Roman coin hoard with name on pot found in Sofia

Archaeologists excavating Sveta Nedelya square in Sofia, Bulgaria, have discovered a hoard of 2,976 Roman coins in a clay pot with a lid. It’s the largest Roman coin hoard ever found in Sofia, but that’s not the only exceptional thing about this find: the clay pot has a name scratched on its side. The vessel contains 2976 silver denarii from the 1st and 2nd centuries, the earliest from the reign of the Emperor Vespasian (69-79) and the latest from the reign of Emperor Commodus (177-192). There are coins bearing the faces of every Antonine emperor — Nerva, Trajan, Hadrian, Antoninus Pius — and their wives, daughters and sisters — Sabina, Faustina the Elder, Faustina the Younger, Bruttia Crispina and Lucilla.

It was hidden under the floor of an ancient public building and we know who buried it, one Selvius Callistus who had the presence of mind to scratch his name on the pot perhaps to prove ownership should it be disputed when he returned to collect his treasure. Unfortunately these tiny photographs are the only ones I could find and they don’t show the name. Usually that would be a deal-breaker for me — I discard potential stories all the time if there are no good pictures — but I’ve written about a great many coin hoard finds and this is the first one with a name carved on the vessel.

EDIT: Still no shots of the name, but here are some decently sized pictures of the find courtesy of Sofia Mayor Yordanka Fandakova’s Facebook page. Now that I can see them properly, the coins soaking in that blue solution give me the willies. They’re all scrunched together in the foot of what looks like a trifle bowl. Surely cleaning them one at a time, or at least in a tray where they aren’t rubbing against each other, would be more appropriate treatment for 2,000-year-old coins.


Founded by the Thracian Serdi tribe in the 8th century B.C., the city that would become Sofia was called Serdica. It was conquered by the Romans in 29 B.C. who renamed it Ulpia Serdica. Thanks to its location just south of the Danube frontier at the crossroads of several trade routes, the city grew to prominence within the empire. When Diocletian divided the province of Dacia Aureliana into two parts at the end of the 3rd century A.D., Serdica was awarded the status of municipium, the administrative center/capital of the new province of Dacia Mediterranea.

For a short time between 303 and 308 A.D., Serdica had its own imperial mint. The Thessalonica mint had been shut down and its employees moved to Serdica to operate the new mint. Although it was only in operation for five years, the Serdica mint was important while it lasted. Coins struck there bear the mintmark “SM” for sacra moneta (sacred money or mint) which means it was one of very few mints where gold solidi were produced. Most mints struck regular coinage marked “MP” or moneta publica.

The city prospered under Roman rule, even as the Goths and Capri devastated the former Roman province of Dacia north of the Danube (modern-day Romania) in the 3rd century. It was razed by the Huns under Atilla in 447 A.D. during his second campaign against Theodosius and the Easter Roman Empire but was rebuilt a century later by Byzantine emperor Justinian I. In 550, Justinian’s cousin Germanus was based in Serdica where he was assembling an army to wrest Italy from Gothic control. Before he could leave, he had to fight the invading Slavs. The Battle of Serdica was a great victory for the Byzantine Empire, although it only delayed the inevitable a little while.

The hoard and vessel are currently being conserved at the Bulgarian Academy of Sciences’ National Institute of Archaeology. They are expected to go on public display on September 17th at the official reopening of the Sofia History Museum in its new location, the restored Central Mineral Baths, a beautiful Vienna Secession style building constructed in the first decade of the 20th century which was a municipal bathhouse until 1986 when it fell into disrepair and was closed out of concern that the roof might collapse on bathers.

Drought turns Vistula into archaeological dig

Another summer of severe drought has dropped the water level of Poland’s Vistula river to just 16 inches, creating what is basically a vast archaeological buffet table through the middle of Warsaw. Three years ago when the Vistula was 24 inches deep it was already the lowest level since recording began in 1789, and archaeologists were able to recover a trove of marble and alabaster architectural features looted from the city’s Royal Castle by Swedish invaders in 1656. More pieces of the Royal Castle are being recovered now, but that’s not all.

Other items to emerge from the Vistula this summer include pieces of bridges and boats, as well as ceramic objects dating as far back as 700 to 400 BC.

They include obelisks and bases of columns that likely came from Warsaw’s Kazimierz Palace, which was built in the 17th century and is today a Warsaw University building.

Last week archaeologists were able to recover pieces of two destroyed bridges. One of them is the Poninski Bridge, a wooden pontoon bridge built in 1775 that was supported by a line of 43 boats spanning the river. It was burned on November 4th, 1794, on the orders of Thomas Wawrzecki, leader of the Kosciuszko Uprising against Russian occupation. (Its leader and namesake, American Revolutionary War hero Thaddeus Kosciuszko, had been captured and imprisoned by the Russians a month earlier.) The Russians had just broken the Polish lines on the outskirts of Warsaw and massacred 20,000 civilians in the suburb of Praga. Wawrzecki hoped that disabling the bridge would keep them reaching the left bank of the Vistula and taking Warsaw proper.

