April 2013 – The History Blog

Seoul’s 14th c. South Gate restored after 2008 arson

April 30, 2013

The Namdaemun, or Great South Gate, a wooden pagoda-style gate built in 1398 to serve as the main southern entrance to the walled city of Seoul, will officially reopen on Saturday, May 4th, after five years of painstaking restoration following a devastating fire.

On 8:40 PM on Sunday, February 10th, 2008, a man climbed a ladder to the second floor of the gate, poured paint thinner on the floor and set it on fire with a disposable lighter. He quickly climbed back down and fled, leaving behind unused bottles of paint thinner, a backpack, disposable lighters and the ladder. Firefighters were on the scene promptly, but there was some confusion about whether the fire was still burning and the Cultural Heritage Administration had warned the crews to proceed with caution so as not to damage the ancient structure. When the conflagration blew up again, it was too large to put out immediately. By the end of the five hour battle to put out the blaze, the gate had collapsed and was a smoldering pile of wreckage.

A suspect was apprehended the next day. A search of his home found a can of paint thinner and leather gloves used in the arson and he confessed immediately, pleading the public’s forgiveness. Apparently he destroyed this ancient and beautiful monument because he was mad at the government for ignoring a petition he filed complaining that property developers had not paid him proper compensation for land that had been expropriated to build an apartment complex. A four page screed on the topic was also found at his home by police.

He was 69 when he committed this crime, hardly an impetuous youth, and it wasn’t the first he set fire to a historical monument. He was convicted in April of 2006 for setting a fire that burned down part of UNESCO World Heritage site Changgyeong Palace in Seoul. In an example of justice gone very wrong indeed, he was given a suspended 18-month jail sentence and a fine of a few thousand dollars. He was convicted of the arson of Namdaemun in October of 2008. The law learned too late from its mistake, but at least this time he got 10 years in jail, none of them suspended. Let’s hope he’s too old to climb ladders when he gets out.

The destruction of the Namdaemun, officially named Sungnyemun, or The Gate of Exalted Ceremonies, was a devastating blow to the country. Seoul has lost a great many of its historic monuments to modernization, occupation and war. This ancient gate, one of four built along the walls protecting Seoul just six years after the city became the capital of the then-new Joseon Dynasty (1392 -1910), was the oldest wooden structure in the city. It was given the formal designation of National Treasure Number One in 1962 during a previous restoration to repair damage from the Korean War (1950-1953) and the Japanese Occupation (1910-1945). It was only opened to the public for the first time since the occupation in 2006.

As horrific as the devastation was, there was still a fair amount of recoverable material from the site, enough to support a restoration. Authorities thankfully had made detailed architectural plans 182 pages long of the gate before opening it to the public in 2006, so restorers had accurate measurements and construction details to go on. However, given the opportunity to start from scratch, the government decided to restore the gate to its original form, rebuilding walls destroyed by the Japanese during the occupation and using only traditional construction methods. Instead of the modern paint and tiles employed during the restoration of the 1960s, this restoration would use only hand-made roof tiles fired in traditional kilns and natural paints, which had to be imported from Japan because there are no traditional paint manufacturers left in Korea, for the dancheong, the gloriously colorful decorative painting. Carpenters and stonemasons would use no power tools. It was hammers and chisels all the way.

Before the first hammer could strike, historians spent two years researching how the gate had looked originally. Surviving workers from the 1961 restoration were consulted for their memories of what had been changed. Craftsmen worked painstakingly to salvage every last part of the burned structure. Bent nails were heated and straightened one at a time at a rate of 50 to 70 a day. One team identified and tagged each piece of burned wood using radio frequency identification to find whatever could be reused and to collect more information about how they had once been put together. They recovered an incredible total of more than 60,000 original wooden pieces to reuse during the restoration. The 68 stone animals on the roof were pieced back together from fragments.

What could not be reused was recreated using materials as close to the original as possible. Pine wood from old growth trees, very rare in Korea today, was located so there would be time to fell the trees and cure them properly before using them. People flocked to donate pines from their property, so many that experts had their pick of the most noble pines left in the country. They ultimately chose 167 trees from 12 locations, including 20 trees from the Jungyeong Tomb in the city of Samcheok, the source of the pines used by the royal family during the Joseon Period. The total weight tally for the project was 26 tons of pinewood.

