Brewery acquires historic 1832 tipstave

A turned wooden painted tipstave, a ceremonial truncheon created for the High Constable of the Hundred of Ringmer in Sussex in 1832, has sold at auction for £16,000 ($21,500),16 times the pre-sale estimate, at Gorringe’s in Lewes. It is one of the highest prices ever paid for a tipstave.

The High Constable was the most important official of the Anglo-Saxon county division known as a hundred court. High Constables were charged with maintaining order and managing administrative affairs of the parish. Turned, carved and elaborately painted truncheons were emblems of their authority, used in ceremonies.

This tipstave was made during the reign of William IV and is inscribed with the name of the first High Constable who wielded it: G Hoey. The names of another 15 other locals of influence who held the positions of constable and high constable are included on silver labels. The largest and most decorative of these is engraved “B Thorpe High Constable 1868 – Cliffe Volunteer Fire Brigade Estd 1864.” It features an engraving of a fireman with his fire engine.

The last one, engraved for Thomas Reader White, headmaster of the Lewes Grammar School, is dated to 1879. That was the last gasp of the High Constable of the hundred courts. The County Courts Act, passed in 1867, had eliminated their judicial powers. The Local Government Act of 1894 ended the position altogether.

The name of greatest local import was John Harvey, whose High Constable plaque is engraved with the date 1838. Harvey was the founder of Harvey’s Brewery, the oldest independent brewery in Sussex. In 1838, he built a brewhouse and hung out his shingle for the first time as Harvey & Sons. It was the brewery that bought this lot at auction.

Miles Jenner, joint managing director of Harvey’s Brewery, said: “The hammer price reflects how unique this item is. It relates to an historic area of the town, the parish of Cliffe, that had an independent system of local government until 1881. It was the commercial heart of the community and the names on the tipstaff are those of local tradesmen.

The fact that these include the founder of Harvey’s Brewery, John Harvey, and his son William bears witness to their prominence at that time. We felt it was essential that it should remain within the parish and are delighted to have secured it.”

Massive 18th c. pediment returns to Rotterdam plague hospital site

A massive sandstone pediment weighing five metric tons that once topped the entrance to the 18th century plague hospital in Rotterdam is returning to its original site after 115 years in storage.

The triangular tympanum is 9.4 meters (31 feet) wide, more than two meters (6.6 feet) high and features seven coats of arms from members of the Rotterdam City Council bounded by two allegorical figures representing the rivers Meuse and Rotte with bound the city of Rotterdam.

The Pesthuis was built to house plague victims in 1716. It was the first building constructed south of the New Meuse river in what is now the Feijenoord neighborhood, intended to quarantine patients with infectious diseases away from the heart of the populated city. A century later, the Nederlandsche Stoomboot Maatschappij (Dutch Steamboat Company) made the Feijenoord one of the city’s most active industrial areas.

The Pesthuis was demolished in around 1900. Only the tympanum was saved. In 1910, it entered the collection of the Museum Rotterdam, but was never displayed. Its sheer massiveness made it challenging to exhibit.

The Hunter Douglas industrial complex was built where the Pesthuis once stood, and this year the Piekfabriek on the former Hunter Douglas site is hosting the 12th International Architecture Biennale Rotterdam.

For the biennial, architectural firm LNML designed an installation in which the (re)use of stone takes center stage. The tympanum of Museum Rotterdam is part of this installation. The former industrial area is once again at the beginning of a major transformation. In the coming years, it will be given a new future with space for living, working, and amenities.

It is fantastic that a masterpiece from our city historical collection can be fully displayed again after more than a hundred years. This was always a problem due to its enormous size and weight. It is especially wonderful that, in doing so, it is also returning to the place where it came from .
— Curator and Historian Rob Noordhoek of Museum Rotterdam

5,000-year-old bread loaves go on display in Turkey

Eight loaves of bread that were baked 5,000 years ago found at Seyitömer Mound in Turkey’s northwestern province of Kütahya have gone on display to the public for the first time. The bread barely even looks stale, preserved in excellent condition from have been carbonized by the fire that ravaged the settlement in the Early Bronze Age.

The loaves were discovered last year in a room with a furnace and the remains of shelves on its walls. Eight bread loaves were found between the shelf supports. Raw materials — the remains of wheat and lentils — were also present. This suggests the shelf collapsed under pressure from the fire, dumping the bread and what had been sacks of wheat and lentil, which then opened, spilling the contents and allowing them to mix together.

