Swiss archaeologists find door

5000-year-old Neolithic door in situ at Opera Dig, ZurichI love that headline. It seems such a bland, stolid find, so appropriately Swiss. It’s a pretty awesome door, though, seriously.

It was found in Zurich during preparatory excavations for a parking lot near the Opera House. Dendrochronological (ie, tree ring) analysis, dates the wood to 3,063 B.C. That makes it one of the earliest doors ever uncovered in Europe. An older one dating to 3,700 B.C. was found in a nearby town in the 19th century, but it was made from solid wood. This most recent door is a more complex, ingenious design.

The door measures approximately 5′ by 3′ and has been extremely well-preserved in the anaerobic environment of Lake Zurich sediment. You can still see how the planks were joined using a system of plugs, and the two simple wooden hinges that allowed the door to swing in its frame.

Neolithic settlement Lake ZurichThe dig has uncovered a great many other artifacts from multiple Neolithic settlements on the shore of Lake Zurich.

Archaeologists have found traces of at least five Neolithic villages believed to have existed at the site between 3,700 and 2,500 years B.C., including objects such as a flint dagger from what is now Italy and an elaborate hunting bow.

Helmut Schlichtherle, an archaeologist for the conservation department in the German state of Baden-Wuerttemberg, said finding an intact door was very rare, as usually only the foundations of stilt houses are preserved because they are submerged in water for millennia. Without air, the bacteria and fungi that usually destroy wood in a matter of years can’t grow, meaning many lakes and moorlands in Europe are considered archaeological treasure troves.

“Some might say it’s only a door, but this is really a great find because it helps us better understand how people built their houses, and what technology they had,” he said.

Also, there have been hundreds of stilt house remains found in Germany, but no doors. Tiny Switzerland, on the other hand, has produced the 3 oldest ones known in Europe.

Neolithic (3000 B.C.) knife with hole for carrying it on a string, and today's versionThe other seemingly-pedestrian finds will illuminate Neolithic life as well. The dagger from Italy, for instance, can provide information about Stone Age trade across the alps. The elaborate hunting bow has a bark design on it which has been attached by an unknown adhesive. There were also tinderboxes with fire-making tools still inside them, including F. fomentarius (aka, Tinder Fungus) mushrooms which Otzi the Iceman was also carrying when he met his end in the Tirolean Alps, not so far from Lake Zurich. Otzi lived 5300 years ago, so he and the door are almost contemporaries.

The dig will continue until January, so who knows what else will turn up. There are more pictures of the Opera House dig and its Neolithic finds on the Zurich Structural Engineering Department website.

American gold coin hoard found in London

Usually when we hear of coin hoards being dug up in England, they’re Roman or Saxon or medieval. It seems like people in the UK stumble on ancient buried treasure every other day. Dozens of gold coins minted in the US in the late 19th-early 20th centuries, however, are not so regularly found. In fact, until a couple of fellas decided to do some gardening in their east London back yard, such a find was unprecendented.

Hoard of 80 gold Double Eagles found in HackneyThe details of the discovery are being kept quiet for now, both to prevent lookie loos and to ensure there are no false ownership claims. What we do know is that two people found a hoard of 80 gold Double Eagle $20 pieces, dating from between 1854 and 1913, in a Hackney garden. Double Eagles are made from 90% gold — 0.9675 troy ounces if it — and 10% copper alloy. The coins come from all over the country, minted in San Francisco, Philadelphia, Denver and Carson City, among other cities.

They were worth $20 because that was the fixed value of an ounce of gold in 1849 (yes, the year of the California Gold Rush) when they were first minted. That would be a value of $521.28 in modern buying power, all in one heavy gold coin, and that’s not counting the fluctuating value of the gold itself. Some designs, years and mints are more valuable than others, but there’s little doubt the value of the entire collection will probably reach the six figures.

The Hackney coins start just 5 years after the first Double Eagle was struck, although the bulk of the hoard comes from the later years. According to Dr Barrie Cook of the British Museum’s Department of Coins and Medal:

“The catalogue shows that the coins gradually increase in number across the decades from 1870 to 1909 (13 coins from 1870-9; 14 from 1880-89; 18 from 1890-99; and 25 from 1900-9).

“Over a quarter of the total were issued in the last 6 six years represented. Together these factors suggest that the material began to be put aside during this later period, rather than being built up systematically across a range of time represented.

