Ode on the animation of a Grecian urn

I’m a devoted fan of the Greek vase animations made by Panoply. Computer animator Steve K. Simons and Greek warfare expert Dr. Sonya Nevin work together to develop moving parts from the static images on Greek pottery, much of it in the extensive collection of the University of Reading’s Ure Museum. They collaborate with ancient music experts to create soundtracks that wouldn’t sound out of place in one of the symposia depicted on the vases. It’s a full-spectrum historical immersion achieved through modern technology.

The project is focused on education and community outreach. Each animation provides additional resources for teachers to use the animations in class, and many of Panoply’s videos are storyboarded by local schoolchildren who get to enjoy an exceptional opportunity to learn about ancient art and history by studying a vase and then get to express their own creativity in the creation of the animated version of the scene. Sometimes they’re more serious treatments, sometimes lighthearted, but either way, the results are consistently wonderful. One of my favorites in the lighthearted category is this brilliant Dance Off storyboarded by the pupils of the Maiden Erlegh School and Kendrick School in Reading.

That 6th century B.C. Etruscan black figure oinochoe vase just GOT SERVED.

A more serious treatment is this animation of a combat sequence from 6th century B.C. lekanis vase made on the Greek island of Euboea.

The only thing I don’t like about it is that there isn’t more of it, which is why I was so excited to see Panoply’s latest effort, Hoplites! Greeks At War, a much longer and more detailed animation of the practice of ancient war from religious sacrifice to the thrust and parry of battle to the final victory.

I think it’s a masterpiece: the way the music and action are in perfect rhythm, how that blow creates the crack in the vase, integrating the condition of the vase into the scene, the addition of figures to form a little army instead of using the individual images alone. I feel like starting a petition demanding that all cheeseball reenactments of ancient history on television be replaced with Panoply animations.

Because I can’t resist them, I’m going to embed a couple of other favorites below, but you should go through all of the animations. They’re very short — Hoplites! is the exception length-wise, Dance Off the rule — so it won’t take you long to watch them.

Clash of the Dicers, created for a conference at the University College Dublin, features Achilles and Ajax playing a game during a lull in the Trojan War. It’s from a 6th century B.C. black figure amphora signed by potter Exekias now in the Vatican Museum. I love how the background glows like lava.

Medusa, storyboard by pupils from Addington School in Reading, was created pulling characters from three different vases: the gorgon is from a 6th century B.C. black figure kylix cup, her stoney victim from an Apulian 4th century B.C. red figure alabastron, and the warrior is from the Hoplites! lekanis.

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Comment by Annie Delyth
2014-12-26 20:09:32

These were delightful. The battle scene was truly impressive, gracefully and thoughtfully choreographed to evoke all the aspects of war. Like you, I am in awe of it, for all the reasons you mention. (The music was stunning.) But I also enjoyed the dance bit. I mean, who knows? Cultures can be so different that it is hard for one to grasp how the other thinks, even when contemporary. But they also can share striking similarities. The rapidity with which break dancing spread across cultural lines suggest it spoke to something deep and joyful in human beings. Why not ancient Greeks?

 
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