The Charles Mitchell v. John L. Sullivan draw belt

Title belts in boxing today are the ostentatious displays of official victors, but it wasn’t always thus. In the 19th century, before the rules for title championships were encoded, both the title and the waist accessory were more loosely assigned. John L. Sullivan was considered the first heavyweight champion of the world, even though any consistent standard would give English boxer Jem Mace that honor for his defeat of Tom Allen in 1870. Why not, then, have a belt made to celebrate one fighter’s triumph even when said fight resulted in a draw?

The draw in question was a brutal contest between John L. Sullivan and English fighter Charles Mitchell. Nobody saw it coming. The opponents were evenly matched in some ways. They were close in age (Sullivan was 29, Mitchell 26) and close in height (Sullivan 5’10 1/2″, Mitchell 5’9″). Both had championship titles. Both had winning records, although only Sullivan was undefeated. The big difference was weight. Rarely weighing more than 160 pounds, Charley Mitchell was a welterweight, a middleweight on a good day. John L. Sullivan was a heavyweight who was 190 pounds at his leanest and who regularly crossed the 200-pound mark. (He weighed 238 pounds when he knocked out 170-pound middleweight Jack Burke in 1885.)

The weight of his punch was in keeping with his physique. Sullivan had defeated Paddy Ryan in 1882 to claim the title heavyweight champion of America and kept it for a decade until Gentleman Jim Corbett relieved him of it by knock-out in 1892. Ryan would later describe being hit by Sullivan as feeling as if “a telegraph pole had been shoved against me endways.” Sullivan was expected to knock out Mitchell, who pound for pound was one of the hardest hitters in the ring. Pound for pound being the salient issue. Mitchell had a reputation for being fast and avoiding blows — in his memoirs Sullivan called Mitchell a “bombastic sprinter boxer”) — but despite his proven ability to hit and run, Mitchell was considered simply too puny to take out Sullivan.

Mitchell wasn’t intimidated. Not only did he want this fight, he actively picked it for five years. Mitchell and Sullivan first went at each other in a bout at Madison Square Garden in 1883. Police stopped the fight after the third round, three rounds that Sullivan dominated with one glaring exception: Mitchell had knocked him down in the first round with a left hook to the chin. Sullivan had never hit the floor before in his career and he didn’t take kindly to it. Mitchell vociferously demanded a rematch and one was actually proposed for the next day but Sullivan would not accept it. A rematch was scheduled for June 30th, 1884, but it was cancelled when Sullivan turned up drunk.

The beef was not squashed, only refrigerated. When Sullivan traveled to London in November of 1887 to fight in front of the Prince of Wales, Mitchell taunted him, telling the press that Sullivan was afraid to fight him because he’d knocked him down four years earlier. One reporter described Mitchell as “snarling out challenges to [Sullivan] by the dozen.” Sullivan, who fought more than 50 exhibitions during his two months in England as Mitchell goaded him relentlessly, was livid. He agreed to fight Mitchell on March 10th, 1888.

When this fight took place, bare-knuckle prizefighting was illegal in all 38 states and several countries. Bouts had to be arranged in secret locations and even so were often broken up by the police. Fighters and promoters were regularly arrested and fined, sometimes sentenced to prison. Fleeing the state or country in disguise after a fight was commonplace. The thorny search for a location was resolved when Baron Gustave de Rothschild offered to host the fight on the grounds of his Château de Laversine, a stately home on the banks of the River Oise three miles north of Chantilly in the Picardy region of northern France.

The 24-foot ring Mitchell had insisted on (as opposed to the 16-foot ring Sullivan wanted to help corral Mitchell’s avoidance tactics) was erected outdoors near the stables. The fight began at 12:50 PM. At first it seemed to be going as expected, with Sullivan pummeling the bejesus out of Mitchell, knocking him down repeatedly in the first eight rounds. Mitchell landed some good ones, though, and as time passed, his running game served him well and he seemed to be getting stronger while Sullivan’s strength faded. It started raining during the sixth round or so, and soon the rain turned torrential, transforming the ground to swampland which sapped Sullivan’s energy all the more. Again from John L.’s memoirs:

Running and dropping was [Mitchell’s] game, and to such an extent did he practise the former that, when the fight was over, a track like a sheep run was to be noticed all around the ring. Once he dropped without a blow and received a caution, and after this he went down a number of times for a mere tap.

