Dog walkers in Scotland stumble on 2,000-year-old footprints

Two people walking their dogs on a beach in Scotland came across footprints left by humans and animals 2,000 years earlier. Although ancient footprints have been found in a handful of locations in England, this is the first such site ever recorded in Scotland.

Ivor Campbell and Jenny Snedden spotted the prints on Lunan Bay in Angus, eastern Scotland, after a strong storm in January. The storm had damaged the sandy dunes, exposing a layer of clay. The pair thought the markings on the wet ground looked like footprints, so they notified the Aberdeenshire council who enlisted the aid of University of Aberdeen archaeologist Kate Britton and her team to investigate the find.

Time was of the essence. High tide was coming in and the winds were very strong, with gusts up to 55mph blowing scouring sand over the prints. Under these challenging conditions, the team had to document the prints as thoroughly as possible before they disappeared. When the wind let up, they photographed the site with drones, photographed the prints with cameras on the ground and then used the photographs to create 3D renderings of the remains. They made plaster casts of the prints left by barefoot humans and different species of animals, including red and roe deer. They also took samples of plant remains deposited right underneath the footprints.

Just 48 hours after the report, the site and its footprints were destroyed. The team returned to the University of Aberdeen laboratory where they radiocarbon tested the plant remains, confirming the date of ca. 2,000 years old.

“This is a real tangible link to the region’s past,” team member Professor Noble added. “The late Iron Age dates are in keeping with what we know about the rich archaeology of nearby Lunan Valley. It’s very exciting to think these prints were made by people around the time of the Roman invasions of Scotland and in the centuries leading up to the emergence of the Picts.”

Archaeologists say the unique find offers a window into human activity along the Angus coastline and the changing nature of the landscape.

Dr William Mills added: “It is incredibly rare to see such a delicate record saved, taking only minutes to create and hours to be destroyed, a snapshot of what people were doing thousands of years ago. The site also tells us how this now sandy beach was once a muddy estuary and that humans were using this environment, perhaps for hunting deer or to collect wild plant foods such as samphire.

1,000-year-old gold-filled tomb unearthed in Panama

A new tomb has been discovered at the El Caño Archaeological Site abundantly furnished with offerings of ceramics and gold. The tomb dates between 800 and 1000 A.D. and because of the rich array of grave goods, according to the Culture Ministry of Panama, the find is “of great importance for Panamanian archaeology and the study of pre-Hispanic societies of the Central American isthmus.”

The existence of Tomb 3 was first identified in 2009 when an survey detected a large number of ceramic and metal fragments. It wasn’t excavated until this year, however, and is now revealing its full structure and rich furnishings. It contains numerous funerary offerings of fine ceramics and decorated gold ornaments including earrings, bracelets and large pectorals decorated with bats and crocodiles which were typical motifs in the art and iconography of El Caño.

It is a multiple burial featuring a central figure accompanied by several other individuals. The grave is an area reserved for the elites of the Coclé culture, and the central burial is someone of high status from one of the families of leaders or chiefs. Coclé leaders accumulated items of great prestige, but the gold in the tombs was not valued as specie or currency. It held religious symbolism as an eternal material because of its beauty is not subject to corrosion or decomposition.

The archaeological site of El Caño, 124 miles southwest of Panama City, was a ceremonial complex of the Coclé people. Previous discoveries of opulent burials have led to the area being dubbed “Panama’s Valley of the Kings,” and the vast majority of the necropolis has yet to be excavated.

The evidence accumulated in Tomb 3 allows for a revision of models regarding the emergence of complex chiefdoms in the isthmus, suggesting the existence of centralized societies that operated between the 8th and 11th centuries AD. These communities had the capacity to organize long-distance exchange networks and large-scale ceremonies, consolidating this site as one of the most important pre-Hispanic cemeteries in the region.

Medieval painted panels found beneath Toledo house

A group of polychrome wood panels discovered under the floorboards of a house in Toledo in 2018 are going on display at the National Archaeological Museum in Madrid. They were found during construction of a hotel planned to go up over several buildings in the Bajada del Pozo Amargo street next to Toldeo’s Cathedral. They had been stripped from their original location on the upper part of the walls of a quadrangular hall and reused as raw carpentry material in the house’s subfloor.

