Early aviation collection goes on display for the first time

Evelyn Louise Way was born in Ontario, Canada, in 1893. She graduated from nursing school in 1916 and worked as a nurse. In 1926 she married Massachusetts industrialist Henry Plimpton Kendall who had turned a small, unsuccessful textile mill owned by his mother’s family (the Plimptons of Walpole, MA, whose scions include journalist George Plimpton and actress Martha Plimpton) into a hugely successful textile manufacturing company of national scope. Bought by Palmolive in the 1970s, the Kendall Company still lives today through brands like Curad bandages.

Both Evelyn and Henry were avid philanthropists and collectors with a broad range of interests. Together they assembled museum-quality collections that would eventually become the kernels of more than one museum. Their collection of early South Carolina maps and prints they donated to the University of South Carolina. Evelyn put her collection of dolls on display in the Kendall Doll Museum, now alas closed and the collection dispersed at auction. She donated her collection of antique clothing to the Royal Ontario Museum. The Way’s extensive, world-class collection of whaling artifacts went on display in the Kendall Whaling Museum in 1950, also now closed. The collection was donated to the New Bedford Whaling Museum in 2001.

Perhaps Evelyn Way Kendall’s greatest feat of collecting was the three decades she spent assembling the largest private collection of early aviation memorabilia. We don’t know what inspired this passion for aviation in Evelyn. One possible catalyst was a widely publicized rescue mission of lost balloonists that her father William Beal Way, a regional supervisor with the Canadian National Railroads, had participated in. In December of 1920, two U.S. Navy balloonists had been blown way off course from Long Island to the frozen hinterlands of Hudson Bay. The balloon was lost in the crash but the balloonists survived, braving hunger, Canada’s inclement December-January weather, and long distance travel on foot and by dog sled. William Way wrote a detailed account of their month-long ordeal and rescue which Evelyn apparently found riveting.

Whatever the origin story, from the 1920s until the 1950s, Evelyn amassed 78 original artworks, more than 400 prints, 330 books and manuscripts, historic photographs, portraits, aircraft designs and decorative objects from fans to snuff boxes to jewelry, all relating to ballooning, aeronauts and aeronautical history. Aviation was a popular subject for collectors at that time, thanks largely to the explosion of interest in the use of aeronautics — the Red Baron, the Zeppelin raids — during World War I. The likes Harry Frank Guggenheim and Vanderbilt relation William A.M. Burden collected aviation material, but even with their endlessly deep pockets, they came nowhere near breadth and quality of Evelyn Way Kendall’s collection. As early as 1931, scholars were already beating down her door for access to it.

The collection remained in the family after Evelyn’s death in 1979. In 2014, her descendants donated the Evelyn Way Kendall Ballooning and Early Aviation Collection to the Smithsonian’s National Air and Space Museum. After documentation and conservation by Smithsonian experts, the unique collection is now going on display for the first time.

When the first balloon rose over the rooftops of Paris in the late 18th century, enormous crowds gathered to watch. This phenomenon spurred a new age of aeronauts dreaming of what else could fly. The excitement of this achievement was captured much like it would be today—in artwork and on memorabilia; objects such as decorative fans, china, snuff boxes and prints will be on display. “Clouds in a Bag” explores the fascination of the first balloon flights through these pieces.

“The invention of the balloon struck the men and women of the late 18th century like a thunderbolt,” said Tom Crouch, senior curator of aeronautics at the National Air and Space Museum. “After centuries of dreaming, we were airborne at last! Visitors to the exhibition will be able to share some of the excitement experienced by those who watched the first aerial travelers rise into the sky.”

The Clouds in a Bag exhibition opens at the National Air and Space Museum’s Udvar-Hazy Center in Chantilly, Virginia, on Saturday, January 28th, and runs through 2018.

3,500-year-old jewelry workshop illuminates dark age

Archaeologists have discovered a 3,500-year-old jewelry workshop on the island of Failaka off the coast of Kuwait. Failaka was one of the major hubs of the Bronze Age Dilmun civilization, which at its peak is believed to have covered parts of modern-day Bahrain, Kuwait, Qatar and coastal Saudi Arabia. From around 2000 B.C., Dilmun held the monopoly on trade in the Persian Gulf. Failaka’s position at the entrance to Kuwait Bay gave it outsized strategic significance.

