Peacock mosaic found in early Christian basilica

A 6th century mosaic floor featuring peacocks and an Greek inscription has been discovered in Arsuz, a town in Hatay Province, southern Turkey. The floor was part of the Church of the Holy Apostles, a Byzantine-era basilica, and was commissioned by a freed slave who thanked God for his manumission in the inscription.

The remains of the Church of the Holy Apostles first emerged in 2007 when landowner Mehmet Keleş was planting saplings in his orange grove. Subsequent excavations revealed a three-aisled basilica church with mosaic floors, stone graves and human remains. A mosaic inscription identified the site as an ancient church dedicated to the apostles. There is evidence it was in use through the 12th century.

Located on the Gulf Issus 70 miles from the great city of Antioch, Arsuz was founded during the Hellenistic era and by the 1st century B.C. when it was annexed by Rome, it was an important port city on the Mediterranean coast of what is today Turkey. It became a regionally significant religious center in late antiquity, the seat of a bishopric and home to a monastery founded in the mountains outside the city by the ascetic hermit Theodosius of Antioch.

The mosaic with peacocks and the inscription were discovered in the most recent dig season and the excavation is ongoing. Eventually, the Hatay regional government plans to build a roof over the remains and open it to visitors as an open-air museum.

Three Ming Dynasty mural tombs found

Archaeologists have discovered brick chamber tombs decorated with rich murals dating to the Ming Dynasty (1368-1644) in the city of Changzhi, Shanxi Province, northern China. Three tombs believed to be family tombs from the early Ming Dynasty were found. Two of the them are intact. The roof of the third, a rectangular brick tomb with a vaulted ceiling, has collapsed, damaging the walls and contents, but the remains of a mural are still visible.

The Shanxi Provincial Institute of Archaeology began excavating the site last year in advance of road construction. They encountered a tomb on the southeast, one on the north and one of the southwest of the site. The rectangular tomb with the collapsed ceiling was the southeastern one. The other two are brick with pyramidal roofs. They are in good condition, with the murals — very similar in style and subject — still in vivid color.

The murals depict religious motifs and scenes from daily life, reflecting the idea that people would live much the same lives after death as they had before. The central burial chambers are painted with florals and faux architectural features including wooden doors, lattice windows, pillars, eaves and rafters that mimic the style of a residence from the period.

The murals also include celestial imagery. There’s a star on the roof. On the eastern wall is a red disc with a bird in the center that represents the sun and the mythological crow or phoenix associated with the sun. On the opposite wall is the moon, a white disc on which the mythological Jade Rabbit stands under a tree, constantly pounding the elixir of life.

A brick octagonal structure discovered in the excavation appears to have had some ritual function connected to the tombs. It is five feet in diameter and has six niches on its interior walls where statuettes and other objects were placed. The excavation unearthed 18 objects including large ceramics, bronze coins and bronze mirrors.

Rare Roman wood figurine found in railway dig

The archaeological program surveying the site of the HS2 high speed rail construction have unearthed another rare artifact: an early Roman carved wooden figure. It was discovered in July 2021 at Three Bridge Mill in Twyford, Buckinghamshire. It was in a water-logged ditch from the early Roman era, preserved from decomposition by the anaerobic clay fill of the ditch.

When it first emerged from the excavation trench, archaeologists thought it was just a random piece of wood. As they painstakingly removed the soil, they realized it was a carved anthropomorphic figurine. It was carved from a single piece of wood as is more than 26 inches high (67 cm) and seven inches wide. Today the arms below the elbows and the feet have decayed, but much of the carved detail survives on the head, the tunic that gathers at the waist and the shaped calves.

The style of carving and the figure’s tunic-like garment suggested it was made in the early Roman period. Shards of pottery from the ditch confirmed that assessment when they were radiocarbon dated to between 43 and 70 A.D.

The occurrence of carved, wooden, figures in British prehistory and the Romano-British period is extremely rare.  In 2019 a wooden limb, thought to be a Roman votive offering, was found at the bottom of a well in Northampton. Examples of full Roman carved figures have been recovered in Dijon and Chamalières in France. A wooden carving, the ‘Dagenham Idol’, was recovered from the north bank of the Thames is 1922 and has been dated back to the Neolithic period and an early Iron Age carved figure was recovered from the banks of the River Teign, Kingsteignton in 1866.

