An exquisite 18th century English-made automaton musical clock in the shape of a multi-tiered pagoda sold for just shy of a million dollars ($998,250) at Fontaine’s in Pittsfield, Massachusetts, last month.
Magnificent English made bronze pagoda form automaton table clock, sits on a large black wood base with an engraved chessboard pattern brass top. 5 in. painted metal dials on the front and both sides with Roman hour numerals; 8 day double fusee chain movement, quarter striking on 2 bells and drives 3 dials including sweep seconds on the front dial. The time movement triggers the automaton mechanism once every 2 hours. The heavy bronze case has elegant color paste set jewels around the bezel and at the floral corner spandrels; each side of the upper tiers is gold gilded with silver doorways, pearl studded roof tops with hanging corner bells[….]
The large and powerful double fusee chain automaton movement is responsible for both raising and lowering the pagoda tower in a controlled manner as well as playing 2 different tunes on a nest of 8 bells, including Chinese folk song, Mo Li Hua, which has been popular since before the 18th century in both China and abroad. The pagoda animates every 2 hours, corresponding to the 12 hour Chinese zodiac time system as well as the music, which also plays every 2 hours accompanying the automation of the pagoda.
Produced for the Chinese Qing Imperial Court, the automaton’s striking design was based on the Porcelain Tower of Nanjing, aka, the Temple of Repaid Gratitude, a pagoda built in the 15th century by order of the Yongle emperor (r. 1402–1424), third emperor of the Ming Dynasty. Construction began in 1413 in the imperial capital of Nanjing (then Nanking) and took almost 20 years to complete. Built on an octagonal base, the tower had nine tiers topped with a pineapple-shaped brass sphere. The pagoda soared to a total height of 260 feet. A spiral staircase inside the structure had 184 steps to the top.
It wasn’t the tallest pagoda in the empire, but its white porcelain bricks, decorated with animals, flowers, Buddhist motifs and landscapes in a multi-colored glazes made it the most striking. Bells hung from every corner of every tier, strung from chains connected to roof finials. When the wind blew, their dulcet tones could be heard for miles. It was widely considered the most beautiful of all the pagodas in China, and visitors from the West showered it with praise. Many classified it as one of the (post-medieval) Seven Wonders of the World.
The reports of the wonderous Nanjing tower launched a trend of pagoda construction in 18th century Europe. The fashion for Chinoiserie had exploded, and with pagodas it went big. Kew Gardens in London got itself a pagoda in 1762. The nobility had pagoda follies built on their estates. Smaller versions were popular for interior decoration.
There’s an elaborate nine-foot-high porcelain model of a pagoda in the Victoria & Albert Museum thought to be a replica of the Porcelain Tower. It’s not an exact copy — there are different numbers of tiers and the base is hexagonal — but the polychrome porcelain tiles, animal and plant decorations and the bells hanging from the roof finials and the brass sphere topping the tower identify its inspiration.
The model was made in the first 15 years in the 19th century and was bought by the then-Prince of Wales for the Royal Pavilion, Prince George’s splendid Indo-Saracenic Revival seaside estate at Brighton. Records in the Royal Archive indicate the pagoda was one of six bought by the prince between 1806 and 1816. George’s gluttony for porcelain pagodas is evidence of how extremely fashionable they were at this time, and the archives confirm that they were very expensive, luxurious objects.
The Porcelain Tower was by lightning in 1801 but was repaired. It could not survive the Taiping Rebellion, sadly. In March of 1853, the Taiping took Nanjing. The tower didn’t have much of a chance with the rebels targeting Buddhist iconography and imperial symbols, both of which it incarnated. First to go was the inner staircase, which the Taiping rebels destroyed ostensibly to keep enemy fighters from using the tower as a spying post. Three years later in 1856, the rebels razed it to the ground. Now the replicas, inspired-bys and this fantastic automaton is all we have left of the original.
View this video full screen to see the automaton’s amazing movement at the beginning and around the 1:30 mark.
5 thoughts on “18th c. pagoda clock automaton enchants at auction”
I have a fondness for Pagodas and what a treasure this clock is! I have long been fascinated by the Porcelain Pagoda which was built in Nanjing in the 15th century and was made of white porcelain bricks. Even the pagoda in the Kew Gardens, built in 1762, which is now being restored has me enthralled..though it was an even number of floors, and traditionally should have had an odd number. I am eager to see it with its dragons reinstalled on each floor rooftop. Soon we should have photos to see how it looked. Thank you for adding another wonderful treasure to my love of Pagodas.
According to Fontaine’s own postings, the only specific provenance is a “New York estate”. And then there is the big question of who bought it–a Chinese private collector, I would imagine, or else a dealer. Is it too much to hope that it will soon pop up in a museum somewhere? Probably!
That is a beautiful thing
So it seems there were a few things the “Barbarians” made that were wanted there after all, besides opium.
While most European and New World silver was being sent to China to purchase silks, porcelain and tea, the only items the Chinese purchased from the West were clocks. First brought by the Jesuits in the 16th century, the Chinese were enchanted with European technology and artistic design in a variety of automaton and musical clocks.