Tiny but mighty looted Thracian tomb excavated

A Hellenistic era Thracian tomb near the town of Rozovo has been found to be the smallest ancient Thracian brick tomb ever excavated in Bulgaria. It is a beehive tomb, known in Greek as a tholos (“domed”) tomb because of the progressively smaller stacked rings of bricks that create an interior false dome that looks similar to a beehive. The style and materials of the construction date it to the first half of the 3rd century B.C.

The Rozovo tomb is two miles from the Kazanlak Tomb, a 4th century B.C. tomb whose beehive dome is covered in elaborate murals depicting a funeral feast. The Kazanlak Tomb, declared a UNESCO World Heritage Site in 1979, is much larger and more expensively built and decorated than the Rozovo tomb, but they have one very important thing in common: they are the only beehive tombs ever found in Bulgaria whose domes are fully intact.

The Kazanlak Valley in central Bulgaria is famed for the great number of Thracian tombs in the area, most of them unexplored. There are an estimated 1,500 tumuli and only 300 of them have been officially excavated by archaeologists. All of those unmonitored, clearly distinguishable archaeological sites are frequent targets of looters hoping to find ancient funerary treasures which are eminently portable and in-demand goods on the illicit antiquities market.

The little beehive tomb slumbered undisturbed in the embrace of the burial mound above it for two thousand years or so until it was brutally assaulted by looters in 2010. Their filthy work was immediately noticed, but it another eight years would pass before the Kazanlak Museum of History was able to secure the necessary funding from the Bulgarian government for the urgently-needed salvage excavation of the tomb.

It was undoubtedly worth the wait. Even with all the wanton destruction wrought by those brutes in 2010 and their emptying the tomb of its contents, the architectural remains of the tomb itself are archaeologically priceless.

Lead archaeologists Georgi Nehrizov:

“It is curious that the treasure hunters’ digs were illogical and even a little. One of them was outside the burial chamber, and exposed its outer wall, which is totally pointless. Another dig came from the west, reached the burial chamber, and pierced its wall, which is also totally useless, destroying part of the dome room,” Nehrizov says.

He explains that the Ancient Thracian tomb near Rozovo is of the type of the Kazanlak Tomb, with a burial chamber and a small antechamber.

“This Hellenistic Era Thracian brick tomb is the second one after the Kazanlak Tomb to be discovered with a fully preserved dome. Several other such brick tombs have been found in the Kazanlak Valley [the Valley of Odrysian Thracian Kings] but they are less preserved, and material from them was used for other structures in later periods,” Nehrizov explains.”This is the smallest tomb of this kind to have been discovered so far. The dome’s top is covered with a stone slab. It consists of 23 rows of bricks of various shapes and sizes. There are rectangular, square, and sectoral bricks, and some of them are very thick. Our excavations lead to the conclusion that the bricks were baked here on the spot depending on the detail that the architect and builder needed, and everything was made to fit together,” the archaeologist elaborates.

In front of the burial chamber and the antechamber, there was a shed covered with Laconian – type roof tiles, large flat tiles which were pieced together with curved tiles.

“Apparently, the shed was a wooden structure. Such sheds have been found in other Ancient Thracian tombs in the Kazanlak Valley such as Shushmanets, the Griffins’ Tomb, the Helvetia Tomb, but here the shed seems better preserved. The treasure hunters didn’t dig from the south,” Nehrizov adds.

On the outside, the Rozovo Tomb was plastered with river stones shaping what the Bulgarian archaeologists refer to as a “coat”, which both solidified the structure and prevented atmospheric water from penetrating the tomb.

Looted Amenhotep I relief found in London

A relief of the cartouche of Amenhotep I, second pharaoh of the 18th Dynasty, has been found in London and is on its way back to Egypt. The relief was looted in 1988 from the Karnak Temple Complex in Luxor, an open-air museum so huge that it is conceivable someone could snatch a piece of limestone inscribed with the birth name of a pharaoh.

The object was rediscovered by an unnamed archaeologist who spotted it at a London auction a few months ago. He recognized it as the relief stolen from Karnak 30 years ago and alerted the Egyptian Ministry of Antiquities. The Ministry stopped the piece from being auctioned and worked with British authorities to arrange for its repatriation. The relief was officially returned to the Egyptian embassy in London on Friday.

Very little information about the reign of Amenhotep I (r. 1526-1506 B.C.) has survived. There are only a few relevant inscriptions, one of which was found in the tomb of his architect Ineni. Ineni’s biographical inscription records that Amenhotep ordered the expansion of the Temple of Karnak with the construction of several new structures. None of them stood for long. The remains of some of them were found in the fill of later construction from the reign of Amenhotep III (ca. 1386-1349 B.C.).