Dilmun’s ascendance wasn’t uninterrupted. Somewhere around the year 1700 B.C., the well-established trade network collapsed. The temples and cities were abandoned and the tombs of the kings looted. The next century is known as a dark age for Dilmun and Failaka because whatever the cause and effects of the collapse, there is little in the archaeological record that might shed light on the period.

The jewelry workshop is therefore something of a grail-shaped beacon. It was discovered in a building dated to the period between 1700 and 1600 B.C. and it contains very important garbage: small fragments of semi-precious stones including carnelian and jasper discarded as waste. Carnelian and jasper and not native to Failaka. These were imports, probably from Indian and Pakistan, which means trade across vast distances was still active during the so-called dark ages.

Kristoffer Damgaard, an assistant professor in the department of Cross-Cultural and Regional Studies at the University of Copenhagen, believes that Højlund and his colleagues have made an important discovery.

“I have no doubt that this is an important and historically crucial discovery,” said Damgaard. “These are the raw materials for luxury items for the wealthy that reveals the local elite had the option of long-distance trading in commodities such as precious stones.”

Damgaard said that the find is an “example of how far back globalisation extends”. Højlund believes that the stones show that Kuwait resumed trade during the dark period.

“Kuwait must have re-established the trade routes that collapsed around the year 1700 BC,” he said. “It bears witness to a renaissance in Bahrain and Failaka in around 1600 BC, when it resumed relations eastward to Pakistan and India.”

It’s also relevant to Failaka’s particular archaeological record because Dilmun was known for its circular stamped seals (as opposed to ones that were rolled like the cylinders of Mesopotamia). Dilmunian seals have been unearthed in India, Mesopotamia and in Failaka. A great number of them were found in a square stone building in the Al Hakim Palace and Tower Temple complex. They were of different shapes and sizes — circular, rectangular, square, cylinder scarab-shaped — and bore different inscriptions. The sheer numbers and variety of seals found on Failaka underscore that it was a pivot point of cultural exchange between the civilizations of the Gulf.

Danish archaeologists from the Moesgaard Museum, led by Peter Vilhelm Glob famed as the archaeologist who examined the bog body Tollund Man upon its discovery by peat cutters in 1950, were the first to systematically excavate the Persian Gulf countries in the southern Arabian peninsula beginning in 1953. Glob’s team found the first evidence of the Dilmun civilization in Bahrain and thought it was a local power. When they were invited to excavate Kuwait in 1958, they found Dilmun’s reach extended north as well, that they had colonized Failaka around 2,000 B.C. and used as a political, economic and religious center and headquarters for shipping. This most recent series of excavations on Failaka have been ongoing for nine years.

Ancient skeleton found with tongue replaced by stone

Archaeologists studying a 3rd-4th century Romano-British skeleton unearthed in 1991 at Stanwick in Northamptonshire’s Nene river valley have discovered a unique feature: his tongue was severed and replaced with a flat, round stone. He was buried facedown, a practice believed to be a deliberate act of disrespect for the dead person, or a means of shunning the deceased to counter a perceived danger to the community. This is the first burial from the late Roman period, facedown or otherwise, discovered with a stone in place of the tongue.

Historic England, then called English Heritage, extensively excavated more than 30 hectares the Stanwick site in advance of gravel extraction from 1984 through 1992. They unearthed evidence of human occupation in the early Iron Age. There was an established settlement on the site by the late Iron Age. That developed into an agricultural village from the late 1st century A.D. to the third. The Romano-British village prospered, with increasingly complex stone buildings replacing the circular timber structures. There was a large villa built in the 4th century A.D. and it remained in use even as the rest of the village were abandoned. Bodies were buried outside the villa walls as late as the 6th century.

The eight years of excavations unearthed more than 11,000 individually documented finds, among them more than 3,500 coins, a large collection of stone sculptures believed to have come from two mausoleums, 2.5 tons of Romano-British pottery, 1,600 samples of organic materials (plant fibers, insects, pollen), 1.4 tons of animal bones, cremation burials, 112 complete or close to complete inhumation burials and eight skulls. Thirty-six of the inhumations and one of the isolated skulls were discovered in a cemetery west of the villa. There was very little material in the graves to date them. Pottery fill used in the burials ranges from the Iron Age to the 3rd-4th century which obviously doesn’t help narrow down dates. Two copper alloy bracelets found in one burial are of a type produced in the 5th century. Archaeologists concluded that the cemetery was likely in use from the 3rd to the 5th century.