The tactic failed. Wawrzecki and what was left of Poland’s army retreated and Russia took Warsaw unopposed. Russian General Aleksandr Suvorov had the bridge temporarily repaired a few days later. Poninski Bridge was fully repaired by April of 1795 only to be destroyed again in November of 1806 by the allied Prussian and Russian forces retreating from Napoleon’s army.

The other bridge is the Poniatowski Bridge, originally built between 1904 and 1914. Just a year after it was completed, the bridge was severely damaged when the retreating Russian army exploded four of its eight spans to hamper the German army on its heels. It was reconstructed in the interwar period only to get blown up again this time by Nazis during the Warsaw Uprising on 13 September 1944. The Germans went ahead and blew up all eight spans, leaving only the piers still standing. Archaeologists have retrieved parts of the stone benches that were once on the bridge.

Two weeks ago the wreck of a Soviet bomber was unearthed from the black muck of the Bzura River, a tributary of the Vistula. The wreckage was moved to the Vistula River Museum in nearby Wyszogrod. The instrument panel, engine, one wheel from the landing gear and radio equipment were recovered, the radio in good condition. Inside they found fragments of a uniform, a parachute, a sheepskin coat collar from a bomber jacket, fragments of boots, heavy ammunition and a Soviet semi-automatic TT pistol.

While the plane was too twisted and torn by the crash for the model to be identified, based on the winter gear and some of the markings on the plane, museum experts believe it may be a bomber witnesses saw shot down in January of 1945, when the Red Army was pushing the Nazis back towards Berlin. The Russian Embassy believes the bomber and its crew might be identified from numbers on what’s left of the plane. Remains of the pilots were found and the embassy hopes they can be identified for proper burial.

The lowering Vistula continues to reveal Jewish tombstones thought to have been stolen from the Brodno cemetery during and right after World War II and used to line the banks of the river. Another artifact found may also be connected to the horrors of the Warsaw Ghetto. It’s a freight wagon of German manufacture that historians believe was used to transport rubble from the Northern District of Warsaw which was razed after the suppression of the Warsaw Ghetto Uprising.

Ventnor artifacts seek owner

On October 27th, 1902, the steamer SS Ventnor left Wellington, New Zealand, carrying the mortal remains of 499 Chinese miners. It was taking them to Hong Kong where they would be transported to China’s southern Guangdong province, the birthplace of the 499 dead, so the remains could be reburied in their native soil in accordance with Chinese custom. New Zealand had recruited Chinese labourers to extract gold from mines that Europeans had already worked to near exhaustion, and despite the passage of draconian exclusion laws, the Chinese community grew. Choie Sew Hoy, a wealthy Dunedin merchant and leader of the Cheong Sing Tong, arranged for the repatriation of the bodies and when he died suddenly a year before the ship’s departure, his remains joined the others on board the SS Ventnor.

A day after its departure, the ship struck the shoals near the coast of Taranaki and was damaged but seemed to be capable of limping its way to Auckland. It was not. The Ventnor took on water and sank on October 29th. The crew and a half-dozen Chinese passengers tending to the remains managed to scramble onto four life boats. One of the four capsized killing all 13 people on board, including the captain and third officer.

The tragedy caused great distress in the Chinese community of New Zealand and in Guangdong. Choie Sew Hoy’s family offered a reward of $25,000 for the recovery of his remains, but the heavy coffins held in the cargo of the ship could not be retrieved. The Tong hired another steamer that searched for remains without success. A few coffins stored on deck did float ashore where the remains were buried with respect by the Maori of the Te Roroa and Te Rarawa tribes.

While the general area of the wreck was known, the precise location of the ship wasn’t discovered until 110 years after it sank. The Ventnor Project Group (VPG) found the wreck 15 kilometers (nine miles) off the Hokianga Coast with sonar in 2012 and later divers confirmed its identity. In April of 2014, divers returned to the wreck and recovered a few artifacts: a ceramic plate, the ship’s bell, a lamp holder, a porthole and the ship’s telegraph. At the time, the organization thought the artifacts could be given to a museum in Guangzhou, but the New Zealand Chinese Association (NZCA) was vocally opposed to the idea because of how significant they were to the Chinese community in New Zealand.

The NZCA was also concerned that the wreck site was in danger from looters, so it worked with New Zealand Heritage to fast-track protection of the site. All sites from before 1900 are automatically accorded protected status, but the Ventnor was just outside that dividing line. New Zealand Heritage quickly gazetted the site, protecting it under the provisions of the Historic Places Act 1993, making it illegal for anyone to interfere with the wreck in any way.

