Marble “Apollo lizard-killer” found at San Casciano

The excavation of the ancient Etruscan and Roman sacred baths at San Casciano dei Bagni in Tuscany has unearthed another extraordinary treasure: a marble statue of Apollo Sauroctonos (Apollo Lizard-killer), depicting a youthful Apollo leaning against a tree about to catch a lizard climbing up the trunk. It’s a Roman copy of a bronze original by the renown Greek sculptor Praxiteles, one of about forty known to exist.

The statue of Apollo was discovered this summer on the edge of the Great Bath, the hot spring sacred to the Etruscans and Romans. Life-sized at around six feet high, it was broken into sections but the pieces are large and most of them have been recovered so that the statue can be reassembled almost entire.

Apollo was one of the major deities of the sanctuary. The hot springs and mineral waters were believed to cure illness, and the gods connected to health were worshipped there by people seeking cures. Apollo was the god of healing and diseases, so petitioners left votive offerings — coins, figurines, sculptures of afflicted body parts, effigies of the gods — to petition a cure for what ailed them. The lizard Apollo is hunting in the statue had medical relevance as well. Lizards were key ingredients in medications for diseases of the eye. Bronze votive figurines of lizards have been found in the San Casciano baths, offerings from people with ophthalmic complaints.

One of the extraordinary group of bronzes discovered in 2022 was a dancing Apollo figure from the oldest basin at the sanctuary. It likely dates to around 100 B.C. Based on its size and style, the marble Apollo Sauroctonos probably dates to the 2nd century A.D. It was broken in the early 5th century A.D., when the Christianization of the territory led to the temples and statuary being toppled into the basins and the sanctuary closed.

Another noteworthy discovery made this summer is a travertine votive altar with a bilingual inscription in Latin and Etruscan. It dates to the 1st century A.D. The inscriptions reference the sacred hot springs, a testament to the coexistence of Etruscan and Latin cultures at the sanctuary well into the imperial era.

50 intaglio gems found at Roman site in Northern Italy

Archaeologists have unearthed 50 intaglio gemstones and 3,000 coins, including one rare piece from the Roman Republic, in the remains of a theater at the ancient Roman town of Claterna, in Ozzano dell’Emilia, near Bologna. The gems are engraved with images of deities and important structures, including the theater where they were discovered. The stones were locally produced, suggesting there was a workshop in the city that specialized in intaglio production.

The stand-out coin from the thousands is a quinarius, a silver coin of the Roman Republic dated 97 B.C. The obverse features a laureate head of Apollo and is inscribed with the name of the moneyer, C. Egnatuleius. The reverse features a winged Victory adding a shield to a trophy. A carnyx, symbol of Gaul, leans to the left. “ROMA” is inscribed beneath. This is a representation of Rome’s military victory over the Cimbri who had swept over the Alps from Gaul to invade northern Italy. They clashed with the forces of the formidable Roman general Gaius Marius at the Battle of Vercellae in 101 B.C. The Cimbri were annihilated — 100,000 warriors dead, women killing their children and then themselves, the few thousands who survived enslaved.

The Roman city of Claterna, less than 200 miles southeast of Vercellae, was founded on the site of an Etruscan-Celtic settlement in the first half of the 2nd century B.C. Its location at the crossroads of two major Roman roads — the Via Aemilia and the Via Flaminia Minor — brought it a constant stream of travelers and trade. It was elevated to the rank of municipality in the 1st century B.C., the first example of urbanization and the largest city in the area for centuries after. It was home to several luxury villas as well more modest dwellings, industrial glass and metalworking facilities and mansios (post stations along the Roman roads where official travelers could get food, lodging and fresh horses). In its heyday, the city covered an area of 30 hectares not counting the suburbs.


It was targeted by repeated barbarian raids in the calamitous 3rd century and gradually became depopulated until it was finally abandoned at the beginning of the 6th century. Its ruins were buried under farmland and its location forgotten, making it a rare example of a Roman urban center that was never built over. The first excavations began in 1891, uncovering the remains of roads, baths, sewers, bronze artifacts and the mosaic floors of grand villas. These discoveries were reburied for their protection. A systematic program of large-scale excavations began in 2005 and is ongoing today to explore what is the largest non-stratified archaeological area in Northern Italy.