After three hours and 11 minutes and 39 rounds, both sides agreed to call it a draw, but the fact that the English fall-taking sprinter boxer held out so effectively against the Irish-American Boston Strong Boy felt a lot more like a stinging defeat to Sullivan and his fans. Reams of newsprint were dedicated to musings on how this could have happened. Back in England, Mitchell was hailed as a conquering hero.

To show their appreciation for his having managed to avoid being beaten unconscious, a group of English supporters presented Charley Mitchell with a championship belt.

[A] truly breathtaking belt crafted from British sterling and velvet for presentation to Sullivan’s plucky challenger. The pertinent details are artfully printed on the center plate:

“Presented to Charles Mitchell to Commemorate His Gallant Fight with John L. Sullivan for the Championship of the World on March 10th 1888 near Paris Resulting in a Draw, 39 Rounds being Fought, in 3 Hours 11 Minutes.”

Framing this center plate are portraits of Mitchell and Sullivan in relief, followed by British and American flags topped by a figural lion and eagle respectively, and then further figural plates completing the design against a backing of royal red velvet. On the final plate on the left side, the interior is engraved with the names of the gentlemen who funded this quite clearly expensive token of esteem. A second such engraved plaque is affixed to interior of center panel, though we suspect it was originally attached to the final plate on right. The velvet is well worn and the silver exhibits some tarnishing and storage wear, but the aesthetics remain spectacular after nearly thirteen decades.

This ornate trophy was a slap in Sullivan’s face. He had already had to deal with belt nonsense the year before when Richard K. Fox, editor of the National Police Gazette and holder of a very long grudge against Sullivan for having snubbed him in a saloon once, declared the undefeated Irish-American heavyweight Jake Kilrain the new world champion and gave him a silver championship belt on behalf of the Gazette. Sullivan’s supporters responded by giving him a championship belt of 14-carat gold engraved “Presented to the Champion of Champions, John L. Sullivan, by the Citizens of the United States.” Sullivan’s name was spelled in diamonds, 397 of them, no less. It was the most expensive belt ever given to a fighter. Mitchell’s was the second most expensive. The latter has now sold at auction for $55,000, which is quite modest, really, considering it cost $10,000 to make.

Kilrain, incidentally, was a witness to the Mitchell-Sullivan fight in Chantilly. He had a great vantage point from Mitchell’s corner, and Mitchell would be in his when Kilrain went up against Sullivan for the world heavyweight title in Richburg, Mississippi, in 1889. This would be the last title match fought with bare knuckles under London Prize Ring Rules and it was one for the ages. Fought in the noon sun of a Mississippi July, the bout lasted two hours, 16 minutes and went 75 rounds. Kilrain had to be carried to his corner by the 17th round. Sullivan vomited in the 44th. Scheduled to run 80 rounds, the bout was finally stopped when Kilrain’s cornerman Mike Donovan, very much against his fighter’s wishes, threw in the towel because he was sure Kilrain, who could barely stand by this point, wouldn’t survive a 76th round.

John L. Sullivan and Charley Mitchell died the same year, 1918. Sullivan preceded his old rival by two months to the day, dying of a heart attack at age 59 on February 2nd. Mitchell died at the age of 56 suffering from locomotor ataxia, a progressive neurological disorder of the spinal column which causes jerky and unbalanced gait. Also known as tabes dorsalis, it is a symptom of late-stage syphilis but is not fatal on its own. It’s the underlying condition that killed him. I wonder if he’d have been diagnosed with Parkinson’s or ALS today. Jake Kilrain outlived them both, dying of complications from diabetes in 1937 at 78 years old.

French student finds 560,000-year-old tooth

A French art history student has discovered an adult human tooth around 560,000 years old in the Arago Cave in Tautavel, southern France. It is one of the oldest human fossils ever found in Europe (the oldest is a 600,000-year-old jawbone found in Germany in 1907), and the oldest human body part ever found in France by 100,000 years. Its significance is bolstered by the scarcity of human remains in Europe from this period. There’s something of a gap in the record between 500,000 and 800,000 years ago and very little new material has been found. This one tooth is therefore of outsized importance.