“The main element among this latest material are the 17 coins dating to 1908, which suggests that a single batch of coins from that year might have formed the core for the group.”

That means the burier might actually be alive. It’s unlikely, but certainly possible, and his heirs could very well be around to file an ownership claim. The details of the location which have not been released will be used to screen out potential Double Eagle Anastasias.

The finders have reported the coin hoard to the Portable Antiquities Scheme, and an inquest has been opened. Any claimants have until February 8 to come forward. If nobody does claim ownership and the coroner determines that it’s officially treasure (which he will because buried gold is pretty much the Platonic form of official treasure), then the Crown becomes the official owner, fair market value will be assessed, and the finders paid in that amount by whichever institution wants the hoard.

Hackney Museum has already raised its hand. Meanwhile, the coins will go on display at the British Museum starting tomorrow.

4300-year-old priestly tomb found in Giza

Archaeologists excavating near the Giza pyramids uncovered the Fifth Dynasty tomb of a pharaonic priest. It dates to between 2465 and 2323 B.C., and although looters long ago cleared it of its portable treasures, there are wall paintings still in bright condition despite the tomb’s having been opened.

The tomb was found a month ago but Hawass announced the discovery today.

Standing inside the 4,300-year-old structure, Zahi Hawass said hieroglyphics on the tomb’s walls indicate it belonged to Rudj-ka, a priest inspector in the mortuary cult of the pharaoh Khafre, who built the second largest of Giza’s pyramids.

The tomb — about the size of a train car — was adorned with paintings, some of them still vivid. Images on one wall depict a man standing on a boat, spearing fish. Nearby are lotus flowers and different types of birds standing or in flight.

A series of false doors line the opposite wall. A painting above one shows two figures seated opposite each other at an offering table.

The pharaoh Khafre lived from 2558 to 2532 B.C., but his cult continued after death. In the Old Kingdom, after the pharaoh died, priests dedicated to the cult of the king lived and practiced their rituals in a pyramid city specifically dedicated to the task of ensuring proper spiritual care of the departed godking.

Judging from the wall paintings, Rudj-Ka was responsible for overseeing purification rituals performed in honor of the dead pharaoh, which would have made him an important person even though priests of this period did not have to be of noble birth. The tomb’s complexity also suggests a person of prestige. Beyond the entrance, there’s an inner burial complex that carved out of the living rock of a cliff that was built to house all of Rudj-Ka’s family.

His tomb was the first one found west of Khafre’s pyramid, and the only one in the area with a cartouche of Khafre. Hawass hopes there are more tombs, possibly from the priestly cult of Khafre, to be found in this relatively unexplored area.

Hawass at tomb of Rudj-Ka, 2374-2513 B.C. Painting of a hunt scene in the tomb of Rudj-Ka

Rarest movie poster in the world for sale

'The Bride of Frankenstein' teaser poster, 1935It’s a teaser poster for John Whale’s 1935 horror masterpiece The Bride of Frankenstein. Three one-sheet designs were created to promote the movie in theaters. This poster is the most dramatic of the three, with its blood red wash and Boris Karloff’s iconic monster shackled in a chair demanding a mate. It’s also the only one that was released as an advance teaser to get theater audiences excited — I daresay titillated — before the movie premiered.

Considered by many the greatest horror film of all time, The Bride of Frankenstein proved director James Whale’s crowning achievement. Aside from cast members Clive and Karloff reprising their roles, the addition of Ernest Thesiger as the demented Dr. Pretorius and Elsa Lanchester in the dual roles of Mary Shelley (seen in the prologue) and obviously, as ‘The Monster’s Mate’ proved a brilliant stroke of casting. Also contributing with excellent work was makeup genius Jack Pierce, luminous camerawork by John J. Mescall, stunning art direction by Charles D. Hall aided immeasurably by Kenneth Strickfadden’s electrical lab equipment and design and of course, the extraordinary musical score composed by Franz Waxman. Such talent in front and behind the camera all helped to create a timeless classic selected in 1998 to be part of the National Film Registry, Library of Congress.

Of the three one sheet designs originally produced for in-theatre promotion for The Bride of Frankenstein, this only known Teaser (Advance) poster boasts the most powerful image of the lot. With it’s brilliant cherry red printing combined with the shocking image of The Monster in torn, burned clothing, shackled and chained to a heavy chair with rays of energy and light bursting behind, it simply does not get any better. The compelling tagline “I DEMAND A MATE” arguably provocative given the time, is further enhanced by challenging the reader with “WHO will be THE BRIDE OF FRANKENSTEIN” and “WHO will dare?”