The roof tiles were almost obliterated by the fire, but 95% of them were factory-made versions installed during the 1961 restoration. All 23,369 of the new clay roof tiles were produced using traditional methods which result in a lighter weight, unique tile. This was no mean feat. According to traditional tile maker Han Hyung-joon of Jaewajang, who bears the outstanding title of Intangible Cultural Asset No. 91, there are only three kilns left in South Korea that produce traditional tiles. Making thousands and then shipping them to Seoul was tricky because the tiles can easily be cracked by temperature changes and damaged during transportation.

Master carpenter Shin Eung-soo (71) led the project, overseeing a team of 1,000 top woodworkers, stonemasons, blacksmiths and other craftsmen who had to work as their ancestors had. Even the tools themselves required research to find.

Lee Eui-sang, a 72-year-old mason who participated in the project, said the government’s plan to restore Sungnyemun in a traditional way perplexed him at first.

“I didn’t know what to do because all the tools used by the nation’s traditional masons disappeared in the middle of 1970s,” he said. So, he had to travel around the country in search of old tools.

“The past three years that I participated in the Sungnyemun restoration project were the most unforgettable experiences in my 55 years as a mason,” he said.

The project was initially estimated to take three years to complete at a cost of $21 million. It took five years and $24.4 million, which really is impressively close to the estimate considering the kind of detailed handcrafting that went into recreating the gate in all its glory.

On Saturday the gate will be reopened with a traditional cheondo ceremony to eliminate all bad luck and with a performance of traditional folk Korean folk song Arirang. The signboard on the front of the gate, repaired from surviving pieces of the old tablet with some new patching and now covered by a tarp, will be unveiled. Given the revival of traditional customs that this restoration has engendered, it’s eminently fitting that the reopening should feature the same ceremonies traditionally used to inaugurate new homes.

Slice of ancient Thessaloniki to remain in situ

April 29, 2013

Ancient, Modern(ish), Social policy

A section of ancient Thessaloniki discovered during subway construction in 2006 and threatened with removal to accommodate the state company in charge of building the rail will remain in place where it was found. This is a big turn-around from four months ago when the ancient remains were slated to be moved far out of the way to make station construction easier.

In January, the Central Archaeological Council acceded to demands from the Attiko Metro company and decreed that the antiquities unearthed at the site of the future Venizelos subway station would be removed in their entirety to the Pavlos Melas camp in western Thessaloniki. Attiko Metro said it was not technically feasible to conserve the remains properly and build the station around them, and the General Director of Public Works supported them, as did the Deputy Minister of Education, Religious Affairs, Culture and Sports. The subway line is already four years behind schedule thanks to the excavation and the implosion of Greece’s finances; the government feared further delays might endanger the entire project.

Archaeological organizations responded to the ministerial decree with swift and public outrage. Polyxeni Veleni, the Director of the 16th Ephorate of Prehistoric and Classical Antiquities, described it poetically: “It is our Parthenon. Would you like to see Parthenon on Mount Taygetus?” (That’s a mountain on the south Peloponnese between Sparta and Kalamata, about 100 miles southwest of Athens.) The municipal leaders of Thessaloniki agreed. The city already lost much of its ancient history to hasty development after World War II, and thus the second most important city in the Byzantine Empire after Constantinople has little of its illustrious past to show for it.

This discovery is a window into that history, and it’s not the kind of find that can be dug up and shipped to a museum. It’s like a core sample of the city, a large section that preserves 83 yards of the 3rd century A.D. Roman marble-paved main street built over the Greek one from 300 B.C. that passed through the center of the city, the remains of buildings, columns, foundations from the 6th through the 9th centuries A.D., a monumental Roman-era gate and pieces of large public buildings from the 7th century that are rare finds anywhere in the Byzantine world.

This was the heart of the city, the crossroads that the main public buildings, smaller retail structures and the public market clustered around for centuries. The daily life of Thessalonians is literally inscribed into the stone. The marble slabs of the road are marked by wheel ruts from years of cart travel and some of them have children’s board games etched into the surface, a kind of permanent hopscotch pitch.

The headlines are calling it Thessaloniki’s Pompeii because apparently any extensive ruin of an ancient city is a Pompeii now, but what’s great about this discovery is not that it’s frozen in time, but rather an illustration of many phases the city went through from ancient Greece, to Roman rule to Byzantine and up to the present considering that the modern Egnatia street up top follows the path of the Roman decumanus below. Then there are the artifacts:

Working ahead of the rail construction drills, archaeologists have recovered over 100,000 objects in the area, including over 50,000 coins.

