How to make an equestrian bronze monument

If you’ve ever wondered how giant bronze statues could be cast in one piece, the Getty Research Institute is here to cool your fevered brow. It has created a great video explaining all the steps in the casting and installation of Edme Bouchardon’s equestrian statue of King Louis XV that stood in the Place Louis XV, today known as the Place de la Concorde.

The video was created for the exhibition Bouchardon: Royal Artist of the Enlightenment to illustrate the complex process of casting a massive bronze equestrian statue. Because of the hardships inherent in the project and his own meticulous standards, Bouchardon didn’t live to see the end of that process. He died in July of 1762. The 17-foot high (39 feet including the pedestal) depiction of the king garbed like a Roman general, laurel wreath on his head and baton of command in his raised right hand, was erected in 1763.

After all that trouble, Bouchardon’s masterpiece only outlived its maker by three decades. The anti-monarchical iconoclasm of the French Revolution which decimated so much of France’s cultural patrimony struck the bronze in the wake of the overthrow of the monarchy in the Insurrection of August 10, 1792. Bouchardon’s rigorousness almost defeated them, however, as they found it almost impossible to destroy the statue. They thought they could just loop some ropes over it and pull it down, but it was connected to the pedestal with long iron tenons from its casting and the 30 tons of bronze could not be budged. In the end, they had to get a metal saw and cut through the left feet in order to break the monument at its weakest points.

The bulk of the statue was melted down. The right hand which had held the baton of command survived, first on the ground of the newly renamed Place de la Révolution, a mute but powerful witness to the death of the ancien regime. It was still there seven months later when Louis XV’s grandson was guillotined in front of the pedestal that had once supported the symbol of royal power. Later the hand was gifted to Jean Henri Latude, a rather fabulous scammer who had spent decades in the Bastille by order of Louis XV and had escaped by fashioning a ladder out of scraps of his clothing and parts of a chair. The Council of the Municipality of Paris thought it fitting that he should receive the hand that had once signed the order sending him to the Bastille. That hand is now in the Louvre and was loaned to the Getty for the Boucheron exhibition.

The video explains how the casting was done and the massive statue installed by animating contemporary engravings of the casting process printed in Description des travaux qui ont précédé, accompagné et suivi la fonte en bronze d’un seul jet de la statue équestre de Louis XV, le Bien-Aimé, (Description of the works that preceded, accompanied and followed the bronze casting of the equestrian statue of Louis XV, the Beloved) by Jean Pierre Mariette, published in 1768 when Louis XV was still alive (hence le Bien-Aimé). The Getty Research Institute has also digitized the volume. You can read it or, if you can’t read French, just leaf through the killer architectural drawings here.

Glossiest Neolithic axe found in Orkney

An excavation the Ness of Brodgar, a Neolithic archaeological site on the Orkney island of Mainland, has unearthed the glossiest stone axe I’ve ever seen, and prehistoric axes are one of my obsessions so I’ve seen quite a few. Even the professional archaeologists from the Ness of Brodgar Trust and the Archaeology Institute of the University of the Highlands and Islands (UHI) who have been excavating the site for years and have seen far more Neolithic axes than I were struck by the sheer beauty of this piece.

The axe was found by Australian UHI archaeology student Therese McCormick on August 3rd. She was on a bit of a slog, digging through the dense, complex layers of floors in Structure Ten which is the largest Neolithic building in the north of Britain. It was built around 2900 B.C. and used until the abandonment of the Ness of Brodgar site around 2,400–2,200 B.C. Structure Ten was deliberately demolished after a rager of a ceremony that featured the ritual slaughter of hundreds of cows and deposition of their bones. This appears to have been the Ness of Brodgar’s Neolithic last hurrah, the site’s closing ceremony.

The stratigraphy of Structure Ten is therefore as important as it is challenging. Therese was working on the west end of the 82 x 66-foot structure in a test pit exposing the stratigraphy of floor depositions and leveling events when on her last day of excavation she discovered the stone axe. Made of banded gneiss with a distinctive orange band that curves at the wide end in parallel to the curvature of the cutting edge, the axe’s beauty was noticeable even when it was still covered in soil. When it was cleaned and dampened with water, the color and texture stood out even more, set off by its high-gloss polish.