The estimated sale price of this one poster is $700,000. The current record-holder for most costly movie poster is the 1926 international three-sheet of Metropolis by German artist Heinz Schulz-Neudamm which sold for $690,000 in 2005. In second place and the current record-holder for horror movies is a poster of The Mummy which sold in March 1997 for $453,500. So it’s Karloff versus Karloff, and it looks like neckbolts Karloff is set to give natronwrapped Karloff a sound spanking.

'Gilda' poster, 1946The second and fourth most expensive movie posters (the latter a one-sheet of The Black Cat which sold for $334,600 last year) both belonged to collector Todd Feiertag, who is also the owner of the “I DEMAND A MATE” poster. He has spent 50 years amassing what is widely considered the greatest collection of vintage horror movie posters in the world. He’s owned The Bride of Frankenstein poster for 30 years.

Heritage Auctions will be putting it up for sale in their November 11th Signature Movie Poster auction along with a passel of other beautiful and rare illustrations from cinematic classics. I have to give a shout out to the Gilda poster, which features Rita Hayworth reeling in the after-slap from Glenn Ford’s strong pimp hand.

Japanese diary with pics of Jews saved from Nazis

Despite Japan’s alliance with Germany, Japanese officials collaborated to save thousands of Jews from Nazi-occupied Europe. The best known instance of a Japanese government employee defying Japanese immigration strictures to save Jews is Chiune Sugihara, an diplomat at the Japanese embassy in Lithuania who handed out travel visas to thousands of Jews in the early days of the war, even throwing blank visas out the window of his train as he left in August 1940 when the Russians annexed Lithuania.

Sugihara has been referred to as the “Japanese Schindler” because his transit visas allowed an estimated 6000 Jews to flee the country via the Trans-Siberian railway to Japanese-occupied Manchuria. He was honored in 1985 by Israel’s Yad Vashem Holocaust memorial as one of the Righteous Among the Nations.

Tatsuo Osako during WWII on a ship with unknown womanOnce Jewish refugees got to Japanese territory, however, there was a whole other bureaucratic mountain to climb. They were stateless, often penniless and dumped in Manchuria. The Japan Tourist Bureau, apparently with the permission of Foreign Ministry, agreed to help distribute aid money sent by Jews in the US to Jewish refugees in Japan. This infusion of funds covered the immigration requirements that Sugihara had so consistently not given a crap about, and gave the refugees the means to get by and make plans.

Tatsuo Osako was a Tourist Bureau employee assigned to act as an escort on ships carrying refugees across the Sea of Japan to port cities like Kobe and Yokohama where they could arrange for further transport. Osako kept pictures of some of the people he helped in a diary which was found in a drawer after his death in 2003. He didn’t write in the diary much, sadly, so all we know about who these people were is from their faces and the kind comments they wrote to Osako on the pictures.

I. Segaloff picture“My best regards to my friend Tatsuo Osako,” is scrawled in French on the back of the picture, which is signed “I. Segaloff” and dated March 4, 1941. His fate is unknown.

An effort is under way to find the people in these portraits or their descendants, all of whom are assumed to be Jewish. Personal photos of such refugees, who often fled with few possessions, are rare. […]

Akira Kitade, who worked under Osako and is researching a book about him, has contacted Israeli officials for help and visited the United States Holocaust Memorial Museum in Washington, D.C.

The museum said he gave it about 30 photographs that he is trying to identify, and received a list of over 2,000 Jews who received travel papers that enabled them to reach Japan.

The Israeli ambassador to Japan, Nissim Ben Shitrit, is optimistic that they will be able to locate some of the people in the pictures and/or their descendants.

The comments on the pictures are written in languages (German, Polish, French) that mirror Germany’s conquest of Europe. Osako himself was so circumspect about his war experience that not even his daughters knew about the people he helped save. All we have in his words are a few lines he wrote in 1995 for a college alumni publication.

Comment in Polish: 'A souvenir to a very nice Japanese man' signed Rozla“The Jews that I saw at that time had no passports and were stateless, they were refugees that had fled Europe and were generally downcast, some with vacant eyes that projected the loneliness of people in exile,” Osako wrote.

But he also had time to make friends along the way — he notes that some were very helpful in his duties, and he recalls seeing Jewish women “of a rarely seen beauty.”