Nile shipwreck proves Herodotus account

Greek historian Herodotus has had an enduring reputation for indulging in well, let’s just call them embellishments, ever since he wrote The Histories in the 5th century B.C. I fondly recall my 7th grade Social Studies teacher calling him Herodotus the Liar, and scholars have alternately referred to him as the Father of History and the Father of Lies. So even descriptions of things he claimed to have witnessed personally are taken with a grain of salt. His voyage to Egypt, for example, documented in Book II (Euterpe) of The Histories, has been subject of vigorous debate among historians. A number of them have questioned whether he ever stepped foot in the country given how many dubious statements are in his account.

One of those accounts has now been archaeologically verified for the first time. A shipwreck discovered in the sunken city of Thonis-Heraclion fits Herodotus’ detailed description of the construction of a “baris” vessel, a type of trading vessel that was widespread in Egypt. Here the ship as Herodotus saw it built:

The vessels used in Egypt for the transport of merchandise are made of the Acantha (Thorn), a tree which in its growth is very like the Cyrenaic lotus, and from which there exudes a gum. They cut a quantity of planks about two cubits in length from this tree, and then proceed
to their ship-building, arranging the planks like bricks, and attaching them by ties to a number of long stakes or poles till the hull is complete, when they lay the cross-planks on the top from side to side. They give the boats no ribs, but caulk the seams with papyrus on the
inside. Each has a single rudder, which is driven straight through the keel. The mast is a piece of acantha-wood, and the sails are made of papyrus. These boats cannot make way against the current unless there is a brisk breeze; they are, therefore, towed up-stream from the shore: down-stream they are managed as follows. There is a raft belonging to each, made of the wood of the tamarisk, fastened together with a wattling of reeds; and also a stone bored through the middle about two talents in weight. The raft is fastened to the vessel by a rope, and allowed to float down the stream in front, while the stone is attached by another rope astern. The result is that the raft, hurried forward by the current, goes rapidly down the river, and drags the
“baris” (for so they call this sort of boat) after it; while the stone, which is pulled along in the wake of the vessel, and lies deep in the water, keeps the boat straight. There are a vast number of these vessels in Egypt, and some of them are of many thousand talents’ burthen.

The wreck, number 17 of more than 70 vessels that have been discovered at the Thonis-Heracleion site, is larger than the one described by Herodotus. It was an estimated 28 meters (92 feet) long when intact, one of the largest ancient Egyptian trading vessels ever found. Its crescent-shaped hull made of thick planks joined with tenons matches Herodotus’ description very well.

[Director of Oxford University’s Centre for Maritime Archaeology Dr. Damian] Robinson added: “Herodotus describes the boats as having long internal ribs. Nobody really knew what that meant… That structure’s never been seen archaeologically before. Then we discovered this form of construction on this particular boat and it absolutely is what Herodotus has been saying.”

About 70% of the hull has survived, well-preserved in the Nile silts. Acacia planks were held together with long tenon-ribs – some almost 2m long – and fastened with pegs, creating lines of ‘internal ribs’ within the hull. It was steered using an axial rudder with two circular openings for the steering oar and a step for a mast towards the centre of the vessel.

Robinson said: “Where planks are joined together to form the hull, they are usually joined by mortice and tenon joints which fasten one plank to the next. Here we have a completely unique form of construction, which is not seen anywhere else.”

UK returns looted Nebuchadnezzar boundary stone to Iraq

A 3,000-year-old boundary stone from Babylonia was returned to Iraq in an official ceremony on Tuesday after seven years of investigation and legal wrangling. It’s not clear when the object was stolen — experts believe it was looted during the chaos of the Iraq War around 15 years ago. It surfaced in 2012 when the importer attempted to smuggle the piece into Britain with fake paperwork. The stone arrived at Heathrow airport in May 2012. The customs declaration claimed it was a carved stone made in Turkey worth $330. When a UK Border Force officer opened the box, he recognized the stone was no Turkish fake and that the claimed origin in the declaration had to be fraudulent.

Experts at the British Museum quickly identified it from the copious cuneiform inscriptions as a 12th century B.C. kudurru, a ceremonial boundary stone recording a land grant from the king. There are only 200 known surviving examples of kudurrus, and this one is a stand-out. It describes a gift of land from Babylonian king Nebuchadnezzar I to one of his subjects in recognition of his distinguished service. The inscription indicates the stone came from Nippur, an ancient Sumerian city in what is now southern Iraq that was restored and expanded by Babylonian monarchs. Nippur suffered extensive looting in 2003 which is when experts believe the kudurru was stolen.

One side of the stone is covered in images depicting the gods Enlil and Marduk. The other side is inscribed with cuneiform text. In addition to recording the land grant, the text describes an enormously significant period of Babylonian history. It tells of how at the end of the preceding dynasty, Elamite forces had invaded the kingdom, looted the temples and carried away the statue of the god Marduk leaving Babylon bereft not just of the visual representation of the god, but of the protection of the god himself.

