do the trick. Teaser: R2D2 helped.

[youtube=http://www.youtube.com/watch?v=rgGyev6nCDU&w=430]

Tomorrow I will relay how the spirit of Indiana Jones descended upon me while researching this post to answer a question I asked in an entry about something else entirely three months ago.

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EDIT: It’s already sold out online. My apologies for the tease. I found the map last night when they were still available and didn’t refresh the page until after I’d posted. 😥 The only way to secure a copy now is by purchasing one in person at the Adirondack ComicFest in Old Forge, New York, November 11-13. Admission is $15 or $23. Veterans get in free on Veterans Day, Friday, November 11.

Was Hatshepsut killed by her skin care regimen?

According to CT scans of her mummy, Egyptian queen and pharaoh Hatshepsut died of metastatic bone cancer in 1458 B.C. She was in her 50s by then, obese, probably diabetic, and had arthritis and bad teeth. (In fact it was a broken molar found in a box with her name inscribed on it that allowed her mummy to be identified in 2007.)

Now researchers at the University of Bonn’s Egyptian Museum have added a chronic skin condition to the list of Hatshepsut’s ailments and the lotion she used to alleviate the heartbreak of psoriasis may be what killed her. The museum has a vessel from her tomb in the Valley of Kings in its permanent collection. It was thought to contain perfume, but after two years of study researchers determined that it contained a skin lotion, and not just a light moisturizer either.

Michael Höveler-Müller, curator of the Egyptian collection, enlisted experts from the university’s radiology department to CT scan to flask. Once they had the lay of the land, Höveler-Müller had a professor from the ear, nose and throat clinic slip an endoscope inside the vessel to extract a sample of the contents.

Dr Helmut Wiedenfeld from the pharmaceutical institute was the next to help out, analysing the contents. It was quickly apparent that it contained palm oil and nutmeg oil. “I immediately thought that no-one would put so much fat on their face,” said Wiedenfeld.

But further analysis revealed that the substance contained many unsaturated fatty acids which are used to treat skin diseases.

“It has long been known that Hatshepsut’s family suffered from skin complaints,” said Höveler-Müller.

The mixture however also include tar residue, a substance now banned in cosmetics because it can cause cancer – but still used on prescription to treat chronic skin diseases.

If Hatshepsut did indeed suffer from a chronic skin condition like eczema or psoriasis, she would have applied that lotion repeatedly over the years thus exposing herself constantly to the same tar residue found in cigarette smoke.

There are no written records of her cause of death. After she died, her stepson and disgruntled co-ruler Thutmose III had references to her kingship erased. His resentment of the woman who had declared herself king early in his reign (some time between the second and seventh years of his taking the throne after the death of his father, her husband and half-brother Thutmose II) and then ruled for 22 years with him as nominal, but powerless, co-ruler, may be the reason her mummy was so hard to find. Howard Carter discovered her tomb in the Valley of the Kings in 1902, but her sarcophagus was empty.

The tomb of her wet nurse, In-Sitre, however, included an unidentified female mummy with one arm posed in the traditional burial posture of Egyptian pharaohs. It was that mummy which was found to have an empty socket in her jawbone that exactly matched the broken molar in the wooden box. The box was found in 1881 along with a cache of royal mummies in a nearby temple and was inscribed with her name. The tooth had probably fallen out during the mummification process.

For sale: 1750s house, medieval skeleton included

A five bedroom, centrally located town house in charming downtown Visby, capital of the Swedish island of Gotland, has just gone on the market with quite the unique selling point: there’s an exposed skeleton in the cellar, perpetually at slumber in his glass-covered grave.

The house was built in the 1750s over the foundations of a Russian Orthodox church which was abandoned in the Middle Ages. The skeleton, dubbed Valdemar by the locals, was a parishioner, probably a Russian, who was buried in the crypt of the church in the 13th century. There’s also another skull in a glassed-in niche in the cellar. Excavations in the 1970s uncovered the church walls and the human remains, and also found evidence of human habitation on the spot going back 4000 years. How’s that’s for a historical property?

