Snake altar found in ancient Lycian city

A cylindrical altar carved with the figure of a snake winding around it has been discovered at the archaeological site of Patara in southwestern Turkey’s Antalya district. Archaeologists unearthed the altar in an excavation of the Roman-era public baths near the ancient city walls. The marble altar was originally associated with a tomb and would have been used to leave offerings of food or drink to the gods for the benefit of the deceased. Its find site at the baths, built under Nero in the 60s A.D., and the style of the carving dates it to the Roman era, about 2,000 years ago.

(Fun fact: the dedicatory inscription found on one of the doorways between the frigidarium and the tepidarium gives all credit for the construction of the baths to Vespasian. The surviving parts read: “The bath was built from scratch by the ultimate ruler, sacred Flavius Vespasianus… during the time of military governor Sextus Marcus Priscus by using the security funds collected from the people and with contributions of the military unit with all of the ornaments and decorations and swimming pool.”

Epigraphers discovered that the initial lines of the inscription were scraped off and Vespasian’s name engraved over the erasure. The long arm of the Roman senate’s damnatio memoriae of Nero, perhaps? Or maybe just a courtesy carve-out to pretend the emperor who repaired the bath and the aqueduct that supplied it was the one who built it. The “from scratch” bit does seem a little heavy-handed.)

Located on the Mediterranean coast of southwestern Lycia, the Hellenistic city was founded in the 8th century B.C. and prospered as a harbor city connecting trade from the Mediterranean to the interior via the Xanthus River which flowed through the city in antiquity. Patara, which according to the legend was founded by Apollo’s son Patarus, was renown for its Temple of Apollo and oracle. The former was second in importance only to the temple at Delos; the latter only to the oracle at Delphi. Apollo himself was said to live there, summering at Delos but enjoying the fine winter climate at Patara. Because of this, ancient chroniclers claim, the priestess only worked the oracle at Patara in the winter.

Snakes are central to the mythology of Apollo, particular to his oracles. Apollo slew the Python, the underworld deity who relayed messages from his mother Gaia to petitioners at the Delphic oracle, and replaced him as the god of record in Delphi. Python’s priestesses kept their jobs under the new administration, and the main priestess of the oracle at Delphi was thereafter called the Pythia.

The remains of the famous Temple of Apollo have yet to be discovered, but a large bust of the god unearthed just inside the city gate is believed to have adorned it. The city’s association with Apollo is also evident in its coinage. He appears on drachms from the 2nd century B.C. all the way through to imperial coinage of the emperor Gordian III in the 3rd century. Several of the Gordian issues feature a serpent coiled around a tripod cauldron. One features Apollo standing inside his temple with a serpent-wrapped column to his right.

The altar will now be cleaned, conserved and studied and when the work is complete, it will be exhibited at the Demre Museum.

Autograph album to beat all autograph albums for sale

The American descendant of that autograph album from 17th century Germany doesn’t have its lavish illustrations, but its signatories are even more famous, covering in their lifetimes the entire span of US history from the presidency of George Washington to that of George H. W. Bush. The pre-sale estimate for the “most remarkable autograph album ever offered for sale” is $30,000-35,000, but the live auction  is still a couple of days away and the online bids are already up to $26,000.

It was compiled over the course of 50 years by Lafayette F. Cornwell of Yonkers, New York. He began collecting autographs when he was a teenager and continued for the rest of his life. Unlike any teenager I’ve ever known but very much like his fellow 19th century teen autograph collector Adeline Harris Sears, he planned for the long-term, deciding to arrange the signatures by category rather than chronologically. The result is the names, like those in Adeline’s incredible Signatures quilt, grouped by field of endeavor instead of chronologically.

Most signature albums at the time were limited in scope, often focused on political figures like senators and cabinet members. People with connections or good luck managed to get a bunch of big shots to pass the book around and sign it. Cornwell’s autographs include the names of many nationally prominent politicians, but collected over decades in many places, and the names of famous people from all walks of life — presidents, first ladies, inventors, social activists, military leaders, entertainers, writers, scientists, aviators, musicians, opera singers, explorers, cartoonists, industrialists, lawyers and statesmen.

Born in 1863, Cornwell was 17 when he began collecting autographs in December 1880, leveraging his location in New York state to get access to famous people visiting New York City.  King Kalakaua of Hawaii signed in 1881 on a trip to New York. So did Oscar Wilde and US President Rutherford B. Hayes (the first time; Hayes signed twice, for some inexplicable reason). Frederic Batholdi, sculptor of the Statue of Liberty, signed in 1886 when he was in town to see his masterpiece unveiled in New York Harbor.

It wasn’t just the ability to stalk celebrities at the country’s greatest port of call that filled the pages of Cornwell’s autograph book with such an astonishing depth and breadth of signatures. In 1889, he moved to Pueblo, Colorado, where he would open the Cornwell Jewelry Company shop in 1896. He made a name for himself as a jeweler and watchmaker of great skill. He was made assistant chief watch inspector for the Denver and Rio Grande Railroad, Missouri Pacific, Colorado and Southern Railroad, so he traveled widely, fixing railroad employees’ watches to keep the trains running on time and doubtless encountering a passel of notables on his journeys.

