Cezanne stolen in Zurich found in Belgrade

Serbian police guard recovered Cezanne, "The Boy in the Red Vest"On February 10, 2008, three armed men wearing ski masks walked into the E.G. Buehrle Collection in Zurich, Switzerland. While one of them held staff and visitors at gunpoint, the other two helped themselves to four Impressionist masterpieces: Claude Monet’s Poppies near Vetheuil, Edgar Degas’ Count Lepic and his Daughters, Vincent Van Gogh’s Blossoming Chestnut Branches and Paul Cezanne’s The Boy in the Red Vest. It was one of the largest heists in Europe in terms of market value. The four paintings were worth an estimated $163.2 million.

Converting famous paintings into quick cash is rarely as easy as thieves imagine, however. The Van Gogh and Monet were found a week later in a car parked outside a Zurich psychiatric hospital. The remaining two disappeared without a trace.

Witnesses at the Zurich museum testified that the thieves spoke German with Slav accents. Two years ago, Serbia’s Anti-Organized Crime Unit, in collaboration with the police of several other European countries, opened an investigation into the theft. They uncovered a plan by four men to sell the Cezanne to a Serbian buyer for three million euros (about $4 million). The plan was thwarted when ringleader Ivan Pekovic was cornered in a parking lot after a high-speed chase through the streets of Belgrade.

The Cezanne was found in his car along with a cache of firearms and more than £1 million ($1.6 million) in cash. Police arrested two other men thought to be part of the ring, one in Belgrade and one in the southern town of Cacek.

A museum curator quoted by Serbia’s Blic newspaper said criminals smuggle artwork stolen in Western Europe through Serbia and on to Montenegro where they are then sold for cash to members of the Russian oligarchs eager to get their hands on a masterpiece.

Another network takes stolen art to Kosovo where thieves sell it to rich Albanians.

The recovered painting has been authenticated by a Swiss expert. It is indeed the missing Boy in the Red Vest, one of four slightly differing versions made by the Impressionist master. The other three are in museums in the United States.

That leaves only the Degas still to be found. According to this BBC article, Serbian interior minister Ivica Dacic said that the Degas had been found in 2009, but I’ve searched high and low and I can’t find anything about this in the 2009 press. You’d think it would have made just as much of a splash as the recovery of the other three have made.

“Blackguard of the Titanic” vindicated. Again.

Sir Cosmo Duff GordonWhen Titanic sank 100 years ago today, one of the last lifeboats to be launched was the captain’s emergency boat, a small wooden rowboat that in theory could carry 40 people but had only 12 on board on the night of the tragedy. Seven of them were stokers from Titanic’s crew, two were American male passengers, and the last three were Sir Cosmo Duff Gordon, a Scottish baronet, his wife Lucy, scandalous designer of the couture fashion house Maison Lucile, and her secretary, Laura Francatelli. An officer on deck, who reportedly later would shoot himself rather than drown, ordered the stokers to row hard and fast at least 200 yards away from the sinking ship. They did, and all 12 people survived.

When they were safely aboard the Carpathia, Sir Cosmo gave each of the stokers who had rowed the boat £5 to thank them and to defray their losses, since everything they owned had gone with the ship. One of the recipients spread the word about this payment, describing it as a bribe from a heartless plutocrat who wanted to get as far away from Titanic as quickly as possible instead of going back to collect victims from the freezing water after the ship went down. According to the sensationalist news stories, at least one of which falsely claimed to have been written and signed by Lucy herself, Duff Gordon paid the stokers to keep them from returning to the site because he was concerned suction from the huge ocean liner’s sinking would drag their dinghy down with the ship. Also, he smoked cigars on the rowboat, and his twirled-up mustache definitely had the look of villainy about it.