On a personal note, it just so happens that I was at Karnak in 1988. I swear I didn’t swipe any cartouches, though. I didn’t even buy my mother a pendant cartouche of her name from the local souvenir shop, something she was bummed about for 25 years or so until she and my father finally went to Egypt and she bought for herself the cartouche pendant I had so brutally denied her when I was a dumb teenager. (It was expensive! I didn’t want to spend such a large amount of my cash at the beginning of the trip! I thought I’d have another chance! Reasons!)

British Museum uncovers origin of looted objects, returns them to Iraq

Researchers at the British Museum solved a mystery both ancient and modern when they discovered the origin site of eight artifacts looted from Iraq after the fall of Saddam Hussein. Thanks to their efforts, the objects are now on their way back to Iraq.

The orphaned artifacts were in custody of the British Museum after having been seized in a police raid on a London antiquities dealer in May 2003. The dealer had no proof of ownership — I guess he hadn’t gotten around to forging a “Swiss private collection” document yet — or any other documentation about the artifacts, so they were confiscated by the authorities and were in storage for almost 15 years.

The cold case was heated up when the Metropolitan Police reformed its art and antiquities squad. The squad gave the objects to the British Museum this year in the hope that its experts might be able to figure out where the pieces came from so they could be repatriated. As it turned out, the British Museum was uniquely well-positioned to uncover the truth about these objects.

The eight artifacts consist of three fired clay cones with Sumerian cuneiform inscriptions, a fragment of a white gypsum mace-head inscribed in Sumerian, a polished river pebble with a cuneiform inscription in Sumerian, one red marble and one white marble stamp-seal amulet from the Jemdet Nasr period (ca. 3000 B.C.) in the form of a reclining sheep and one banded white chalcedony seal of a reclining sphinx from the Achaemenid period.

It was the three cones that gave the British Museum the information they needed to pinpoint the origin site. The all bore the identical Sumerian inscription, one that is also know from other inscribed ancient artifacts. It reads: “For Ningirsu, Enlil’s mighty warrior, Gudea, ruler of Lagash, made things function as they should (and) he built and restored for him his Eninnu, the White Thunderbird.” This inscription identified the cones as coming from the archaeological city of Girsu (modern-day Tello) in southern Iraq where the Eninnu temple once stood. The temple was sacred Eninnu’s patron god Ningirsu.

The great temple complex is in the Tell A area of Tello where ongoing excavations have found artifacts and remains elucidating the plan, size and design of the temple. Archaeologists from the British Museum have been excavating Tell A since 2016 as part of the Iraq Emergency Heritage Management Training Scheme, a program set up in response to the IS destruction of cultural patrimony that trains staff from the Iraq State Board of Antiquities and Heritage in the latest techniques of rescue archaeology. The initial survey of Tello in 2015 and 2016 found dozens of looter pits. They were shallow and appear to have been targeted, small-scale efforts probably done at night by a few individuals rather than the massive looting operations that ran roughshod over Iraq’s ancient sites in 2003.

The British Museum team at Tello found broken cones identical to those seized in London. Their shape was an imitation of tent pegs and they were originally placed in holes in the temple wall, offerings to the Sumerian Thunderbird, the lion-headed god who roared thunder and flashed lightning bolts from his body. That’s how the researchers were able to discover not just the site where the objects had been looted from, but the actual wall they had been inserted in originally.

On Friday, August 10th, the artifacts were officially returned to the Iraqi ambassador Salih Husain Ali in a ceremony at the British Museum.

Iraqi ambassador Salih Husain Ali … said the protection of antiquities was an international responsibility and praised the British Museum and its staff “for their exceptional efforts in the process of identifying and returning looted antiquities to Iraq. Such collaboration between Iraq and the United Kingdom is vital for the preservation of Iraqi heritage.”

St John Simpson, the assistant keeper at the Middle East department of the museum, said: “Uniquely we could trace them not just to the site but to within inches of where they were stolen from. This is a very happy outcome, nothing like this has happened for a very, very long time if ever.”

They will be returned to the national museum in Baghdad and reunited with many objects from the recent excavations, and may eventually be loaned to a museum near the site.

Spanish ingot thieves found; ingot lost forever

Two men who stole a 17th century Spanish gold ingot from the Mel Fisher Maritime Museum in Key West in 2010 were finally found in January and arrested. (Why it took the feds more than seven years to find two monster douchebags filmed by security cameras during the crime remains unexplained.) Richard Johnson and Jarred Goldman were charged with conspiracy to commit an offense against the United States and theft of an object of cultural patrimony. The conspiracy charge carries a maximum sentence of five years, the theft ten.

