Louise Brooks dances in Technicolor

British Film Institute researchers have discovered a rare cache of Technicolor silent film fragments, including flapper icon Louise Brooks dancing from her first credited movie role in The American Venus (1926). The film is lost, with only the trailer still known to be extant. This short clip of Louise Brooks is not a fragment from the movie itself. The footage appears to be a screen test of some kind, possibly a costume test.

Conservation Specialist Jane Fernandes found the fragments in the BFI National Archive in a reel of The Black Pirate (1926) that had been donated to the BFI by The Museum of Modern Art (MOMA) in 1959. A swashbuckling adventure written by and starring Douglas Fairbanks, The Black Pirate was the third feature-length film to be shot entirely in the early two-tone Technicolor technology. It is a milestone of color feature film and one of Fairbanks’ greatest performances.

The BFI restored its copy of The Black Pirate in 1970 at the behest of Douglas Fairbanks Jr., but technology has advanced by leaps and bounds since then. Fernandes was examining the original reels for a new restoration project focusing on early Technicolor when she noticed that the celluloid lead on the reel was edited together pieces of film from other movies. Louise Brooks dancing for The American Venus was accompanied by clips from The Far Cry, The Fire Brigade and Dance Madness, all from 1926.

In the same print of Black Pirate, there is also a test shot for historical drama Mona Lisa (1926) starring Hedda Hopper, the ‘Queen of the Quickies’ and legendary acerbic Hollywood gossip columnist for the LA Times, whose biting wit was recently portrayed by Judy Davis in award-winning TV series Feud. The fragment shows Hedda Hopper as Mona Lisa in repose, one assumes, about to be painted by Leonardo da Vinci. No other material from Mona Lisa is currently held by any film archive.

Other extracts from a number of early Technicolor musicals were discovered in a batch of 1950s cinema ads for a local television shop in Chingford, North East London that were donated to the BFI National Archive last year. All dating from 1929 these fragments comprise footage from Sally, which only exists in black and white, a previously lost section of Gold Diggers of Broadway, as well as short clips from Show of Shows and a trailer for On With The Show! In addition a short extract donated by one of the BFI’s curators in 2007, has now been identified as Paris (1929). […]

Potentially coming from test shots, trailers, alternative takes and outtakes these short sequences may not have appeared in the final complete films or have been used for promotional use.

The BFI has compiled the snippets in a single video and uploaded it to their YouTube channel. In a voiceover, BFI curator Bryony Dixon explains the background of the film, why it survived and its significance today. You can see Louise Brooks looking like an Erte’ figurine come to life at the 1:14 mark.

Remains of carriage burial unearthed in Denmark

Last May, metal detectorist Louise Stahlschmidt found some melted lumps of bronze and round bronze artifacts she called “buttons” while exploring a farmed field in Trompgård, north Jutland, Denmark, for the Vendsyssel Historical Museum. She called in her finds and sent pictures. Museum curator Jeppe Boel Jepsen reacted with unprintable enthusiasm when he saw the “buttons” were red enameled bronze fittings characteristic of an Iron Age wagon burial.

The museum immediately secured funding for an excavation of the site, but they had to wait for the crops to be harvested and for the weather to cooperate, so it was winter before they were able to follow up on the exciting discovery. They also needed to enlist the aid of a cadre of amateur archaeologist volunteers like Louise Stahlschmidt without whom the museum could never cover enough ground for a thorough exploration with the limited time and money at its disposal.

When they finally were able to excavate the site, they found the melted fittings from the carriage. The wagon had been set on fire at the time of the burial, hence the oddly shaped lumps Stahlschmidt had found.

The carriage is a rare prize, the stuff that Danish archaeologists dream of on their most feverish nights. It is a Dejbjerg type carriage, named after the first discoveries of their kind, two wagon burials unearthed by archaeologist Henry Petersen in Dejbjerg Præstegårdsmose, western Jutland, in 1881 and 1883. The early Iron Age wagons were manufactured between 300 B.C. and 100 A.D. somewhere in southeastern Europe, where they are more frequently found, and imported into what is now Denmark. Only eight of them have been found in Denmark and northern Germany combined.