Volunteer excavator Valentin Loescher, 20, one of more than 30 young people from France and around the world participating in this season’s excavation, discovered the tooth the afternoon of Thursday, July 23rd, in a section of the cave liberally sprinkled with animal remains. The volunteer digging next to him, Camille Jacquey, 16, was on a break when he found it. When she returned, they showed the find to Amélie Vialet, the paleoanthropologist leading the excavation team, who identified it as an adult human incisor from a lower jaw. Its age was determined by stratigraphic analysis; the layer in which the tooth was found has been dated with a variety of methods to confirm its range, so researchers are satisfied that the tooth is at least 550,000 years old, and maybe as much as 580,000 years old.

Yves Coppens, professor of paleoanthropology and prehistory at the Collège de France, who was part of the 1970s team that discovered the remains of the famous early human ancestor known as Lucy in Ethiopia, told France Info radio: “A tooth can tell us a whole range of things. Its shape and wear and tear tells us about the eating habits of the person in question; the tissue reveals a lot of information. The DNA can give an idea as to who this person was.”

If there’s any tartar on the tooth, they might be able to do stable isotope analysis on it to determine the ancient person’s diet.

There have been volunteers excavating the Arago Cave yearly since 1964. Thousands of people have given their time and dedication to the site for the past 50 years and they’ve been exceptionally productive. More than 600,000 prehistoric objects and remains have been unearthed since excavations began, most famously 140 bones and bone fragments from a single 450,000-year-old Homo erectus known as Tautavel Man. In a blissful historical coincidence, one of the volunteers in the 1979 excavation that unearthed a piece of Tautavel Man’s skull was Camille Jacquey’s mother.

This season only began in May and the team has already made thousands of finds. Besides unearthing the tooth, the team has been able to determine what kind of pollen and vegetation were in the area, even the source of the flint knapped by the cave’s users (it’s a site about 20 miles away). They know the area was a treeless, arid steppe around the time the individual left the tooth in the cave, cold, snowy, windblown. Researchers hope the tooth may fill in some of the missing information about the people of who navigated this harsh landscape.

Jamestown remains identified as four early leaders

When the Virginia Company sent the first batch of 104 settlers to colonize the New World, they chose Jamestown Island, marshy and mosquito-ridden with virtually no farmland, bad hunting and no fresh water but secure from any potential attack by Spanish ships, as the site for their new colony. They built James Fort, a triangular wooden palisade, within two weeks and the first Jamestown settlement was established inside its perimeter. It was small, but soon contained at least a storehouse, several houses and one church, the first Protestant church in the New World.

Built in 1608, the church served the community for almost decade. Secretary of the colony William Strachey described it as “pretty chapel” 60 feet long and 24 feet wide with a cedar wood chancel. In 1614 Pocahontas married tobacco planter John Rolfe there. Within three years of that wedding, the church had fallen into disrepair and was abandoned when a new church was built nearby as the settlement expanded eastward from the original confines of Fort James. Over time the location of the first fort and its church was lost.

It was Strachey’s description that helped archaeologists identify the remains of the church when they were discovered during a 2010 excavation of the rediscovered Fort James site. The structural posts matched the dimensions documented by Strachey, as did the structure’s orientation in the middle of the fort. At the eastern end of the building, archaeologists found four graves. This space was the cedar chancel Strachey mentioned, the area in the front of the church with the altar which was reserved for the most important people during services. Only people of very high status were honored with burial under the chancel.

Since the archaeological site of Jamestown is open to visitors, the church remains were refilled for safety. Jamestown Rediscovery archaeologists, working with forensic anthropologists from the Smithsonian’s Museum of Natural History, returned in November of 2013 to fully excavate the graves in the hopes they might be able to identify the people buried there. The remains were under threat, as is the entire Jamestown site, by rising sea levels, and one of the skeletons had been significantly damaged by workers in 1938 (when the location of the fort was still unknown) unwittingly dug a trench through the chancel to install electric cable. The excavation revealed one body had been buried only in a shroud (the others had wooden coffins) and two of the people were buried with artifacts that could help identify them.

The team carefully unearthed and documented the graves, using a precision laser tool to record the positions of the graves, skeletons, coffin fragments and artifacts. Then the Smithsonian’s outstanding 3D Digitization Program Office did their magic, laser scanning the entire site, collecting millions of data points and high resolution photographs that would allow them to create an interactive 3D model of the burials. I won’t embed it because the last time I did it caused some loading problems, but here’s the 3D model of the chancel graves on the Smithsonian website.

