120 Days of Sodom declared national treasure

The original manuscript of the Marquis de Sade’s The 120 Days of Sodom has been declared national treasure by the French government. You might recall that over two years ago I wrote about how the thin (5 inches), very long (39 feet) parchment scroll on which the Marquis de Sade wrote what he considered his masterpiece was going up for auction. The circumstances were shady, to put it mildly. Quick summary: the scroll had been stolen in the early 1980s from the legitimate owner, Natalie de Noailles, daughter of a viscount and descendant of de Sade’s on her mother’s side and was sold in Switzerland (surprising no one) to an erotica collector. Noailles sued in French court, won, and the judgment was simply ignored by the Swiss collector.

After his death, his heirs sold the parchment with the blessing of a ridiculous and offensive Swiss federal court judgment contradicting the French one. In 2014, the manuscript was sold to avid collector Gérard Lhéritier, founder of Aristophil which turned out to be not so much as a company as a Ponzi scheme that used the collection of important manuscripts and autographs to defraud people of their money. When Lhéritier and his operators were arrested in March of 2015, the collection was confiscated. Now there would be a new court ruling, and this one wasn’t so easy to ignore. The entire collection of hundreds of thousands of historic manuscripts was to be sold at auction with the profits split among creditors.

With Lhéritier vociferously claiming his innocence, the slow wheels of French justice kept on a’grindin’. In October 2016, a court appointed the auction house Aguttes to sell off the collection. In November 2017, the auction house Drouet announced it would hold the first of more than 300 auctions over six years so the market wouldn’t be flooded with important manuscripts and prices driven down.

Meanwhile, the Bibliothèque Nationale de France, which before the sale to Lhéritier had negotiated a complicated deal to acquire the manuscript on terms the sellers, the Noailles family and the French legal system could live with only to have it fall through at the last minute, was working another angle. If they could get the scroll declared national treasure, then its sale would be impeded.

It took a long time, but France has indeed classified the de Sade manuscript as a trésor national. That means its export is barred and thus it cannot be sold internationally. The government will have 30 months to make a purchase offer of a sum equivalent to the “international market value” which is certainly many millions of euros. The Bibliothèque Nationale de France raised five million to buy the scroll in the deal that fell through and that was years ago.

The scroll is undeniable an icon of French literature and a microcosm of political and moral controversies of the ancien regime, French Revolution and early Napoleonic era. The Marquis de Sade wrote it from scraps of parchment attached together to form a long, skinny scroll that looks more than a little toilet papery (very thematically appropriate considering the subjects he explores in the tome) while he was imprisoned in the Bastille. He didn’t quite make it to liberation on July 14th, 1789. Ten days before it was stormed, he was transferred from his rather nicely appointed prison cell to the Charenton insane asylum without warning or opportunity to collect his stuff in punishment for riling up the Revolutionary mob milling around outside by hollering “They’re killing prisoners in here!”

A few days later, the tightly rolled scrolled was discovered in the crack of a wall in de Sade’s prison cell. The finder brought it home before eventually selling it and thus the long, strange journey of The 120 Days of Sodom got longer and stranger. So it survived the Bastille, it survived the sudden removal of its author, it got out of Dodge City before high noon and passed through multiple hands in three countries. It even found the time to get published in between all that, in two different editions, no less. Not bad for a janky roll of parchment scraps covered in spidery handwriting.

Now the question is, can a French institution actually afford this object? Stay tuned for the next exciting episode in the saga of The 120 Days of Sodom.

Dried flower from Lincoln’s bier found in historical society attic

A single delicate dried flower that lay on Abraham Lincoln’s bier has been discovered in the archives of a local historical society in Lockport, Illinois. Sandy Vasko, Director of the Will County Historical Museum & Research Center, discovered the single white rose last month while looking through some boxes stored in the attic. Beautifully preserved in a modest display case with a glass lid, the rose was identified by a handwritten label on the back as having performed the solemn duty of adorning the slain president’s coffin when it lay in state in the Capitol Rotunda in Washington, D.C., on April 20th, 1865. According to the label note, the rose was given to Lincoln’s good friend General Isham Haynie of Illinois who in turn gifted it Mrs. James G. Elwood of Joliet. James Elwood, was the mayor of Joliet and a Civil War veteran. Boxes of his belongings were donated to the Will County Historical Society decades ago. The rose and its all-important label was in one of them.

