Charlemagne’s bones found in his coffin

That may seem obvious, but given how often he was exhumed and reburied and parts of him given away as relics, it’s actually quite notable that the collection of bones in the Karlsschrein, the Shrine of Charlemagne, and other reliquaries in the Aachen Cathedral all appear to come from the same person who matches contemporary descriptions of the Frankish king.

Charlemagne died almost exactly 1200 years ago, on January 28th, 814, and was buried in the choir of the Palatine Chapel in Aachen Cathedral. (See Einhard’s Life of Charlemagne, written 15-20 years after his death for a description.) In 1000, Otto III, keen to present himself as the successor of the great man, had the burial vault opened. According to German chronicler and bishop Thietmar of Merseburg who was a contemporary of Otto’s, when the vault was opened they found Charlemagne’s uncorrupt body seated upon a marble throne wearing a crown with a scepter in his hand and the gospels open in his lap. Otto reportedly Helped himself to some of the relics and brought them to Rome.

Frederick I Barbarossa was the next to disinter Charlemagne. In 1165, he had the remains exhumed and displayed as holy relics at the Aachen Court festival. Again this was a means for Frederick to establish a connection with the revered leader and to position Aachen as a center of pilgrimage like St. Denis or Westminster. To curry favor with Frederick, Antipope Paschal III canonized Charlemagne that same year, although this, like all of Paschal’s acts, was never recognized by the Vatican. Barbarossa had Charlemagne’s remains reburied, this time in an elaborate third century A.D. Roman marble sarcophagus depicting the Rape of Persephone, which may seem incongruous as a topic for Christian burial, but like many ancient myths was re-interpreted as a symbol of Christ’s resurrection.

He didn’t stay there for long. In 1215, Frederick II had Charlemagne exhumed yet again. He commissioned local goldsmiths to make a rich gold casket to hold the bones. That’s the Karlsschrein originally in the placed in the center of the Palatine Chapel underneath a chandelier donated by Frederick Barbarossa in 1168.

Nearly 200 years passed before the next king inserted himself into Charlemagne’s eternal rest. In 1349, some of his bones were removed to individual reliquaries by Holy Roman Emperor Charles IV. He had a gold reliquary made to contain a thigh bone, and the Bust of Charlemagne to contain the skullcap. Louis XI of France contributed to the trend in 1481 by commissioning the Arm Reliquary, a golden arm that contains the ulna and radius from Charlemagne’s right arm.

It was scientists who took over from the emperors and kings. In 1861, Charlemagne’s remains were exhumed again so they could be studied. His skeleton was reconstructed and a very generous estimate (1.92 meters, or 6’4″) made of his height. In 1988, scientists exhumed his remains one more time, this time in secret. This study covered the bones in the reliquaries as well, a total of 94 bones and bone fragments, and they spent years meticulously examining and testing the collection. On Wednesday, January 28th, the 1200th anniversary of Charlemagne’s death, the results of the research were announced.

One of the scientists studying the remains, Professor Frank Rühli, said: “Thanks to the results from 1988 up until today, we can say with great likelihood that we are dealing with the skeleton of Charlemagne.”

From studying the dimensions of the upper arm, thigh and shin bones, scientists have built up a picture of the man behind the skeleton, and it matches descriptions of Charlemagne.

At 1.84 metres (six feet), he was unusually tall for his time. The team also estimated his weight at around 78 kilograms, giving him a slim body mass index of around 23.

The average height for an adult male in the 9th century was 1.69 meters or 5’6″, which put Charlemagne in the 99th percentile. Einhard’s description of him fits the results of the study even in some of the smaller details, like the limp that struck him in his later years. Researchers found that the kneecap and heel bone had deposits consistent with an injury.

From Chapter 22 of the Life of Charlemagne:

Charles was large and strong, and of lofty stature, though not disproportionately tall (his height is well known to have been seven times the length of his foot); the upper part of his head was round, his eyes very large and animated, nose a little long, hair fair, and face laughing and merry. Thus his appearance was always stately and dignified, whether he was standing or sitting; although his neck was thick and somewhat short, and his belly rather prominent; but the symmetry of the rest of his body concealed these defects. His gait was firm, his whole carriage manly, and his voice clear, but not so strong as his size led one to expect. His health was excellent, except during the four years preceding his death, when he was subject to frequent fevers; at the last he even limped a little with one foot.