The men have now been convicted and sentenced to jail time. Johnson, who broke into the display case in broad daylight and walked out casually past security with the priceless object in his pocket was sentenced to serve 63 months (five years and three months). Goldman, who acted as a lookout, was sentenced to 40 months (three years and four months). Considering they could each have gotten 15 years, they both got off easy.

Unfortunately whatever time they end up doing will not be in a prison hulk, oubliette, dungeon or Roman silver mines even though retributive justice cries out for a prolonged period experiencing history’s most foul forms of punishment because of what they did to that ingot. They did not sell it to an unscrupulous collector. Like so many of these two-bit clowns, they wouldn’t have the first idea of how to unload so famous and specific an artifact. They didn’t have the 9th grade level of chemistry knowledge to melt it down and sell the gold for its market value. Instead they cut it up into small pieces and sold snippets in Las Vegas for pennies on the dollar. Obviously when I wrote that I hoped they wouldn’t just melt it for 70 grand worth of meth, I was way overestimating their abilities. Johnson doesn’t even have the decency to be addicted to meth. He blames a risibly expensive pot habit ($700 a week, really?) for driving him to it. That and childhood abuse at the hand of an uncle.

Those are just excuses thrown like spaghetti against the courtroom wall to see if any of them would stick and get him a lighter sentence. The museum offered a $10,000 reward for the return of the ingot. He didn’t have to destroy an irreplaceable historic artifact for loose change, no matter how refined his taste in weed.

Johnson cooperated with the feds and testified against Goldman at his trial, hence his far too generous sentence. He also provided information that allowed authorities to recover one of the snippets he cut off the ingot. It’s about 1/30th of the whole so it’s not much consolation.

Both men must also pay $570,195 in restitution to the museum for the bar, which the museum valued at over $560,000 at the time of the theft. Martinez said he didn’t expect either convict would be able to come up with much money.

Insurance paid the museum about $100,000 for the bar, which was recovered in 1980 by treasure hunter Mel Fisher and his team from a centuries-old shipwreck off the Florida Keys. […]

“That’s the point of view of insurance companies and jewelers,” museum CEO Melissa Kendrick testified Monday as Johnson’s attorney, Chad Piotrowski, argued the bar was worth the rate of gold and no more in an effort to secure a lesser sentence for his client. “As professionals, we don’t see it that way.”

Kendrick said, “The cultural community doesn’t value a Rembrandt for the cost of canvas and the paint.”

A riveting look at the Gardner heist via podcast

Boston’s National Public Radio station WBUR and the Boston Globe have produced a podcast series dubbed Last Seen on the greatest unsolved art crime in history, the theft of 13 masterpieces from the Isabella Stewart Gardner Museum on March 18th, 1990. The case has bedeviled authorities local and federal for 28 years and is still being actively investigated. The reward money is now up to $10 million, and yet, concrete evidence of any kind remains elusive.

The 10-episode series will look at the events of March 18th, 1990 and follow the track of the investigations, but it won’t be a retelling of what went down. There will be interviews with people who have never been interviewed before, among them the second security guard on duty that night and in-depth examinations of the investigative trail over the decades. The reporters have been given unprecedented access to the Gardner heist materials and many of those materials will be posted online in tandem with the podcasts.

“Our reporters have spoken to key people who have never before publicly talked. They have seen places and documents that no other reporters have seen before. Their work even led federal authorities to conduct a high-stakes excavation in a residential neighborhood in Florida. It all comes together in a provocative look not only at the crime and all the colorful characters around it, but at the investigation that has failed to solve it,” said Jane Bowman, Vice President, Marketing and Strategic Partnerships, The Boston Globe. […]

Who pulled off what the FBI describes as the largest property crime case in U.S. history? Was it a mob associate who ran the TRC Auto Electric repair shop in Dorchester, the Irish Republican Army and Whitey Bulger, two wannabe rock ‘n’ rollers or someone else entirely? Last Seen looks at these and many more suspects as hosts Horan and Rodolico travel from Boston to Philadelphia, Florida, Ireland and Italy investigating motives, scenarios and dead bodies with key players and leading experts on the robbery.

The series begins on September 17th and subsequent episodes will air every Monday. There’s an associated Facebook group you can join to comment on the podcasts and discuss it with other listeners. If you have iTunes (I broke up with it years ago and it was a nasty split), you can subscribe to the podcast here. The podcast will also be available for streaming on WBUR’s Last Seen page and for streaming and download in any other of your favorite podcast purveyors (here it is on Podbay.fm, for example).

Get a tantalizing taste of Last Seen in this excellent trailer. That old-time radio announcer opening and the clips of statements from investigators, witnesses and suspects give it a genuinely haunted crime-thriller vibe.

[audioplayer file=”http://www.thehistoryblog.com/wp-content/uploads/2018/07/BUR4439350468.mp3″ titles=”A First Listen To Last Seen”]