Celtic burial ground found in Nîmes

Archaeologists excavating the site of future apartment building construction in the center of Nîmes have unearthed a small Celtic burial ground. Dating between the 6th and 5th centuries B.C., burials include three cinerary graves, two ceramic ossuaries and a bone pit. Grave goods of knives and fibulae suggest the deceased were probably men.

The necropolis was a small but deliberately planned space. It runs along a central north-south axis about 130 feet long which was probably a walkway between the graves in antiquity. There’s evidence of an east-west axis about 120 feet long, but it’s not clear if it was an agricultural enclosure or part of the funerary complex. Each grave is rectangular and separated by ditches. The ditches served as the foundation for thick timber and earth walls. Most of the enclosures were disturbed by later construction, but two of the five are intact and adjacent to each other, joined by the short sides of the rectangle.

The location relative to the Iron Age settlement is ambiguous. The necropolis was about a third of a mile from the agglomeration that would become Nîmes, far enough away to make it unclear whether the tombs belonged to residents of the town or of the countryside. What is certain is that after the burials stopped, the necropolis was converted to viticulture. Around 50 vine pits have been discovered, all regularly arranged in the east-west orientation of the shorter ditch. The vine cultivation dates to the early 2nd century B.C., after which the vineyard was replaced by an orchard.

In the Imperial era, a Roman road was built through the necropolis, following the lines of the funerary enclosures. It was just outside the city walls, a few hundred feet from the south gate. The road through the former burial ground would have crossed the main road out of town, the Via Domitia.

Interestingly, while the site appears to have been used for farming in the Middle Ages and there is no evidence that anybody even knew it had ever been a burial ground, but its ancient purpose saw a brief revival in the modern era. The skeletal remains of three individuals were unearthed in the excavation. Archaeologists believe they were likely Protestants, and therefore prohibited from burial in the consecrated ground of a Catholic cemetery. There was a sizeable Protestant population in Nîmes during the 16th and 17th centuries, but its churches (called temples) were either destroyed or repurposed after the Revocation of the Edict of Nantes in 1685.

Mystery portrait identified as Mary Boleyn

A painting in the Royal Collection previously known only as Portrait of a Woman has been identified as a portrait of Mary Boleyn, older sister of Anne Boleyn and mistress of her future husband Henry VIII. The identification was made thanks to researchers with the Jordaens Van Dyck Panel Paintings Project (JVDPPP), a multidisciplinary study based in the Royal Museums of Fine Arts in Brussels of oak panel paintings by 17th century masters Jacques Jordaens and Sir Anthony Van Dyck. The portrait is in the style of Flemish artist Remigius van Leemput, so not one of the two artists on the project’s masthead, but Leemput worked in Van Dyck’s studio and he specialized in making copies of the master’s paintings, especially his portraits of the British aristocracy. Not all of the originals have survived, so  van Leemput’s work is of particular interest to the researchers both for comparative purposes and to get as close to lost originals as possible.

The JVDPPP examined it and another 13 portraits of women, collectively known as the Beauties, by van Leemput that are in the Royal Collection. The other 13 are contemporary portraits, however, aristocratic 17th century women garbed and coiffed in styles of their time. The unnamed woman in Portrait of a Woman is the only one in 16th century clothing and hairstyle.

They examined it in September of 2019. Dendrochronological analysis on the oak support found that it was cut from the same Baltic tree around 1629 as the only other portrait of the 14 whose sitter was previously unknown. Archival research revealed a key clue tying the two portraits together: photographs of two paintings in private collections with inscriptions identifying the 16th century woman as Mary Boleyn and the 17th century one as Lady Herbert, ie, Margaret Smith, wife of Thomas Carey who was Mary Boleyn’s great-grandson. A few years after her portrait was painted, her husband died and she married Sir Edward Herbert.

Sir Oliver Millar, then Surveyor of H. M. The Queen’s Pictures, wrote in his 1963 book The Tudor, Stuart and Early Georgian Pictures in the collection of Her Majesty the Queen that in the 19th century the painting was believed to be one of several copies of a Hans Holbein portrait of Anne Boleyn. By 1861 it was listed in the catalogue as a “portrait of a lady” and the sitter has been anonymous for nearly 160 years until this discovery.

Desmond Shawe-Taylor, Surveyor of the Queen’s Pictures, told the Sunday Telegraph: “It’s absolutely fascinating. We don’t have the resources to apply technical examination like dendrochronology to the whole collection, which is 7,000 paintings, so it’s wonderful to collaborate with the JVDPPP to help us in that way. One of the things that I’m endlessly trying to do is to group the paintings properly to sort out their history and their relationship to each other.

“When a stray is reunited with the family, there’s joy in heaven. It disproportionately increases the value and understanding of the whole group.”

Describing the paintings as “absolutely beautiful”, he said that the set could now be reunited.

Justin Davies, a British art historian and JVDPPP co-founder, said of the research: “It’s been a voyage of discovery. The results were remarkable and unexpected. Six of the 14 panels had been made from the same oak tree. The tree had started growing in south-west Germany before 1393 and was cut down between 1651 and 1671. In itself, this result constitutes a world record – six panel paintings from the same tree had not been recorded before.”

He added: “The remaining eight pictures are four pairs of two in terms of their trees of origin. “

The newly-identified Mary Boleyn portrait now hangs in the bedchamber of Mary, Queen of Scots, at the Palace of Holyroodhouse in Edinburgh.

Intact 1,300-year-old burial found in northeast Mexico

The skeletal remains of a man buried at least 1,300 years ago have been discovered in the northeastern state of Tamaulipas, Mexico. It is one of the first known intact pre-Hispanic graves in the region found outside of a cave.