“The man is resting in consecrated, sacred ground so his soul definitely rests at peace,” Leif Bertwig, the real estate agent in charge of the sale, told The Local. Therefore no ghosts are listed in the realtor’s description.

“If any prospective buyers would be worried that he will haunt the house they have nothing to fear,” Bertwig said.

Way to scare off the ghost-loving clientele, Leif. You should be draped in ectoplasm and flitting around at showings.

The cellar is not accessible directly from the town house. Four houses, including this one, share a private central courtyard. Valdemar and the remains of the church can be accessed via a spiral staircase in the courtyard. The patio off the living room, a stone cobbled outdoor space featuring the remains of a medieval well, is right above Valdemar’s resting place. You can sip a beverage in front of your medieval well and remember that thou art mortal.

However historically valuable the silent houseguest may be, Bertwig thinks that his underground presence will not affect the final price of the property, with bidding starting at 4.125 million kronor ($652,000).

“It’s definitely not a negative thing, more like a curious detail. Buyers will more likely be attracted to what the house looks like and how it’s built,” said Bertwig.

It looks great. It was renovated in 2000 and has some contemporary elements that jar a little with the beautiful exposed wooden beams and plaster walls reminiscent of Tudor construction, but it still exudes history from every corner.

As an archaeological and a historical home, the property is protected by law. You can’t alter the foundation in any way. You can, however, Leif assures us, take some folding chairs and a table downstairs and enjoy a picnic with Valdemar.

Here’s the listing with a detailed descriptions of all the features and contact information should you have $652,000 burning a hole in your pocket.

British Museum gets in the manga business

The British Museum is publishing a manga — a Japanese comic — about intrepid ethnologist and archaeologist Professor Tadakusu Munakata’s adventures in mystery-solving at the museum. Professor Munakata was created by artist Hoshino Yukinobu in 1995. The first series, The Legendary Musings of Professor Munakata, ran in a monthly comic magazine in Japan until 1999. Five years later Yukinobu picked up the good professor’s adventures in the bi-weekly manga magazine Big Comic as The Case Records of Professor Munakata. That series is still going strong.

In 2009, Yukinobu went to the British Museum to collaborate on an exclusive new Professor Munakata adventure called Professor Munakata’s British Museum Adventure, set in its hallowed halls. They put on an exhibit about the comic featuring Yukinobu’s original artwork and wall-sized reproductions of the Professor’s British Museum adventure.

Professor Munakata’s British Museum Adventure was published in Japan last year, and now it’s finally been translated into English for the rest of us.

Hoshino’s work is blend of science fiction and thriller, layered with a rich mix of western and Asian myth and history. […]

Munakata is also well-versed in the debate surrounding disputed objects such as the Parthenon marbles, the Rosetta stone, and the Benin bronzes. Meanwhile, the Lewis chessmen are key players in the story.

Munakata is against repatriating these objects, praising the British Museum’s history of collecting, and fostering public access. “I am one of many Japanese scholars,” he says, “who have benefited from that generosity.”

Other parts of the story are less cerebral. With Tintin-like sleuthing, the professor foils a bomb threat at St Paul’s Cathedral with megaliths hoisted from Stonehenge. At the British Museum he defeats a looter bent on destruction with a bulldozer.

The graphics are a stylish black and white and feature a series of ten episodes in which the Professor interacts some of the museum’s most famous artifacts like the Lewis Chessmen and the Rosetta Stone.

Professor Munakata’s British Museum Adventure was supposed to be available for sale on May 2 of this year, but there’s been some delay because it’s still listed as a pre-order on Amazon UK with no notice of when it’ll be shipped. In the US, Amazon doesn’t even offer it as a pre-order yet, but it says the publication date is October 31, 2011. You can sign up to be notified when it becomes available.