Vessels, lamps, vials and jewels of various types have also been found — in keeping with the area’s trading character — in addition to 2,500 graves of Hellenistic and Roman times.

Removing 2,500 graves and monument chunks of road, gate and building foundations seems a lot less technically feasible to me than leaving them where they are. The municipal council and the local university submitted alternate plans that would keep 84% of the discoveries (all of the big stuff, basically) in place and ultimately Attiko Metro acquiesced to the new plan. The rail station will be built around the chunk of ancient Thessaloniki giving tourists a fascinating and conveniently located new attraction.

First images of Native Americans in Vatican fresco?

April 28, 2013

Museums, Renaissance

A new restoration of Resurrection, a fresco by Renaissance master Pinturicchio in the Vatican’s Borgia Apartment, has revealed what may the first images of Native Americans in European art. After cleaning the fresco, art restorer Maria Pustka found that some previously indistinct, distant figures in the middle of the composition beneath the risen Christ and a Roman soldier looking up in awe are nude males wearing feather headdresses whose postures suggest they are dancing. Since Pinturicchio painted Pope Alexander VI’s suite of rooms between 1492 and 1494, these could well be the artist’s vision of the friendly naked natives bedecked in parrots that Columbus described upon his return from the first voyage.

Vatican Museums Director Antonio Paolucci posits in an article in the Vatican newspaper L’Osservatore Romano that perhaps the Borgia Pope got his hands on a copy of the diary Columbus kept on his first voyage. According to Paolucci, Columbus gave this journal to their Most Catholic Majesties King Ferdinand and Queen Isabella who tried to keep it quiet for political reasons but since the pope was Spanish, he probably heard about it anyway.

I think he’s confusing Columbus’ journal, later edited by Bartolomé de las Casas but not published until 1825, with a letter Columbus wrote about the new islands in Southeast Asia he thought he’d discovered. It wasn’t a secret, though. It was an international sensation.

While still on board the Niña as it approached the Iberian peninsula in mid-February, Columbus wrote the letter to Ferdinand and Isabella reporting his findings. Either when he landed in Lisbon on March 4th or the harbour of Palos on March 15, 1493, Columbus sent the letter to the king and queen and a copy to Luis de Santangel, Ferdinand II’s finance minister who had raised all the money for the voyage and convinced their majesties to approve of Columbus’ plan. He may also have sent a third to Gabriel Sanchez, Treasurer of Aragon; there’s a fair amount of confusion about the recipients and the sources of the copies.

Although there is some evidence that the King and Queen weren’t keen to have the letter get out — no copies of their majesties’ letter were ever published — by early April, a printed copy the Santangel letter was published in Spain. In May, a Latin translation was circulating in Rome, and the Latin version spread to cities all over Europe within weeks. It had already been set to Italian verse by June, 1493. You can read an English translation here.

Pope Alexander VI certainly saw the Latin version of the letter in Rome, and in any case by then he was fully versed in the discovery because he had to arbitrate between Portugal and Spain on the question of who got to claim the New World. Portugal asserted that the new territories belonged to the Portuguese crown, despite the fact that Spanish ships had made the discovery, because previous papal bulls had granted Portugal extremely broad rights to any dominions populated by non-Christians. Romanus Pontifex, for example, issued in 1455 by Pope Nicholas V, stipulated that the King Alfonso and his heirs had exclusive dominion over all lands and seas “though situated in the remotest parts unknown to us, and subject them to their own temporal dominion” and that no other power, ecclesiastical or temporal, may interfere with this great Christianizing conquest in any way.

Ferdinand and Isabella accepted the previous bulls, but asked Pope Alexander VI to review the question. The pope was Valencian now, so they figured, correctly as it happened, that they might just pull a rabbit out of a hat, or rather a rich new colony out of a mitre. Diplomatic negotiations between Portugal and Spain began in April. Meanwhile, the Pope got to work busily on crafting a new bull. Inter Caetera was issued on May 4, 1493, superseding three edicts issued that same day and the day before. Dudum Siquidem, which resolved some of the issues Inter Caetera had left open, was issued September 26th, 1493.