The axe shows signs of extensive use. One side of it has been re-sharpened. The other was not and and is heavily worn. The sharp edge and wear pattern indicate its primary function was an axe blade, but tell-tale divots on both sides of it indicate it was also used as a sort of mini anvil. Strikes against it left small, rough dents in the surface of the stone.

Site director Nick Card said: “It is nice to find pristine examples of stone axes, but the damage on this one tells us a little bit more about the history of this particular axe.

“The fact that the cutting edge had been heavily damaged suggests that it was a working tool rather than a ceremonial object.

“We know that the buildings in the complex were roofed by stone slabs so this axe was perhaps used to cut and fashion the timber joists that held up the heavy roof.”

This is the second stone axe found in the same area of Structure Ten. One was unearthed in 2012 just above the find site of the current discovery. It too was uncommonly handsome, a shiny black granite not usually used to make axes, and had been used and reused. It had broken at one point and the cutting edge recreated on the smaller tool.

The Ness of Brodgar excavation is in dire need of funding. If you’d like to support the archaeological exploration of one of the most important Neolithic sites in Britain, you can donate online here.

Archaic remains, artifacts found at Apollo temple site

The uninhabited Cycladean islet of Despotiko is tiny in dimension but immense in archaeological importance thanks to the sanctuary of Apollo built there in the 6th century B.C. during the Greek Archaic period. The sanctuary was heavily damaged in the 5th century by Athens in retaliation for Paros’ support of Xerxes during the second Persian invasion of Greece, but excavations have found archaeological evidence of extended rebuilding through the late Hellenistic period (2nd century B.C.).

Located almost exactly at the center of the Cyclades, Despotiko has sightline views of eight of the islands and was connected to Antiparos and Koimitiri by an isthmus when the temple was built. The thorough excavation of Despotiko began in 1997 and has continued ever since, systematically bringing to light a temple complex much larger, longer-lived and more significant than archaeologists had realized.

This season’s excavation has unearthed the remains of three more structures raises the tally of buildings in the complex to 22. Archaeologists now believe that the Despotiko temple may have been the largest in the Cyclades, eclipsing in size the much more famous Sanctuary of Apollo on the island of Delos, mythical birthplace of Apollo and Artemis.

The dig explored areas surrounding the archaic sanctuary, focusing on a site just south of the main temple and two buildings labelled Z and P. One of the three structures discovered is a rectangular two-story building 26 x 10.5 feet found underneath the westernmost rooms of the temple complex. It was built in the 6th century B.C. and intriguingly still contained a grid and cooking pot in their original location. Archaeologists also found original floors and sealed off entrances.

Another structure, dubbed Building T, is just barely a rectangle at 25.6 feet x 24.4 feet. There are two rooms, each with their own entry and their own front yards. (Is it weird that my first thought was “nice setup for an Airbnb”?) The last of the newly-unearthed structures, Building Y, is 25 x 20 feet. Its design is reminiscent of a church nave with an entrance on the south side and walls three feet thick.

In addition to the architectural remains, the dig also discovered a wealth of artifacts, almost all of which are estimated to date to the 6th century B.C.

Like every year, this year’s findings were rich. More than 15 lamps and 15 fragments of vases with engraved inscriptions (APL, APOL) were found, fragments of amphorae and red-colored craters, everyday vases such as basins, bowls, pans, bottles, and many metallic objects (a bronze lance, nails, russets, hooks, etc.).

From this year’s discoveries what stood out were the fragment of the head of an archaic kouros, a fragment from the ankle of a kouros and scraps of two piths with embossed decoration, one depicting a warrior and the other a dance show.

While the excavation shed new light on the early history of the Despotiko sanctuary, restorers set to shoring up the masonry of two previously unearthed buildings and on raising a part of the main temple of Apollo up from the ground. After four weeks of work, columns, lintels and walls are vertical, recreating some small portion of the sanctuary’s height and making it once again visible from Antiparos.

