Bronze sacred tree found in Sanxingdui sacrificial pit

The excavation of one of the six newly-discovered sacrificial pits at the Sanxingdui Bronze Age archaeological site in southwest China’s Sichuan Province has unearthed a bronze sacred tree from the Shu culture, ca. 12th/11th century B.C. It was found in parts in Pit 3, and is so complex that its surviving branches, flowers, some of the trunk and solar wheel ornament took four months to fully excavate because they were buried under heavy layers of ivory and other artifacts. 

Sacred trees have been found before at the site. The 1986 excavation of Pit 2 unearthed hundreds of pieces from six to eight bronze trees, most of them modest in size. Only three of them could be pieced back together from their component parts. One of them, a colossal example that took conservators a decade to reassemble, is now on display as the centerpiece of the Sanxingdui Museum‘s exceptional collection of artifacts from the ancient site.

The massive restored tree consists of a three-legged base with a trunk growing out of it. The trunk is divided into three levels with three branches curling downward in each level. Flowers bloom on the high points of all nine of the branches and birds alight on the flowers. Each branch in turn branches off into three fruit-bearing branchlets, for a total of 27 fruits on the tree. A slim dragon with a horned head undulates down the lower segment of the trunk, his foot planted in the base.

There is very little concrete information about the Shu people and state as no written records have survived. The archaeological record and later chroniclers indicate the Shu religion was centered on sun worship, and the bronze trees may have been part of it. The Shu Legend of the Ten Suns held that birds carried nine suns on their backs, flying in the morning from a sacred tree in the East, and landing at night in a sacred tree in the West. Humans, according to the legend, only the saw the birds, not the suns they carried, so they lived their lives blithely unaware there were any other suns besides the one we know.

According to Xu [Feihong, excavation leader], the new one is similar to the No. 2 bronze tree which took archaeologists over a decade to restore. Yet, it’s still not complete with several parts missing.

“It cannot be ruled out that these two might belong to the same tree. If the two sacred trees in pits No. 2 and No. 3 are put together, they can explain a lot of academic issues,” said Xu.

There are no plans as of yet to embark on the reassembly and restoration of the Pit 3 tree, not until all six of the new sacrificial pits have been fully excavated. Armed with all the information and contents of the pits, archaeologists will then piece together this tree too, and it will go on display next to its brother from Pit 2.

Tiles with Roman imperial mark found at Carlisle

Tiles stamped with the imperial mark have been discovered at the Roman bathhouse on the grounds of the Carlisle Cricket Club in Stanwix, a suburb of Carlisle. Roman tile manufacturers put their brand on their products as a matter of course, and many surviving tiles bear their makers’ marks, but the IMP stamp is extremely rare. An usually large number of them — about a dozen — have been unearthed at this site.  The high concentration of IMP tiles suggest they were being manufactured there.

Lead archaeologist Frank Giecco:

“This is the imperial court stamping the tile. There have been a handful found in Carlisle at random places. We have probably got a dozen now from this site and it looks like this is where they are coming from.

It’s not a legion or anyone else – this is the signature of the Emperor. It’s been built by the imperial machine and it’s a connection.

The remains of the bathhouse were first discovered in 2017 during an archaeological survey at the proposed site of the club’s new pavilion. The expectation was they’d find a few scattered objects among the fill, but instead archaeologists landed upon entire rooms from a bathhouse complete with walls, painted plasterwork, intact floors, tile stacks for the hypocaust system, lengths of terracotta water pipes and a varied assortment of small artifacts like hair pins, coins and arrowheads.

It was a deluxe facility in the hinterlands of the northern border, and not meant for private citizens to take their ease, but rather to serve the men of the Ala Petriana, an elite cavalry regiment famed for its valor on the field that was stationed at Uxelodunum, the largest fort on Hadrian’s Wall.

Uxelodunum is modern Stanwix, today absorbed into the town of Carlisle which at that time was the Romano-British town of Luguvalio. The Romans had built a fort in the town earlier (ca. 72-3 A.D.) and when Emperor Hadrian ordered construction of the wall that would bear his name, the old Luguvalio fort was integrated into it, linking the town to the shiny new fort with all the amenities at Uxelodunum.

A carved sandstone slab inscribed with a tribute to Julia Domna, wife of Septimius Severus and mother of Caracalla. Both emperors personally led military campaigns in Britain, and Septimius actually died in York, 40 miles south of Carlisle, in 211. Between the inscription and the IMP tiles, it seems Uxelodunum had a direct link to the ruling family.

Giecco again:

“I can’t say that Septimus Severus ever set foot in Carlisle. Who knows.

“All we can say is that we have got a huge monumental building that has been built in Carlisle. The Emperor was in Britain at that time, we’ve got an inscription from his wife in the building and we have got his personal workshop-stamped tiles coming from the building.

“The evidence is building up that there is something really special going on here.”

Ears on skull are more skull, not ears

The 14th century Church of Santa Luciella ai Librai in Naples’ ancient historic center is one of the architectural and artistic gem boxes of the city. Beneath the majolica tile floor, through the sacristy and down a staircase is a hypogeum containing dozens of skulls arranged along shelves high on the walls. One of them has ears.

The small church was founded around 1327 by Bartholemew of Capua, legal and political adviser to Charles II of Anjou, then king of Naples. By 1629 it was dedicated to the guild of millers, but shortly thereafter it switched to the pipernieri, the sculptors who carved piperno marble and other hard stones. They dedicated the church to  Saint Lucy, protector of eyesight, to keep their eyes safe from the sharp fragments that flew everywhere when they chiseled stone.