All of this was going down while Pinturicchio and his assistants lavishly frescoed the Pope’s apartment. Resurrection was painted on the wall of the Hall of Mysteries, one of three rooms in the apartment that were Alexander VI’s personal living space. The pope himself is portrayed prominently in the painting, on his knees, hands joined in prayer, before Christ’s resurrected golden glory. Considering how the Pope spent a great deal of 1493 dealing with the ramifications of Columbus’ discovery, and how all these political issues were framed in terms of who should get to convert the newly-found pagans to Christianity, it makes sense that they would make a cameo in this fresco.

After Alexander VI’s death in 1503, the apartment was closed by his successor Pope Pius III. Neither he nor anyone else for a few centuries wanted to be associated with the scandalous Borgia papacy, so the rooms with their gorgeous frescoes were sealed off for almost 400 years. Pope Leo XII finally opened them in 1889. Their years of disuse had kept the rooms in good condition and kept subsequent popes with bad taste from messing with the frescoes. The rooms are now part of the Vatican Library. Since 1973, they’ve housed the Vatican Collection of Modern Religious Art, a collection of more than 600 donated works by the likes of Chagall, Kandinsky and Gaugin.

Pinault to return bronze rat, rabbit heads to China

April 27, 2013

Looting, Modern(ish)

The vicissitudes of the bronze rat and rabbit heads looted from the Summer Palace by Anglo-French troops in 1860 and offered for sale at the epic Yves Saint Laurent and Pierre Bergé auction in February 2009 will come to an unexpected end later this year with their repatriation to China. François-Henri Pinault, husband of Salma Hayek and billionaire CEO of Kering, the holding company that owns such luxury brands as Gucci, Saint Laurent Paris and, not coincidentally, Christie’s, agreed to return the bronze sculptures during a diplomatic visit to China where he was one of a phalanx of businessmen accompanying French President François Hollande.

There’s no precise date for the handover, but Pinault said it would be done in the second half of the year. The rat and rabbit will be given as a gift to China from the Pinault family, he took pains to stress, so as to avoid any appearance that this was an official decision by Christie’s corporate overlords.

The 2009 auction of the heads was highly controversial. The rat and rabbit were once part of a clepsydra (a water clock) in the garden of the Old Summer Palace near Beijing. Heads of the twelve animals of the Chinese zodiac mounted on human bodies served as water spouts, each head spouting water for a designated two-hour period. Designed by an Italian Jesuit missionary, Giuseppe Castiglione, who took the name Lang Shining and became an important painter and artist at the court of Qianlong Emperor (1736-1795), this section of the palace and gardens blended Western and Chinese styles. The fountain clock adorned the entrance to the Hall of Calm Seas (Haiyantang) palace, built in 1759, which was a masonry palace inspired by the Grand Trianon at Versailles.

By the time of Qianlong Emperor’s death, the European art and architecture trend in China was passé. In 1795, the pipeworks were melted down so it no longer functioned as clock or fountain, but the external design was untouched; the heads and every other visible part of it remained in place. That would end in 1860 courtesy of the Second Opium War.

On September 29, 1860, two envoys from the French and British expeditionary forces and their escort, who were in the town of Tung-Chow outside Beijing to negotiate a truce, were imprisoned and tortured. Apparently there had been some sort of scuffle between a French officer and some Chinese soldiers, and General Sang-ko-lin-sin ordered the whole Anglo-French party arrested. Although the two envoys and 14 of their escort survived, 20 died in a most brutal fashion.

The British and French were furious. The envoys had been under a flag of truce, so arresting and savaging them was a violation of custom and law. They saw it as a form of extortion, an attempt by the Chinese to strengthen their negotiating position by kidnapping. If it was, it backfired dramatically.

In retaliation, and to deter any future notions of kidnap and torture as negotiating tools, the British High Commissioner to China, also eighth Lord Elgin and the son of the despoiler of the Parthenon marbles, ordered that the Summer Palace be destroyed. The complex was by then populated only by a handful of eunuchs and servants and although there were Imperial troops in the environs, they weren’t about to rush in to protect the old pile. Foreign troops had already begun to loot it before the envoys were released; Elgin took it to a whole new level, saying, “What remains of the Palace, which appears to be the place at which several of the British captives were subjected to the grossest indignities, will be immediately levelled to the ground.”