Now the question is what to do with the artifacts removed from the shipwreck before it was protected. On Monday New Zealand’s Ministry of Culture and Heritage published a notice on their website and in newspapers asking that claims of ownership be submitted to the ministry.

New Zealand’s Ministry for Culture and Heritage invites submissions of claims for ownership and/or possession from parties who may have an interest in some or all of the objects. We also invite submissions from parties who are not claiming ownership and/or possession but who wish to make submissions for consideration regarding the future care of the objects whether by them or by another party. Submissions should be received by the Ministry for Culture and Heritage by 23 November 2015.

It seems to me that the only people with a legitimate ownership claim to pieces of the Ventnor would be the owners of the ship, but as far as I could find, the Glasgow-based shipping company is no longer in business. Perhaps it has legal corporate descendants. Even so, I doubt they’d want to take an old porthole out of the context where it has such profound meaning. The NZCA plans to make a submission to the ministry with the goal of creating a traveling exhibition. The government reserves the right to make a claim as well. Once the claims have been submitted and the deadline expires, the Chief Executive of the Ministry for Culture and Heritage will decide who gets custody of the artifacts.

Scottish soldiers found in Durham mass grave

In November of 2013, construction crews building a new coffee shop for Durham University’s Palace Green Library came across human skeletal remains. Construction was halted immediately and an archaeological excavation ensued. Under an internal courtyard at the south end of the site, archaeologists unearthed a jumble of bones, the remains of more than a dozen people who had been buried in two pits. The mass graves extend north, south and east past the excavated area under buildings and walls and only the area directly impacted by construction was excavated so there are likely many more human remains still underground. The bones in the path of construction were removed for study before reburial.

University researchers found that there were at least 17 individuals and as many as 29 buried in the pits. Because they had been buried with little care, the skeletons were disarticulated and it wasn’t possible to identify the exact number. Most of them ranged in age from 13 to 25 with a few older individuals. All the adults were male and the adolescents probably were as well but their sex could not be conclusively determined. The sex and age indicate these individuals were soldiers. If they had been general population struck by plague, say, there would have been a representative proportion of men, women, children and elderly. (They also probably wouldn’t have been buried in the city center on the castle grounds.)

Stable isotope analysis from tooth enamel revealed that six of the deceased were likely from Scotland, four from Scotland or Northern England, one more likely to be Scottish than English and three who were not from the British Isles. They grew up further east, in a cooler climate or a higher altitude; they may have been German or Dutch. Two of the men had crescent-shaped notches in the teeth called “pipe facets” caused by habitual biting on the stems of clay pipes.

That’s a key date marker because clay pipe smoking became popular in Britain in the early 17th century, so the bodies can’t have been buried before 1620. A building was constructed over some of the mass grave in 1754 which narrows the date further. Radiocarbon testing dates the remains to 1625-1660. That range is mighty suggestive. There was a civil war going on in Britain in the middle of those dates, after all.

Durham University experts believe all the evidence points to the men buried in these mass graves being soldiers in the Scottish army who were on the losing side of the Battle of Dunbar, fought on the southeast coast of Scotland exactly 365 years ago today on September 3rd, 1650. It was a short but brutal fight in which Oliver Cromwell’s Parliamentarian army crushed the Royalist Scottish Covenanter army in less than an hour. According to contemporary sources, up to 5,000 men lost their lives on the battlefield. Modern historians estimate that 4,000 Scottish soldiers were captured by Cromwell and marched through Newcastle upon Tyne 100 miles south to Durham. Approximately 1,000 of them died on the way, mainly from starvation, exhausting and dysentery.

When the 3,000 or so survivors reached Durham, they were imprisoned in Durham Cathedral which at the time was no longer functioning as a church since Cromwell had kicked out the Dean and Chapter. Conditions were appalling. It was cold and there was little food or water to be had. The Scottish prisoners stripped the cathedral’s wood to burn for heat, sparing only Prior Castell’s Clock out of deference for the Scottish thistle carved on it. (That’s the romantic story. The more practical version is that the clock was dismantled and removed when the cathedral was converted into a prison.) An estimate 1,700 of the prisoners died in captivity.

As for the survivors, some of them were forced to work in salt and coal mines in northeast England or to drain the Fens in Norfolk. About 500 were conscripted to fight in the Parliamentarian army in Ireland. Others were sold as indentured servants to the tobacco plantations of Virginia and the sugar plantations of the Caribbean. About 150 of them were sent to New England where they were sold as indentured servants to sawmills and ironworks for £20 a head. The term of indenture was limited and if they raised sufficient funds they could buy themselves free before the term was up.

