Normandy acquires Charlotte Corday’s assassination manifesto

The manifesto written by the hand of Charlotte Corday justifying her assassination of Jacobin leader Jean-Paul Marat has been bought at auction by the region of Normandy, the city of Caen and the department of Calvados. It’s a good thing they were able to pool their resources to save this priceless historical record, because the autograph manuscript, estimated at 80,000 – 100,000 EUR ($92,000-108,000), blew past the high figure and sold for 215,000 EUR ($232,000). And that’s just the hammer price. The final cost with fees and taxes was 270,000 EUR ($292,000).

Born in Normandy to a penniless minor aristocratic family, Marie-Anne Charlotte de Corday d’Armont was sent to the convent of Abbaye-aux-Dames in Caen at age 13 to receive an education. She remained in the convent until she left for Paris ten years later, studying the great French authors, including Voltaire, Rousseau and her own great-great-great-grandfather, the tragedian Pierre Corneille, whom Voltaire declared the French equivalent of Homer.

Her intellectual ferment was stimulated by the heady philosophical debates of the French revolutionaries. She sided with the moderate Girondins and was spurred to action by the September Massacres on 1792 in which more than 1,000 prisoners, half of Paris’ prison population, were summarily executed out of fear they were in league with Prussian invaders. Corday held Marat’s incendiary rhetoric and his radical Montagnard faction responsible for this outrage.

Determined that killing Marat would end the orgies of revolutionary violence taking hold in France, Charlotte set out for Paris on July 9th, 1792. She bought a knife, wrote her three-page manifesto
Adresse aux Français amis des lois et de la paix (“Address to the French, friends of Law and Peace”) and sighted her quarry. On the evening of July 13th, she gained admission to Marat’s quarters by claiming she had information about a Girondist plot in Caen. She was shown into his room where he was in his sulfur bath. (His skin disease was so severe at this point that he basically never left the bath anymore.) She told him the names of the purported conspiracists and then stabbed him in the heart.

She had no intention of getting out of this alive. She knew she’d be arrested and executed for this crime and she came prepared: she had stashed the letter in her bodice. It was found during a search of her person after her arrest, but it was never entered into evidence at her trial because the prosecutor preferred to promote the politically expedient fiction that Corday was a royalist, nor did it square with the Montagnards’ insistence that Corday was but a tool of a vast Girondist conspiracy.

The last lines of her manifesto read:

My parents and friends should not be worried, no one knew my plans. I am attaching my baptismal certificate to this address to show what the weakest hand can do led by complete devotion. If I do not succeed in my enterprise, Frenchmen, I have shown you the way, you know your enemies, rise up, march and strike.

Charlotte Corday was tried, convicted and died four days after her victim, beheaded by guillotine. Her statement of purpose disappeared, reappearing at an auction in 1834. Since then it has been sold another seven times, passing from private collection to private collection. At first Normandy’s cultural heritage authorities tried to prevent this latest sale, fearing it could be acquired by a foreign buyer and leave the country. When they weren’t able to get it pulled from the auction, they chipped in with departmental and city authorities to bring this hugely significant manuscript back to Charlotte Corday’s beloved homeland.

Marie Antoinette’s poodle sells for 56 times pre-sale estimate

An 18th century portrait of a small dog believed to be Marie Antoinette’s toy poodle Pompon sold at auction on Friday for $279,400, 56 times the high pre-sale estimate of $5,000. This was totally unexpected, as several versions of this portrait exist and none of them have generated the kind of explosive interest that sparks an auction floor bidding war. Fifteen people were bidding against each other for this piece, inexplicably driving the price up into the stratosphere.

The painter was Jacques Barthélémy Delamarre who was active in Paris in the last quarter of the 18th century through the early 19th century. Very little is known about him. The only biographical information with a paper trail about him is that he was admitted to the Académie Saint-Luc, a Paris painters and sculptors guild, in 1777.

He made several versions of this dog portrait. There are differences in the grooming style, the backgrounds and the accessories in the room. One sitting on a red velvet bed sold for 11,875 euros, 10 times its very low estimate, at Sotheby’s in 2020. That same version sold for just a hair above estimate in Paris in 2021.

There is no evidence that Marie Antoinette commissioned the comparatively unknown Delamarre to paint her pooch. There’s no evidence that the portrait was even made in the dog’s lifetime, nor in the tragic queen’s. Not even the dog’s breed is certain. It has been billed variously as a Löwchen, a King Charles Cavalier spaniel and as a Bichon Frisé/Maltese.

If this is a portrait of one of Marie Antoinette’s many dogs, it was probably painted after her death as a souvenir for people with nostalgic feelings for the decapitated monarchs. That would explain why he cranked out several versions of the pup.

So the feeding frenzy for the one that just sold cannot really be explained by the quality or backstory of the painting itself. My theory is the dog looks so meme-like with his fluff-up-top, shaved-down-below style that bidders lost their minds a little.

Temple of Venus and Roma reopens

The remains of the Temple of Venus and Rome, the largest sacred building ever constructed in the Eternal City, have reopened to the public after a major restoration project funded by fashion house Maison Fendi.

The Temple of Venus and Rome was personally designed by Emperor Hadrian and constructed at his command between 121 and 137 A.D. on a high platform on the Velia hill overlooking the Colosseum. The colossus that gives the Flavian Amphitheater its name today stood on that site, originally placed there by Nero. Hadrian had it moved to a new location aside the Colosseum to make way for his massive new temple. It took 24 elephants to move the statue.

