Synchroton recovers daguerreotype lost to tarnish

The intense radiation and light of the particle accelerator has done it again. We’ve already seen synchrotron X-rays read a long-erased Galen text, map the molecular composition of cannon balls from the Mary Rose and virtually open a heavily corroded 17th century box to reveal the medallions within in jaw-dropping detail. Now we can add daguerreotypes tarnished beyond recognition to the synchrotron’s ever-expanding abilities to resuscitate the fatalities of time.

The daguerreotypes in question belong to the National Gallery of Canada (NGC) in Ottawa, Ontario. Taken in the 19th century, they were so corroded and marred that all that was visible of one of them was a ghostly outline while the other was a hacked up Kandinsky abstract with not even the ghost of the sitter remaining. Their terrible condition made them ideal subjects for a new study on the chemical changes that cause daguerreotype degradation.

Daguerreotypes were made by exposing silver plates to iodine vapour and waiting for minutes until the vapour had made the plate light-sensitive enough to capture the image. The photographer would then develop the picture by exposing the plate to mercury vapour. A solution of sodium thiosulfate cleaned the plate of excess iodine leaving a stable image on the plate.

Pinpointing the smallest trace of chemical residue is what synchrotron technology does best. Over the past three years, researchers from Western University in London, Canada, analyzed damaged daguerreotypes at the Canadian Light Source (CLS). Findings published last year and earlier this year revealed the chemical compositions of different manifestations of tarnish, but the most recent report takes a great leap forward to reveal the people underneath.

This preliminary research at the CLS led to today’s paper and the images [lead study author and Western University phD candidate Madalena] Kozachuk collected at the Cornell High Energy Synchrotron Source where she was able to analyze the daguerreotypes in their entirety.

Kozachuk used rapid-scanning micro-X-ray fluorescence imaging to analyze the plates, which are about 7.5 cm wide, and identified where mercury was distributed on the plates. With an X-ray beam as small as 10×10 microns (a human scalp hair averages 75 microns across) and at an energy most sensitive to mercury absorption, the scan of each daguerreotype took about eight hours.

“Mercury is the major element that contributes to the imagery captured in these photographs. Even though the surface is tarnished, those image particles remain intact. By looking at the mercury, we can retrieve the image in great detail,” said Tsun-Kong (T.K.) Sham, Western’s Canada Research Chair in Materials and Synchrotron Radiation. He also is a co-author of the research and Kozachuk’s supervisor.

This research will contribute to improving how daguerreotype images are recovered when cleaning is possible and will provide a way to seeing what’s below the tarnish if cleaning is not possible.

The identity of the two people whose images have been recovered is unknown. One is a woman, the other a man, and both daguerreotypes are early examples, perhaps dating as early as 1850. The plate of the woman was bought at a garage sale and that’s all the NGC knows about it. There’s no information at all about the fella.

The full study has been published in the journal Scientific Reports and can be read free of charge online.


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Comment by Trevor
2018-07-12 02:15:24

I wonder what causes the circular marks, perhaps their was some proprietary method of keeping the plates apart in a collection?

The picture of the woman looks like it has been tinted to add colour to the image, like for later photographs. Now she looks like one of the madonna pictures where you only get to see the face and the hands of the underlying picture.

Comment by Ivanov
2018-07-12 03:20:41

I remember that, when on holiday in the Mediterranean in 1980, one of the locals took a photograph of my little sister sipping coca cola through a straw – and that was with a massive wooden camera that was three times as big as I was back then.

Later, he hand-colored the black and white, and i only know that it was in 1980, because he wrote it underneath. The whole thing looks a bit like a Warhol print, but much cooler, even her cola can looks redder. Who knows? – Maybe her plate, might be X-rayed some day!


Comment by LittleLove
2018-07-12 12:42:17

I wonder what the woman is holding in one hand?

Comment by Dave P.
2018-07-12 16:03:12

Looks like some sort of flower to me, upon clicking to enlarge.

Comment by Domenic
2018-07-12 17:08:27

It looks like the man has a glass eye

Comment by Dawn Martinez-Byrne
2018-07-12 18:18:28

I want to clear something up. It didn’t take minutes to get the picture. It took the photographer time to prepare the plate for exposure, but the actual image was captured in a very few seconds.

Comment by Trevor
2018-07-13 04:32:49

Domenic – I suppose that it is possible that the man was dead, a final post-mortem piece of memorabilia.

And now re-animated a second time, like a recurring zombie movie…

Comment by Sock Puppet
2018-07-13 11:21:26

It seems fitting that the only device able to decipher the remains of old technology should have such antiquated, “World Of Tomorrow” sounding name. Attach the Synchrotron to the Autogyro, and make it snappy, Mr. Smithers!

Comment by Sock Puppet
2018-07-13 11:21:53

It seems fitting that the only device able to decipher the remains of old technology should have such an antiquated, “World Of Tomorrow” sounding name. Attach the Synchrotron to the Autogyro, and make it snappy, Mr. Smithers!

Comment by Sock Puppet
2018-07-13 11:23:15

Damn you, double poast. :shakeshaker:

Comment by June Piry
2018-07-15 11:14:16

Perhaps a nosegay/posy.

Comment by Bryan Cook
2018-07-15 12:54:51

It is a lavalier or lavaliere or lavalliere. A pendant form of jewelry which also at times held the keys to the house :yes:

Comment by Bryan Cook
2018-07-15 12:57:30

It is a lavalier or lavaliere or lavalliere. A pendant for of jewelry of then hung from the belt for the lady of the house to carry her keys.

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