Long-gone Montreal cemetery won’t give up ghost

Archaeologists in Montreal are trying to identify the remains of, among other individuals, a soldier whose bones were unearthed last year during construction work. A Hydro-Québec discovered the bones when laying a power line underneath one of Montreal’s central thoroughfares, René Lévesque Boulevard. Then they found more. These were the remains of people interred in a Protestant cemetery that was in use from the late 18th century through the middle of the 19th.

Known variously as the Dufferin Square Cemetery, the Saint Lawrence Burial Ground and the Dorchester Street Cemetery, the Protestant cemetery was created in 1797 outside the city walls of what is now Old Montreal. It was made necessary by the city’s rapid population growth after the British conquest of French Canada, ushered in by the Surrender of Montreal in 1760 and formalized in the 1764 Treaty of Paris. The cemeteries inside the city walls were overcrowded and taking up increasingly valuable real estate, and authorities were concerned about all that decaying flesh spreading infectious diseases like cholera amongst the living. (John Snow’s ground-breaking epidemiological study identifying fecal contamination in drinking water as the source of cholera was still more than 50 years away.)

Because there were laws against Protestants and Catholics being buried together, the city authorized two new cemeteries in the suburbs. The Protestant one opened first; the Catholic one followed two years later. Montreal’s Protestant residents were given the opportunity to move their loved ones’ remains to the St. Lawrence. Over the next few years as the old city cemeteries were sold off for development, people scrambled to transfer remains before they were built over. One of those people was fur trader and successful entrepreneur James McGill, best known today as the founder of McGill University. His dear friend and former business partner John Porteous had been buried in one of the old city cemeteries and in 1799, Porteous’ remains were in danger of being unceremoniously ploughed under when the land was reclaimed for new construction. McGill personally saw to it that Porteous’ body was moved to the shiny new Protestant cemetery in the burb and buried in the plot he had bought for himself.

Montreal’s continued expansion in the 19th century ensured the new Protestant burial ground was soon as overcrowded and inconvenient as the ones inside the old city had been. The roomier Mount Royal Cemetery opened in 1852. Two years later, the old cemetery was closed to new burials and left to its own devices. Reclaimed by nature, its headstones broken and leaning precariously, graves sunken, the grounds studiously unmaintained with weeds as high as an elephant eye, the cemetery was razed in 1875 to make way for Dufferin Square, a public green space off Dorchester Boulevard. (The elegant street, dotted with mansions and running through Old Montreal, would be expanded into an eight-lane artery running east-west through Montreal in 1955 and renamed René Lévesque Boulevard in 1987.)

Again the city alerted people that it was going to go down so if they wanted their deceased to rest in peace, they’d have to move the remains themselves. Some of Montreal’s most famous sons were buried in the St. Lawrence Burial Ground. James McGill was interred there in 1813 alongside his old friend John Porteous. (He couldn’t be buried next to his wife because she was Catholic.) John Molson, founder of the brewery that still bears his name, was buried there in 1836. They and other wealthy, prominent people were moved. McGill was reinterred on the campus of the university that bears his name. Molson and other big shots were moved to Mount Royal. The poor, tradespeople, middle class, people without surviving family or who had simply been forgotten, were left behind.

Over time, the exact location of the cemetery was forgotten until in the late 1970s a massive government office building was built on Dufferin Square. Planners thought they’d taken care of the whole cemetery situation by taking a page out of the Leicester handbook and turning it into a parking lot, but when construction of the Complexe Guy Favreau began, they started turning up body after body, eventually unearthing more than 100 sets of human remains. Some were reburied in Mount Royal, but rumor has it there are a lot of restless spirits lingering at the site and the complex has a reputation for being haunted by some very angry ghosts.

Even with this ghoulish history looming in the background, archaeologists didn’t expect to find the bones of dozens more people when the work on the power line was done last year.

“We weren’t certain if we were within the cemetery borders or not,” says André Burroughs, an archeologist with Hydro-Québec who oversaw the work. “At first, we were surprised.”

The discovery turned up the remains of 61 individuals, many of them just bones gathered in collective burial boxes. […]

About half the individuals’ remains were discovered inside three pine boxes. They were probably exhumed from the original Protestant cemetery in Old Montreal and re-buried collectively.