Even during Cornwell’s lifetime, his remarkable album received well-deserved recognition when it was featured in the “New York Times” Sunday magazine section of November 13, 1927. The unnamed reporter describes how Lafayette Cornwell, a (former) jeweler from Yonkers, NY, managed to gather the signatures of no less than eight presidents (Grant, Hayes (twice!), Arthur, Cleveland, Theodore Roosevelt, Taft, Wilson and Hoover) and several First Ladies, including Mary Lincoln (who signed the album with a very rare form of her signature, “Mrs. Abraham Lincoln”). In addition to Union and Confederate Generals, admirals, WWI aces, explorers, opera singers, or inventors like Steinmetz and Edison and celebrities including Houdini, Valentino and “Buffalo Bill” Cody, many famous women are also represented: Lucy Stone (who penned, “The consent of the governed woman is as necessary to the success of the principle of a representative government by the people as is the consent of the governed man”); Helen Keller (“Keep your face to the sunshine and you cannot see the shadow”); Jane Addams (“The new Humanitarianism! The Progressive Party!”); and the great thespian Sarah Bernhardt whose autograph Cornwell obtained only after agreeing to her specific demand. As the “Times” reports: “Sarah Bernhardt’s signature was placed last, at her own insistence, Mr. Cornwell says. The French actress received him in her private [railway] car at Pueblo, Col., while on her American tour in 1911, and granted his request—but she specified: ‘I write the last! No one must write after me!’ So the great French actress placed her signature on the last flyleaf in the album and, to make assurance double sure, pasted the flyleaf to the back cover,” There it still remains, permanently affixed to the back cover, more than 100 years later.

There are more than 400 signatures in Cornwell’s autograph album. He gave the book to his niece Mabel in 1933, two years after the last dated signature and 12 years before his death. In a letter to her that is also included in the auction lot, he wrote an encomium to his life’s work.

“To my dear Niece, Mabel Bentley Barteau, 17 Livingston Ave. Yonkers, NY…To you I take great pleasure in presenting this Book of autographs of distinguished persons in all walks of life and various countries. It represents many years of strenuous efforts and the traveling of many thousands of miles and much expense in meeting and securing of the autographs of the persons of note here inscribed and the sentiments they express. Wishing you a Merry Christmas and a Happy New Year, Your Uncle, L.F. Cornwell.”

I can haz Nazca line?

A massive geoglyph of a feline has been discovered lounging against a hillside in the Nazca Desert of southern Peru. The cat is in profile, except for his head which is facing front, and is in a horizontal orientation 37 meters (121 feet) long. It was drawn on the steep slope of the Mirador Natural hill in lines up to 16 inches thick. Its design style identifies the feline as a Late Paracas period glyph (ca. 200-100 B.C.) which means it predates the ones created by the Nazca people. Cats were a popular zoomorphic motif on Paracas textiles and ceramics.

El Mirador Natural got its name (meaning “natural lookout point”) because its rocky peak is a perfect location to view several of the great geoglyphs of the Nasca Pampa in one fell swoop. Archaeologists and technical staff from Peru’s Ministry of Culture were maintaining the site when they discovered the figure. The line drawing etched into the hillside had suffered from heavy erosion and was all but invisible to the naked eye.

Last week, the cat got groomed. Experts cleaned and conserved the drawing so that it can once again be seen in all its gigantic glory. Now the lookout has become the lookee.

The mnemonic powers of disc-on-bow brooches

Between the 6th and 8th centuries, high-status Scandinavian women wore distinctive pieces of jewelry known as disc-on-bow or button-on-bow brooches. Intricately gilded and inlaid with red garnets from Sri Lanka and India, the fibulae have been found exclusively in female burials or as stray finds divorced from their original contexts. A new study published in the European Journal of Archaeology contends that the brooches, introduced at the dawn of Viking raids on Ireland and Britain, and used a hundred years after they were no longer being produced, were not just luxury goods telegraphing the wealth of the wearer, but symbolism-laden connections between the elites, their past and their religious beliefs.

The first examples of them date to the late 6th century, and there’s a clear evolution from smaller, simpler pieces to large, elaborate ones. By the end of the 8th century, they were so big and heavy that they could not have been worn with ease and are thought to have been intended for use only on special occasions.

Ritualized or extraordinary costumes, including jewellery, are intrinsically linked with class, social roles, or certain forms of behaviour or postures. Dress, power, and ideology are, thus, mutually integrated elements. Found in what seems to be exclusively female burials, the brooches may have been particularly important as family heirlooms, passed down between women in the same lineage. In this perspective, the disc-on-bow brooches may represent objects associated with the perpetuation of stories relating to genealogy and family identities, and hence the control and perception of time. […] Such objects would be particularly effective if they possessed exclusive identities referring to ancestors, genealogies, and origin myths.