Lady Lucy Duff GordonThe bribery story made the Hearst news and was widely picked up by the British press, so by the time the Duff Gordons returned to England it was a full-blown scandal. Sir Cosmo and Lady Duff Gordon were forcefully questioned on the stand at the 1912 Board of Trade inquiry. You can read the full testimony of Sir Cosmo Duff Gordon (day one) here, (day two) here, and of Lady Duff Gordon here. They really went after them both, especially Sir Cosmo, who as a man was seen as particularly iniquitous because he took a seat that could have saved a woman or child.

In fact, he had refused to get in two previous lifeboats, and although he encouraged them to go without him, his wife and her secretary refused to be budged from his side. When they got in that final rowboat, they and the two American gents were the last passengers on that deck, and the officer who directed the stokers to row was only too glad to see any passengers at all rescued. Interestingly, the American men were not vilified in the press for having snatched seats out from under women and children, just Duff Gordon.

Francatelli affidavitAccording to the Duff Gordons’ testimony, there was no discussion at all on the lifeboat about returning to collect drowning, freezing victims. Laura Francatelli submitted an affidavit confirming their testimony, and the Board of Trade exonerated him of all wrongdoing.

It was too late. Duff Gordon’s reputation as the “blackguard of the Titanic” stuck. He spent the rest of his life in increasing seclusion until his death 19 years almost to the day of the sinking of the Titanic. Even today Duff Gordon is still being used as an example of selfish first class passengers who let 1500 people drown rather than risk any danger or inconvenience to themselves.

Perhaps a newly discovered trove of letters found in the files of the law firm that once represented Duff Gordon will rescue him from perpetual ignominy. The documents were discovered by two summer interns who were assigned what has to be the best law firm intern task of all time: going through old papers looking for anything that could be returned to living descendants of deceased clients. The papers include letters to friends and family written days after the sinking, detailed descriptions of the events of that night and a complete inventory of their lost possessions.

“I took off my nightgown which was underneath my padded dressing gown,” [Lucy Duff Gordon] writes, “put on my chemise and my thick silk drawers and my woollen drawers. Then I put on a warm silk vest with long sleeves. I deliberately thought I would not put my corsets on in case that if I got into the water I should not be able to swim, and put back my warm dressing gown and on top of that… my warm purple dressing gown, and then I put on my little warm motor hat.”

That was not all. Her life jacket was next, topped by her moleskin fur coat with Astrakhan muff. She took a last look at her “lovely little cabin” with its lace, cushions and photographs and a large basket of lilies of the valley. “It didn’t seem possible there could be any danger.” Cosmo took with him into the unknown the Edwardian aristocrat’s survival kit: a flask of brandy, a colt [sic] automatic pistol and a handful of cigars, which he later handed out to the seamen in his rescue boat.

Sir Andrew Duff Gordon and his wife read his grand-uncle's documentsRegarding the so-called bribe, Sir Cosmo wrote: “Indeed at that moment I would have given anything that I possessed to anybody who wanted it, as my heart was full of thanksgiving that the two women in my charge and myself were where we were.” The documents rebut every other point raised against them at the Board of Inquiry and in the press.

The documents are now in the possession of Sir Cosmo’s grand-nephew Sir Andrew Duff Gordon who hopes they will be the final word on the topic. It’s still just their testimony, though, not independent verification, so I don’t know if the papers will rehabilitate Sir Cosmo, and his wife has something of a saucy, flippant writing style which doesn’t exactly scream empathy.

“Well, my beloveds,” she writes to her family. “You know how I always said I longed for experiences and adventures and sensations, well, I’ve had it this time and no mistake.”

Her flimsy airmail letter includes a small drawing of their boat, snagged at a dangerous angle as it was lowered 90 ft down to the water. “The behaviour of all the people on the poor Titanic is beyond praise,” she writes. “Hearing all the thrilling blood-curdling tales of some of the survivors and all the excitement of the last few days has quite worn me out but I’m perfectly well and have never turned a hair.”