Seyitömer Mound is 85 feet high today, 460 feet wide and 490 feet long. It lies within the operating area of Çelikler Seyitömer Electricity Generation Inc. who mine the lignite deep underneath it. Rescue excavations have been ongoing at the mound since 1989. More than 17,000 artifacts have been recovered. A selection of the finds is on display at the Kütahya Archaeology and Mining Museum. The loaves, wheat and lentils have now joined the exhibits from the mound at the museum.

Noting that the artifacts are among the most popular finds in the museum, [lead archaeologist Sevgi] Gurdal said Seyitomer Mound “actually makes up a large part of the artifacts exhibited in our museums.”

She added: “The Seyitomer Mound artifacts offer various data on the daily and social life, artistic understanding and eating habits of their period.”

5th c. warrior, horse burials found in Alsace

A 5th century funerary complex featuring rich warrior and equine burials has been discovered in Horbourg-Wihr, near Colmar, in Alsace.

France’s National Institute for Preventative Archaeology (INRAP) has been excavating the site on the right bank of the Ill river in anticipation of new housing construction. This area was the center of a Gallo-Roman civilian settlement a short distance from the Rhine limes (the ancient Roman boundary line). The excavation found remains of dwellings and roads attesting to a continuous occupation from the 1st to the 3rd century.

After sporadic occupation in the 4th century, part of the site was converted into a burial complex in the second half of the 5th century. Two of them stand out for the high quality of grave goods, which include a scramasax sword, a shield and an angon (a type of javelin typically used by Germanic peoples in the early Middle Ages).

Decorative elements of clothing and weaponry, crafted in gold and silver cloisonné with garnets, confirm the privileged status of these deceased. Two other burials are distinguished by grave goods of a female nature. These include pairs of silver-gilt looped brooches, silver bird-shaped brooches, glass bead necklaces, belt buckles, and a bone comb. The equines, along with their harnesses, were buried within the burial complex itself.

These fine funerary furnishings accompanied evidence of wear and tear on the bones from poor health and injuries from sharp blades, indicating warrior deaths, as do the burial of two horses.

While this archaeological excavation enhances our understanding of the development and organization of the Gallo-Roman vicus in the northwest sector of Horbourg-Wihr, its primary significance lies in the discovery of a unique burial complex linked to the Migration Period. The exceptional nature of this find stems particularly from the scarcity of sites documenting Germanic settlement during this chronological period in the region. This new data will undoubtedly revitalize research on the dynamics of settlement in the region and the upheavals that marked this territory in the second half of the 5th century .

Gold bear found in Kazakhstan kurgan

A unique gold bear ornament has been discovered in a burial mound in Almaty, Kazakhstan, from the Saka period, dating back to the 4th or 3rd centuries B.C.

“The sculptural bear figurine is unique in the context of Kazakhstan. No comparable artefacts have previously been discovered. This find makes it possible to trace cultural parallels across the Eurasian region, stretching from the Black Sea region to the Altai,” said Lyazzat Sagyndykova, Director of the Almaty City Museums Association.

The little bear is made of cast gold and stands on his hind legs, holding a vessel in both front paws. He is mounted on a plate with perforations on each corner suggesting it was originally attached to something. Archaeologists hypothesize that it was sewn into a headdress.

Comparable gold animal figurines have been found on ceremonial headdresses of the Saka culture, nomadic peoples who inhabited the Eurasian Steppe from the 9th century BC to the 5th century AD.. A gold argali (a wild sheep) was sewn to the headdress of the Golden Warrior, a Saka royal buried in ceremonial armor in the Issyk Kurgan 30 miles east of Almaty. A gold snow leopard found at the Kok-Kainar burial site in 2014 also decorated a headdress.

The tumulus where the bear was found is in the Karagayly burial ground. It is about 25-26 meters in diameter and is currently 2.5 meters high at the highest point, but would originally have been larger. It was looted in antiquity, leaving behind a crater three meters wide, but the thieves missed the little gold ursine treasure.

An unusually large number of human remains were found in the kurgan. Typically a tumulus this side would have contained the remains of one or two people at most, but bones from at least four adults and three children have come to light, and the excavation isn’t over yet. Archaeologists also found fragments of Saka-era pottery. The remains and objects were scattered around the burial site, presumably by the looters.

When the excavation is complete and all the artifacts documented, cleaned and conserved, a selection of the most significant objects discovered in the kurgan will go on display at the Almaty Museum.