Charles George Gordon, who would later become a famous martyr of British imperialism after his beheading in the Siege of Khartoum, was there as a 27-year-old volunteer with the Royal Engineers. He had just arrived in China in September and was among the troops dispatched by Elgin to do the deed. In a letter home, he described the destruction of the palace:

“We accordingly went out, and after pillaging it, burned the whole place, destroying, in a vandal-like manner, most valuable property, which could not be replaced for four millions. We got upward of £48 apiece prize money…I have done well. The people are very civil, but I think the grandees hate us, as they must after what we did the Palace. You would scarcely imagine the beauty and magnificence of the places we burnt. It made one’s heart sore to burn them; in fact, these palaces were so large, and we were so pressed for time, that we could not plunder them carefully. Quantities of gold ornaments were burned, considered as brass. It was wretchedly demoralising work for an army. Everybody was wild for plunder.”

The grandees definitely hated them, and the people weren’t exactly fans either. They still harbor massive resentment over these events, and the destruction of the Summer Palace has become a symbol of how European powers despoiled and humiliated China. Today what’s left of the palace is a heritage park, and Chinese buyers public and private have spent tens of millions of dollars at auctions attempting to reclaim the bronze zodiac heads and the national pride they represent. The state-owned Poly Group purchased the ox (Christie’s, 2000, $78.98 million), tiger (Sotheby’s, 2000, $35.98 million) and monkey (Christie’s, 2000, $1.03 million) and put them on display in the Poly Art Museum. Macau and Hong Kong casino billionaire Stanley Ho bought the boar (Sotheby’s, 1987, $770,000) and donated it to the Poly Art Museum. In 2007, he bought the horse for $8.9 million from a Taiwanese collector who had bought it from Sotheby’s London in 1989 for $400,000. He donated that one to the Capital Museum in Beijing.

There are only two other heads known to have survived: the rat and rabbit. The remaining five — dragon, dog, snake, sheep and rooster — have never surfaced on the market or been published or publicly acknowledged in any way. That’s not to say they aren’t out there somewhere, but if they did make it, they’re deep undercover.

This is why when the last two bronze heads were put up for auction, there was an immediate hue and cry. The Chinese government lodged a protest. A group of Chinese lawyers attempted to halt the sale but had no legal grounds since the pieces have been circulating on the market since they were pillaged. Pierre Bergé, Yves Saint Laurent’s longtime companion and owner of the incredible collection that ultimately sold for almost half a billion dollars, offered to give them to China free of charge if China agreed to “give in return human rights, the liberation of Tibet, and a welcome for the Dalai Lama.” China, needless to say, was not amused and chose to decline the offer.

The auction went ahead and the rat and rabbit ostensibly sold for $20 million apiece to a phone buyer. That buyer soon revealed himself to be Cai Mingchao, a Chinese collector and auctioneer who had no intention of paying for the pieces. It was a protest purchase and he insisted the bronzes should be given to China on moral principle.

I thought at the time that Christie’s would contact the runner-up and sell it for the next highest bid, but apparently Bergé just decided to keep them. At some point between the auction’s end and today, Pinault apparently bought the rat and rabbit heads. There are no specifics on when he purchased them or how this was transacted.

We do know that China immediately hit Christie’s with sanctions, drowning them in complex paperwork requirements that in addition to choking sales also made it clear to Chinese buyers that the government was not pleased with Christie’s, so it would probably be best to avoid them if you wanted to stay in its good graces.

Today, however, relations are much thawed. Downright toasty, in fact, seeing as Christie’s was granted a license earlier this month allowing it to operate independently on the Chinese mainland, the first international auction house so honored. Pinault himself is also deeply involved in doing business in China, which is flush with new money and a taste for the luxury and retail brands Kering owns. I wonder if he called up Bergé a month ago and threw him a few tens of millions of dollars to secure the sweetest of hostess gifts in time for his trip to China.

And thus a hope expressed by Victor Hugo in November of 1861 (pdf) has come to pass.

One day two bandits entered the Summer Palace. One plundered, the other burned. […] All the treasures of all our cathedrals put together could not equal this formidable and splendid museum of the Orient. It contained not only masterpieces of art, but masses of jewelry. What a great exploit, what a windfall! One of the two victors filled his pockets; when the other saw this he filled his coffers. And back they came to Europe, arm in arm, laughing away. Such is the story of the two bandits.[…]

Before history, one of the two bandits will be called France; the other will be called England. […]

The French empire has pocketed half of this victory, and today with a kind of proprietorial naivety it displays the splendid bric-à-brac of the Summer Palace. I hope that a day will come when France, delivered and cleansed, will return this booty to despoiled China.