Brown University librarian finds rare Paul Revere print

"Buried with Him by Baptism," engraved print by Paul RevereMarie Malchodi, a technical assistant in the preservation department of Brown University’s John Hay Library, was looking through a collection of books donated by Solomon Drowne, a physician and graduate of Brown’s class of 1773, when she came across an engraved print stuffed inside the back cover of the 1811 edition of The Modern Practice of Physic by Robert Thomas. Labeled “Buried with Him by Baptism,” the print is an engraving of Jesus being baptized by John in the river Jordan. A crowd of onlookers watch from the shore while angels look down from on high. God is represented by a sun with Hebrew lettering inside. (EDIT: the lettering is YHWH in reverse. Revere neglected to engrave the lettering on the plate backwards so all the prints he made from that plate spell the name of the God backwards instead.) He speaks through one of the rays of the sun saying: “This is my beloved Son, – hear ye him.”

The design is not what you would call top of the notch. Dürer was in no danger of being eclipsed by this particular printmaker. It was the “P. Revere Sculp” signature in the bottom right that made Malchodi realize the piece might be historically significant. She brought it to Richard Noble, the rare materials cataloguer for the John Hay Library, and he recognized the style as typical of the work of silversmith and Revolutionary War hero Paul Revere’s print work. “That’s just crude enough to be him,” is how he put it.

Noble did some research to see if he could confirm the print was made by Paul Revere. He found out that not only is the print documented as one of Paul Revere’s engravings, but it’s extremely rare with only four other copies known to exist. Even rarer, this print is the only one of the five to have the full plate mark visible. The other four have been cropped, removing the mark left by the edges of the metal plate when it was pressed against the paper.

“The Bloody Massacre perpetrated in King Street, Boston on March 5th 1770 by a party of the 29th Regiment,” engraving by Paul RevereRevere began making prints in 1765, most of them on political themes supporting the colonial cause. He didn’t always make the original drawing, however. One of his best known prints, “The Bloody Massacre perpetrated in King Street, Boston on March 5th 1770 by a party of the 29th Regiment” was copied from an original drawing by Henry Pelham.

Why did Revere create the print in the first place? How did the Drowne family come to own it? Based on Jesus and John’s position chest-high in the water, Noble categorizes it as a theo-political cartoon depicting a Baptist ceremony. In his book, Brigham indicates that he could find no evidence that it was ever used publicly in a book or religious pamphlet. He also could find no model in any British book or periodical that Revere might have used as inspiration for this style of baptism depiction. Noble believes it may have been a one-off printing, meaning that Revere only made a few at a time to give to friends and close acquaintances who requested it, which also explains why the print is so rare.

“It appears to be an American original, by an American original. The son of French Huguenot refugees who eventually became, by all accounts, a Unitarian. The print thus marks a stage in the evolution of that aspect of Revere’s life,” Noble said.

Solomon Drowne and his family were prominent members of the First Baptist Church of Providence, Rhode Island, also known as the First Baptist Church in America because it was in fact the first Baptist church in America, founded by Roger Williams in 1638. Drowne was dedicated to the Revolutionary cause, serving as a surgeon for the Continental Army from 1776 to 1780 and then as ship’s surgeon on the privateer sloop Hope. (He published a journal about his time on board the Hope; pdf here.) It’s certainly conceivable that Paul Revere might have given the print to Drowne, but he could have gotten it any number of ways.

Two Chinese artifacts worth millions stolen

Late at night on Thursday, April 5th, burglars broke through the brick wall of Durham University’s Oriental Museum, smashed two display cases and stole two Qing Dynasty artifacts worth a combined $3.2 million. That’s undervalued in terms of market pricing, I’m sure, because Chinese antiquities are breaking sales records left and right these days, and it’s undervalued in terms of historical and artistic significance. The museum considers the artifacts, high quality pieces from China’s last imperial dynasty, priceless.

The objects are an intricately carved, dark green jade bowl from 1769 and a Dehua porcelain figurine depicting seven fairies in a boat from the 17th century. The bowl has a poem engraved on the inside bottom. The figurine is covered inside and out in a milk-white glaze known as blanc de Chine that is characteristic of the Dehua area kilns. They are easily portable and highly desirable to unscrupulous collectors.