There are very few extant pictures of the multiple funerals and public viewings of the coffin that were held along the long, slow, sad journey of Lincoln’s body from Washington, D.C. to Springfield, Illinois. This was deliberate. Secretary of Edwin Stanton, devastated by President Lincoln’s assassination was adamantly opposed to any hint of commercializing the horrific event. Grieving widow Mary Todd Lincoln agreed with him, and he ordered General Townsend, who was delegated to accompany the cortege, to prohibit all photographs. When he failed to do so in New York, Stanton was enraged and had every plate confiscated and destroyed.

There is no picture of the Rotunda that shows the bier covered with flowers, only contemporary written sources describing the flowers, among them white roses. The flowers themselves are extremely rare. As far as we know, the only other ones are in the Ford’s Theatre National Historic Site in D.C., and it’s not clear whether they came from the funeral in the East Room of the White House, the one in the Rotunda, or from when he lay in state the next day. This find is historically significant because it’s such a rare survival, because of its involvement in an iconic tragedy in American history, and because it’s in Illinois, President Lincoln’s home state.

There is also no picture currently available of the rose itself. As you know, I am usually adamant about only writing stories if there are high resolution pictures available of the find. I have made rare exceptions, however, and this is most certainly worthy of one because the reason for there is no photo of the flower available is something I support unreservedly.

When I emailed the Will County Historical Society asking whether a photograph was available, I received a most gracious reply from Sandy Vasko explaining why they would not be releasing a photograph at this time nor do they plan to in the near future. The Will County Historical Society, like so many other small county and town historical organizations and museums, operates on a shoestring budget. They are staffed entirely by dedicated volunteers, including the director herself. The discovery of this one precious bloom might as well be King Tut’s treasure for the Society. It’s a unique opportunity for them to raise the funds they need to keep the lights on (and maybe even more importantly in the Illinois winter, the heat on) and invest in historic preservation projects that are pivotal to the county.

I am a great supporter of local historical societies, who almost always rely on volunteers and meager donations to preserve an area’s social history, genealogies, endangered structures and who are actively engaged in researching local matters that don’t get a great deal of attention from the outside. This is desperately needed work that keeps history alive.

In aid of these noble goals, on 4:00 PM February 17th, the flower will make its public debut at a special preview event that will include a buffet dinner, a silent auction and a speaker who will deliver a Lincoln-related talk. Tickets are $50 apiece and seating is limited to just 50 people, so if you are anywhere near there and want to see a single white rosebud that once rested inches away from the body of Abraham Lincoln, fill in this registration form (pdf) and mail it in with a quickness. People are already snapping them up even when they have to fly in from half the country away to attend. If you can’t attend, you can use the form to donate.

Sandy Vasko was kind enough to allow me to interview her about the find and the upcoming event. At the time when the James Elwood boxes were donated, the early 1970s, the Society was moving into a new (old, actually, but undergoing renovation) building. The 13 boxes of the Elwood collection were stashed in the building, nine in closets, four in the attic, and remained there for decades before Vasko started going through them this year.

On the bottom of the last box in the attic, she discovered the display case with the single white rose. When she read the label, she couldn’t even believe her eyes. She put it aside, walked outdoors in the 15 degree temperature to clear her head. When she returned and reread the label, it said the same thing she’d read before.

“For a museum director to find this kind of incredible artifact, it is so lucky,” Vasko said. “When I was touching it and handling it, it was like electricity. It was just so amazing.”

The flower is being kept under lock and key for its protection until the sneak preview next month. After that, it will return to the safe until it is displayed again in June. A Chicago artist’s drawing of the rose will be a give-away to one lucky attendee at the event. The museum staff is working on several ideas for postcards or saleable souvenirs that feature the rose drawing coupled with highlights from the label.

Speaking of which, it is one fantastic label, the kind of thing appraisers and historians always tell people to write on their heirlooms so future generations don’t wind up tossing random dried roses they know nothing about in the trash instead of preserving them like the sacred mementos they are. Vasko generously shared a photograph of the back of the box and its exemplary label with me. We can’t see the Lincoln rose yet, but we can see the only reason we know what it is.