Complete set of hipposandals found at Vindolanda

A set of four iron hipposandals has been unearthed in the archaeological motherlode that is Vindolanda, the Roman fort and settlement just south of Hadrian’s Wall in Northumberland. The set was discovered by a volunteer in a system of ditches adjacent to a late Antonine stone wall (180-200 A.D.). There were three main phases of construction in the Antonine era with new ditches dug for each which narrows down the date of the hipposandals to between 140 and 180 A.D.

These iron hoof coverings were used to protect the feet of military and pack animals, horses, perhaps even oxen. They were clunky and would have hindered movement, but they would have helped the animals keep their footing in mucky, wet, slick and snowy conditions. It’s possible the hindrance of movement was a feature rather than a bug; an animal at pasture wearing these clodhoppers would be effectively hobbled and incapable of wandering off. They also served as a barrier against injuries accidental and deliberate, as from caltrops.

Hipposandals have been found before, particularly on battlefields where they were shed by cavalry mounts, but a complete matched set of four is an extremely rare discovery. The hoof protectors are in excellent condition, showing so little wear and tear that the treads on the underside are still clearly visible.

More than 7,000 volunteers have played an essential role in the excavation of Vindolanda since the program began in 1970. Volunteers have helped unearth everything from the thousands of leather shoes and writing tablets the site is best known for, to the bronze hand from the shrine of Jupiter found a few months ago.

Because the Romans were in Britain for between 400 and 500 years, Ms Birley said, teams could dig at the site for the next 150 years and still unearth Roman treasures.

“Basically, over the years, nine forts have been built on this site – every time new Roman arrivals came, they covered over the remains from the last fort with clay and turf to make solid foundations for their fort,” Ms Birley explained.

“This means things were well preserved. One of the hipposandals has a hairline fracture so the set may have been thrown in the ditch because one was damaged.”

The hoofwear has been conserved and will go on display at the Roman Army Museum in February of next year.

Bronze Age citadel dwarfing Troy unearthed in Romania

Archaeologists have unearthed the remains of a massive Bronze Age citadel in the town of Sântana, Arad county, north-western Romania. An international team of German and Romanian archaeologists has been excavating the site, first explored in 2009, for two years and only a small fraction of it has been exposed. More than half of the site has been measured and mapped extensively via magnetic survey, however. Out of 90 hectares, 55 have been documented magnetometrically, allowing the team to map the fortress from outer defenses to the citadel’s main structures.

The fortress was enclosed by a moat more than 13 feet deep outside of an earth rampart an estimated 70 feet high. These intimidatingly looming ramparts protected a palace in the interior. This massive structure was about 330 feet long and 130 feet wide. The palace and other structures inside the citadel were made of mud/clay and wood.

Rüdiger Krause, professor at the Goethe University in Frankfurt, and Romanian professor Florin Gogâltan, from the Institute of Archeology and History of Art of the Romanian Academy in Cluj-Napoca, came to the conclusion that the “Old Citadel” in Sântana was built in the 14th century BC, about 3,400 years ago.

“The citadel in Sântana is one of the largest fortifications built during the mentioned period. Our purpose is to find out why this fortification was made, why this construction was needed,” the German professor said, according to Aradon.ro.

The discoveries also made the archeologists believe that the “Old Citadel” in Romania is much bigger than the ancient city of Troy.

“Troy had an area of 29 hectares, the Citadel in Sântana covers 89 hectares. The buildings of Troy were made of stone. At Sântana, the buildings were made of clay and wood, a sign that civilization was more developed and adapted to the building materials it had,” Florin Gogâltan explained. “We are facing one of the biggest and impressive fortresses in Europe.”

And they want to give it its due. The director of the Arad Museum is advocating the construction of a new museum in Sântana on the site itself. The entirety of the site is not likely to be fully excavated — the current German-Romanian project is slated to last one more year only — but what has been revealed is in excellent condition. Local government officials are very much into the idea of creating a tourist attraction that would bring an infusion of cash to the area as well as international recognition of this unique and highly significant archaeological treasure.