London workhouse had painted walls, fireplaces

The remains of an early 19th century London workhouse suggest that it did not start out the bleak, uncomfortable environment so vividly described by Charles Dickens and other Victorian writers. The plastered walls were painted a soothing light blue; the rooms were heated with fireplaces; even hot water bottles were available.

Since early this year, archaeologists from the Museum of London Archaeology (MOLA) have been excavating the two-acre site before construction of a new state-of-the-art ophthalmology center. It is part of a five-acre site that includes St. Pancras Hospital, originally St. Pancras Workhouse, named after the neighboring Church of St. Pancras in what was then a suburb of London.

The workhouse was built in 1809 to accommodate 500 indigent people, often families. An infirmary was added three years later, and by the middle of the 19th century, the population of the workhouse had increased more than threefold, fluctuating between 1,500 and 1,900 at its peak. Additions to the workhouse and infirmary were built to keep up with the number of residents. The workhouse was finally shut down in 1929 and its surviving buildings folded into the hospital.

As the name suggests, the idea of the workhouse was that the state would provide relief to the poverty-stricken in the form of a roof over their heads and enough food to survive in exchange for their unpaid labor. Church parishes were part of the administration of relief initially and there was some flexibility in the treatment of indigent families and individuals. That came to an end with the 1834 Poor Law.

By the 1830s, conditions inside the workhouses were dangerous, cramped and prison-like. Infectious diseases were rampant, beds were crammed into every possible space and inmates worked long hours on industrial production lines. Other means of relief, like parish disbursements that did not require institutionalization, were discouraged and the poor encouraged to sell whatever scraps they still owned to be allowed into the workhouse. Children were separated from their parents and the workhouses turned to profitable enterprise administered by businessmen. All workhouse inmates, adults and children, were assigned to painful, repetitive hard labor like crushing bone to make fertilizer, or picking oakum.

The area currently being investigated was known to have had some workhouse structures, but they did not survive. They were damaged in the Blitz and demolished after World War II. The MOLA team has been excavating the site where these buildings once stood and expected to find their foundations, ground floors and associated artifacts.

The new evidence suggests the St Pancras workhouse may have started out with a greater interest in support than deterrence. Williams said: “While the facilities are spartan, the inmates were not there to be punished … There were gardens, an infirmary and nursery. These acknowledge their needs as much as the heated rooms, or the pale blue paint on the walls.”

The finds include institutional crockery – with plates bearing an image of St Pancras and the words “Guardians of the Poor St Pancras Middlesex” – and the remains of a bone toothbrush with horsehair bristles, suggesting the importance of personal hygiene.

Inmate hygiene, comfort and even basic needs like a modicum of heat fell by the wayside after the Poor Law and the explosion of the population at St. Pancras. Henry Morley, a friend and collaborator of Charles Dickens, mentioned St. Pancras Workhouse in an article entitled The Frozen-Out Poor Law published in Dickens’ publication All the Year Round in February, 1861:

A woman, during the intense frost, was met in the evening carrying home her weekly quartern loaf from Saint Pancras Workhouse. (Was it not there that guardians of the poor, not long ago, excited wrath among parishioners by putting themselves on the parish for hot dinners at their weekly meetings?). The woman was met shivering with cold; she had been waiting for her dole, from twelve o’clock till half-past four, in a room with a stone floor, which she declared had not been warmed in any way. “I could have stood it better,” she said, “if there hadn’t been such a dreadful could draught from them wentilating places all round the floor.” The “ventilators” out of which the cold blast came, were the pipes of the disused warming apparatus. If was desirable to use that apparatus for the benefit of paupers, even when the thermometer wavered between freezing and zero. […]

A vestryman is asked whether this woman’s story, not the first or the tenth of its kind, could be true ; were the poor really exposed to so much suffering when they came for relief? “Yes,” he replied, ” and wilfully. I have tried to effect a change, but only three would side with me. The rest thought that if the poor creatures were made too comfortable, more would come.” We take our illustration from St. Pancras simply because it is natural for anybody to look to St. Pancras of evil repute, when he wishes to lay his hand on any sort of abuse incident to the administration of the Poor Law. But the illustration serves for the whole system, which makes workhouses discouragements to poverty, and gaols encouragements to crime.