Enlil, father of the gods, created Nebuchadnezzar to avenge the outrage done to the Babylonians. The great king invaded Elam, defeated its army and reclaimed the statue of Marduk. He returned it to the temple and all was right with the world again.

“It is such an important moment in Babylonian history. Forever after the Babylonians told stories about this great, brave king who brought Marduk back, and in response they created the Babylonian epic of creation, which tells about how Marduk was appointed to defeat the forces of chaos and to put order into the universe. So, every spring at the new year festival they recite this epic of creation.”

[British Museum curator Jonathan] Taylor said the object also carried “terrible curses” for anyone trying to claim the land or damage the tablet.

“The gift is designed to last forever and there are a list of curses or protective formulas so if anyone should dispute that the gift was made or if they try and hide it, bury it in the dirt, try to destroy it with fire, smash it or get somebody who does not know any better to do it on their behalf, then the gods will curse them in a variety of really horrible ways. So, it is to protect forever this gift in recognition of this act of bravery,” said Taylor.

14th c. gold coin found in secret drawer

Today in every-history-nerd’s-childhood-fantasy-come-true news, a rare 14th century gold coin was found in the secret compartment of a modest George II-style modern bureau. Amy Clapp inherited a bureau from her great cousin last Christmas. She doesn’t remember ever having met him and she certainly knew nothing about his furnishings. It’s a 20th century piece, solidly made, attractive but nothing of great value. It has two wide drawers and two half-width ones in the front, and a bunch of small ones when the desk is open. She looked through all the drawers and cubbies before calling Hansons Auctioneers to have it appraised for sale.

Furniture expert Edward Rycroft examined the piece to assess its value. He estimated it was worth about £80 ($106). Then he looked a little deeper and found three secret drawers. One of them held secret treasure.

He said: “I know bureaus like this often have tiny, secret drawers – sometimes called coin drawers – so I always check them just in case.But in 10 years of valuing furniture I have never found anything in them – until now.”

Much to his amazement, he discovered a 22ct gold coin hidden in a secret drawer. It turned out to be rare, more than 650 years old and highly valuable.

The Raymond IV Prince of Orange Franc A Pied coin dates back to 1365. Its guide price is £1,200-£1,800 but the experts at Hansons think it could sell for as much as £3,000. According to their coin valuer Don Collins, it’s very unusual. In more than half a century of coin valuing he has never seen one exactly like it.

Amy Clapp was thrilled by the unexpected windfall as her family has been through some hard times lately. Her daughter has a genetic condition, Bardet-Biedl syndrome, which has severely affected her sight. Mrs. Clapp works for the charitable organization Bardet-Biedl Syndrome UK and plans to donate some of the proceeds to the charity. Here’s hoping it sells way above estimate when it goes up for auction next month.

The bureau goes under the hammer tomorrow. I’d buy it in a heartbeat for twice the price. God I love secret compartments.

This video shows where the secret drawer was found in the desk.

Did I run to my modern Georgian repro secretary with a similar drawer layout as soon as I saw this video to pull the drawers all the way out in breathless hope of revealing a hidden compartment? Yes. Yes I did. Was there one? No. No there was not. Someday…

Da Gama astrolable certified as world’s oldest

The copper alloy disc discovered in a shipwreck off the coast of Oman in 2014 has been independently verified by the Guinness Book of World Records as the world’s earliest known marine astrolabe. The disc was found in the debris field of the Esmeralda, one of the ships in the fleet Vasco da Gama took on his second voyage to India that sank in 1503. It had a hole in the middle and two raised decorations (a Portuguese royal coat of arms and the esfera armilar, King Manuel I’s personal emblem), but no unambiguous evidence of its function could be seen with the naked eye. In 2016, laser scans by Professor Mark Williams at WMG, University of Warwick, found lines etched along the edge of the upper right quadrant exactly five degrees apart, markers used by sailors to calculate their latitude. Those findings have now been confirmed by the Guinness Book researchers.

The exact date of the astrolabe’s manufacture could not be determined, but it had to have been made after 1495 when Manuel became King of Portugal and before 1502 when the ship departed Lisbon. Before this discovery, the oldest known astrolabe was found on a Portuguese shipwreck that sank off the coast of Namibia in 1533. The Esmeralda‘s bell dating to 1498 has also been confirmed as the oldest known ship’s bell, beating the previous record-holder the venerable Mary Rose, the Tudor flagship that sank in the Solent in 1545.

