Bones of 5,750-year-old baby found in Argentina

Archaeologists have discovered the skeletal remains of a prehistoric infant in Ciudad de Mendoza, western Argentina. Researchers from the Natural Science Department of the National University of Cuyo discovered the bones unexpectedly when looking for the sterile layer of a previous dig in the archaeological region known as the Niño de las Cuevas (the child of the caves). It was given that moniker after the remains of a young child between three and five years old at time of death were found there in 2015. That’s the excavation the University of Cuyo was following up on when they encountered the bones of a second child in the same archaeological layer as and just a few feet away from the first.

The team unearthed a circle of carbonaceous sediment whose black color and texture was markedly different from the reddish clay of the site. Researchers first thought it was part of a hearth, so the excavation proceeded in a different manner than over the rest of the grid, with thin, delicate tools like brushes instead of more aggressive digging tools. After removing an inch of sediment, they found fragments of a tiny jaw. The dimensions made it clear that this was the jaw of an infant.

When the burial was cleared, the full funerary structure was revealed, a circle just under a foot wide with the remains placed inside on the red clay layer. Because it was found at the same archaeological layer as the child discovered in 2015, it’s likely to date to around the same time: 5,750 years ago. The latest discovery is smaller, however, so died younger.

The dig began less than two weeks ago on December 10th. One team member is still clearing the burial. Materials and remains will be analyzed and catalogued by the Human Paleoecology Laboratory. The bones of the infant will be radiocarbon tested so we know their age from direct examination. Stable isotope analysis will also be performed to discover where the child was from. Researchers will also attempt to determine the baby’s age, gender and cause of death.

Until the beginning of these studies there was only archaeological information related to the period of Inca domination (especially on a sacrifice of a child that was deposited in a high sanctuary located in the Aconcagua). Finding a skeleton was not expected by the group, since very few human skeletal remains had been discovered in high altitude environments. The result of the radiocarbon dating done on a fragment of one of its bones by AMS was also a surprise. The date obtained gives this individual an age of 5750 years. It is the oldest in the province of Mendoza and corresponds to a period in which the climatic conditions were more favorable to the current ones (a little warmer and wetter) in the mountain range according to pollen studies.

The regional archaeological information allows us to propose that the society from which this individual came had a hunter-gatherer economy and a band-like social organization. Surely it was small groups (between 30 and 50 people) that moved throughout the year, from lowlands to highlands and vice versa, to obtain the meat of animals that hunted (especially guanacos — Lama guanicoe) and vegetables that they collected.

“Having found this infant burial, it can be ascertained that it was the entire family group that moved (men, women and children) and that it is likely that the mountain range where it was left was part of a larger territory, a space of seasonal occupation to which it recurred,” said [anthropologist Víctor] Durán. Knowing where these ancient mountaineers came from and specifying aspects of their way of life is one of the major challenges of the research group. This new finding will allow expanding the ongoing studies that have placed the town of Las Cuevas in a position of great importance within the Archeology of the province and the country.”

Collapsing cliffs reveal exceptional dino tracks

Dozens of dinosaur footprints from multiple dinosaur species, the most diverse group of Cretaceous fossils ever discovered in the UK, have been found near Hastings on the coast of Sussex. More than 85 footprints from at least seven species (there are 13 different shapes but some were made by the same species) were identified by University of Cambridge researchers between 2014 and 2018, exposed by erosion of the cliffs after severe storms.

The prints range in size from less than inch to 24 inches across. They date to the Lower Cretaceous, left between 145 and 100 million years ago by herbivores and carnivores alike. There are prints from iguanodontians, an ankylosaur, an unknown species of stegosaur, likely sauropods and theropods. They are in such exceptional condition that the shapes and textures of skin, scales and claws are visible to the naked eye.

Look at this amazing iguanodontian claw. It’s like someone took a plaster cast of the fellow’s toe to make a realistic prosthetic.

The Hastings area is famed for its fossils. The first Iguanodon was discovered there in 1825; more recently the first fossilized dinosaur brain tissue was found in 2016. It is one of the richest sources of dinosaur fossils in the UK, but fossilized tracks are rare. While some dinosaur footprints have been spotted along its cliffs before, none of them were this varied, complex and well-preserved.

Even though dinosaur footprints may not have the drama of whole-body fossils, they can give scientists a lot more information about the way dinosaurs actually lived and interacted than their mineralized bones alone can.