Hadrian’s innovative idea to celebrate the goddesses Venus Felix and Roma Aeterna was to build the two cellae (the sacred rooms where the statues of the goddesses sat and only the clergy were allowed) back-to-back instead of the traditional side-to-side configuration. Trajan’s famous architect Apollodorus of Damascus was not a fan, so naturally Hadrian had him killed.

Maxentius ditched Hadrian’s cella design when he rebuilt the temple after it was devastated by fire in 307 A.D. He reconstructed it with two apses covered by coffered vault roofs made of stone instead of the original wood ceilings. He also added porphyry columns to the Proconnesian marble columns in the porticoes and the grey granite columns in the peristyle.

The temple was converted into an oratory dedicated to Saints Peter and Paul in the 8th century, but most of the immense structure was destroyed by an earthquake in the 9th century. The church of Santa Maria Nova, and later Santa Francesca Romana, rose from the ruins.

Today the remains left standing on the platform are from Maxentius’ reconstruction. The porphyry columns and marble inlay floors and walls were reassembled from fragments in the 1930s. There’s also a convent and the offices of the Archaeological Park of the Colosseum integrated into the site.

The Colosseum Park has put together a great video that explains the history (narration is in Italian but captions are bilingual in English and Italian) and virtually reconstructs the enormous temple, placing it in the context of the modern city.

Ming Dynasty shipwrecks laden with porcelain, wood found in South China Sea

Two shipwrecks from the Ming Dynasty (1368-1644), one laden with thousands of pristine porcelain objects, the other with wood logs, have been discovered deep under the South China Sea. The shipwrecks were discovered last October on the northwest continental slope of the South China Sea off the coast of Hainan island at a depth of 1,500 meters (just under a mile).

With the wreck of Ship No. 1, the remains of the ship itself are mostly obscured by tens of thousands of porcelain artifacts intended for export trade. The porcelain is so dense that there are stacked and nested vessels six feet deep covering 10,000 square meters (2.5 acres). Archaeologists estimate there are more than 100,000 individual pieces. Analysis of a few of the pieces suggest they were produced during the Zhentoku era (1506-1521).

Ship No. 2 was carrying raw wood. The timbers were uniform in size and carefully stacked. Initial analysis of the wood indicates the ship was a Chinese importer bringing in wood supplies from overseas in the Meiji-Koji era (1488-1505). They were likely intended for use in ship-building.

This is the first time a ship with export cargo and one with import cargo have been found in the same area. It is evidence of how well-established and widely-frequented in both directions sea routes were along the Maritime Silk Road. The two neighboring wrecks provide researchers a unique opportunity to study two-way traffic in the South China Sea 500 years ago.

Underwater archaeology in such deep waters poses enormous logistical challenges. This month, the cultural heritage administration of Hainan Province launched a new investigation to map the shipwrecks using a state-of-the-art manned submersible and a new permanent surveying and mapping base point installed in the seabed at the wreck of the first ship. This marks a significant leap forward in deep-sea archaeology.

China’s scientific research vessel Tansuo 1, equipped with the submersible Shenhai Yongshi, or Deep Sea Warrior, took researchers underwater for the exploration on Saturday. Chen Chuanxu, a scientist at the Institute of Deep-sea Science and Engineering, said that another vessel, the Tansuo 2, equipped with the submersible Fendouzhe, or Striver, will join the mission.

Advanced technological approaches, including soft robotics inspired by bionics and material science, were employed during the operation to salvage some of the relics from the shipwreck sites. New methods of scanning, photography and monitoring were also used.

“Speaking of protection and real-time monitoring of such a large underwater site at a depth of 1,500 meters, we have no precedent in the world,” Chen said, adding that the researchers are currently trying to remotely monitor the site.

The investigation will take place over about a year. The first phase will be a thorough survey of the wrecks. The second will entail a scientific evaluation of the preservation conditions of the wrecks. The third and final phase will be determining how best to protect the wrecks going forward.

Full-size 3D reconstruction of Titanic created

The first full-sized 3D reconstruction of the wreck of Titanic has been released, showing the ship in its entirety without the distortion of the water. The view was created by stitching together more than 700,000 scans of the site taken last year by deep-sea mapping company Magellan Ltd. They used remotely operated submersibles to capture images of the ship and debris field from every angle and covering every square inch of the vast site. The scans show everything from the giant stern and bow sections to individual shoes and Champagne bottles.

Magellan’s Gerhard Seiffert, who led the planning for the expedition, said it was the largest underwater scanning project he’d ever undertaken.

“The depth of it, almost 4,000m, represents a challenge, and you have currents at the site, too – and we’re not allowed to touch anything so as not to damage the wreck,” he explained.

“And the other challenge is that you have to map every square centimetre – even uninteresting parts, like on the debris field you have to map mud, but you need this to fill in between all these interesting objects.”

The scan shows both the scale of the ship, as well as some minute details, such as the serial number on one of the propellers.

 

The wreck of Titanic was discovered in September 1985 2.5 miles under the surface of the frigid North Atlantic off the coast of Newfoundland. A team from the Woods Hole Oceanographic Institution returned to the site in July of 1986 with one manned submersible and one remotely operated vessel to film the interior and exterior of Titanic. Footage from the 1986 expedition was released for the first time earlier this year.

Since then, the wreck has been explored repeatedly by submersibles, including private adventurers, and photographed in high definition. In 2010, when a team of archaeologists and oceanographers from RMS Titanic Inc. and the Woods Hole Oceanographic Institution returned to map the two main sections of the ship and the full debris field. The inky darkness of the deep water required that all film and photography be narrowly focused on small areas of the wreck. In 2012, the centennial year of the sinking of Titanic, National Geographic published beautiful new pictures of the wreck, composites created by stitching together thousands of photographs, scans and sonar images from the 2010 expedition.