Babe Ruth’s lost 1923 World Series watch for sale

The first World Series Championship rings were given to the New York Giants in 1922 after they defeated the New York Yankees, who were actually their tenants at that time, paying extortionate rent to use the Giants’ Polo Grounds as their home field. The next year’s World Series would be a rematch with a very different outcome. For one thing, the Yankees weren’t their opponents’ tenants anymore. Yankee Stadium opened to a record crowd of 74,000 on April 19th, 1923, and when the New York teams went to the World Series, Babe Ruth inaugurated their new home with a home run in game one. He hit two more home runs in the remaining games of the series and finished the season with a phenomenal .368 batting average, the highest of his career and still to this day the highest batting average in Yankees history. The Yankees won in six, their first World Series win.

The Yankees received a pocket watch for their victory in the 1923 World Series, then a common gift. The Yankees would continue to receive watches until 1927 after which they switched to rings too, and in the next decade all the other teams followed suit. Now rings are de rigeur and watches are artifacts that only rarely appear on the market. It’s a 14 karat gold Gruen Verithin watch made in Cincinnati. It has an unusual pentagonal shape and is engraved on the back with a scene of a pitcher throwing a ball at a hitter while a catcher crouches behind him. Above them writ large is “YANKEES” and below the field is “World’s Champions 1923.”

Babe Ruth’s 1923 World Series watch was one of his most prized possessions, representing the dawn of Yankee dominance, his personal best batting average and the opening of the stadium that would become known as The House That Ruth Built. In 1946, Ruth was diagnosed with cancer at the base of his skull and in his neck. His doctors tried everything — experimental drugs, radiation — but despite a brief remission in 1947, the Babe’s health rapidly deterioration. During this time, his friend Charles Schwefel, manager of the Gramercy Park Hotel whose bar Ruth had been a regular at since the 1930s, was constantly by his side as the cancer took its inexorable toll in 1947 and 1948.

His doctors and family hid his cancer from Ruth, but he could see the writing on the wall. Sometime in those last two years of his life, Ruth asked Schwefel if he’d like to have anything from his collection as a memento. Schwefel asked for the 1923 watch. Ruth had his name engraved on the upper edge of the back of the watch, added a line to the engraving on the inside rear case “To My Pal Charles Schwefel,” and gave his pal the watch.

Schwefel only kept it for two years after which his wife gave it to Charles’ nephew Lewis Fern saying that it should have been his all along. Fern had caddied for Ruth for years, including on May 6th, 1937, when they saw the Hindenburg pass overhead on the way to its tragic fate while they were playing at St. Alban’s Golf Club in Queens. Lewis Fern kept the watch for almost four decades. In 1988, he sold it to an anonymous private collector (sigh) for $200,000. Said collector apparently has one of the greatest sports memorabilia collections in the world, but he keeps it hidden and unpublished. Once the watch was sold to him, it disappeared off the face of the earth and was considered lost.

Now it emerges again, for sale at Heritage Auctions’ Sports Platinum Night Auction in Manhattan on February 22nd. Online bidding has already begun with the current bid at $240,000. The pre-sale estimate is $750,000+, but for such an important artifact from baseball’s most legendary player and most dominant franchise, the sky is the limit.

“As the Babe’s personal award for the first World Championship in New York Yankees franchise history, I believe that this is the most important piece of New York Yankees memorabilia that exists,” said Chris Ivy, Director of Sports Collectibles at Heritage Auctions. “This championship watch, which was thought lost to time, will now take its rightful place as one of the crown jewels of sports memorabilia. Based on prices realized for similar historic championship hardware, I wouldn’t be surprised to see it far exceed our preliminary auction estimate.”

One of the oldest temples in Rome unearthed

A team of archaeologists excavating the site of Sant’Omobono in the historic center of Rome have unearthed the foundations of one of the oldest temples in Rome. In the shadow of the 15th century church of Sant’Omobono just east of the Tiberine Island, archaeologists and students from the University of Michigan, the University of Calabria, the Museum of London Archaeology and the City of Rome dug a trench 15 feet deep to reveal the remains of an archaic temple from the 6th century B.C. when Rome was still ruled by Etruscan kings. Along with the remains of the first temple of Jupiter Capitolinus, also built under the reign of the kings in the 6th century B.C. and destroyed in 83 B.C. during Sulla’s second civil war, these are the oldest temple ruins found in Rome.

Because the depth of the trench was seven and a half feet below the water table, the walls had to be shored up with metal sheeting and multiple sump pumps to allow the team to dig through the ancient layers. That’s why Alison Telfer, the Museum of London Archaeology expert, joined the team this season, because of her expertise in excavating waterlogged environments thanks to years of digging in soggy London.

