Three 15th century paintings stolen from the Tuscan villa of the Prince of Luxembourg by the Nazis have been found after 72 years. The artworks were first targeted in 1940, under the extension of what had originally been anti-Semitic Italian Racial Laws instituted by Mussolini to kiss Hitler’s ass in 1938. The laws stripped Italian Jews of assets, including art works. In 1940, that law was widened to cover “enemy nationals.” Neutral Luxembourg was occupied by Nazi Germany that same year, and Prince Felix of Bourbon-Parma, husband of Charlotte, Grand Duchess of Luxembourg, and grandfather of the current Grand Duke, was suspected of colluding with the Allies. Under that pretext, the Bourbon-Parma art collection in the Prince’s Villa Borbone delle Pianore in Camaiore, near Lucca in northwest Italy, was confiscated by the Fascist government.
The Prince had other fish to fry at the time. He and his children fled Luxembourg when Germany invaded, traveling through France and Portugal before sailing to the United States. They spent a few months as the guests of General Foods heiress and then-richest women in the United States, Marjorie Merriweather Post, who had become friends with the ruling family when her husband was appointed US Ambassador to Belgium and Envoy to Luxeumbourg in 1938.
The collection remained in the villa until the spring of 1944 when it was stolen by the 16th SS Panzer Grenadier Division which a few months later would earn even more infamy with massacres of civilians. The SS ultimately planned to transport the loot to Berlin, but first the Bourbon-Parma art and many other works pillaged by the 16th Division were delivered to Dornsberg Castle in the Tyrol, then the residence of Karl Wolff, General of the Waffen-SS and Military Governor of northern Italy. Art looted from all over northern Italy was collected at Dornsberg, and organized and documented with standard Nazi efficiency.
It never got to Germany. In 1945, the Monuments, Fine Arts, and Archives unit of the U.S. 5th Army, better known today as the Monuments Men, under the leadership of Captain Deane Keller recovered the stolen artworks from Dornsberg Castle. Prince Felix read about the liberation of the looted Bourbon-Parma collection in a news article and claimed ownership of the pieces stolen from him. Many of them were still there and the Prince got them back in 1949.
Around 40 of the works stolen from Villa della Pianore were not in Dornberg, among them marble busts of Bourbon rulers of France and paintings by Canaletto, Dosso Dossi, Paris Bordone and Perugino. Prince Felix filed a damages claim and the Italian government reimbursed him for their value, assessed at the then-astronomical sum of $4 million lire, in 1945. The missing works were never forgotten. Seventy years later, the Carabinieri Art Squad of Monza started digging through archives trying to track down these long-lost pieces. After two years of scouring the documentary and photographic archives of the Cini Foundation in Venice, the Zeri in Bologna, the Siviero and Capitoline Archives in Rome, museum center of Florence and the art library of the Castello Sforzesco in Milan, the Carabinieri discovered one of the lost pieces, a Madonna and Child by Gianni Battista Cima (1460-1518), hanging on the wall of a home in Monza in December of 2014. The family said they had inherited it from a relative who was an art dealer and had no idea of its dirty past. Another of the missing paintings, Holy Trinity by Alessio Baldovinetti (1425-1499), was found in the same home. The third work, Circumcision/Jesus Presented at the Temple by Girolamo dai Libri (1474-1555), was discovered in the home of another family who had inherited it from a collector who died in 1945.
The two families have been charged with receiving stolen goods, but the charges aren’t likely to stick. Meanwhile, the three paintings are at the Pinacoteca di Brera where conservators will give them some much needed love. The works are not in great condition, faded and damaged from their altogether too exciting adventures. The government has yet to decide where the paintings will reside permanently.