A riveting look at the Gardner heist via podcast

Boston’s National Public Radio station WBUR and the Boston Globe have produced a podcast series dubbed Last Seen on the greatest unsolved art crime in history, the theft of 13 masterpieces from the Isabella Stewart Gardner Museum on March 18th, 1990. The case has bedeviled authorities local and federal for 28 years and is still being actively investigated. The reward money is now up to $10 million, and yet, concrete evidence of any kind remains elusive.

The 10-episode series will look at the events of March 18th, 1990 and follow the track of the investigations, but it won’t be a retelling of what went down. There will be interviews with people who have never been interviewed before, among them the second security guard on duty that night and in-depth examinations of the investigative trail over the decades. The reporters have been given unprecedented access to the Gardner heist materials and many of those materials will be posted online in tandem with the podcasts.

“Our reporters have spoken to key people who have never before publicly talked. They have seen places and documents that no other reporters have seen before. Their work even led federal authorities to conduct a high-stakes excavation in a residential neighborhood in Florida. It all comes together in a provocative look not only at the crime and all the colorful characters around it, but at the investigation that has failed to solve it,” said Jane Bowman, Vice President, Marketing and Strategic Partnerships, The Boston Globe. […]

Who pulled off what the FBI describes as the largest property crime case in U.S. history? Was it a mob associate who ran the TRC Auto Electric repair shop in Dorchester, the Irish Republican Army and Whitey Bulger, two wannabe rock ‘n’ rollers or someone else entirely? Last Seen looks at these and many more suspects as hosts Horan and Rodolico travel from Boston to Philadelphia, Florida, Ireland and Italy investigating motives, scenarios and dead bodies with key players and leading experts on the robbery.

The series begins on September 17th and subsequent episodes will air every Monday. There’s an associated Facebook group you can join to comment on the podcasts and discuss it with other listeners. If you have iTunes (I broke up with it years ago and it was a nasty split), you can subscribe to the podcast here. The podcast will also be available for streaming on WBUR’s Last Seen page and for streaming and download in any other of your favorite podcast purveyors (here it is on Podbay.fm, for example).

Get a tantalizing taste of Last Seen in this excellent trailer. That old-time radio announcer opening and the clips of statements from investigators, witnesses and suspects give it a genuinely haunted crime-thriller vibe.

[audioplayer file=”http://www.thehistoryblog.com/wp-content/uploads/2018/07/BUR4439350468.mp3″ titles=”A First Listen To Last Seen”]

Cornplanter’s tomahawk back at museum 70 years after theft

A historic pipe tomahawk has returned to the New York State Museum 70 years after it was stolen by person or persons unknown. The tomahawk belonged to Allegheny Seneca war chief Cornplanter who received as a diplomatic gift from President George Washington in 1792. As war chief, Cornplanter had led the Seneca as allies of the French against the British in the French and Indian War. He took on the war chief mantle again during the Revolutionary War, this time on the British side. His involvement was against his better judgment as he thought the Iroquois nations should remain neutral. He was outvoted, however, and reluctantly did his duty.

Cornplanter, fighting with Loyalist forces, was successful as a war leader. Pro-Independence settlers were killed and their properties were burned, and the Colonists did the same to Iroquois towns. George Washington dispatched Major General John Sullivan to eliminate the Iroquois in New York state and he did just that, first defeating them in pitched battle and then systematically burning every village, farmed field, food store and animal from May to September of 1779. When winter came, the surviving Iroquois had nothing to live on. The refugees headed up to Canada, Cornplanter trying his best to get them to safety, but many of them died from starvation and cold.

With the war lost and the Colonists colonists no more, Cornplanter turned to his diplomatic skills. He helped negotiate and was a signatory of the Treaty of Fort Stanwix in 1784 and met personally with President George Washington in 1790 to protest how the Seneca and other Iroquois nations were being treated, treaties notwithstanding.