The remains were discovered on July 8th during construction of a raised water tank for the community of San Lorenzo de las Bayas. Located in the Sierra Madre Oriental mountains, remote San Lorenzo is connected to the nearest city, Ocampo, by a 25-mile dirt road. Significant archaeological sites, including ancient open-air settlements and cave art, have been found there thanks solely to the reports from local residents who are very conscious of their cultural patrimony. This is the first known intact burial found in the area. The workers promptly notified the National Institute of Anthropology and History (INAH) of the find and two days later archaeologists were on site. The team excavated the grave and also supervised the ongoing construction of the reservoir.

The remains were found to be of an adult male between 21 and 35 years old at time of death. He was buried in a seated position with his knees bent. His body had been wrapped in a petate, a bedroll made from palm fibers, which has now disintegrated, but it preserved his bones in their original burial posture. Buried with him was a tripod molcajete, a ceramic mortar with three support legs typical of the Classic Period, ca. 400-700 A.D.  It is by the side of the skeleton now, but was probably originally on top of the grave.

The remains were recovered and transported to the osteological laboratory of the Centro INAH Tamaulipas where they will be cleaned, conserved and studied to narrow down his age, determine if he had any illnesses, his possible cause of death and whether his skull show signs of deliberate cranial deformation. Archaeologists spotted signs of at least two more burials at the site, so INAH plans to explore it further in future digs.

Jupiter column found in Roman well in Germany

Archaeologists have unearthed a Roman well containing the remains of a column with depictions of Jupiter and three goddesses in a lignite mine in Kerpen, Germany. Columns with figural depictions of this kind from the Roman era are extremely rare in the Rhineland. The well was exposed when the opencast mine pit was 50 feet deep.

The timber-sided well and its fill were discovered in the Hambach mine and archaeologists from the Rhineland Regional Council’s Office for Monument Preservation in the Rhineland (LVR-ABR) called in to excavate it. Inside they found the remains of marble carving of Jupiter seated on a throne. It was heavily damaged with only the throne and lower body of the god extant, but its dimensions indicate the column was around 16 feet high when intact.

A relief at the foot of the column is also believed to depict Jupiter, but it too is damaged enough to make identification tentative. Another relief carved around a cylindrical drum shows three goddesses: Juno, consort of Jupiter, Minerva, goddess of wisdom and an extremely rare depiction of Nemesis-Diana, a composite of the goddess of vengeance and the goddess of the hunt. She is identifiable as such because she wears the short dress of Diana and is accompanied by a wagon wheel, an attribute of Nemesis. There is evidence of the worship of Nemesis-Diana in the Roman Empire, but iconographic representations are scarce. This is the first one ever discovered in the Rhineland.

The remains of Jupiter columns have been found before on Roman villas in Germany. Archaeologists believe they probably adorned the courtyards of wealthy homes. The quality of construction of the well suggests it too was part of luxury estate. Its foundation is composed of large sandstones each weighing several tons. They had to be transported to the site. The cost of moving such large stones would have been exorbitant and affordable only to the elite.

Similar wells found in the area mostly date to the 2nd and 3rd centuries. Ceramic fragments found in the backfill of the well indicate that it was in use until the 5th century. It’s hard to say when the Jupiter column parts were deposited in the well. It could have been as early as the 3rd century, perhaps as a result of destruction wrought by Germanic invasions, or the representations of Roman deities might have been damaged and drowned by Christians in late antiquity. Archaeologists hope the well-preserved wood elements of the well will provide an absolute date on its construction.

14th c. gold and silver coin hoard found in Bohemia

A hoard of 435 gold and silver coins from the 14th century was discovered by a couple on a walk in the woods near Kladruby Monastery in  western Bohemia, Czech Republic. Well, technically, the hoard was discovered by a wild pig who started the excavation. The couple came across a two gold coins and one silver in the brush next to a large flat stone. When they lifted the stone, they saw there were many more coins underneath it. They reported the find to the Museum of West Bohemia in Plzeň and archaeologists unearthed the whole hoard.

There are 92 gold coins weighing a total of 326 grams and 343 silver coins in the hoard. The silver coins are of the groschen type which were common in Bohemia and central Europe in the 14th century. Most of the ones in the hoard were minted in Bohemia during the reign of Holy Roman Emperor Charles IV. They are very worn so must have been in wide circulation. The gold coins, on the other hand, are in excellent condition. They are ducats of Charles I of Hungary, of the Holy Roman Emperor Charles IV, of Albert III, Duke of Austria, and Rupert I, Elector Palatine and gold florins from Louis I of Hungary.

Archaeologists believe the coins were buried in the ground in the late 1370s. While the reason why someone hid the treasure is likely to remain unknown, it was most likely linked to the nearby Monastery in Kladruby.

“The monastery was located on a strategic medieval trade route between Prague and Nürnberg. And since the discovery was made not far from there and close to the royal town of Stříbro, it is very likely that it is somehow connected to it.”

The Kladruby Monastery, a Benedictine abbey established by Vladislaus I, Duke of Bohemia, in 1115, was rich from the beginning, endowed with numerous properties and titles. Its wealth and power increased geometrically, peaking in the 14th century when the monastery’s income and territory were at royal levels. It had its own network of defensive castles on its feudal estates and was often mired in conflict with the nobility of the area.

Because of the vast sums that flowed into the abbey’s coffers and its military power, the question of who would be appointed abbot was of enormous political import. This came to blows in 1396 when John of Nepomuk, vicar-general of the Archdiocese of Prague, appointed the candidate supported by his boss the archbishop and the Pope instead of the one selected by King Wenceslaus IV of Bohemia. The king had John tortured, thrown off a bridge and drowned. He was immediately revered as a martyr and canonized a saint.

The coins are now being conserved and catalogued. They will go on display at the Museum of West Bohemia in Plzeň at the end of this year or the beginning of 2021.