Oceanographer David Mearns of Blue Water Recoveries who led the diving team that discovered the wreck, University of Warwick researchers Mark Williams and Jason Warnett have published their findings on the astrolabe in the International Journal of Nautical Archaeology. It’s a great paper for layperson and scholar alike. It lays out the archaeological record of marine astrolabes, how rare they are overall and how almost none of them were excavated archaeologically which makes determining their provenance and background extremely challenging. Only ten were known in 1957 when the first astrolabe register was created by David Waters, curator of navigation and astronomy at the National Maritime Museum at Greenwich. As of publication, there are 105 astrolabes and four alidades (sights used on astrolabes) on the current list, which you can see a cool (but alas too small) picture of on page two of the paper. The Sodré astrolabe (named after Vicente Sodré who commanded the Esmeralda) is number 108.

It also explains the whole story of how and why the Sodré brothers and their ships wound up in pieces off the coast of an Oman island and covers the excavation in which more than 2,800 objects were recovered, an incredible wealth of archaeological material that lends invaluable insight into Portuguese navigation in the Age of Discovery.

The paper goes into the astrolabe’s discovery and the results of years of study, but it also explains its significance in the larger context of the invention and earliest use of astrolabes.

What can be made of the observation that the Sodré astrolabe was only marked at 5-degree intervals and not with the 1-degree gradations seen in all other mariner’s astrolabes? Is it possible that at the time it was created the Portuguese, or at least the maker of this particular specimen, had not refined or standardized the design of their instruments to allow measuring altitude to the precision of 1-degree? Cline (1990: 130) claims that prior to the development of the heavy, open-wheel types, the early navigators were unable to take measurements within four to five degrees even on a ship that was not rolling. This might explain the absence of individual degree marks in the Sodré astrolabe if 5-degree divisions were deemed to be adequate by the navigators, presuming they could always estimate the position of the alidade between scale marks. Considering the general corroded state of the undecorated side and perimeter of the Sodré astrolabe, it is equally possible, however, that the individual gradations have been eroded away and that the faint traces of the 5-degree gradations were preserved because of their position further from the perimeter or possibly because the maker had scored them to a greater depth. […]

The astrolabe is unique in the archaeological record in a number of ways. It is the only known solid disc (type 0) mariner’s astrolabe with a verifiable provenance and age. This suggests it might be a transitional instrument in the development of mariner’s astrolabes.[…]

The Sodré astrolabe is also unique in that, of the 104-known instruments, it is the sole specimen decorated with a national symbol: the royal coat of arms of Portugal. Together with Manuel’s esfera armilar, these decorations dominate one side of the Sodré astrolabe. Their conspicuous placement, in relief, ensures that they stand out and would appear to mark the astrolabe as an object of the state. This is significant in light of Manuel’s use of royal symbolism to project his power at the precise time Portuguese ships were discovering new lands and his country was on the cusp of building the world’s first global empire.

Seriously, this is a page-turner, one of the most interesting, content-rich and comprehensible research papers I’ve read in a long time.

Irish have been burying butter in bogs for 3500 years

A new study has revealed that the practice of burying butter in bogs goes back even further in Irish history than we knew.

Previous analyses found that bog butters are made from animal fat, but because being buried in peat for a few thousand years can have mineralizing effects on organic matter. Some early studies concluded that it was adipocere, ie, tissue fat converted into a waxy substance in anaerobic condition, because the saturated fats in its chemical composition more closely matches those in adipocere (see this massive 77-lb stick). than in butter fat. Both theories got support in 2004 when a stable carbon isotope analysis of nine bog butters proved that six of them were the product of ruminant dairy and three from tallow, the carcass fat of ruminants.

The 2004 study looked at Scottish bog butter. The most recent study had a wider sample pool — 32 butters, and they are all Irish. The researchers also radiocarbon dated all of them to see if similar processes produced Irish and Scottish bog butters and if they could spot any trends over time. Of the 32 samples, the chemical composition of 26 of them identified them as ruminant dairy fat and another three were found to be likely from a dairy source. The remaining three samples could not be precisely classified.

The radiocarbon dating results had a nice surprise. A sample of bog butter from Knockdrin was found to date from between 1745 and 1635 B.C.

“We have known for a long time that bog butter was some sort of animal fat. However, compound-specific stable isotope analysis of the fatty acids in the degraded bog butters is the only way to identify the true origins of the fat – whether it was a milk fat like butter, or a carcass fat like tallow or lard.” said Professor Richard Evershed from the University of Bristol.

“Combining this analysis with radiocarbon dating, we obtain unparalleled insight into an extremely long-lived activity,” said UCD’s Dr Smyth.

“Together with two recently dated samples, this study brings to five the number of Bronze Age bog butters recorded from Ireland. Their date is extremely significant and pushes back known depositional activity by as much as 1500 years.”

Dr Smyth added: “Clearly, it is unlikely there was a single reason for the deposition of bog butter over four millennia. In certain periods they may have been votive deposits, while at other points in time it may have been more about storage and even protection of valuable resources.”

Professor Evershed notes that: “The widespread occurrence of these enigmatic butter deposits fits with our increasing knowledge of the central importance of dairying in prehistoric northern Europe.”

The study has been published in the journal Scientific Reports.