For centuries the eared skull in the basement was venerated, a unique example of Naples’ cult of souls of in Purgatory. People would sort of adopt the disarticulated skull of an unknown and pray for its abandoned soul. That soul, once lifted out of Purgatory into Paradise, would then return the favor by extending grace to the person who had helped them get there. The skull with ears held special attraction because its auricular appendages, believed to be ear cartilage that was naturally mummified, could “hear” the prayers and petitions for grace.

Santa Luciella was taken over by another confraternity in 1748 which extensively refurbished it. The current configuration of the church largely dates to this period. It was still in use until the end of the 20th century. The earthquake that devastated Naples in 1980 heavily damaged the church and it was closed for safety reasons. The church was abandoned and the skull with ears became relegated to the ranks of legend.

It re-emerged as fact when a local organization restored the church and reopened it in 2019. They found the fabled eared skull in the hypogeum, unmoved and undamaged by the earthquake. Researchers have embarked on a new multidisciplinary study of the unique piece. Analysis found that the skull consists of the braincase and nasal bones. It belonged to an adult male who suffered from Porotic hyperostosis, a condition that causes spongy or porous tissue on the cranium, likely the result of chronic malnutrition. He is also missing a sagittal suture. Radiocarbon testing dates the remains to between 1631 and 1668. Naples was struck by a terrible outbreak of plague in 1656, so it’s possible our eared friend was one its many thousands of victims.

The ears held the real surprises. They were not the product of ossified or mummified ear cartilage. Instead they were formed by the squamous portion of the temporal bone at the side of the head were rotated so the curved edges pointed outwards. This gave the skull ear-like protuberances reminiscent of the famous memento mori mosaic from Pompeii that is now in Naples’ National Archaeological Museum.

Stone spheres found in Orkney Neolithic tomb

Two polished stone balls have been discovered in a Neolithic chambered tomb on the Tresness peninsula of the Orkney island of Sanday. The 5,500-year-old tomb is rapidly eroding, and archaeologists have been working assiduously to salvage any artifacts and fully document the structure before the cliff it is on collapses into the sea.

The Tresness tomb is one of fewer than 20 examples of a stalled cairn, a slab-built passage grave with a central chamber that is divided into compartments along its sides like horse stalls and topped with an barrow. It has five compartments. The southernmost one is partially eroded, but archaeologists believe it was the last cell at the end of the tomb.

In the Bronze Age, a round cairn was built on top of the Neolithic tomb, truncating it and stripping it of its original roof. When excavations resumed this year after last year’s COVID interruption, archaeologists removed the Bronze Age remains to reveal the full extent of the remaining Neolithic tomb. 

The polished stone balls were found in chamber one. They are about the size of cricket balls, and are finely carved and finished. The first is in excellent condition, perfectly spherical and glossy. The second has cracked along a band in the sandstone. That will repaired by conservators.

Only 20 stone balls from this period have been found on Orkney (about 500 have been discovered in Scotland as a whole), and of these, only a few have been archaeologically excavated from a burial site.

Carved stone balls were symbols of power and were probably used, along with perhaps maces, to inflict blunt force trauma to the head. One skull from the Cuween passage tomb on Orkney shows signs of such injury.

Two similar cases were also found by Dr Dave Lawrence at the Rowiegar chambered cairn on the island. At Tomb of the Eagles at Isbister, he found that both males and females, young and old, were harmed in this way.

The team has created 3D models of the Tresness stalled cairn before and after the removal of the Bronze Age round cairn.

Here is the tomb as it looked the first week of excavations, composed from photos taken on August 22nd, 2021. 

Here it is a week ago with the round barrow removed:

A kilo of 6th century gold found in Jelling

A hoard of gold objects from the 6th century has been discovered in a farmed field outside the town of Jelling, South Jutland, Denmark. The 22 objects have a total combined weight of 945 grams, so just under a kilo.

They were discovered in December by metal detectorist Ole Schytz who was new at the hobby and hadn’t even been out with his machine 10 times when he stumbled on one of the largest and most significant gold hoards ever found in Denmark. He alerted authorities and archaeologists from the Vejle Museums excavated the find site, keeping the massive find secret until now to deter looters.

The hoard contains two Roman gold coins that have been converted into pendants — including a gold solidus of Constantine the Great (285-337 AD) — and one piece of jewelry with gold granulation in an elaborate pattern, but most of the pieces in the hoard are bracteates. Bracteates were round medallions worn as pendants that were made in Northern Europe during the Migration Period. Typically bracteates are penny-sized with rudimentary engravings of figures from Nordic mythology. These are unusually large, the size of small saucers, and the quality of decoration is exceptionally high. They are also unusually varied. Often bracteates found in hoards are very similar in design, but every one of these is different, and there are runs and motifs never seen before on other bracteates.

The excavation revealed that the hoard was buried under the floor of a longhouse, and only a very powerful, very wealthy individual could have collected a treasure this vast. Archaeologists know there was a small town here during the Migration Period, but there was no previous indication that it was sufficiently important to attract a resident who was so massively wealthy and powerful that he could acquire so much gold and attract  artisans of such high caliber.

Many of the large gold hoards discovered in Scandinavia from this period are believed to have been buried as desperate offerings to appease the gods after a volcanic eruption in 535/536 A.D. generated an ash cloud that blocked the sun and caused widespread crop failure and famine. If it was not an offering, the hoard may have been buried to protect it from being stolen during this turbulent time.

One of the bracteates features the profile of a male head with a braid of hair. A bird is in front of him — they appear to be conversing — and under him is a horse. Between the horse’s head and front legs is a runic inscription that a preliminary translation interprets as “houaʀ” meaning “the High.” This may be a reference to the leader who buried the hoard, or the god Odin.

The gold objects are currently being conserved. The folded and bent pieces will be straightened out as much as prudence allows. In February, they will go on display at the Vejle Art Museum.