Trouvelot’s astronomical drawings to go on display

When last we saw Étienne Léopold Trouvelot, the gifted astronomical observer, artist and accidental destroyer of worlds via his injudicious introduction of the gypsy moth to the US, the 15 impeccably detailed astronomy drawings he chose for publication in 1881 using the new color printing technology of chromolithography had just been digitized by the New York Public Library. Now one of the rare surviving complete sets of Trouvelot chromolithographs is going on public display at The Huntington Library, Art Collections, and Botanical Gardens in San Marino, California. The exhibition, Radiant Beauty: E.L. Trouvelot’s Astronomical Drawings, opens April 28th of this year and runs through July 30th in The Huntington Library’s West Hall.

The set of 15 chromolithographs was the crowning achievement of Trouvelot’s career, said curator Krystle Satrum, assistant curator of the Jay T. Last Collection at The Huntington. “He was both an extraordinarily talented artist and a scientist, producing more than 7,000 astronomical illustrations and some 50 scientific articles during his working life.”

In vivid color and meticulous detail, the works depict a range of astronomical phenomena. “The high quality of both the artwork and the scientific observation demonstrates his uncanny capacity to combine art and science in such a way as to make substantial contributions to both fields,” Satrum said.

The pas-de-deux between art and science is still producing magic today. Images from high-powered telescope cameras, satellites and probes that have so mesmerized the public since the Hubble first started working right don’t look anything like the swirling marvels of color when they are transmitted. They’re black and white, infrared, ultra-violet, etc., thick with data but not so much visual impact for our limited optic range. It’s the artists who translate that data into something approximating what we’d see if we could.

Trouvelot was a master of converting telescopic information into beautifully colored artworks long before the Hubble was a twinkle in NASA’s eye. The chromolithographs wound up being a bit of a last hurrah for the field. By the turn of the century, drawings were rapidly being superseded by photographs as cameras became more powerful and precise. Of the estimated 300 luxury portfolios published by Charles Scribner’s Sons in 1882, only a few still survive intact today. Most of them were bought by institutions and observatories as references for their astronomers, but once photography starting edging out the old school artistic rendering, the Trouvelot chromolithographs were sold off or thrown away.

The Huntington’s set was acquired by physicist and Silicon Valley co-founder Jay T. Last as part of his extensive collection of graphic arts, particularly lithographs, from the 19th and early 20th century. He donated more than 200,000 printed works from more than 500 companies, high-end astronomical chromolithograph sets to orange crate labels to the museum. Highlights from the Jay T. Last of Graphic Arts and Social History can be browsed on The Huntington’s website.

Speaking of online collections of historic lithographs, the NYPL didn’t have high resolution versions of Trouvelot’s drawings in the online gallery when it debuted, much to my chagrin, but they are available now for download in tiff format. Click “All download options” and select “High Res tiff” from the list to get them. They’re not as gloriously huge as The Huntington Library’s images which they so kindly allowed me to use in this here post. They are in great condition, however, and I got a kick out of comparing the two sets.


The Two Brothers are in fact brothers

Groundbreaking analysis of ancient DNA has answered a century-old question: are a pair of Egyptian mummies from the 12th Dynasty dubbed the Two Brothers actually brothers? One hundred and eleven years after their discovery, we now know the answer is yes. They are half-brothers, same mother, different fathers. This overturns the results from the original 1908 study that indicated no familial relationship between the two men.

The mummies of Khnum-nakht and Nakht-ankh were discovered by renown archaeologist Flinders Petrie in a stone-cut tomb near the village of Deir Rifeh in 1907. Their exquisitely painted coffins were placed next to each other and inscriptions on their sarcophagi identified them as brothers, sons of a local governor (an unnamed “hatia-prince”) and a woman (or women) named Khnum-aa. The richness of the funerary furnishings in the tomb confirmed their high status as the sons of an elite functionary. The style of the tomb dated it to around 1,800 B.C.

Flinders Petrie wrote to the Manchester Museum that his team had discovered a small 12th Dynasty tomb in Rifeh packed tightly with two polychrome painted sarcophagi complete with mummies, two funerary boats with servant figurines, a painted chest with a full set of four canopic jars, five statuettes placed in the coffins and two pottery vessels. All the human remains were intact and the craftsmanship of the artifacts of the highest quality. Petrie, keen to ensure the core funerary group would stay together, offered it to the museum for a £500 contribution to his next excavation. The Museum Committee accepted with alacrity and raised £570 19s in a few weeks thanks to the donations of boosters. The extra £70 19s went to the writing and production of a The Tomb of Two Brothers, a publication about the museum’s research into the find.