It has taken decades for archaeologists to document, study and conserve all of this material, which is why they’ve only gotten to the stone tongue skeleton now. Osteological analysis found evidence of infection which supports the idea that the tongue was cut out since that kind of surgical intervention in our bacteria-infested mouths was almost certain to cause infection. The combination of facedown burial and stone might suggest the deceased was a criminal who was punished with tongue amputation.

Mays said: “There are Germanic law codes which talk about cutting people’s tongues out because they spread malicious accusations against other people. We’re looking into it at the moment, but I don’t know whether there are any Roman laws to that effect. Feedback I’ve had hasn’t indicated that there were … although that is of course still possible. We don’t know much about practices in Roman Britain as opposed to Rome itself.”

Asked how archaeologists know the tongue was amputated, Mays explained: “What gave us this idea is that there are other burials from Roman Britain where missing body parts in the grave are replaced by objects at the appropriate anatomical location. There are only about 10 of these that we’ve so far been able to identify. The great majority are decapitations, where you’ve got a stone or a pot placed where the head should be. We thought that, because of this, perhaps a stone could replace the tongue because it’s in the front part of the mouth where the tongue ought to be.” […]

He added: “The whole idea of replacing a severed body part with an object is interesting in itself. It could be an attempt to complete an incomplete body. Or it could be an attempt to replace part of a body with something obviously inanimate, like a stone or a pot, to prevent the corpse from being complete.”

17th c. letters found in Knole House attic

The original Knole House, a stately home in Kent, was a medieval manor house that in 1456 became a palace of the Archbishops of Canterbury who extensively rebuilt and expanded it. It was claimed by Crown during the Reformation; Henry VIII used it as a hunting lodge. In 1603 it was given to Thomas Sackville, 1st Earl of Dorset, Lord High Treasurer and cousin of Anne Boleyn. Sackville began a years-long program of reconstruction and refurbishment to prepare the house for a visit from King James I that never ended up happening, which is a shame because those protective witchmarks scratched into the wooden beams of the king’s rooms during construction in early 1606 went to waste. His descendants followed in his footsteps, doing extensive renovations at the end of the 17th and 18th centuries.

Over time, the family retreated into the nucleus of the house, leaving many of the grand rooms with the fabled Sackville art collection under dust covers. From a historical preservation perspective, this was a salutary choice. Modern systems were never installed in much of the house. In 1946, the Knole House was acquired by the National Trust in an unusual deal which leased most of the living rooms back to the Sackvilles. The formal rooms and the treasures they contain are now open to the visiting public.

Knole House is currently undergoing a $30 million restoration, the National Trust’s largest conservation project ever, that is repairing the timber-frame structure, documenting every single beam and opening spaces that have long been closed to the public. It’s in two of those spaces, attic rooms, that a volunteer and a contractor discovered three 17th century letters. Volunteer Jim Parker found two letters, one dated May 1603, the other October 1633, under the floorboards in the South Barracks attic. Builder Dan Morrison discovered the third, dated February 1622, in some debris in a ceiling void near the Upper King’s Room. It probably fell through the attic floor above.

After centuries in the dirt and rubble of attics, the letters needed immediate conservation. They were photographed to document their original condition and then conservators cleaned the surface using fine brushes, rubber powders and professional archival cleansers. The crumpled up pages were given a nice, relaxing sauna in a sealed humidifying chamber, after which the wrinkles were smoothed out in a paper press.

Though written at different times by different people, all three letters were written on expensive, high quality rag paper. The paper in one of the letters, the one written in 1622, was in particularly poor shape. It tore during the cleaning process and conservators had to repair the gaps with Japanese tissue paper. With a little help from infra-red imaging, most of the letter was deciphered. It’s seems to be a thank you note from some recipients of a charitable donation.

The xviijth of February 1622

[Received] by us the poore prisoners in [ILLEGIBLE] the [ILLEGIBLE]
[from the] right honourable the Earle of Middlesex our worthy [ILLEGIBLE]
[by the hands] of Mr Ayers the some of three Shillings [ILLEGIBLE]
[ILLEGIBLE] for our releefe & succour for which wee give [good]
[ILLEGIBLE] for all our good benefactors.

