Beau St. Hoard is older, more varied than expected

Cleaned silver denarii from the Beau Street HoardBritish Museum conservators have been examining the hoard of coins found by archaeologists on Beau Street in Bath in November of 2007 and announced earlier this year. Although the painstaking process of excavating the coins from the solid block of soil, then cleaning and documenting them is still in the early stages, a number of unexpected discoveries have been made.

The coins are fused together by a combination of soil and copper corrosion which makes the number hard to assess. Archaeologists first thought there were 1,000 coins in the hoard, but when they realized they were stuck together in stacks rather than more spread out, they revised the estimate putting the number of coins in the hoard at around 30,000. After some excavation, British Museum metals conservator Julia Tubman thinks the actual number is closer to 22,000, although some of her colleagues think there may be as many as 25,000 coins in the block.

X-ray of soil block, bags of coins in blueAll of the coins were originally placed in either a stone-lined box which has since decayed or simply a stone-lined hole in the ground, but thanks to the dirt and corrosion, the coin block has still kept the shape of the cist in which they spent so many centuries. This is common in ancient hoards, but it turns out the coins of the Beau Street Hoard were not placed directly into the cist. X-rays of the soil block taken at University of Southampton’s Department of Engineering Sciences before conservation began reveal at least six distinct groupings of coins.

That means the entire hoard is actually composed of a half-dozen smaller hoards that were placed into the box, probably in bags. They could have been gathered at different times and placed in the box individually. Perhaps the cist was an official store, a lockbox in a temple, say, or kept by a banker or civic leader of some sort. They could have been buried together all at once, or they could have been sorted into bags just before burial.

Already the first coin samples taken from one side of the block during the Bath excavation have proven to be very different from coins removed from the block at the British Museum. The coins retrieved on site were small, debased, coppery coins from the late third century A.D. known as radiates. These are the most common type of coin found in hoards buried from 270 to 290 A.D.

Septimius Severus silver denarius, 190s A.D.The coins Julia Tubman has retrieved and cleaned at the lab are considerably older. She has been able to liberate two of the bags from the block (the two smallest at the top right of the x-ray) and one of the bags, bag five, contained silver denarii, mainly from the first half of the third century, suggesting that they were placed in the bag according to denomination rather than gradually accrued. These types of coins are characteristic of hoards buried in the 260s.

Worn Mark Antony coin, 32 A.D.Bag five also contains one of the major surprises of the hoard: a coin minted by Mark Antony in 32 B.C., just before the Battle of Actium. It’s so worn that it’s almost smooth, which means it was in circulation for hundreds of years before it was stashed in that bag. Another old coin dates to the very brief reign of Otho who was emperor from January 15th to April 16th of 69 A.D., the infamous Year of the Four Emperors.

Bag six coins haven’t been cleaned yet, but from the shape and size Tubman believes they are all late third century radiates.

Hoard after bags five and six were removed, brown leather flakes along the edgesAnother big surprise is less impressive in a shiny sense, but perhaps even more remarkable from an archaeological perspective. It seemed unlikely at the beginning of the process that any remains of the bags would be discovered. They were made out of organic material of some kind, fabric or leather, and thus almost certain to have rotted into nothingness. Indeed, there are no pieces of material left per se, but there are remnants. Julia Tubman found flakes of light brown attached to the coins right at the borders of the bags. These areas are very clearly demarcated by the stacking patterns of the coin clusters. She has taken samples so the remains can be tested and confirmed as leather from the bags.

The British Museum blog is posting regular entries about the Beau Street Hoard. Follow along as conservators reveal exciting new finds and for us nerdy few, exciting descriptions of the cautious and deliberate process of excavating this fascinating hoard.

Pieces of Custer, Sitting Bull, Buffalo Bill, Oakley

The same auction selling the document signed by both Lewis and Clark features an exceptional collection of Wild Westerniana. Heritage Auction’s Legends of the Wild West Signature sale lives up to its name, offering objects, pictures and assorted ephemera from some of the most iconic figures of the American West.