The officer’s skeleton and military accoutrements offer some of the most extensive clues into someone’s personal history. The man had suffered from poor nutrition, based on marks found on his teeth.

He was fairly tall – about 5-foot-10 – and lived to middle age, judging from his long bones. His body shows no trauma to indicate he was injured in battle.

Some of the bones discovered during the construction of the Complexe Guy Favreau also belonged to soldiers, identified as members of the British garrison who guarded Montreal before 1814. Perhaps he was one of their comrades.

The bones are being kept in a laboratory for study at the moment. Once the research is done, the plan is to give them to the city of Montreal to store in its extensive archaeological collection, but this story has gotten a lot of media attention and a number of individuals and organizations have offered to provide a more personal disposition for the remains.

The Last Post Fund, whose National Field of Honour is in suburban Pointe-Claire, says it would consider burials for any soldiers. The St. Andrew’s Society of Montreal expressed interest in caring for the remains of Scottish Montrealers. Two women wondered whether the remains might be those of their ancestors, and one offered a DNA sample.

Mr. Burroughs says the remains could eventually end up at the Mount Royal Cemetery on the mountain, following the path that their predecessors took about 160 years earlier.

Van Gogh’s Sunflowers reunited online in live relay

Vincent Van Gogh painted five of his most famous works, the Sunflower series, from August 1888 to January 1889 when he was living in Arles in the South of France. Each of the paintings depict a bouquet of sunflowers in a vase using three shades of yellow (there’s blue in the backgrounds and in some accents). This was a deliberate choice by the artist, his attempt to convey the vibrancy and variety of the flower with the color most characteristic of it. He also used thick, layered brushstrokes, a bold impasto that captured the dimension of the sunflower head and seeds as well as their color.

Van Gogh had explored sunflowers before. When he lived in Paris with his brother Theo in 1887, he painted a series of still lifes of sunflowers, two to four cut blooms withering on the floor. They were very different in palette and mood to the bright bouquets of the Arles works. In a letter from August of 1888, Vincent wrote to his brother that he’d returned to the subject with a new approach:

“I am hard at it, painting with the enthusiasm of a Marseillais eating bouillabaisse, which won’t surprise you when it’s a question of painting large sunflowers. […]

Next door to your shop, in the restaurant, as you know, there’s such a beautiful decoration of flowers there; I still remember the big sunflower in the window. Well, if I carry out this plan there’ll be a dozen or so panels. The whole thing will therefore be a symphony in blue and yellow. I work on it all these mornings, from sunrise. Because the flowers wilt quickly and it’s a matter of doing the whole thing in one go”

The new series of sunflowers was meant to be as welcoming and warm as the one he fondly recalled from the shop next door. Van Gogh was expecting a guest in a few months, his friend and fellow painter Paul Gauguin. He had an idea that they might live and work together sharing a studio, a studio that would be decorated entirely with sunflowers, hence his plan for a dozen paintings in the series. He never got that far, nor did the two artists get a studio together, but Gaugin did come to visit him in the aptly named Yellow House at Arles, and Van Gogh hung two of the sunflower paintings on the walls of his room.

Sunflowers by Vincent Van Gogh, 1888-9. The Mr. and Mrs. Carroll S. Tyson, Jr., Collection, 1963. Photo courtesy the Philadelphia Musuem of Art.Paul loved them so much he point-blank asked Van Gogh if he could keep one. Vincent wanted to make his friend happy — they had fought during Gaugin’s stay and he left earlier than planned on a rancorous note — but he was so desperately strapped for cash and so concerned that Theo, who was engaged to be married, have some money to make a home for his new bride, that Paul’s request put him in an awkward position. He wrote to Theo that he would let Gaugin have one of the sunflowers and redo it so Theo could exhibit it and perhaps sell it.

You’ll see that these canvases will catch the eye. But I’d advise you to keep them for yourself, for the privacy of your wife and yourself.

It’s a type of painting that changes its aspect a little, which grows in richness the more you look at it. Besides, you know that Gauguin likes them extraordinarily. He said to me about them, among other things:

“that — … that’s… the flower.”

You know that Jeannin has the peony, Quost has the hollyhock, but I have the sunflower, in a way.