Jim Williams, Senior Science Advisor for Historic England, said:

“This is a truly remarkable find which brings us face to face with our past. The quality of the carving is exquisite and the figure is all the more exciting because organic objects from this period rarely survive. This discovery helps us to imagine what other wooden, plant or animal-based art and sculpture may have been created at this time. Further analysis has the potential to reveal more detail, perhaps even providing clues about where it was made.”

The figurine is now being examined and conserved in York Archaeology’s conservation laboratory. A small fragment of the figurine that was found broken off next to it will be radiocarbon dated and subjected to stable isotope analysis to determine, if possible, its place of origin.

Celtic gold “rainbow cups” found in Brandenburg

A group of 41 Celtic gold cup-shaped coins have been discovered near the village of Baitz in Brandenburg, northeastern Germany. These are the first and only Celtic gold coins ever discovered in Brandenburg.

Rainbow cups are bowl-shaped coins made of precious metals that are found in the territory of the Celtic La Tène culture of central Europe. (They received their moniker because they were often discovered by farmers when ploughing their fields after heavy rain, so a folk legend sprang up that gold cups would be found wherever a rainbow had touched the ground.) They are often decorated with Celtic iconography. The ones discovered in Baitz are smooth, with no decoration on the surface. It is the second largest hoard of smooth rainbow cups ever found.

There was no Celtic population in Brandenburg — a settlement from the early Germanic Jastorf culture occupied the site — so these precious objects likely reached the settlement over Iron Age trade networks.

They were discovered by Wolfgang Herkt, an officially appointed volunteer archaeologist trained and overseen by the Brandenburg State Office for the Preservation of Monuments and Archaeological State Museum (BLDAM). He first came across a group of 11 coins, and a follow-up excavation turned up another 30 for a total of 41 gold coins. There are also silver and copper cups. The bronzes may have been counterfeits; bronze coated in a thin layer of gold have been found before in cup hoards, a deliberate deception to pass off false coinage as the genuine article.

The rainbow cups are scheduled to go on display at the Brandenburg State Archaeological Museum in the spring.

Famed Mozart portrait returns to Verona as 3D clone

An iconic portrait of the child prodigy Mozart in his red coat and white peruke playing the harpsichord has returned to Verona in clone form: a full-scale replica produced from a ultra-high definition gigapixel image printed in 3D.

The painting was made by Verona painter Giambettino Cignaroli in 1770 when Mozart, then just 13 years old, was traveling in Italy. It stayed in Verona, first in the collection of Pietro Lugiati for 18 years, then in the collection of the Philharmonic Academy of Verona until 1856 when it was acquired by a Vienna collector. It wound its way from Austria to France after a 1962 sale to a French collector. His descendants sold it at auction at Christie’s Paris in 2019 for a whopping 4,031,500 euros, four times the pre-sale estimate.

Its current owner, the private collector who shelled out those millions two years ago, allowed the original to go on display in Verona last year at the Sculpture Gallery of the Castelvecchio Museum. Tech company Haltadefinizione took was allowed to use the Gigapixel scanning technology it pioneered to create a version so minutely identical to the original painting that it can be studied by scholars.

The surface of the painting was captured with a robotic system developed by Haltadefinizione together with the technological partner Memooria, able to map the work in all its forms thanks to digital imaging technologies designed for monitoring the paintings. The procedure used made it possible to detect the materiality of the work and return a three-dimensional imprint with precision in the order of ten microns. Thanks to the data obtained, it was possible to implement an innovative 3D printing process, through which the pictorial surface was faithfully duplicated in physical and chromatic terms, giving shape to a real clone identical to the original.

“We are happy to have given our contribution on the occasion of the anniversaries dedicated to Mozart” says Luca Ponzio, founder of the tech company. “Making works of art accessible to the general public, be they physical or digital replicas, is one of our goals and we strive every day to improve and develop new digitization and printing technologies”.

The three-dimensional models represent an important source of information for the research and monitoring of the works, but they can be understood as an innovative way to enjoy art by exploiting the possibility of observing the three-dimensionality of the surface in a virtual model or by creating physical reproductions.

The distinctive gilded frame has also been recreated in meticulously accurate detail by artisan laboratory B. Restauro of Reggio Emilia.