Pipe tomahawks were significant objects of intercultural exchange in the 18th century and could be used as smoking pipes; smoking was a common ceremonial practice between parties after reaching an agreement. The meetings between Washington and Cornplanter, also known as Gy-ant-waka, in the 1790s eventually led to the Treaty of Canandaigua (1794), which established peace between the sovereign nations of the U.S. and the Haudenosaunee (Iroquois) Confederacy.

Cornplanter died in 1836. There is no record of the movements of the ceremonial pipe tomahawk until 1850 when it was donated to the New York State Museum by Seneca statesman, civil engineer, attorney and Union lieutenant colonel Ely Samuel Parker. He acquired it from the widow of a Seneca man named Small Berry. The haft was not original when Parker got the tomahawk, but Cornplanter’s name in the Seneca language, Gy-ant-waka, was engraved on one side of the blade identifying it as the historic piece. The name John Andrus engraved on the other side is unknown but is thought to have been the manufacturer.

Small Berry’s widow described the original haft to Parker, so he replaced the replacement with a replica that came as close as possible to her description: curly maple decorated with bands and geometric spade/arrowhead-like shapes of silver inlay. While he was at it, Parker added a brass plate engraved with his own name to the bore end.

The pipe was an important piece in the museum’s ethnographic collection for decades. It disappeared between 1947 and 1950, it’s not clear exactly when or how. Whoever snatched it, it wound up in the murky penumbra of private collections until June of this year when one last anonymous collector finally had the decency to return it to the State Museum. It is now on display in the museum’s main lobby through December 30th.

European police seize 25,000 trafficked artifacts

” rel=”noopener” target=”_blank”>A coordinated sting of an antiquities trafficking operation executed in four European countries has resulted in the seizure of 25,000 ancient artifacts worth an estimated 40 million euros ($46 million). The pre-dawn action saw more than 250 law enforcement officers raid 40 different locations in Italy, Spain, Britain and Germany, and arrest 23 individuals.

This is the culmination of four years of investigation into a major smuggling ring that began with the discovery of a looted archaeological site in the small town of Riesi in the Caltanissetta area of central Sicily. Before the coordinated raids, Italian authorities confiscated 3,000 artifacts, 1,200 forgeries and 1,500 tools of the looting trade including metal detectors.

The stolen artifacts, mostly coins, statues and pottery, all seem to have been illegally excavated in and around Caltanissetta which has a rich Greek, Punic and Roman history. From there, the objects were smuggled up the boot of Italy, out of the country to Germany where they were sold with ginned up ownership histories. Police searched locations in Sicily, Calabria, Piedmont and Apulia, one the largest crackdowns on heritage crime in Italian history.

Europol, which financed the meetings between each country’s forces, said that key facilitators in the trafficking ring were “also acting from Barcelona and London, coordinating the supply chain and providing technical support”.

Metropolitan Police officers acting on a European arrest warrant issued by Italian magistrates Wednesday arrested the art dealer, Thomas William Veres, 64, in London, a Carabinieri paramilitary police spokesman told a news conference.[…]

The Sicilian smuggling operation is alleged to have been masterminded by Francesco Lucerna, 76, another of those arrested Wednesday.

Mr Lucerna regularly dispatched stolen archaeological remains to northern Italy through a network of couriers where they allegedly made contact with Mr Veres’ gang, investigators believe.

The gang also set up workshops where teams of counterfeiters copied some of the archaeological remains and sold replica copies as originals, it is alleged.

The investigation into the vast operation is still ongoing. The two auction houses in Munich which regularly received and sold the smuggled artifacts are under investigation as well.

Reward offered for Moundville artifacts stolen 40 years ago

The Moundville Archaeological Site near Tuscaloosa, Alabama, was the political and religious center of a Mississippian culture polity that flourished from the 11th to the 16th century. Today the park consists of 29 mounds and a large rectangular plaza which have been extensively excavated. It also includes a museum and archaeological repository. It is a National Historic Landmark and is the second largest Mississipian site after Cahokia, Illinois. one of Alabama’s most important historic sites.