He didn’t know how right he was. His Arles Sunflowers are now in top museums on three continents: The National Gallery, London, the Van Gogh Museum in Amsterdam, the Neue Pinakothek in Munich, the Philadelphia Museum of Art and the Seiji Togo Memorial Museum of Art in Tokyo. The five will be reunited for the first time in virtual space on August 14th in a Facebook Live event. Curators from each museum will speak for 15 minutes about the paintings in a globe-trotting relay dedicated to Van Gogh’s iconic Sunflowers.

This video from the National Gallery gives a brief introduction to the paintings and the #SunflowersLive event:

The Van Gogh Museum, meanwhile, has created a virtual tour of the Sunflowers so you can explore them at your leisure accompanied by Willem van Gogh, great-grandson of Theo van Gogh. They’re also the only one of the museums to have a fully zoomable high resolution image of their Sunflowers painting on their website (see the link above). You can get way, way up in the details of the work, and you can’t put a price on that especially with an artist like Van Gogh whose brushstrokes are so meaningful.

Cache of WWII Mosquito plans found days before destruction

A priceless collection of technical and engineering designs for the World War II Mosquito aircraft has been discovered hidden in a factory days before its demolition. An engineer found more than 20,000 drawings on microfilm cards in the building at Hawarden Airfield in Broughton, near Chester on the Welsh side of the border with England. This is the only complete archive of Mosquito technical drawings known in the world, all of which were top secret classified material during and after the war. It includes plans for experimental models that never made it to the prototype stage, including one that would carry torpedoes to attack German battleships, a previously unknown photo-reconnaissance plane, and a “Mosquito Mk I, Tropics” model that featured a compartment in the rear fuselage for storing desert equipment. It’s a great stroke of luck that they were discovered by an engineer who had the knowledge to recognize what a massive historical treasure he had stumbled upon and saved it before the bulldozers came in to raze the old factory and everything inside of it.

The factory did not actually make Mosquitos during World War II. It was operated by the Vickers Armstrong company at the time and manufactured Vickers Wellingtons and 235 Avro Lancasters. Only in 1948 did The de Havilland Aircraft Company take over the former Vickers factory and use it to produce Mosquitos and many other aircraft types. The Mosquito was a work of unique genius, designed by aviation pioneer Geoffrey de Havilland (first cousin of legendary actresses Olivia de Havilland and Joan Fontaine, daughters of his father’s youngest brother). The twin-engine two-seater aircraft was so versatile it was immensely effective in combat as, among other things, a tactical bomber, a day and night fighter, a U-boat striker and a pathfinder for bomber squadrons in large raids.

Its service in the RAF began in 1941 and its qualities were immediately apparent. For one thing, it was one of the fastest planes in the world. For another, it was made out of wood. Like Howard Hughes’ Spruce Goose, the Mosquito was constructed out of wood to preserve precious aluminum stores. Unlike the Spruce Goose, a giant lumbering folly that barely made it into flight a single time and that after the war, the Mosquito was manufactured quickly and efficiently by joiners and carpenters who transitioned seamlessly from civilian roles into aircraft production. Pieces of spruce, balsa and plywood were glued together and pressed into moulds, which allowed for fast production of a lightweight, nimble plane in factories that before the war had been manufacturing furniture, cabinets and pianos. This earned it the well-deserved moniker of “The Wooden Wonder.”

This 1944 newsreel shows how the Mosquito was made with bendy woods and glue like a theatrical prop, only deadly, fast and, you know, real.

Even the head of the Luftwaffe Field Marshall Herman Goering himself had to admit through gritted teeth that it was freaking awesome: “It makes me furious when I see the Mosquito. I turn green and yellow with envy. The British, who can afford aluminium better than we can, knock together a beautiful wooden aircraft that every piano factory over there is building, and they give it a speed which they have now increased yet again. What do you make of that? There is nothing the British do not have. They have the geniuses, and we have the nincompoops.” His bitterness was informed by personal experience, as a Mosquito raid on a Berlin radio station where he had been scheduled to deliver a speech delayed him by more than an hour.

It was the remarkable wooden construction that shortened the aircraft’s lifespan so dreadfully. Plywood and balsa don’t last long, so while its metal contemporaries like the Spitfire survived for decades after the war, the Mosquitos degraded into nothingness. Production stopped in 1950 and any surviving stock was left to rot in storage. The last airworthy Mosquito in Britain crashed at an air show in 1996, killing both pilots. There are only three Mosquitos in the world today that can fly, one in Canada, the other two in the US.