“To preserve footprints, you need the right type of environment,” said [study co-author Dr. Neil] Davies. “The ground needs to be ‘sticky’ enough so that the footprint leaves a mark, but not so wet that it gets washed away. You need that balance in order to capture and preserve them.”

“As well as the large abundance and diversity of these prints, we also see absolutely incredible detail,” said [study co-author Anthony] Shillito. “You can clearly see the texture of the skin and scales, as well as four-toed claw marks, which are extremely rare.

“You can get some idea about which dinosaurs made them from the shape of the footprints – comparing them with what we know about dinosaur feet from other fossils lets you identify the important similarities. When you also look at footprints from other locations you can start to piece together which species were the key players.”

The footprints have revealed new information. There are prints from a dinosaur species not previously known to have inhabited the area during the Lower Cretaceous. Researchers also find the imprint of small plants growing inside the footprints, evidence of how dinosaurs effected this environment, giving plants a nice, watery trough in which to grow.

The study has been published in the journal Palaeogeography, Palaeoclimatology, Palaeoecology.

Discovering Caravaggio’s Saint Catherine

One of the greatest masterpieces in the collection of Madrid’s Museo Nacional Thyssen-Bornemisza is Saint Catherine of Alexandria by Michelangelo Merisi, also known as Caravaggio. Commissioned by his early patron Cardinal Francesco Maria del Monte around 1598, Saint Catherine is depicted in luxurious Renaissance garb kneeling next to the spiked breaking wheel that was supposed to kill her, the sword that did kill her after the former broke upon her touch and the martyr’s palm, all symbols of her martyrdom.

This painting and another commissioned by del Monte, The Lute Player, now in the Wildenstein Collection, are set in the same type of rooms as earlier works like The Fortune Teller and The Cardsharps, but the background walls are much more dense and inky tones, the scuro half of the chiaroscuro effect that would become so inextricably associated with Caravaggio’s genius. The strong directional light illuminating Catherine’s face and upper body is the chiaro bit. He upped the contrast in this piece, using the light flesh tones and white blouse to make Saint Catherine stand out in the penumbra, creating dimension and depth.

Saint Catherine has been part of the Museo Nacional Thyssen-Bornemisza’s collection since 1934 when it was bought at a gallery in Lucerne after one of the Barberini family’s patrimony fire sales. Museum conservators have just completed a complex program of study, cleaning and restoration of the painting, returning to Catherine the full impact of Caravaggio’s mastery of light and shadow.

The primary focus of the work was the removal of many layers of varnish added to the work over the centuries. To ensure that original was preserved, microsamples of the paint were taken and analyzed to identify the materials Caravaggio used and assess their condition. Macrophotographs, raking light examination, X-rays and infrared reflectography were all used to reveal previously unseen details of the artist’s composition and technique. For example, raking light illuminated incisions in the first paint layer, a method Caravaggio used to figure out where to place the volumes (shapes, curves, lines) of the composition.

Conservators also discovered that Catherine’s dress started out red before the artist painted a dark charcoal grey over it. X-rays showed that Caravaggio changed his mind on hand placement too, as the saint’s left hand is veritably bristling with fingers underneath the top layer. The wheel is different as well, but that wasn’t a change in plan. Caravaggio drew the complete wheel first to make sure it would fit before painting over it to create the break representing Catherine’s miraculous destruction of the means of her martyrdom.

The deep blue of the robes was created by combining lapis lazuli, azurite grains, cochineal red, charcoal black, lead white and earth pigments. The lapis in particular was a very expensive ingredient, evidence of the financial support he got from the Cardinal.

Discovering Caravaggio. Technical study and restoration of Saint Catherine of Alexandria is now on display at the Museo Nacional Thyssen-Bornemisza. The restoration is as much of a part of the exhibition as the masterpiece itself.

The show includes X-ray images and infrared reflectograms which illustrate the most interesting aspects of the work performed, explain the methods used, and attest to the excellent quality of the painting. It also features a video of the entire restoration process, the most significant discoveries, and interesting details of the painting.

With this exhibition the Museum, aware of the interest aroused by restoration work, sets out to familiarise visitors with the working methods used by restorers, who are essential to deciding on the most appropriate treatments in each case and a source of important information for art historians. Knowledge of the techniques and materials used by artists is essential to be able to decide on which processes to use to halt the deterioration of artworks. Discovering the most intimate aspects of artistic creation furthermore provides an insight into the artist’s mind and period, as well as better-grounded arguments for understanding the creative process.

The exhibition is a short one, just six months long. It opened December 17th and closes May 26th, 2019.