In March of 1980, thieves broke into the Erskine Ramsey Archaeological Repository on the Moundville site and made off with 264 Native American artifacts. This was a loss of eight centuries worth of pottery vessels — bottles, bowls, jars and fragments — worth an estimated $1 million in 1980, the equivalent of about $3 million today. Some of the stolen objects were, according to archaeologists, among the highest-quality artifacts ever found at Moundville, recovered during excavations in the 1930s and completely irreplaceable. The sheer quantity was devastating as well, representing one fifth of the entire Moundville pottery collection and an agonizing 70% of the museum-quality pieces. To this day, the Moundville theft is the largest recorded antiquities theft in the Southern United States.

The theft was discovered by University of Michigan students who walked into the repository on March 6th to find boxes of artifacts lined up against the wall. Authorities suspect the thieves made several trips with boxes full of loot and had another one (or more) planned but were thwarted for some reason. The organized nature of the theft and the consistently exceptional quality of the chosen items strongly suggests that thieves were either educated in Mississippian artifacts or working with/for someone who was.

It’s been more than 38 years and none of the 264 artifacts have been seen since, let alone recovered. Because the market for Native American objects is predominately US-based, it’s likely they’re still in the country, even after so much time has elapsed. The thefts weren’t widely publicized at the time. There was a notice posted in the Journal of Field Archaeology in 1981 and the FBI was on the case, but it’s a whole new world now when it comes to the sale of stolen antiquities. Large internet auction sites like eBay are routinely used by looters, dealers and collectors to sell goods with questionable ownership histories.

In the hope that the power of the information age might be harnessed to solve this mystery, a private organization, the Associates for the Return of Moundville Artifacts, is now offering a reward of $15,000 for any information leading to the recovery of these priceless objects. They’ve established a confidential tip line (205 348-2800) for people to call with information. There’s a photo gallery of most of the stolen artifacts online here. If you see anything like them during your surfing and antiquing, please call the tip line.

Anne of Brittany’s heart stolen, found

On the night of Friday, April 13th, thieves broke in through a window of the Musée Dobrée in Nantes, western France, and stole the gold reliquary made to contain the heart of one of my favorite historic personages, Anne of Brittany. The alarm did sound, but it was insufficient to stop the thieves.

The only woman ever to be queen of France two separate times (both entirely against her will), Anne struggled her whole life to keep Brittany independent and after her sadly premature death in 1514 at the age of 37 was a revered symbol of Brittany’s unique history and culture. The reliquary that contained her heart was created shortly after her death and is inscribed “In this little vessel of fine gold, pure and clean, rests a heart greater than any lady in the world ever had. Anne was her name, twice queen in France, Duchess of the Bretons, royal and sovereign.”

That dedication may have been part of the attraction for the thieves who may have been hoping to make big bucks by melting it, but the 6-inch reliquary and its lovely crown of nine fleurs-de-lis together total only 100 grams of gold. This is not the first time the gold reliquary and crown had a brush with the crucible. It was confiscated during the French Revolution and Anne’s heart thrown in the trash, a fate suffered by so many royal remains. The container was ordered melted down, but the order was never followed and the reliquary was kept intact in the Bibliothèque Nationale until 1819 when it was returned to Nantes. It has been part of the collection of the Musée Dobrée since the 1880s.

There were murmurs that Breton nationalists might have been behind the theft, but the authorities thought it more likely to have been the work of petty thieves. Councilors of the Loire-Atlantique department accordingly appealed in the press for the return of the precious artifact, pointing out that it has far more historical value than monetary.

A week later, Nantes police found the reliquary, a figurine and some gold coins, all stolen from the museum, at an undisclosed location near the museum.

Two men in their early twenties have been arrested and charged with “association with criminals” and “theft of cultural assets”. One is known to authorities. They both deny involvement. Two other suspects are at large.

According to Pierre Sennes, the Nantes prosecutor, the prized gold case “seems to be in good shape”.

The museum reopened to visitors last week, sans reliquary for the time being, but on Wednesday, May 2nd, the government of the Loire-Atlantique department announced that the Voyage in the Collections exhibition would be closed permanently because of the thefts and the damage inflicted on the display. It was supposed to run through September 30th.