The microfilm archive was donated to The People’s Mosquito, a charitable organization that seeks to rebuild a crashed Mosquito so that the aircraft that has been credibly described as “the plane that won the war” can fly again over England’s green and pleasant land. The technical drawings will allow them to reconstruct the plane to modern aviation safety standards while ensuring its historical accuracy.

The charity hopes to resurrect the remains of a Mosquito night fighter that crashed at RAF Coltishall, in February 1949, while serving with No 23 Sqn.

Ross Sharp, engineering director for the project, said: “As you can imagine, restoring an aircraft that is 70 years old presents several challenges, one of which is a lack of information on the building techniques, materials, fittings and specifications.”

“These plans enable us to glean a new level of understanding and connection with the brilliant designers who developed the world’s first, true, multi-role combat aircraft.” […]

[The People’s Mosquito chairman John] Lilley said: “No other aircraft has amassed such a remarkable combat record in so short a time, flying so many different types of mission and excelling in each one.

“Even today, it remains one of the world’s most successful multirole combat aircraft, and it was all British, made by men and women who only a few months earlier had been building furniture and mending pianos.”

Despite the great boost the discovery of the archive gives the project, they still have a long ways to go before restoration can begin. Money is the issue. The estimated cost of the restoration is £6 million and only a small portion of that has been raised. If you’d like to pitch in, the People’s Mosquito has some nifty merchandise available in its shop, a club membership with all kinds of perks and takes online donations.

Is Spain’s first historian of the Americas buried under Columbus’ tomb?

In 1992, workers excavated the tomb of Christopher Columbus in the cathedral of Santo Domingo to translate bones believes to be his (over the centuries, Columbus’ remains were moved over longer distances than any saint’s — from Valladolid to Seville to Santo Domingo to Havana and back across the Atlantic to Seville — so authentication has proven all but impossible) to their new home in the Columbus Lighthouse monument. A few meters underneath Columbus’ tomb, an older crypt was found. It had once had a vaulted brick ceiling, now damaged, but its brick floor and side walls and size (28 feet by 12 feet) attested that someone of importance had been buried there.

Esteban Prieto Vicioso, the cathedral’s head of conservation thinks he knows who that individual may have been: Gonzalo Fernández de Oviedo. Oviedo was something of a Forrest Gump figure in his day, not in the “stupid is as stupid does” way, but in the sense that he seemed to pop up regularly in the midst of great historical events and personages. In 1492, he was by the side of King Ferdinand and Queen Isabella during their triumphant entry into Grenada after the final defeat of what was left of Moorish Spain. He was present at Columbus’s audience with their majesties when returned from his first voyage to the New World in 1493. He lived in Italy after that, palling around with the likes of Leonardo da Vinci and the notorious Borgia Pope Alexander VI.

In 1514, Oviedo was appointed by King Ferdinand supervisor of gold smeltings at Santo Domingo, a lucrative and enormously important post given the high priority Spain placed on scraping as much precious metal out of America as possible. This would be his first trip to the Americas. He hitched a ride with Pedrarias Dávila on his voyage to the New World, which with 19 ships and 1,500 men was the largest Spanish expedition yet sent to the Americas. He witnessed the Dávila’s replacement of Vasco Núñez de Balboa, the first European to cross the Isthmus of Panama and reach the Pacific Ocean through the Americas, as governor of the Spanish central American province of Castilla de Oro, and five years later, he witnessed Dávila’s show-trial of Balboa on trumped up treason charges and Balboa’s subsequent execution.

Oviedo documented it all. He returned to Spain in 1523 and in 1526 he published Summary of the Natural History of the Indies. Very few eye-witness chronicles of Spain’s colonization of the New World were published, so the Summary would quickly be translated into multiple languages and remain in print for centuries. His contemporary and fellow chronicler Dominican friar Bartolomé de las Casas, who is far better known than Oviedo today, accused him of being a despoiler and thief who plundered the Americas for all he could steal and then packed his book full of lies. As an advocate of the indigenous peoples of the Americas, de las Casas had good reason to bitterly oppose Oviedo who considered them animals without souls and therefore had no qualms about their being subjected to slavery, abuse and mass slaughter. Yet, Oviedo’s book was the first to introduce indigenous foods, plants, objects and techniques that are now commonplace to European readers, including the pineapple, tobacco and the barbecue.