The carriages alone were of immense value when they were burned and buried, and this burial was laden with grave goods — a drinking horn, a drinking glass, bronze kettles, a game board with glass playing pieces, a gold ring, fragments of silver that may have been part of drinking cups of the Boscoreale type, only three of which have been found in Denmark before — which make it one of the richest graves from the transitional period between the pre-Roman and Roman Iron Age ever discovered in Denmark.

The team had to search far and wide with their metal detectors to find more artifacts pointing to the central grave site where the people were buried. At the last hour of three days of searching, they found the grave. Alas, someone had beaten them to the punch in antiquity — the grave was looted — but there were intriguing remains including the hole made by the digging of the original grave, the remnants of cremation and a piece of burned human leg.

After the fire went out, the excavations were collected together with the burned leg of the grave and placed in an oven. The oven has been set in the grave and the fire pit covered. After an unknown period, the tomb has been restored, and the grave has since been moved to a village just a few hundred meters from the grave. This building has previously been partially studied by the museum. This iron age village was simultaneously detected by the detector with the detector, and parts of the burial equipment were also found on this site. Thus, this is a family that reinforces their possessions, their status and their relations with other elite families beyond Europe, at an ancestral cave, not only by the tombs but also at the settlements.

Anne of Brittany’s heart stolen, found

On the night of Friday, April 13th, thieves broke in through a window of the Musée Dobrée in Nantes, western France, and stole the gold reliquary made to contain the heart of one of my favorite historic personages, Anne of Brittany. The alarm did sound, but it was insufficient to stop the thieves.

The only woman ever to be queen of France two separate times (both entirely against her will), Anne struggled her whole life to keep Brittany independent and after her sadly premature death in 1514 at the age of 37 was a revered symbol of Brittany’s unique history and culture. The reliquary that contained her heart was created shortly after her death and is inscribed “In this little vessel of fine gold, pure and clean, rests a heart greater than any lady in the world ever had. Anne was her name, twice queen in France, Duchess of the Bretons, royal and sovereign.”

That dedication may have been part of the attraction for the thieves who may have been hoping to make big bucks by melting it, but the 6-inch reliquary and its lovely crown of nine fleurs-de-lis together total only 100 grams of gold. This is not the first time the gold reliquary and crown had a brush with the crucible. It was confiscated during the French Revolution and Anne’s heart thrown in the trash, a fate suffered by so many royal remains. The container was ordered melted down, but the order was never followed and the reliquary was kept intact in the Bibliothèque Nationale until 1819 when it was returned to Nantes. It has been part of the collection of the Musée Dobrée since the 1880s.

There were murmurs that Breton nationalists might have been behind the theft, but the authorities thought it more likely to have been the work of petty thieves. Councilors of the Loire-Atlantique department accordingly appealed in the press for the return of the precious artifact, pointing out that it has far more historical value than monetary.

A week later, Nantes police found the reliquary, a figurine and some gold coins, all stolen from the museum, at an undisclosed location near the museum.

Two men in their early twenties have been arrested and charged with “association with criminals” and “theft of cultural assets”. One is known to authorities. They both deny involvement. Two other suspects are at large.

According to Pierre Sennes, the Nantes prosecutor, the prized gold case “seems to be in good shape”.

The museum reopened to visitors last week, sans reliquary for the time being, but on Wednesday, May 2nd, the government of the Loire-Atlantique department announced that the Voyage in the Collections exhibition would be closed permanently because of the thefts and the damage inflicted on the display. It was supposed to run through September 30th.

Ponte Vedra shipwreck made of beechwood

The 19th century ship’s hull that washed up on Florida’s Ponte Vedra Beach on March 28th continues to prove how unusual it is. Environmental archaeologist Lee Newsom took samples of the hull and examined them under the microscope, the first laboratory analysis of the shipwreck’s wood. Her examination found that it is predominantly American Beech (Fagus grandifolia), a tree native to the Eastern and Southern United States.

“I rarely ever see that,” she said. “So it was a surprise to see that instead of oak.”

She said oak is what ships are usually made of.

“So maybe the usual oak was not available for one reason or another. So whoever constructed this ship shifted to beech,” Newsom said.

The wood is also cut from the tree trunk in different ways, which leads her to ask, “Were the larger trees no longer available? So you shift to this? It means timber was in short supply.”

Newsom said the wood is in fantastic condition, so it’s revealing even more.

“That’s telling me, this whole section has been buried under the sediment since it wrecked probably,” Newsom noted.