Richard Roger [ILLEGIBLE]

The 1633 letter is about house administration. The courteous missive asks that some pewter spoons and other domestic goods be transported from a London home to Copt Hall in Essex.

It reads:

Mr Bilby, I pray p[ro]vide to be sent too morrow in ye Cart some Greenfish, The Lights from my Lady Cranfeild[es] Cham[ber] 2 dozen of Pewter spoon[es]: one greate fireshovell for ye nursery; and ye o[t]hers which were sent to be exchanged for some of a better fashion, a new frying pan together with a note of ye prises of such Commoditie for ye rest.

Your loving friend
Robert Draper

Octobre 1633
Copthall

The Cranfields of Copt Hall had close links to the Sackvilles of Knole House. Frances Cranfield, daughter of Lionel Cranfield, 1st Baron Cranfield and Earl of Middlesex, married Richard Sackville, 5th Earl of Dorset in 1637. Extant archives record that she brought a great many large trunks and pieces of furniture with her. Trunks filled with papers were stashed in the attic. The letters could easily have gotten dislodged during the move and wound up underneath the floorboards.

A lot of the art and furnishings in the Knole collection came from the Copt Hall collection which was moved to Knole in the early 18th century, so this apparently quotidian letter about moving some stuff is a pearl of great price for the National Trust because it sheds light on an important part of Knole House’s history.

Nathalie Cohen, regional archaeologist for the National Trust, said: “It’s extremely rare to uncover letters dating back to the 17th century, let alone those that give us an insight into the management of the households of the wealthy, and the movement of items from one place to another.

“Their good condition makes this a particularly exciting discovery.”

She adds: “At Knole our typical finds relate to the maintenance of the house such as wiring and nails or things visitors have dropped such as cigarette packets and ticket stubs. These letters are significant as artefacts but also for the insights they give us into the correspondence of the early seventeenth century.”

The 1603 letter has not been deciphered yet. All three of the letters are on display in Knole’s Visitor Centre.

Last coins excavated from huge Jersey Celtic hoard

Excavation of the enormous hoard of Celtic coins discovered by metal detectorists on the Channel Island of Jersey in 2012 is finally complete. Comprised of almost 70,000 coins, multiple gold torcs, glass beads and organic materials including plant fibers, a leather bag and a bag woven with silver and gold thread, the Le Catillon II treasure is the largest Celtic coin hoard ever discovered, six times larger than the runner-up.

When Reg Mead and Richard Miles found the hoard after 30 years of searching the same field because of a story they’d heard from the previous landowners daughter, they only dug down to the surface of the mass of coins before alerting Jersey Heritage so the professionals could take over the excavation. With such a great quantity of coins corroded together, archaeologists dug the entire hoard out of the ground in a single soil block measuring 4.5 x 2.6 feet and weighing three quarters of a ton.

The block was transported to the Jersey Museum where it was painstakingly excavated in the glass-walled laboratory in full public view. The museum’s conservator Neil Mahrer worked with a team of experts and volunteers to document, recover, identify and clean every single speck of archaeological material. For the first two years, they focused on removing and cleaning 2,000 loose coins on the surface of the block. In 2014 excavation of the coin mass began. The overwhelming majority of the coins were found to date to 30-50 B.C. and were made by the Coriosolite tribe of what is now Brittany.

Here’s a timelapse video showing the recovery of objects from the block during just one week, November 21-27, 2015.

Before a coin was removed from the block it was laser scanned so its exact position was recorded, and then once it was removed it was laser scanned on its own. One small subblock of coins was not excavated. Instead, it was snugly plastic wrapped and removed whole so that future conservators armed with new technologies have a clean, original section to study.

The scanning and removal of all the rest of the hoard took a lot of time. Four years after the find and almost three years after the excavation of the soil block began, Neil Mahrer scanned and removed the last ten coins of 70,000. Because the Jersey Museum team is composed of wise and provident people with a care for our nerdly needs, they had it filmed.

Neil Mahrer, who has led the conservation project from the beginning, said: “This is a significant milestone for the team. It has been painstaking but thoroughly intriguing work, which has delivered some very unexpected and amazing finds along the way.

“There is still plenty to do and I am sure the hoard will continue to surprise us as we clean and record the material.”