The panels date to the 13th and 14th centuries and depict courtly scenes of ladies, kings and knights, warfare, hunting and allegories of wisdom with images of books and philosophers. Courtly scenes include: a royal, bearded man with a crown and purple mantle with castle elements in the background; two crowned figures, one bearded, one youthful, flanked by ladies in headdresses; a man wearing a purple cloak with an ermine trim backed by courtiers wearing gloves and tunics.

Several of the people depicted in the panels are identifiable thanks to inscriptions and heraldry, among them: Jofré de Loaysa, royal notary, historian, diplomat, Archdeacon of Toledo, Gonzalo Pétrez, Archbishop of Toledo from 1280 to 1298 and owner of one of the greatest collection of codices of the period.

A representation of cavalry in war is the most complex surviving scene. It depicts men armed for battle mounted on horses. They carry banners and the horses are draped with trappings. Another panel shows an array of arms and armor: helmets, axes, maces, chainmail gloves, greaves, arm guards, shields, swords. There are wounds and blood in this scene, suggesting it’s alluding to real events.

Philosophy and science are present on several panels. One depicts Plato and Aristotle being breastfed by Sophia, goddess of wisdom, surrounded by books. Another panel features what looks like a library with cabinets containing codices. Astronomy is represented in two tables, one in which the word is carved into an archway of a library; the other depicting a starry sky with an astrolabe on the table.

During this period, Spain was ruled by Ferdinand III the Saint, Alfonso X the Wise, and Sancho IV of the Castilian dynasty and Toledo was the cultural and administrative hub of the expanding centralized monarchy. There was a flourishing of art, philosophy and science, especially under Alfonso X, and the iconography of the panels is very much in keeping with the illuminations in the Cantigas de Santa María codices commissioned by Alfonso.

Now part of the collection of the Santa Cruz Museum of Toledo, the panels have traveled to Madrid where they are a thematic centerpiece of the What the City Hides: Images of the Medieval Court of Toledo exhibition. Other pieces from the royal court during the transition from the 13th to the 14th century are on display with the panels, including rare surviving wooden elements like a carved beam from the long-gone Toledo palace of the Dukes of Arjona and a whole section of decorated coffered ceiling from the royal chamber of King Alfonso XI in Cordoba.

Tree rings of Princess of Bagicz wooden coffin resolve date dispute

A new study of the only complete wooden coffin from the Roman Iron Age, the Princess of Bagicz burial, has solved the debate about its age and revealed fresh information about the deceased.

The coffin was discovered near the village of Bagicz, northwestern Poland, in 1899 when it was literally fell out of a cliff on the Baltic Sea coast, exposed by erosion. It held the remains of an adult woman buried with a bronze fibula, a bone pin, a pair of bronze bracelets and a necklace of glass and amber beads. The burial had been preserved for almost 2,000 years in the low-oxygen waterlogged sandy soil. In addition to the coffin, organic materials including a wooden stool and fragments of woolen clothing and bovine hide had survived in excellent condition. Unfortunately, those elements did not survive the Second World War.

Because of her fine grave goods and the location of the burial in an isolated location overlooking the ocean, at the time she was believed to be someone of extremely high social status, earning her the monicker the Princess of Bagicz. Later discoveries nearby revealed that in fact her burial was part of a larger Iron Age cemetery, so she wasn’t quite at the “princess” level of elite, although certainly a wealthy woman.

The coffin and its lid were made from a hollowed-out oak trunk, a burial style typical of the Iron Age Wielbark culture (1st-4th centuries A.D.). Only traces of the original log coffins are found in these burials, making the Princess a unique survivor from the Roman Iron Age in Poland.

The burial has been extensively studied since its discovery. Today about 30 bones, including her skull, survive, blackened from centuries spent in her log coffin. Osteological analysis found she was between 25 and 30 years old when she died and petite at about 145 cm (4’9″) tall. Despite her young age, she suffered from osteoarthritis in the lower spine, suggesting she performed hard manual labor.

The question of the dating of the burial has been debated in the scholarship for decades. A 2018 radiocarbon analysis returned an approximate date range of 160 B.C. to 50 A.D., which is significantly earlier than the date suggested by the artifacts in her grave, ca. 110-160 A.D. Researchers in that investigation hypothesized that the discrepancy may have been caused by a mistake in the C14 measurements that can sometimes occur when the deceased at a diet rich in fish. Stable isotope analysis of her teeth found no trace of Baltic fish, just a variety of animal proteins that could have included freshwater fish.