The skeletal remains were then removed to the lab for analysis. Time and environment had not been kind to them — only 30% of each skeleton was recovered — but the bones could still speak through science. All four were men who were between their early 20s and their 40s when they died, and all four were found to have carbon and oxygen isotope values indicating they were raised in England. None of them show the tell-tale osteological signs of strenuous labor, but the teeth of two of them were in bad shape with numerous cavities and abscesses. That was a clue that those two men may have been in America longer than the other two and had thus been exposed to a potentially tooth-rotting sweet corn diet for a few more years. High levels of lead in the bones of two of the men suggested they were high-born since in the 17th century the wealthy and noble ingested more lead than the poor courtesy of lead-lined and pewter tableware.

The artifacts proved as challenging to study as they were revelatory. In the southernmost grave, archaeologists found a textile made of silk cloth, silver threads and silver spangles between the rib cage and left arm of the skeleton. A near-miraculous survival, the artifact was too fragile to be excavated and was removed in a soil block. X-rays found the hundreds of silver threads and spangles in the soil block. Micro CT 3D scanning revealed the object was a captain’s sash decorated with bullion fringe.

The two artifacts found in the other burial were placed in the grave outside the coffin. One was an iron fragment three inches long that turned out to be the finial below the tip of a ceremonial spear known as a leading staff. The other was a silver box placed on top of the coffin. The box was corroded shut, so the research team turned to X-ray and CT scanning in the attempt to see what might be inside. With help from increasingly higher resolution microCT scanners, gradually the silver box gave up its secrets. It’s a reliquary containing a lead ampulla, a vial used to hold holy water, oil or the blood of a saint, broken in two pieces and seven fragments of bone, also probably holy relics. Their final scans were so detailed they were able to 3D-print reproductions of the contents for examination.

Reliquaries are Catholic and like other Catholic devotional objects they were outlawed by Elizabeth I and her successor James I. This box may be evidence of a crypto-Catholic presence in the colony, which is also supported by other more modest finds made elsewhere in Jamestown like pilgrim’s tokens, crucifixes and rosary beads.

Thanks also to copious documentary research on likely candidates, the Jamestown Rediscovery team was able to identify the four men as:

  1. The Reverend Robert Hunt, the former vicar of Reculver, England, who arrived with the first settlers in 1607 and died aged around 40 between January and April of 1608.
  2. Captain Gabriel Archer, a bitter rival of Captain John Smith (he once called for his execution), who explored the interior along the James River valley. He died during the horrific “starving time” in the winter of 1609-1610 at the age of 35. The reliquary is his, and since his parents were Catholics, once fined for non-attendance of Anglican services, he could very well have been as well, only on the downlow.
  3. Sir Ferdinando Wainman, the earliest English knight known to have been buried in the New World, arrived in June of 1610 with his relative, the first governor of Virginia Thomas West, Lord De La Warr. He was appointed Jamestown’s master of the ordnance and cavalry, but he didn’t have a chance to serve for long as he died between July and August of 1610. He was 34.
  4. Captain William West, another relative of Lord De La Warr’s who arrived in June 1610 only to die within months. He was killed in battle against Powhatan warriors in the fall or winter of 1610. The glorious sash is his.

The two men with the high lead levels were Wainman and Archer.

The Historic Jamestowne website is excellent, packed with information on the history of the site and its ongoing archaeology. I strongly advise starting on the chancel burials page and clicking through the large icons which will lead to pages with other large icons beneath. In addition to detailed information on the four men, they have many videos related to this find, all short enough to binge on like popcorn one after the other.