After weeks of excavation, the team found three levels of masonry and a step. The stonework is exceptional, dry wall construction of precision-cut volcanic tufa blocks that are still beautifully flush even after millennia.

Terrenato says the archaeologists had to fight claustrophobia to be able to spend as much as 8 hours a day at the bottom of that trench.

“You’re in a very deep hole, and although you know in theory that the sheeting is going to hold everything up, there is a primal part of your brain that tells you to get out of there, if the walls come closing in there’s not going to be any way out for you,” he says.

The foundations of the temple of Fortuna were visible for only three days — for security reasons, the team could not leave the trench open and it had to be filled up again.

To the west of the temple remains was discovered a large bank of clay that is so straight is can’t have been formed by human hands. Archaeologists believe it may have been built up against a vertical structure that is now gone, perhaps a wooden form that was removed or wall that has long since decayed. It could have been a river wall to protect the temple from flooding or perhaps used during the construction of the temple. About halfway down the clay bank, the team unearthed a group of vessels that are thought to have been votive offerings, sacrifices to the gods that were placed on the site when the bank was being built.

The area in which the temple remains were discovered was known as the Forum Boarium, meaning “cattle market,” a center of trade on a bend in the river that was both a natural harbour and a crossing point of the Tiber. When the temple was built, Rome was already trading with the likes of Cyprus, Lebanon and Egypt as well as Italian peoples including the Latins, Etruscans and Sabines. The temple was deliberately built on the harbour so that it would welcome visitors and merchants, standing as a symbol of good will and fair trade guaranteed by the deity.

Archaeologists believe the temple was dedicated to the goddess Fortuna. It was dismantled in the early Republican period, around the 5th century B.C., and replaced with twin temples dedicated to Fortuna and Mater Matuta, a Latin mother goddess whose temples have been found on other ports. The temples were added to and rebuilt over the centuries through at least the second century A.D. In the sixth century an early Christian church was built on the site. The podium of the twin temples, made out of tufa slabs, still survives. It is now part of the foundation of the church of Sant’Omobono.

And that’s not all this archaeological site has to offer. Since it was first discovered during the burst of Fascist construction in the city center in the 1930s, the Sant’Omobono area has revealed evidence from 17 different phases of human occupation, from pottery sherds that date to between the 16th and the 12th centuries B.C., some of the earliest artifacts ever found indicating human habitation of the spot that would become Rome, to the remains of wattle and daub structures from the seventh century B.C.

To read Alison Telfer’s short and ever so sweet weekly reports on the dig, see the Museum of London Archaeology website. Keep an eye on the Sant’Omobono Project’s publications page for upcoming papers on the newly discovered temple and other finds from the season.

Two new Sappho poems discovered

Although the 7th century B.C. Greek lyric poet Sappho of Lesbos was one of the most revered poets of antiquity and highly prolific, by the Middle Ages most of her works were lost. Only one complete poem and parts of four others have survived, including three fragments among the Oxyrhynchus Papyri. Now two new poems have been found on a 3rd century A.D. papyrus in private hands.

The anonymous owner brought the papyrus to Oxford University classicist and papyrologist Dr. Dirk Obbink who recognized its enormous significance. The condition is exceptional. Harvard classics professor Albert Henrichs calls it the best preserved Sappho papyrus known to survive. The two poems are 20 and nine lines each, with a total of 22 lines preserved in their entire length. The last seven lines are missing three to six letters from the beginning and end of verses and there are only traces of the last line remaining.

The subject matter is even more exciting than the condition.

One of the two recovered poems, Prof. Henrichs notes, speaks of a “Charaxos” and a “Larichos,” the names assigned by ancient sources to two of Sappho’s brothers but never before found in Sappho’s own writings. It has as a result been labeled the Brothers poem by Prof. Obbink.

“There will be endless discussion about Charaxos and Larichos, who may or may not be Sappho’s brothers,” Prof. Henrichs commented. One important point in that debate will be the Brothers poem’s clear implication that Charaxos was a sea-going trader. The historian Herodotus, writing about two centuries after Sappho, also describes Charaxos as a wayfarer—a man who traveled to Egypt, where he spent a fortune to buy the freedom of Rhodopis, a beautiful slave he had fallen in love with. Upon his return home, Herodotus relates, Sappho brutally mocked her brother’s lovestruck folly in one of her poems.

The Brothers poem contains no such mockery, but rather depicts an exchange between two people concerned about the success of Charaxos’ latest sea voyage. The speaker — perhaps Sappho herself, but the loss of the poem’s initial lines makes this unclear — advises that a prayer to Hera would be the best way to ensure this success, and expounds on the power of the gods to aid their favorites. The poem’s final stanza speaks of Larichos, presumably Sappho’s younger brother, “becoming a man…and freeing us [Sappho’s family?] from much heartache.”