This pamphlet makes fascinating reading, touching on the transition from archaeology as an amateur treasure hunt to archaeology as a science, the complicity of antiquities collectors in systemic looting of tombs, and how the sausage of the examination of the remains was made in the Edwardian era. Hint: it ain’t pretty. Cringeworthy in an age when mummies are never unwrapped precisely because of the damage described in the publication: soft tissues disappearing into clouds of dust and moisture causing long-preserved flesh to rapidly decay.

It’s of particular interest in the light of the recent DNA analysis that upends the conclusion drawn from the initial study. The introduction opens with a broadside to those who would castigate archaeologists as desecrators of the dead, pointing the finger back at accusers who “would not hesitate to wear a scarab-ring taken off a dead man’s hand” and who “will handle without a qualm the amulets that were found actually inside a body.” This hypocrisy, the authors note, has real consequences on the treatment of human remains because it creates a market for looters to tear apart dead bodies for saleable trinkets.

They go on to explain why the examination of dead bodies is important.

Archaeology has been raised to the rank of a science within one generation: before that it was merely the pastime of the dilettante and the amateur who amused himself by adding beautiful specimens to his collection of ancient art. Then came the period of the enthusiast in languages, to whom inscriptions the joy of life. And now there has arisen a new school to whom archaeology is a science, a science which embraces the whole field of human activity. Archaeology, in other words, is the history of the human race. It is a science which contains within itself all other sciences. The new sciences of psychology and comparative religion owe their being to archaeology, and history itself is merely archaeology in a narrow form.

Four sciences are listed as examples of disciplines that rely on information derived from material culture of the past: psychology, comparative religion, ethnology and comparative anatomy.

Archaeology can assist these four great sciences only by opening and examining graves and their contents. It is only by a knowledge of the objects placed with the dead, and by the methods of burial, that we the ideas of early races as to a future life; by studying these graves in chronological order we trace the growth of ideas and the evolution of religion and of the philosophy of life. By an examination of the bodies, the knowledge of the ethnologist and the anatomist is immensely increased.

It’s an interesting juxtaposition, the fervent belief that their morphological analyses form the scientific backbone of numerous academic disciplines vs. the DNA testing that proved the inaccuracy of said analyses. One of the sciences listed, ethnology, which at the time was emphatically focused on the putative anatomical differences between races and genders of humans, appears to have been the grounding for the erroneous conclusion.

Led by Dr. Margaret Murray, archaeological pioneer and the UK’s first woman Egyptologist, the Manchester Museum team examined the mummified remains in 1908. The team’s anatomist, Dr. John Cameron, compared their skulls and declare the differences between them “so pronounced that it is almost impossible to convince oneself that they belong to the same race, far less to the same family.” He thought the older brother, Nakht-ankh, might be a woman because the evidence of muscular attachment was so faint. When the pelvis established he was male despite the “female character” of the skull, Cameron looked for another explanation:

The question of the skeleton being that of a eunuch next suggested itself; but unfortunately, the state of preservation of the external genitals (see page 44) does not permit one to make a definitive pronouncement on this question. If this could have been proved definitely then we should have been provided with a distinctly rare opportunity of comparing the skeletons of two brothers, one of whom was virile, and the other a eunuch.

(Page 44 is where an extensive discussion of the man’s mummified penis and missing scrotum begins. There was no evidence of the scrotum having been surgically removed, btw.)

Mummy of Nekht-Ankh at various stages of unwrapping, Plate 10, 'The Tomb of Two Brothers', by Margaret Alice Murray et al, 1908.The virile brother has sub-Saharan African ancestry, Cameron concludes, but not exclusively. He was biracial, according to the skull feature studies prevalent at the time. Between that and the eunuch thing, the anatomist cannot accept that they are brothers, but he does explore later on the chapter the possibility that they could be half-brothers with the same mother. Their mother is titled Nebt Per, (“Lady of a House”) in the inscription, which means she had inherited an estate. A moneyed, propertied woman could easily have had children from two different husbands during a lifetime. Alternatively, one or both of them may have been adopted.