This one about the church has footage of the 2011 excavation and shows how respectfully the site was refilled with mounds and crosses marking the four burials:
[youtube=https://youtu.be/6AfyJgODE2c&w=430]

The 2013 excavation of the burials:
[youtube=https://youtu.be/RM1_HeoVaUQ&w=430]

Overview of the discovery and identification of the skeletal remains:
[youtube=https://youtu.be/pkqmiVU58uw&w=430]

Flythrough of a 3D rendering of the chancel burials:
[youtube=https://youtu.be/upJDtnbxpaU&w=430]

Captain West’s fabulous silk and silver sash:
[youtube=https://youtu.be/7Jg5nNVB2JY&w=430]

Lost Guercino found by Sopranos actor on display in US

A long-lost painting of Saint Sebastian by 17th century Baroque master Guercino that was found by actor Federico Castelluccio, aka mobster Furio Giunta on The Sopranos, is going on display in the United States for the first time. Its exhibition at the Princeton University Art Museum is only the second time the painting has been on display since its rediscovery. It made its world debut at an exhibition dedicated to depictions of Saint Sebastian at the Castello di Miradolo museum in Turin last October. Guercino’s work scored top billing over the likes of Titian and Rubens as the cover picture of the show.

Castelluccio, who in addition to his acting credits is also an accomplished realist painter in his own right and a collector of Renaissance and Baroque Italian paintings, found this masterpiece the way they’re found in art nerd fairy tales. He was driving through Frankfurt in 2010 when a window filled with paintings caught his eye. It was the Dobritz auction house, a small local shop crammed with works scheduled to be sold at an auction in two weeks. In a stack of paintings on the staircase to the second floor of the shop, Castelluccio saw the Guercino. It immediately leapt out at him as the work of the Baroque master, the fine chiaroscuro belying the auction house manager’s lackluster description of the piece as “an 18th-century Italian holy painting of Saint Sebastian.”

It was estimated to sell for between 1,000 and 1,500 Euros ($1,100 – 1,657), which obviously Castelluccio was more than glad to pay on the spot, but the manager insisted that he attend the auction and bid for it like anyone else. When the actor actually showed up, flying back to Frankfurt from his home in New York specifically to bid on that Saint Sebastian, the manager got an inkling that they might have something a little more interesting than some anonymous 18th century holy painting. Someone else apparently had a similar inkling, because Castelluccio wound up in a duel with a phone bidder that drove the final hammer price up to 49,000 Euros ($54,000). Castelluccio and his business partner put in the winning bid.

Then came the hard work. Castelluccio instinctively believed the painting was an authentic Guercino, not the work of his studio or a later reproduction, but one man’s good taste is not an accepted authentication standard. First the painting was cleaned, conserved and suitably framed. This painstaking process took years during which Castelluccio did assiduous research on the painting’s history. Art historians and leading Guercino experts David Stone of the University of Delaware and Nicholas Turner, the former curator of drawings at the J. Paul Getty Museum, were enlisted to thoroughly examine the work. They used X-rays, infrared reflectography and chemical pigment testing to determine the painting’s age and to compare its bones to those of known works by Guercino. They authenticated it as painted by Guercino’s hand around 1632-34.

There are only two other life-size, three-quarter view Saint Sebastians by Guercino known: a 1641 version now in the Moscow’s Pushkin Museum and one in the Museo de Arte de Ponce in Puerto Rico. The newly rediscovered one is the earliest of the three. While Castelluccio and his partner wound up spending about $140,000 total in acquiring, conserving, testing and researching the painting, if they were to sell it now it would certainly make millions. A King David by Guercino sold at Christie’s in London for close to $8 million (including buyer’s premium) and that was in 2010. The Christ and the Woman of Samaria bought privately by the Kimbell Art Museum that same year is thought to have gone for more than $10 million.

He and the co-owner may eventually sell the portrait, [Castelluccio] said, ideally to a prestigious institution.

A few of its previous owners have been identified, including the German countess Maria von Maltzan, a Resistance fighter during World War II who hid Jews and other escapees from the Nazis.

Once the painting was authenticated, art dealer Robert Simon, to whom Castelluccio had shown the work before it was cleaned, arranged for its loan to the Castello di Miradolo where Guercino’s Martyrdom of Saint Sebastian was seen in the public again after 350 years in obscurity. Castelluccio got it back after the exhibition closed in March and then Princeton reached out to him to see if he’d be amenable to a more local exhibition. He was and now the painting is on display at the Princeton University Art Museum as a special installation until January of 2016.

Remains of soldiers in mass grave show toll of Napoleon’s Russian campaign

In late 2001, workers doing construction on the site of a former Soviet Army barracks in a northern suburb of Vilnius discovered a mass grave which fragments of military uniforms identified as the final resting place for more than 3,000 soldiers and support staff of Napoleon’s Great Army who died during the horrific retreat from Russia in the winter of 1812. The grave was excavated in two stages in 2002 and the preliminary results of the study of the skeletons were published in February of 2004 (pdf). Thanks to two new studies on the skeletal remains, we now know more about the geographical origin and diet of some of the men and women who died in Napoleon’s disastrous Russian campaign.