The second poem is an appeal to the goddess Aphrodite, possibly a prayer for aid in securing the affections of a new lover.

The source of the papyrus is not known. It’s most likely to have come from Egypt where the dry climate preserves papyrus like the Oxyrhynchus fragments.

Dr. Obbink has published a paper about the discovery which is available online here (pdf). It includes a transcription (not a translation) of the text, so those of you who can read Aeolic Greek can read the full poems.

UPDATE: The Telegraph has a translation of the Brothers Poem!

Still, you keep on twittering that Charaxos
comes, his boat full. That kind of thing I reckon
Zeus and his fellow gods know; and you mustn’t
make the assumption;
rather, command me, let me be an envoy
praying intensely to the throne of Hera
who could lead him, he and his boat arriving
here, my Charaxos,
finding me safely; let us then divert all
other concerns on to the lesser spirits;
after all, after hurricanes the clear skies
rapidly follow;
and the ones whose fate the Olympian ruler
wants to transform from troubles into better –
they are much blessed, they go about rejoicing
in their good fortune.
As for me, if Larichos reaches manhood,
[if he could manage to be rich and leisured,]
he would give me, so heavy-hearted, such a
swift liberation.

Rare Edward VI shilling found in Canada

Retired security system specialist Bruce Campbell (no relation to Ash from Evil Dead) was looking for Victorian-era coins and artifacts along the Gorge Waterway in Victoria, British Columbia, on December 13th, 2013, when he found a coin buried three or four inches deep in the mud flats at low tide. It was so caked in the area’s characteristic blue clay that he couldn’t identify it. He posted pictures of his finds — an 1891 Canadian nickel, a 1960s a silver dime, an early Canadian penny and the mystery coin — on the Official Canadian Metal Detecting forum where he is a moderator. It was the clay-caked coin that aroused the most interest of the forum denizens, some of whom recognized it as a rare silver shilling from the brief reign of King Edward VI, son of Henry VIII and half-brother of Elizabeth I.

The coin is one millimeter thick and 33 millimeters in diameter and was minted at the Tower of London between 1551 and 1553. On the obverse is a bust of the young king crowned facing left. It is inscribed EDWARD VI D G AGL FRA Z HIB REX (Edward VI by the Grace of God King of England, France and Ireland). On the reverse is a shield bearing the royal coat of arms over a long cross fourchee, a heraldic term for a cross where the end of each arm is forked. The inscription reads POSUI DEU ADIUTORE MEUM (I have made God my helper).

This is a significant coin for many reasons. It was one of the earliest shillings — the 12 pence coin was called the Testoon when it was first minted — and it’s the first one that was made of sterling silver instead of base. Edward VI restored the silver standard in 1551, increasing the silver content from a paltry 0.250 (meaning 25% silver by mass) to 0.925. The sterling silver shilling was popular and widely circulated, but that popularity means surviving coins tend to be heavily worn, trimmed or damaged.

The one Bruce Campbell found is in quite good condition. The dense blue clay of the Gorge is a low oxygen environment which makes it an excellent preserver of 500-year-old coins. Campbell attempted to remove the mud crust by cleaning the coin first in olive oil. When that didn’t work, he soaked it in lemon juice for two days and then wrapped it in aluminium foil for a half hour. The crust came off, revealing the details of the design. Obligatory disclaimer: although the results in this case appear to be okay, don’t clean things! Let the experts handle it. You could so easily damage the artifact, ruin its market value and historic patina. Also, you never know what’s in the stuff that looks like dirt.

The coin’s condition and discovery spot has led some to speculate that it might have made its way to Victoria via Sir Francis Drake who may or may not have visited Victoria on a secret mission in 1579. The main evidence of this mission appears to be two other English coins from the 16th century found elsewhere in British Columbia, which is not exactly solid ground considering that coins can travel at any time after they’re minted.

It doesn’t need a Drake association to be awesome. It’s the oldest coin found on the west coast of Canada and it’s an important coin in English history. Now it has drawn the attention of the Royal B.C. Museum. Curator Grant Keddie has made contact with Mr. Campbell and plans to examine the shilling. He’s interested in the Drake theory and will test the material to attempt to discover how long the coin has been in Victoria. Keddie would like other metal detector enthusiasts and mudlarks “to take another look at things they may have found here that are not identified — such as ceramics or glassware — that might date to the same time period as the coin.”