Either way, they were still brothers, as the contemporary inscription emphasized, and the exquisitely painted sarcophagi became the museum’s most famous icons. They have been on display almost continuously since 1908 and have been known as the Two Brothers just as long, blood relations or no. There have been multiple attempts to extract a viable DNA sample to determine the brothers’ brotherness but all of the results were inconclusive. The technology has improved greatly in recent years, however, so in 2015 scientists tried again.

[T]he DNA was extracted from the teeth and, following hybridization capture of the mitochondrial and Y chromosome fractions, sequenced by a next generation method. Analysis showed that both Nakht-Ankh and Khnum-Nakht belonged to mitochondrial haplotype M1a1, suggesting a maternal relationship. The Y chromosome sequences were less complete but showed variations between the two mummies, indicating that Nakht-Ankh and Khnum-Nakht had different fathers, and were thus very likely to have been half-brothers.

Dr Konstantina Drosou, of the School of Earth and Environmental Sciences at the University of Manchester who conducted the DNA sequencing, said: “It was a long and exhausting journey to the results but we are finally here. I am very grateful we were able to add a small but very important piece to the big history puzzle and I am sure the brothers would be very proud of us. These moments are what make us believe in ancient DNA.”

The study, which is being published in the Journal of Archaeological Science, is the first to successfully use the typing of both mitochondrial and Y chromosomal DNA in Egyptian mummies.

The new study is available online free of charge so you can read the original publication and the latest one for a one-shot comparative history of science. To paraphrase Martin Luther King, Jr. who in turn was paraphrasing Transcendentalist and Unitarian minister Theodore Parker, the arc of the scientific method is long, but it bends towards accuracy.

5.6 metric ton coin hoard found in China

On October 13th, 2017, a massive cache of an estimated 300,000 copper coins for a total weight of 5.6 metric tons were discovered during construction work on the foundations of an old house in Chalian Village, near Jingdezhen in East China’s Jiangxi province. They are wén coins from the Song Dynasty (960–1279). Archaeologists from the Ceramics Archaeology Institute excavated the site starting October 22nd.

The property is 100 square meters in area and is surrounded by village houses. After the coins were discovered, word of the find spread like wildfire. There was intense interest from the locals who wanted to dig up some buried treasure even though experts noted the coppers have little monetary value. Their worth is not in conversion to modern currency via black market sales, but rather in their historical significance.

It is known that the coins date from the time of the Song dynasty (960-1279). The dynasty relocated its capital to Lin’an (Hangzhou today) after the city of Kaifeng was lost to the Jurchen Jin in 1127. Lin’an is near where the coins were found. The problem is that there is no local source of copper, which quickly led what was then the Southern Song dynasty to produce lower quality coins than those issued by the Northern Song dynasty. This also led to the emergence of paper money as copper cash coins became scarce. Iron coins were issued, but due to corrosion and manufacturing problems were never popular. Some numismatists have referred to this as the Qian Huang or “currency famine” for the Southern Song dynasty.

The southern government cut military wages in half by 1161 due to a shortage of wen coins. In 1170 Huizi paper money became a permanent fixture since it was mandated half of all taxes be paid with this form of currency. This resulted in increased demand for the notes as well as for the increasingly scarce bronze coinage. Inflation eventually led to the use of small coin tallies called Qian Pai.

Nonetheless, as soon as the government archaeologists left, villagers returned to the site with their digging implements to help themselves to any loot they might have missed. Individuals who did manage to remove coins from the site before and after the official excavation were persuaded to hand them over after being told that they were breaking cultural heritage laws by keeping the objects.

Local folklore has it that the coin hoard was the treasure of a landlord who buried it under the foundations of his home 1,000 years ago. There is no evidence of this being true. Of the three filled cellars unearthed during the excavation, two were filled with coins and one with assorted debris. The fill in the third cellar included some dateable materials placing it in the Yuan Dynasty period. The story of the landlord puts him in the Ming Dynasty. Besides, it’s highly unlikely that a landlord, tradesman or any one individual would have had access to such a huge cash reserve, and even if they did, they would have converted it into more easily portable silver or gold bullion. According to Fuliang County Museum Director Feng Ruqin, the coins were probably stashed by a private organization or a bank.

The excavation is over now and all three cellars have been backfilled for their protection. Conservators and researchers now have to commence the daunting task of cleaning, derusting, classifying weighing, cataloging and studying 5.6 metric tons of coins. The process is expected to take at least two or three years.