Iron Age engraved ivory found at Hattusa

An engraved ivory panel from the Iron Age has been discovered in the ancient Hittite capital of Hattusa in modern-day Boğazköy, north-central Turkey. It is around 2,800 years old. The piece of elephant ivory is about a foot long and four inches wide. Carved on the surface are a sphinx and a lion in profile, back-to-back, with two tree of life figures on each end.

Archaeologists believe the ivory piece was likely mounted onto a wooden box or wooden furniture. The left and right sides are jagged and broken, while the top and bottom are smooth. That suggests the piece was originally longer, but the width is still the same.

Hattusa was found around 2000 B.C. and was the capital of the Hittite Empire from 1700 B.C. until it fell in the Bronze Age collapse around 1200 B.C. The ivory panel was unearthed on the northwest slope of the Royal Citadel, seat of the Hittite kings, and while the empire was long gone when the ivory was engraved, its iconography is a callback to Hittite culture. The defensive walls of Hattusa’s Upper City had a Lion Gate, flanked by two monumental lions, and a Sphinx Gate, flanked by two massive winged sphinxes with upright tails. Both portals date to around 1500 B.C.

When the ivory was engraved, Hattusa had only recently become repopulated after it was abandoned when the Hittite Empire fell. A small Phrygian contingent settled there around 800 B.C. There is also archaeological evidence of several cultures in the Iron Age layers of Hattusa. The discovery of so fine an ornament may rewrite the little we know of this period in the city’s history.

Schachner said, “This work is a unique work for Boğazköy. This is the first time we are faced with a work that is so intense and decorated with such a beautifully crafted scene. During the Iron Age, very extensive excavations were carried out in Boğazköy, but such a detailed work was not uncovered. “In terms of both the stage and the iconography and style used, we can better reveal Boğazköy’s relations towards Southeastern Anatolia and its artistic relations towards the Southwest and Greece in its period, that is, in the first millennium BC.”

“If there is such a work, it is possible to say that this place is no longer a small town, but a more important one, perhaps a center of power. Because when we evaluate it with another discovery in previous years, it is possible to say whether it points to a complex social structure or a hierarchical social structure. “Slowly, it is possible for us to obtain better information about the social status of that period.”

After the scientific studies on the work are completed, the ivory work in question will be exhibited at Boğazköy Museum.

Winged phallus wind chime found at Viminacium

A Roman phallic wind chime was discovered last week at the ancient site of Viminacium in Serbia. The object, known as a tintinnabulum, is made of bronze and has an intricate design of a central winged phallus with additional projecting phalluses and four bells hanging from chains. It is only the second tintinnabulum ever found at Viminacium, and the only one found in its original archaeological context. Nothing is known about the discovery of the first one and the object itself is in a private collection in Austria.

Located about 30 miles east of modern-day Belgrade, Viminacium had a large permanent military camp garrisoning the border with the Goths and was the capital of the Roman province of Moesia Superior. It had the largest amphitheater in the Balkans and the largest cemetery discovered anywhere in the territory of the Roman Empire. The site has been excavated regularly since its rediscovery in the late 19th century. The current excavation is exploring the civilian settlement that grew around the military base.

“The investigation of the civilian settlement (city) of Viminacium has just begun, and the first significant discoveries have already been made. During the excavation of one of the main city streets, the gate of one of the buildings was discovered. It was established that the building was destroyed in a fire, during which the porch collapsed and fell to the ground, and in the garage layer an object known in scientific circles as a tintinnabulum was discovered ,” [said Ilija Danković, an archaeologist at the Institute of Archaeology in Belgrade].

Tintinnabula were often hung near or on doors as an amulet to ward off evil. They were usually made of bronze and featured that favorite of Roman talismans, the fascinus, or phallus. The phallus represented the deity Fascinus and had apotropaic powers; ie, the ability to avert evil or bad luck. Bells were also apotropaic as their ringing was believed to frighten away evil spirits, so tintinnabula were doubly powerful protection.

The phalluses in tintinnabula morphed into a variety of forms. They could be deities, humans, wolves, lions, winged beasts, monsters or a combination of several of the above. Frequently more than one phallus sprang out from the figure. The recently-discovered Viminacium example is either being ridden by an anthropomorphic figure with legs or has its own legs. It has been recovered encased in soil for careful micro-excavation in laboratory conditions. Its configuration will be revealed once it has been cleaned and conserved.