Medieval skeleton bonanza under Edinburgh car park

April 26, 2013

Medieval

Archaeologists excavating an Edinburgh parking lot destined to become the site of a rainwater catchment tank keep running into medieval skeletons. The first one discovered in March was a dramatic find: a knight with a richly carved sandstone slab marking his high rank and likely profession. This was just a month after the Richard III announcement, so there were much exclamation about how UK parking lots are apparently a rich vein of medieval warrior remains.

At least two other skeletons were found at the time, but they were overshadowed by the knight and his fancy accessories. Now archaeologists have announced that seven more complete skeletons and one partial have been found under the same parking lot. There are three adults, four infants and a solitary skull. Just beneath the knight’s burial is a skeleton which appears to be that of an adult female. Just to the right of the knight’s sandstone slab are the remains of an infant. Their proximity to the knight may indicate a close familial relationship.

This brings the total number burials under this car park to at least ten. All of the bones were found within the perimeter established by an ancient wall, perhaps the wall of a family crypt. Radiocarbon dating is still ongoing, but archaeologists have dated the carving style of the slab to the 13th century.

That’s in keeping with the history of the site. A monastery was built there in the 13th century. Blackfriars Monastery was founded in 1230 by King Alexander II of Scotland. Much like the Greyfriars monastery under that other parking lot in Leicester, it was destroyed by a mob during the Reformation (John Knox’s rather than Henry VIII’s, though) and the exact location was lost. When archaeologists began the excavation, they expected to find monastery remains somewhere in the area, and it seems they landed right on them.

It was the sandstone slab which marked the spot. Archaeologists first encountered the corner of it and then unearthed the full piece. Carved on its surface are a Calvary Cross — a Latin cross mounted on three steps representing the hill on which Jesus was crucified — and a broadsword. In heraldic terms, the three steps of the Calvary Cross symbolize the three Christian graces (faith, hope, charity) and its use is often linked to the bearer having erected a cross in Rome or taken up arms in a crusade.

The head of the cross is not your standard horizontal bar. The arm-ends appear to be fleurs-de-lis, which are not only lovely floral motifs representing purity but also have the barbed looked of fighting spears. The flowers are linked in the middle by a diamond shape and enclosed by a circle. Fleur-de-lis crosses became popular in the Middle Ages as replacements for the traditional Celtic Crosses which often had round halos embracing the crossing point.

This unusual cross and its companion sword strongly suggest the grave of a fighting man of high status. Osteological analysis has not been completed yet, but Ross Murray, project officer for contract firm Headland Archaeology, notes that the skeleton was that of a strong, healthy, well-built man about six feet tall, a particularly impressive height in the 13th century. His height, powerful build and good teeth were the product of a consistently good diet from an early age.

The location of the burial also underscores his social importance. Archaeologists are still unsure of the layout of the monastery, but it’s possible that he and the rest of the group were buried inside the walls of the building rather than in an outdoor graveyard. The closer the burial to the church, the wealthier and more influential the person. That slab was meant to be seen and it doesn’t look very weathered to me, so I wouldn’t be surprised at all if it were an indoor grave.

The remains of a later building have also been found on the site. Royal High School was built there in 1578. It was demolished in 1774 to make way for a larger facility, Old High School, which was built in 1777. Sir Walter Scott and James Pillans, inventor of the blackboard, went to school there. The excavation area is known as High School Yards because the parking lot was once part of Old High School’s yard.

All of the human remains will be fully excavated, examined by osteoarchaeologists and then reburied in a respectful manner. The architectural remains will be preserved in situ, I’m glad to report. According to Richard Lewis of the Edinburgh City Council, the remains of Blackfriars Monastery and Royal High School will be left on the site as artifacts of national significance which would be destroyed should they be removed.

The Old High School building was purchased by the University of Edinburgh in 1905 to house various disciplines. In 1995 it housed the Department of Archaeology which Ross Murray attended. He fondly recalls hanging out in the High School Yards area during breaks between classes, just a few steps away from where he would find a wealth of medieval remains.

The building is being renovated at the highest green standards and will become the Edinburgh Centre for Carbon Innovation, dedicated to researching and inventing new, sustainable low carbon technologies. Hence the rainwater catchment system which will apparently still be installed but without interfering with the structural remains.