Except for the weeks it spent on the beach getting cooked by the Florida sun. Archaeologists were concerned about the condition of the wood before it was removed from its exposed position, so it’s great news that they managed to keep it wet enough to preserve it on a cellular level for analysis.

Preliminary visual examination noted the presence of both hardwood and softwood. Ships are typically made of hardwoods for durability, and the combination suggested it may have been constructed by a small shipwright in the South where softwood is more abundant and less expensive. Beech is a hardwood, but it is found in South and the type of cuts indicate cost was a factor, so the hypothesis still stands.

Possible origins of the wood include Georgia, the Carolinas and the Gulf Coast. Additional analysis will have be done to make a more precise determination, and it may never be narrowed down to a single location, nevermind to where the ship was built. Newsom will continue her research and, as a granddaughter of a shipwright, hopes against hope that she’ll be able to identify the builder. It’s not very likely, however.

Roman artifacts attest to 1st c. Batavian rebellion

Archaeologists excavating the North Rhine-Westphalian town of Krefeld have unearthed thousands of artifacts attesting to a 1st century rebellion of Batavian tribesemen against Rome.

The Batavians, whose native territory was the delta between the Lower Rhine and the Waal, were long-time allies of Rome. Considered the bravest of all Germanic tribes, they had formed the core of the imperial guard since Augustus and had a special deal with the empire that exempted them from all tribute and taxes. The only resources the Batavians were required to contribute were fighting men, infantry and especially cavalry, famed for their amphibious ability to cross rivers on horseback in full armour. They contributed soldiers in far greater proportion than other Roman allies, an estimated 5,000 men out of a total population of just 35,000.

In 69 AD, the turbulent Year of the Four Emperors that followed the death of Nero, Rome pissed off the wrong Batavians. The year before Fonteius Capito, the governor of Germania Inferior had had Batavian prince Julius Paullus executed on false charges of rebellion. He sent Paullus’ kinsman Gaius Julius Civilis to Nero in chains on the same trumped up charges, but Nero died before rendering judgment. His successor Galba acquitted Civilis and sent him home. He also dissolved the Germanic bodyguard, however, and the Batavians saw this as a grave insult.

Then came the conscriptions. Roman chronicler Tacitus describes this trigger of the Batavian rebellion in his Histories in reliably salacious terms:

At the orders of Vitellius a levy of the young Batavians was now being made. This burden, which is naturally grievous, was made the heavier by the greed and licence of those in charge of the levy: they hunted out the old and the weak that they might get a price for letting them off; again they dragged away the children to satisfy their lust, choosing the handsomest — and the Batavian children are generally tall beyond their years.

Civilis, who had already decided to rebel against at Rome, used this latest outrage as a fulcrum to move the whole tribe to rebellion and soon persuaded neighboring tribes to join in the cause.

Civilis turned to force and organized the Canninefates, the Frisians, and the Batavians, each tribe in a troop by itself: the Roman line was drawn up to oppose them not far from the Rhine, and the vessels which had been brought here after the burning of the forts were turned to front the foe. The battle had not lasted long when a cohort of the Tungri transferred its standards to Civilis, and the Roman soldiers, demoralized by this sudden betrayal, were cut down by allies and foes alike. There was the same treachery also on the part of the fleet: some of the rowers, being Batavians, by pretending a lack of skill interfered with the sailors and combatants; presently they began to row in the opposite direction and bring the sterns to the bank on which the enemy stood; finally, they killed such of the helmsmen and centurions as did not take their view, until the entire fleet of twenty-four vessels either went over to the enemy or was captured.

This victory was glorious for the enemy at the moment and useful for the future. They gained arms and boats which they needed, and were greatly extolled as liberators throughout the German and Gallic provinces.

The 10-month excavation at the site near the Rhine, archaeologists found coins, weapons, helmets, a soldier’s decorated belt buckle and the skeletal remains of more than 300 horses believed to have been casualties of this battle.

The vast dig (covering almost 10 acres in area) unearthed more than artifacts from the brief window of the Batavian rebellion. Close to 6,500 graves were discovered encompassing burials over the course of a millennium, from 800 B.C. to 800 A.D., many containing significant gave goods. It is one of the largest ancient cemeteries north of the Alps.

The archaeological material is now being studied and conserved at the Burg Linn Museum where a selection of items from before, during and after the rebellion will go on display next year.