There is no evidence of cause of death in the bones exhumed from the mass grave, nor are there extensive healed wounds or perimortem wounds as you might expect to find on soldiers’ remains. Counterintuitively, that supports a Dunbar connection because the Scottish soldiers who fought there are known to have been largely inexperienced fighters and the ones who suffered severe injuries either died on the field or were released back to their side right after battle. Only the soldiers who had made it out of the fight relatively intact were taken prisoner and marched down south where they eventually died of starvation or disease.

The presence of non-Scots is also in keeping with what we know about the Scottish army. Contemporary sources note the presence of Dutch and German soldiers in the Scottish army just weeks after the Battle of Dunbar. It seems likely they were at the battle too.

Richard Annis, senior archaeologist at Archaeological Services Durham University, said: “This is an extremely significant find, particularly because it sheds new light on a 365-year old mystery of what happened to the bodies of the soldiers who died.

“Their burial was a military operation. The bodies were tipped into two pits, possibly over a period of days. They were at the far end of what would have been the Durham Castle grounds, as far as possible from the castle itself – they were out of sight, out of mind.

“It is quite possible that there are more mass graves under what are now university buildings that would have been open ground in the early to mid-17th Century.”

The remains will be reinterred as required by the terms of the exhumation license. Durham University and Durham Cathedral are working together with other interested parties (the Church of Scotland, for instance) to determine the most respectful approach. Certainly burial in the cathedral is out given that most of the dead were probably Presbyterians and even if they weren’t the last place in the world they’d want to be buried is in the prison where they experienced so much death and misery.

New technology reveals Rembrandt hidden portrait

Like many artists, Dutch Golden Age painter Rembrandt van Rijn was known to have reused materials, especially in his younger days. Instead of discarding a canvas or wood panel after a false start, it’s a lot cheaper and faster to just flip it and start over again. The figure underneath An Old Man in Military Costume (1630-31) has been known to scholars since 1968 when the Rembrandt Research Project X-rayed the painting, then in the collection of Sir Brian Mountain, and found a young man’s face upside down to the right of the Old Man’s face. While the figure was visible, it was indistinct.

The painting was acquired by the J. Paul Getty Museum in 1978 and it’s been studied with different imaging techniques repeatedly since then. Improvements in X-ray technology provided slightly clearer views of the man under the Man in 1978 and 2008. In 1996, neutron activation autoradiography (NAAR) was able to provide a cleaner image of the figure and, most importantly, the distribution of some of the chemical elements in the paint. If you know the chemical composition of the paint, you may be able to accurately extrapolate color, but the NAAR data was insufficient.

X-ray fluorescence (XRF) scanning can generate a detailed map of single-element distribution, but until recently required bulky instruments only found in select laboratories and could only scan small sections of a painting or objects small enough to fit into a cabinet unit. When the Getty first attempted an XRF scan on an area near the lips of the underlying figure, they only caught a glimpse of it. Macro-XRF (MA-XRF) technology, possible at synchrotron radiation laboratories, could scan the entire painting, but the Getty wasn’t keen to move its precious Rembrandt around the country. Just as they were exploring sending Old Man to the Stanford Synchrotron Radiation Laboratory, the development of a mobile MA-XRF scanner that could scan the painting in place made concerns about the danger and inconvenience of transporting the delicate artwork moot.

Now a new study combines the new mobile MA-XRF scanning technology with data from the early NAAR scans to reveal the most complete image of the young man yet.

The general shape of the face of the figure underlying An Old Man in Military Costume was revealed by X-radiography: NAAR imaging provided more details about the shape of the face and the cloak worn by the figure along with indications of the chemical composition of some of the pigments Rembrandt used. MA-XRF scanning significantly added to the understanding of the hidden painting by providing detailed images of the distribution of individual chemical elements, from which the specific pigment(s) – and colors – Rembrandt used to paint the first figure could be inferred. For example, the underlying figure’s face is rich in the element mercury, indicative of the presence of the red pigment vermilion, one of the components used to create flesh tones. The MA-XRF map of mercury provided a nearly complete, detailed image of the face of the underlying figure; similarly, the map of copper, typically associated with blue or green pigments, provided an image of the cloak.

Together, the information from the NAAR and MA-XRF scans was used to create a tentative digital color reconstruction of the hidden image: a young man, seen in three-quarter view wearing a voluminous cloak around his shoulders. The full significance of the hidden painting within Rembrandt’s oeuvre will continue to be the subject of ongoing research.

One possibility that will be studied further is that the underlying image is a self-portrait. Rembrandt often used his own face in his early character studies and it’s likely this young man is the artist as a young man. The study has been published in the journal Applied Physics A and can be read in its entirety for free here.