First an infographic. I get emails all the time from people asking me to post their ostensibly history-related infographics and I decline because they tend to be marketing gimmicks that are very light on content. This one is different. Created in 1869 by French civil engineer Charles Joseph Minard, a pioneer of statistics relayed in graphic form, this chart plots the advance of the Great Army into Russia and its devastating retreat. The width of the line marks the size of the army at any given time. The beige line, obese with troops in the beginning, thins out to a quarter of its original size when the army reaches Moscow. The black line then shows the retreating army as it doubles back in the sadly vain attempt to make it out of the Russian winter alive. By the time the black line reaches where the beige line begins, it’s pencil-thin. The 422,000 invasion troops are reduced to 10,000 in retreat, starving, frozen, defeated on an unthinkable scale by a brutal Russian winter and overly extended supply lines.

The deceptively simple chart captures six variables: the size of the army (represented by the thickness of the line), the longitude and latitude of the army (represented by the position of the line), the direction of the army (represented by the two different colored lines), the location of the army on certain dates and, in a line chart underneath the main graphic, the temperature during the retreat. Many cartographers and graphics experts today consider it the greatest information graphic ever made. (Click here for a much larger version translated into English.

The immensity of the disaster that Minard’s graphic conveys so adroitly is exposed on a more human scale by the bones of the fallen. Buttons found in the two trenches of the mass grave identified soldiers and officers from around 30 regiments, most of them infantry, some cavalry, dragoon and foot artillery. There were uniform remains from Italian, Polish and Bavarian regiments as well as the Imperial Guard. There are female skeletons in the mass grave because since 1805 the French army had an official cadre of women working as cooks, laundresses, nurses and sellers of goods like tobacco and alcohol which accompanied the Grand Army in every campaign. Archaeologists were able to determine the sex of 29 female skeletons, but there were probably more women buried with the men as the remains of 1317 individuals were impossible to sex.

The two new studies by University of Central Florida researchers used stable isotope analysis to find out where some of Napoleon’s dead came from and what, if anything, they ate. In one of the studies (pdf), oxygen isotopes in the bones revealed that none of the dead tested were from Vilnius. Of the eight males and one female tested, five of the men were from central and western Europe, three from the Iberian peninsula. The woman was most likely from southern France.

The other study (pdf) took specimens from the bones of 73 men and three women for stable carbon and nitrogen isotope analysis. Carbon isotopes revealed that most of Napoleon’s troops ate wheat in their youth and a few, perhaps from Italy, were raised more on millet. More than a third of the specimens were found to have exceptionally high nitrogen isotope values. While that’s often an indication of a diet high in protein (Richard III, for instance, had a diet rich in game, meat and sea fish and the nitrogen values to prove it), it’s also a reaction to the exact opposite: protein deprivation dramatically raises nitrogen isotope values. Disease can spike nitrogen values as well.

Napoleon’s men were not in good health, even before their ill-fated stop in Vilnius. Research on the teeth of the soldiers in the mass grave showed rampant dental cavities and indications of stress during childhood, and over one-quarter of the dead had likely succumbed to epidemic typhus, a louse-borne disease. A febrile illness like typhus could cause increased loss of body water through urine, sweat, and diarrhea, which may also cause a rise in nitrogen isotopes. And, of course, historical accounts detail how troops fruitlessly scoured the countryside for food and how many of them ate their dead or dying horses.

Consumption of seafood is unlikely to be the cause of the high nitrogen since the frozen Vilnia River wasn’t producing and there were no salted stores to be had. Canning was still in its infancy as French brewer Nicolas Appert had only devised a method to seal food in glass jars in 1809. He did so specifically for the French army, incidentally, after Napoleon offered a 12,000 franc reward to anyone who could solve the military’s thorny supply problems. Glass doesn’t transport well and while a metal can system was invented by Peter Durand in 1810, Durand was British and his patented food preservation products went straight to the Royal Navy, not the Grand Armée.

The culprit is almost certainly prolonged nutritional stress.