Charles V, Holy Roman Emperor and King of Spain, appointed him Governor of the Fortaleza Ozama in Santo Domingo in 1532. So Oviedo returned to the Americas and lived the rest of his days in Santo Domingo. There he completed A General and Natural History of the Indies, a multi-volume version of the Summary, which wasn’t published in full until the 19th century. He died in 1557 at the age of 80.

By then, the Basilica Cathedral of Santa María la Menor had been completed for almost 20 years. It was the first cathedral built in the Americas. Commissioned by Pope Julius II (who also commissioned a certain Michelangelo to paint the ceiling of the Sistine Chapel) in 1504, the cathedral was built between 1512 and 1540. Oviedo was well into his tenure as governor when the cathedral was finally finished.

“We know that up to the middle of the 16th century there was an altar dedicated to Santa Lucía built on Oviedo’s instructions, and that right underneath he ordered a vault to be constructed, where he was buried,” says Prieto Vicioso. “There is no documentary evidence that his body was ever moved from there.”

The restoration team at the cathedral – the first one built in the Americas – is trying to raise money to excavate the crypt, which they hope will allow them to identify Oviedo. They believe they will find an iron key in the tomb to the fortress of Santo Domingo, of which Oviedo was governor for the last 25 years of his life. A final detail they believe will definitively establish that the tomb is Oviedo’s would be damage to the skull, which was the result of a knife fight with another Spaniard that took place in the Darién Gap, in what is today Panama.

Luna settlement was the largest in the southeast

Archaeologists excavating the Santa Maria de Ochuse settlement in Pensacola, Florida, have discovered that it was the largest of Spain’s mid-16th century settlements in the southeast of what is now the United States. Founded by Don Tristán de Luna y Arellano in August of 1559, Santa Maria de Ochuse was the first European (albeit populated by a significant proportion of indigenous Mexicans and African slaves) multi-year settlement in the US. It lasted two years, a not inconsiderable feat considering their supply ships were destroyed by a hurricane a month after they set up stakes. Relief fleets resupplied them, but in 1561 the survivors abandoned the site and Spanish ships carried them back to Mexico. It took another four years before Spain tried again with the St. Augustine colony, founded in 1565 by Pedro Menéndez. That attempt had a far more successful outcome and St. Augustine is today the oldest continuously occupied European settlement in the continental US.

Located in downtown Pensacola within view of three wrecks of Luna’s ships just offshore in Pensacola Bay, the Luna settlement was first excavated in late 2015 by University of West Florida archaeologists. Since then, UWF Archaeology Institute teams have returned every summer to excavate the site. Finding evidence of its perimeter was one of their priorities, and with 900 shovels tests under their belt, this season they have accumulated enough information to get a real understanding of the dimensions of Santa Maria de Ochuse.

“We now know that the site really does have a definitive boundary and that encompasses an area of about 27 total acres minimum…and if we turn it into a grid, it’s about 31 acres,” said Dr. John Worth, the project’s principal investigator. “Either one of those numbers makes this the largest mid-16th Century Spanish residential settlement in the entire southeast.”

That makes the Luna Settlement, known as Santa Maria de Ochuse, larger than St. Augustine when it was first established in 1565; and it was bigger than Santa Elena when it was initially established in 1566 on the coast of South Carolina.

“That’s because Luna brought 1500 colonist, whereas St. Augustine and Santa Elena had something on the order of 300-600 settlers (at first),” said Worth in reference to the initial size of those colonies.

“So, we had the largest settlement at the time. Therefore, we have the largest archaeological site of the 16th Century Spanish Colonial era here, which really puts it on the map.”

The excavations have also revealed some of the settlements lay-out. Luna’s colonists choice a bluff overlooking the bay as the main site. It was a level terrace, an advantageous location for construction and for defense. This season archaeologists hoped to discover more traces of a building they believe was the home of a high-status individual, likely the expedition’s treasurer, but did not find the posthole they were looking for. They’ll continue to search in future excavations, because postholes could give them a clearer picture of the precise location and orientation of the settlement’s buildings.

To follow the Luna Settlement Project excavation and read more about the history of the Luna expedition, read Dr. John Worth’s excellent blog. It’s not updated very often, but the posts are very content-rich with bibliographies that can lead you down many a rabbit hole. The project’s Facebook page is more frequently updated albeit in less depth.