Disc-on-bow brooches make notable appearances as iconographic motifs on objects associated with ritual. Women wearing the brooches are carved on amulets and the gold figure foils engraved with images of important people/deities that have been found at aristocratic dwellings and sites of religious significance in medieval Scandinavia. In these depictions, the brooches are worn horizontally on the neck just below the chin with the head plate pointing to the right of the wearer. This placement matches the position of the brooches found in graves in Norway.

One of the most stunning examples is actually a stray, having been found atop a boat burial mound in Melhus, central  Norway, in 1901. Later excavation of the tumulus found it was a double burial of one man and one woman, so while it was not found in situ around her neck, it was almost certainly part of this noblewoman’s funerary accessories. The Melhus brooch dates to the late 8th century when these types of jewels reached their apex in size and complexity. Of the 53 disc-on-bow brooches discovered in Norway, 24 were made in the late Merovingian period, between 725 and 800 A.D. At 9.4 inches long, the Melhus brooch is the largest ever discovered in Norway, which means it was made at the end of the period of production.

The dating, context, ornamentation, and fragmentation of the disc-on-bow brooches points to an increase in such complex referential practice, with a marked change in attitude towards these brooches and their separate parts from around ad 700. During Phase 3, the development of the brooches becomes quite extreme: they reach almost unwearable proportions, the garnets, interlace, and Style III decoration increasingly covers all possible surfaces. This, and the growing number of carefully divided brooches and re-used fragments, suggests that the disc-on-bow brooches became gradually more significant as social and symbolically-charged objects actively integrated within ongoing political and social practice. […]

[T]he context and use of the disc-on bow brooches entail aspects of power and hierarchy. Mnemonic objects benefit those families and individuals that have access to and ownership of the inalienable objects in question. As not everyone has equal access to such objects, their possession and display may be perceived as representing a noble good, legitimizing social hierarchies, privileges, and distinction. Access to such heirlooms could, thus, be associated with family memories and personal identities, but also remove signal rank, distinction, and authority.

The possession of heirlooms associated with high social status or genealogy may increase in significance at times when inherited status is threatened by groups or individuals who have acquired higher status through, for example, new political institutions, new forms of economic transactions, or the vagaries of war (Lillios, 1999). This would fit the context of Norse society in the late Vendel period and early Viking Age, from the early eighth into the ninth century. The intensification of the North Sea trade, and the raiding and colonization on the British Isles may have contributed to a more volatile political situation in the Norse homelands, compromising traditional inherited status. This could have resulted in an increased emphasis on the mythical concepts and social distinction represented by exclusive objects. This could explain why the brooches grew to enormous sizes and featured increasingly lavish decoration during the eighth century, and why they were kept in circulation by some families well into the Viking Age. This could, in turn, indicate that similar ideas are detectable in other material categories, as notions and definitions of relevant timeframes and pasts could affect different social groups, with varying reactions and counter-reactions.

Hittite cuneiform texts digitized

A team led by researchers at the Johannes Gutenberg University Mainz will be fully transcribing, translating and digitizing a vast collection of 30,000 Hittite-language cuneiform tablets engraved on clay in Anatolia 3,500 years ago, fired and preserved. The project has just been funded to the tune of EUR 520,000 and is expected to take three years.

“This enormous funding can also be seen as recognition of Mainz as a research hub, where Hittitology has been a mainstay since the 1960s,” said Professor Doris Prechel of the Department of Ancient Studies at Johannes Gutenberg University Mainz (JGU) and partner in the collaborative project. The Hittitology Archive at the Academy of Sciences and Literature in Mainz holds the world’s largest collection of transliterated Hittite writings, in other words, texts which have been converted from the original cuneiform into the Latin alphabet. “We have a fantastic starting point here, and with the digital thesaurus we can achieve a breakthrough for Hittitology worldwide.” Prechel and her group at JGU will be contributing to the project by compiling a collection of texts on summoning rituals. These rituals mostly took the form of magical invocations designed, among other things, to gain the goodwill of the gods and protect the royal family or the political system from danger.

The cooperation partners intend to bring the remains of the Hittite culture into the 21st century. A large proportion of the 30,000 clay tablets and fragments found in the then Hittite capital of Hattusa and documented on over one million index cards are already available in digitized form. They will now be suitably adapted and provided with commentaries. The collection of texts will be accessible online via the new Hittitology Platform Mainz. It will also be possible to integrate any new cuneiform texts found at Hittite sites in future. Thus, the new platform will be a kind of living archive of cuneiform transcripts and make available a completely new way of accessing source texts for researching the culture and history of the Hittites.

The project will have other research applications as well because Hittite is the oldest known surviving Indo-European language, the language group that includes all of the languages of Europe, northern India and the Persian Plateau. Most people in the world spread out over all the populated continents speak one.

The current Hittitology Platform Mainz already has a large database of digitized Hittite tablets, but it’s a little unwieldy to navigate, is mostly in German and if there are any photographs in the digitized entries, I haven’t found them yet. It will be greatly expanded over the next three years.