Custer's custom saddle used during the Indian WarsOne of them is Lieutenant Colonel George Armstrong Custer, the vain, fearless cavalry commander who fought with distinction for the Union during the Civil War and with considerably less distinction in the Indian Wars. From the days of his earliest commands in the Civil War, Custer made a name for himself — usually not a good one — with his flashy look. He eschewed the standard uniform, creating customized clothing (buckskin jacket, red neckerchief) and gear (pearl-handled Webley revolvers) that came to define him and his men as they adopted elements of his style.

It’s one of those custom pieces that is now for sale: a personal cavalry saddle he had made to his specification and used during the Indian Wars. The cavalry used the McClellan saddle, invented by General George McClellan and adopted by the War Department in 1859; however, Custer wanted to include convenient features from the Western saddle, so he had a saddler modify the cavalry-issue to his specifications. He added a saddle horn, leather covered stirrups and elaborate decoration fit for the dandy he was.

The saddle remained in the Custer family until 1941 when it was purchased by collector Lawrence Frost, so whoever buys it will be only twice removed from the original owner, in addition to having a direct connection to his butt.

Custer died in the disastrous Battle of Little Bighorn on June 25, 1876 fighting the Sioux and Cheyenne, among them the warriors of Hunkpapa Lakota Sioux holy man and chief Sitting Bull. Sitting Bull had been fighting the encroaching United States forces for years before Custer and the 7th Cavalry met their end at Little Bighorn. The Sioux and Cheyenne’s famous victory on that day turned out to be Pyrrhic because it resulted in the US military sending thousands more troops to hunt them down over the next year. Sitting Bull and his band refused to surrender and escaped to Canada in 1877. Their living conditions in Saskatchewan were deplorable.

Sitting Bull and Buffalo Bill, 1895Finally in 1881, cold and hunger drove them back across the border where they surrendered to the Army detachment at Fort Buford in Dakota Territory. Sitting Bull spent the next two years as a prisoner of war before the US authorities allowed him and his people to move to the Standing Rock Reservation in what is now North Dakota. When they arrived at Standing Rock on May 10, 1883, Buffalo Bill Cody was rehearsing his first Wild West in Omaha, Nebraska. As soon as he heard that Sitting Bull was (sort of) free, Buffalo Bill began to campaign for him to join his show.

Standing Rock Indian agent James McLaughlin had other ideas. He wanted to use Sitting Bull for his own profit. McLaughlin put together a show of his own, the “The Sitting Bull Combination,” and toured with the chief, some of his friends, their wives and an interpreter. Part of the show was a speech by Sitting Bull. He would talk about his people’s dire living conditions, then the interpreter would spin a lurid tale about the killing of Custer at Little Bighorn which had nothing even remotely to do with anything Sitting Bull had actually said. (Sitting Bull wasn’t even on the battlefield at Little Bighorn. He was in charge of non-combatant defense.)

Second page of Sitting Bull's contract with Buffalo BillThe Secretary of the Interior was not amused. He made McLaughlin dissolve the troupe, leaving a void for Buffalo Bill to step into. On June 6, 1885, Sitting Bull and John M. Burke (proxy for Buffalo Bill and his partner Nate Salsbury) signed a contract for the chief to join Buffalo Bill Cody’s Wild West show. It was a good deal. Sitting Bull and ten of his people got paid well for four months of work. Sitting Bull made $50 per week, two weeks in advance, plus a $125 signing bonus, plus travel expenses to and from Standing Rock. In an addendum to the contract, Sitting Bull also got sole rights to selling his pictures and autographs, a highly lucrative side deal. The money he made touring with Buffalo Bill supported his people for the rest of the year.

That contract is now up for auction. Because of the addendum to that contract, Sitting Bull sold hundreds of signed pictures and postcards. His signature just by itself is not impossibly rare. His signature on a contract, on the other hand, is not just rare but unique. He never signed a treaty with the US government. This contract marks his entry into the legend of the Wild West as Buffalo Bill wrote it.

