Colchester Vase was gladiator sports memorabilia

New analyses of the Colchester Vase, a 2nd century clay vessel decorated with scenes of gladiatorial contests, has confirmed that it was locally made, decorated and inscribed. It was not an import or an object modified with later inscriptions. It was a high-quality piece commemorating a specific gladiatorial event that took place in Colchester.

The vase was discovered in a Roman-era grave in West Lodge, Colchester, in 1853. Its format suggests it was more likely a drinking vessel rather than a pitcher or vase, but whatever its original usage, its final use was a cinerary urn. The vessel is nine inches high and is decorated on the outside with three scenes. There are two armed men facing off against each other, two men, one wielding a whip, the other a club, baiting a bear and lastly a hunting dog chasing two stags and a hare. These scenes represent the three types of encounters staged at the arena: men fighting other men, men fighting animals and animals fighting other animals. It is one of the most intricately decorated Roman-era pots ever found in Britain.

The armed men fighting each other can be identified as gladiators by their armature. The one with a short sword (gladius), large rectangular shield (scutus), greaves and a large helmet covering his entire face was a secutor. His opponent, wearing the tall shoulder guard (galerus), arm guard (manica) and loin cloth, is a retiarius or “net fighter.” His trident is on the ground under the secutor’s feet and his finger is raised in the “ad digitum” gesture to acknowledge defeat and request that the munerarius (game director) grant him “missio” (reprieve).

Four names are incised on the vase: Memnon over the secutor, Valentinus over the retiarius, Secundus and Mario above the bear baiter with the whip. Next to Memnon’s name are the initials SAC and the numeral VIIII, recording that he fought nine times and lived. Next to Valentinus’ name is inscribed LEGIONIS XXX, indicating the retiarius was a soldier in the 30th Legion. This legion was never stationed in Britain.

The uniqueness of the decoration and the reference to a legion that never stepped foot in Britain has spurred debate as to its origin. The clay it was made from was local, but the inscription seemed to point to a foreign hand.

New tests prove the Colchester Vase was made of local clay around AD 160-200 and that an inscription bearing the names of two featured gladiators was cut into the clay before firing, rather than afterwards, as previously assumed. It was therefore an intrinsic part of the vessel’s original design rather than a later addition to a generic arena representation.

That means the vase was the ultimate in sports memorabilia, perhaps commissioned by a gladiator trainer or owner, or someone else involved with such contests.

Frank Hargrave, director of Colchester and Ipswich Museums (CIMS), which owns the vase, told the Observer the research has led to “startling new conclusions”, showing its true significance in recording a real spectacle in Colchester, known to the Romans as Camulodunum.

“It’s the only evidence of a Roman arena gladiator combat actually being staged in Britain,” he said. “There are no written descriptions. The vase is such high quality that there’s been a bit of snobbery, an assumption that it couldn’t possibly have come from Britain, whereas all the analysis has now put that to bed.” […]

Although no amphitheatre – the usual arena for gladiatorial combat – has yet been discovered, Colchester has two Roman theatres where such an event could have been staged. Pearce said: “With our re-analysis of the Colchester Vase, we can be confident that this was an event that took place here.”

The multidisciplinary research team also studied the cinerary remains found in the urn. Stable isotope analysis revealed the deceased was a non-local male possibly of European origin who was more than 40 years old when he died.

5 thoughts on “Colchester Vase was gladiator sports memorabilia

  1. As there has been an entire gladiator cemetery unearthed in York, there may be slightly more “evidence” of a Roman arena gladiator combat “being staged in Britain” than this pot.

    The vessel could be a ‘situla’, as we say, or bucket, still being used in Franconia as “Seidla” (of a metric 500ml beer, only BARBARIANS use 1 liter stones voluntarily). The postscript of ‘Vindolanda Tablet III 628’, for instance, clearly shows that there was demand up there, not only for gladators, but particularly also for beer (CERVESAM non habunt!!!):

    “Masculus Ceriali regi suọ salụtem. Cras quid velis nos fecissẹ rogó dómine p̣rạẹc̣ịp̣iás utrumṇẹ cum vexsilló · omnes rediemus an alterni coṃp̣ịṭum · aeque […] Felicisṣiṃ[u]ṣ et sis mihi propitius. Vạḷe. cervesam commilitones non habunt quam rogó iubeas mitti. F̣lạvịọ C̣ẹṛạḷi, praef(ecto).”

    In the earlier 120ies AD, the Legio ‘XXX Ulpia Victrix’ replaced in Xanten the Legio ‘VI Victrix’, who themselves were indeed sent to Britain. Therefore, either the clay or one of the fighters might have come from Xanten.

    Notably, “Mario” is the dative form of “Marius”, hence he may have received it as a present, presumably as a member of the Legio ‘VI Victrix’.

  2. In addition to my previous post, do note that Valentinus may indeed have travelled Britain without(!) the cup:

    A ‘vexillatio’ was a detachment of a Roman legion formed as a temporary task force. It was named from the standard carried around, the ‘vexillum’ (pl. vexilla, cf.: vexillology), which bore the emblem and name of the ‘parent legion’.

    If the Colchester “Seidla” was indeed made of LOCAL(!) clay around 160-200AD, and a ‘vexillatio’ of the ‘Legio XXX Ulpia Victrix’ joined in 208AD emperor Septimius Severus in his campaign in Britain, strengthening ‘Hadrian’s Wall’ and regaining the ‘Antonine Wall’, Marius might have been a gladiator, who may have (not) received the cup from his fan Valentinus.

    PS: Septimius Severus died in early 211 at Eboracum – i.e. in today’s York, where the mentioned gladiator cemetery was found.

  3. I was surprised to see a swastika on Memnon’s shield.I know the symbol has a long history in the east,but I never saw it in Roman art.

  4. I noticed the swastika on Memnon’s shield. I know the symbol has a long history in the east,but does anybody know about its meaning here(if any)?

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