To better understand the dating discrepancies, a dendrochronological analysis was conducted in 2024. The results revealed the oak tree from which her coffin was fashioned had been felled around 120 AD (±7–8 years). This indicates that the archaeological typological dating was closer in accuracy than the radiocarbon dating.

The researchers hypothesize that diet or environmental factors, including the reservoir effect, the hard-water effect, or both, may have influenced the radiocarbon dates.

The reservoir effect caused by organisms consuming fish or water food sources which have lower C14 levels than the atmosphere. It can result in false aging, making the material seem older than it is. The hard water effect — consumption of organisms that live in hard water causing artificially aged C14 results — could have had a similar impact. However, this possible explanation for the radiocarbon dates is contradicted by the research team’s strontium isotope analysis results. They found her likely place of origin was Öland, Sweden, but there is no reservoir effect documented in archaeological remains of the area.

The results of the study have been published in the journal Archaeometry, available here to subscribers or pay-for-play.

Spain captures bronze toddlers capturing partridges

An extraordinary pair of Roman bronzes depicting toddler girls diving to capture a partridge have been repatriated to Spain after a long sojourn through the underworld of looting, smuggling, forged documents, high-profile auction sales, even higher-profile museum loans and an acute case of no-honor-among-thieves blowing up in their faces.

Dating to the 1st-2nd century A.D., the bronzes are about 20 inches long and mounted to rectangular bases. They capture the little girls in dynamic movement, frozen in the act of propelling themselves forward, their fingers splayed wide on each side of the partridges just about to catch them. The craftsmanship is superior, every detail on the toddlers and partridges realistically depicted with fine materials. The eyes are inlaid with white stones and one of the girls still has her metal irises. They have eye lashes made of sheet bronze. Their gowns are delicately draped and sweep backwards conveying the girls dashing ahead. The partridges are beautifully detailed as well, each individual feather delineated.

Surviving Roman bronze sculptural groups, especially a matched set of exceptional craftsmanship complete with their original inlays and bases, are exceedingly rare. While genre statues featuring young children playing, often with pets or birds, were popular decorative objects in the homes of wealthy Romans, this particular motif of girls chasing partridges is very uncommon.

The pair were much-publicized highlights of Christie’s Antiquities Sale in New York on December 5, 2012. Not only were they spectacular in quality and conservation, but they came with a documented history of ownership by famed Swiss collector, Giovanni Züst, who had, the records claimed, sold it to the family of the current owners in the 1960s. The Züst connection gave it an air of respectability, despite the “Swiss private collection” fig leaf having been the stock in trade of every looted artifact in the illegal trade for decades.

The pair sold to a private collector who two years later loaned the bronzes to the Metropolitan Museum of Art. They were still on display there nine years later when the skein of lies began to unravel thanks to a double-cross between the thieves that ended up in a lawsuit. Charges of fraud and embezzlement against two men, a 51-year-old Swiss national and an 80-year-old Italian living in Switzerland were dropped due to lack of evidence, but they both lied a lot in the process of trying to cover their asses, and the investigation exposed the truth. Some of it, anyway.

According to the plaintiff in the lawsuit, the bronzes were found by his grandfather on their ancestral land in Spain. The Swiss defendant said they’d been in his family for generations. Both stories were false. The first real evidence of the statues are photographs taken in 2006 or 2007 at the plaintiff’s house in Spain. The bronzes were in poor condition in these pictures, indicating that they had been recently unearthed, likely from an unknown archaeological site near the home in southern Spain.

The Italian man, who had a long history of involvement in looted artifacts, was engaged to restore them. The bronzes traveled to London and Switzerland, got laundered and picked up some forged ownership records before making their way to Christie’s in New York. The plaintiff in the lawsuit was supposed to get a cut of the $1.5 million sale to Christie’s, but he was shut out by his Swiss and Italian conspirators, so he waited until the statute of limitations on the fraud ran out, and in 2018, filed suit against the two men who had not given him his piece of the proceeds of their illegal scheme. Of course he had a cover story to pretend it wasn’t all a bunch of looters bickering, but so did the other two and none of the passed the smell test. The private prosecutor called them all out for being full of it, and the case was dropped in 2023.

By then, however, the Spanish police, cultural heritage authorities, customs and the National Archaeological Museum were investigating the bronzes and the real evidence of the 2006-7 photographs proved that the Züst provenance was fraudulent. The private collector voluntarily surrendered the statues and last month, the toddlers were officially handed over to the National Archaeological Museum in Spain