Petite but deadly sharpshooter Annie Oakley became part of that legend thanks to Buffalo Bill, even though she was born and raised in Ohio and never stepped foot out west until she went on tour with Cody. In fact, her skills were so remarkable that she was integrated into the mythology both literally and figuratively. When Sitting Bull was in St. Paul doing one of McLaughlin’s shows before he signed that contract with Buffalo Bill, he saw Annie Oakley’s sharpshooting act and was so impressed that he asked to meet her. They got along so well that he adopted her according to Lakota custom, giving her the name “Little Sure Shot.” Annie took the honor seriously, used the name from that day forward and truly considered Sitting Bull her adopted father.

Annie Oakley Stetson hatThere are all kinds of Annie Oakley memorabilia available for sale in this auction. Some relatives of hers are selling a wonderful group of pictures, weapons, letters and my personal favorite: a Stetson hat that is the only western style hat of hers known to survive. It’s beautiful even just as a vintage piece, but it’s downright dreamy given that it once adorned Annie’s wee head.

Thanks to Thomas Alva Edison, we actually have footage of Annie doing her thing. In 1884, three years after the first demonstrations of the kinetograph, Edison’s first moving picture recorder, he asked Annie to come to his studio in West Orange so he could film her high speed shooting with the kinetograph. He wanted to test his machine for accuracy, to see if it could capture the smoke from her gun. It did.

That spring, Annie’s quick decimation of glass targets became one of the first movies shown to the public in kinetoscope parlors.

[youtube=http://www.youtube.com/watch?v=eAmnQvMHlRs&w=430]

As for Buffalo Bill himself, he is represented in the auction by a single lot that is filled with gems. The star of the lot is a Civil War-issue Remington New Model Army .44 percussion revolver Cody used during his years slaughtering buffalo and as a guide for the Army during the Indian Wars. He gave it to his best friend Charles Trego and his wife Carrie for Christmas in 1906. In the accompanying note (also included in the lot) he wrote: “To Charlie & Carrie Trego. This old Remington revolver. I carried and used for many years in Indian Wars and Buffalo killing. And it never failed me.”

Postcard of the Cody trail to Yellowstone, signed by Buffalo BillIts unsavory murderous associations keeps it from being my favorite piece of the varied lot, though. A humble postcard from just before Bill’s death takes that honor. It’s a bird’s eye view of Cody, Wyoming and the entrance to Yellowstone National Park. Buffalo Bill signed and dated it in 1916, a historically significant date for three reasons: 1) it’s the year before Bill Cody’s death and 2) it’s the year after Secretary of the Interior Franklin K. Lane first authorized private cars to enter Yellowstone. The postcard is promoting the town of Cody as a the apex of three great driving routes leading to Yellowstone and cars, flagged as coming from all over the country, especially the northeast, feature prominently in the scene. The train with its vast shadowy passenger masses is secondary to the cars and the individual freedom they provide to drive through Yellowstone and points beyond.

Lastly, 1916 was an election year pitting Republican candidate Supreme Court Justice Charles Evans Hughes against the Democratic incumbent President Woodrow Wilson. On the back of the postcard, Bill Cody wrote an election joke to Charles Trego: “Hughes can’t ride Woodrow he is pulling leather already and will be disqualified.” Pulling leather is a term to describe when a bronco rider is forced to touch his saddle with his free hand, a disqualifying error. So Woodrow Wilson was the metaphoric bucking bronco in this scenario, and he was throwing Hughes so off-balance that he was forced to touch the saddle and thus knock himself out of the running.

I love that so much. If that postcard were separated out from the lot of expensive things like the revolver, I would totally have bid for it.

Greek men arrested trying to sell ancient gold wreath

Gold wreath and armband confiscated from looters in Asprovalta, GreeceHighway police in the village of Asprovalta near Thessaloniki in Greece have arrested two men for attempting to sell an ancient gold wreath and armband. Authorities had been tipped off that one of the men, a house painter, was trafficking in antiquities, so they stopped his car outside Asprovalta and found the beautiful and precious artifacts in a shoebox under the passenger seat. Also in the car was a retired police officer who was detained along with the house painter on suspicion of smuggling antiquities.

The wreath, made in the shape of oak leaves and acorns, weighs almost one kilo (2.2 pounds) which at current prices would be worth over $50,000 in gold weight alone. Add in the archaeological value and it’s priceless. The armband is in the shape of two interwoven snakes, decorated with red gemstones.