Qing Dynasty jade bowl, 1769 Qing Dynasty jade bowl, poem engraved insideDehua porcelain fairy boat, 17th century

The senior investigating officer, Det Supt Adrian Green said he estimated the burglars had been in the premises for only a minute or two at the most once they forced entry.

“It seems very clear that this was a well-planned, highly organised break-in. They have spent around 40 minutes creating a hole in an outside wall and when it has been big enough, they have entered the gallery and made straight for these two items,” said Det Supt Green.

“I am sure this job has been planned for quite some time and I would think the artefacts have been stolen to order, for someone who has already identified a potential market.”

Alarms did go off, alerting museum security and the police, but the burglars were able to escape before the authorities got there.

Durham Police are pursuing the case with vigour. They are looking for any information people might have regarding the movements of a light blue Audi A3 and an orange Renault Megane. The cars were spotted in the area right before and after the crime. They’ve also arrested five people already on suspicion of assisting the thieves or conspiracy to commit burglary. The five suspects were interrogated and then released on bail, but police want one of them back. The authorities have released the pictures of two people they’re particularly keen on interviewing, Lee Paul Wildman (35) who was one of the five suspects detained earlier, and Adrian Mark Stanton (32).

Should you have any information about the burglary, suspects or cars, please call the Durham Constabulary at 0345 60 60 365 or Crimestoppers at 0800 555111. Sadly, the museum will be closed until further notice.

Volunteers help document historic Irish cemeteries

Tifeaghna graveyard, KilkennyHeadstones are a rich source of information for historians and genealogists, but since they’re not easily scanned like paper documents, you usually have to visit in person. Thanks to a program funded by a tax on plastic bags and staffed primarily by volunteers, people looking for their Irish forebears will be able to view headstones from selected historical cemeteries in Ireland.

Experts train local volunteers for two weeks. The volunteers take pictures or good ol’ fashioned pencil rubbings of headstones, and then collect any other information — stories, legends, audio of oral histories and video of the headstones — associated with the graves. Smartphones, digital cameras and GPS devices facilitate data collection and digitization. The data is then uploaded to the Historic Graves website where people can search for specific graves using keywords, family names, year of birth, or year of death. You can also search by graveyard, or, if you don’t know the cemetery’s name, by map.

It’s a brilliant way to utilize the knowledge and passion of local heritage groups, parks employees, schools and volunteer graveyard maintenance organizations to share a wealth of Irish history with people who might otherwise never have a chance to see where their ancestors are buried, or even just to enjoy the beauty of and history behind these cemeteries.

[Project coordinator John] Tierney said historic graveyards were full of heritage and character and were “unique connectors between people and place”.

“The goal is that communities will develop a richer view of their local heritage with benefits for locals and for tourists who find Irish historic graveyards so fascinating. Many of the 19th and early 20th century Irish city graveyards have links across to families and communities in the UK and by making the burial data available via the web and smartphone devices, it is hoped to connect into the growing area of genealogical tourism.”

Abbeylands graveyard, CorkThe data will be parlayed into handy county, area, and national cemetery trails for local and international heritage tourists to follow. There will also be a separate mausoleum trail.

The survey started eight months ago and there are already over 6,000 graves from 80 graveyards in 12 counties recorded and published on the website. Data from various older surveys has been centralized and added to the site, which is why there are graveyards in England and Scotland visible on the map. They have a long ways to go, though. There are over 3600 historic cemeteries in Ireland and the ultimate aim of the project is to document and digitize every one of them.

If you’d like to help, you can sign up to transcribe memorial inscriptions from the photographs. Register to be a transcriber here, then view the pictures and transcribe the names and dates. Your transcription will be published as soon as you submit it, making that record instantly searchable.

See some beautiful cemeteries and surveyors at work on the Historic Graves YouTube channel.

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