4,500-year-old stone circle recorded by archaeologists

A recumbent stone circle in Aberdeenshire that has been known to locals since it was erected thousands of years ago has been identified and recorded by archaeologists for the first time. This type of circle, characterized by a large horizontal stone placed (hence “recumbent”) between two upright stones, is unique to northeast Scotland. They were built around 3,500-4,500 years ago and are well-known features of the landscape, which is why it’s so unusual to find one that has never been documented by archaeologists. If it had been in ruins, obscured by the landscape and hard to see on the surface it would explain how professionals didn’t know about it, but this one is complete, intact and perched on a well-maintained hill.

It stands on farmland in the parish of Leochel-Cushnie and it was a member of one of the families that have been farming in the area for generations, Fiona Bain, who alerted the Aberdeenshire Council’s Archaeology Service to the existence of the stone circle.

Neil Ackerman, Historic Environment Record Assistant at Aberdeenshire Council, visited the site along with Adam Welfare, Alison McCaig and Katrina Gilmour from Historic Environment Scotland (Survey and Recording).

While fitting the Recumbent Stone Circle model, this is a slightly unusual example, they say.

Describing the monument, Mr Welfare said: “In numbering ten stones it fits the average, but its diameter is about three metres smaller than any known hitherto and it is unusual in that all the stones are proportionately small.

“It is orientated SSW and enjoys a fine outlook in that direction, while the rich lichen cover on the stones is indicative of the ring’s antiquity.”

Mr Ackerman added: “This amazing new site adds to our knowledge of these unique monuments and of the prehistoric archaeology of the area. It is rare for these sites to go unidentified for so long, especially in such a good condition.”

Tudor coin hoard goes on display

A hoard of silver coins minted during the reigns of Henry VIII and all of his children has gone on display in the Ludlow Museum at The Buttercross in Shropshire. The coins were discovered by three metal detectorists in November of 2015 who reported their finds to the Portable Antiquities Scheme. The hoard was declared treasure and after a campaign that secured funding from the V&A Purchase Grant Fund, the Headley Trust and Friends of Ludlow Museum, in 2018 it was acquired by the Shropshire Museum Service.

The hoard is a small one of just 20 coins, likely the contents of a single purse. The finders noted that the coins were found close together in the top soil, evidence that they had spent most of their underground life in a container before being scattered and the container lost or degraded beyond recognition. The coins are sterling silver, following the standard for coinage of their era. One of them is a fragment of a coin from the late reign of Henry VIII or to the beginning of the one of his son Edward VI, struck in posthumous honor of Henry VIII. Some of the breaks are modern, suggesting there may be more of the broken coin at the find site.

The rest are intact and in similar condition of wear and corrosion. Several bear diagonal scratch marks left during an attempt at cleaning. They were probably individually selected by the collector to match the patina. The pattern of wear and tear on the coins suggest they were in circulation at the same time and little wonder given how high the Tudor turnover was between the end of Henry VIII’s reign and the beginning of Elizabeth I’s. They were all struck between 1544 and 1561 during the reigns of Henry VIII, (1509-47) Edward VI (1547-1553), Mary I (1553-1554), Mary I and Philip of Spain (1554-1558) and Elizabeth I (1558-1603).

The fragment is a silver groat of Henry VIII/Edward VI, one silver shilling of Edward VI (1551-53), five silver groats of Mary (1553-54), five silver shillings of Mary and Philip (1554-58), two silver groats of Mary and Philip, five silver shillings of Elizabeth I and one silver groat of Elizabeth I. The date of the most recent coin in the hoard suggests it went to ground during or shortly after 1561. After four monarchs in 11 years, there would have been little reason to expect Elizabeth’s reign to be as long and stable as it became. In times of political turmoil, cash tends to get hidden.

The hoard has a face value of 14 shillings (or the equivalent of a labourer’s salary for around three weeks).

Peter Reavill, Finds Liaison officer, British Museum’s Portable Antiquities Scheme, said: “Hoards such as these are not uncommon and this example being found outside the historic town of Ludlow is evidence of its rich and powerful past. Ludlow was an important place in the 16th century, being a royal centre — Prince Arthur, 1st son of Henry VIII died in Ludlow castle in 1502. Such small caches as these are probably either purse losses, or possible secretly stashed money deliberately hidden and never recovered.”

The coins can be seen at the Ludlow Museum on Friday, Saturday and Sunday between 10AM and 4PM. Entry is a token £1 for adults.