The painter, who had apparently been trying to sell the pieces for hundreds of thousands of euros, told police he had gotten the wreath and armband from someone in his hometown of Komotini, the capital of East Macedonia and Thrace, Greece’s easternmost region, but he claimed not to know where they were originally discovered. They could well have been looted from the Komotini area.

The wreath was a rare and valuable find, said Nikos Dimitriadis, head of the Thessaloniki police antiquities theft section.

“It is a product of an illegal excavation from a Macedonian grave, according to archaeologists (who examined it),” he said.

Many Macedonian graves have been discovered to contain elaborate gold artifacts, including gold wreaths. Wreaths were made in the shape of leaves — for example, oak, olive, laurel — associated with various deities. The oak leaves in the wreath in this news story were associated with Zeus who held the oak sacred.

The gold wreath of Philip IIGold wreaths have been found in the graves of the wealthy in the Hellenistic world from Macedonia to southern Italy to the Dardanelles starting in the fourth century B.C. Ancient sources report that gold wreaths were often used in religious ceremonies and donated to religious centers. The most famous and elaborate wreath was found in the Central Macedonia city of Vergina in the tomb of Philip II of Macedon, Alexander the Great’s father. It is made of 313 incredibly fine gold oak leaves and 68 acorns and weighs a total of 1.6 pounds.

Macedonian gold wreath of ivy that inspired the museum's logoThe Archaeological Museum of Thessaloniki, just 25 miles west of where the looters were busted, hosts the world’s largest collection of Macedonian gold wreaths and other metalwork. A drawing of one them is the museum’s logo. Archaeological Museum of Thessaloniki logoIn a coincidence that feels like a painful irony (see Alanis Morissette for more of those), there’s an exhibit at the museum right now entitled End to Antiquities Trafficking which features two Macedonian gold wreaths that were looted and later returned to Greece.

Iowa family finds huge mammoth bones in backyard

Two years ago, John and his sons were looking for blackberries in Oskaloosa, Iowa when the boys saw a round object they thought was a ball in a creek below a wooded area on their property. Upon closer inspection, John noticed that the “ball” had a marrow line around the edge which meant that it was not a plaything, but rather a part of a very large bone.

The family dug up the bone and found it was a four-foot-long femur. Peep the Flintstones-like visual of John carrying the huge thigh bone:

John carries the mammoth femur

The family continued to dig on the site for the next two years, discovering several enormous vertebrae and ribs which they kept in the living room, shifting them to make space whenever they found a new bone. They only told a few trusted people about their new pet and only alerted experts last month when they brought the bones to the University of Iowa for identification. Paleontologists confirmed that they were the bones of a mammoth and therefore at least 12,000 years old which is when mammoths went extinct after the end of the last ice age. They could be as much as 100,000 years old, but they haven’t been dated yet.

Mammoth fossils are fairly common in Iowa, but it is rare to find so many bones, large and small, from a single mammoth in one place. Usually they are found individually, scattered by time, development, predators, etc. This mammoth appears to be whole and undisturbed.

Holmes Semken, professor emeritus of Geoscience at the University of Iowa, intrigued by the number of bones found, organized a team of volunteers from UI and Iowa State to do a full archaeological excavation of the remains. So far they have found small feet bones, floating ribs two and a half feet long and thoracic ribs four feet long. Scientists will continue to dig all summer. They expect to find the head within the next few weeks and will scan the dig site with ground penetrating radar to confirm whether the skull and everything else is under there waiting for them.

The researchers are particularly excited to collect pollen and other plant remains which will give them much insight into the biology of the area 12,000+ years ago. According to Iowa law, bones are and will remain the property of the family, who are continuing to keep their last name and precise location under wraps to keep nosy people and thieves from messing with their mammoth.

As for what John intends to do with the complete skeleton of a mammoth, he’s not certain yet. He jokes in the news story about building an addition to his house big enough to keep the mounted skeleton of a giant mammoth, but it’s better than moving them around his living room. Donating them to a museum sadly doesn’t get a mention.

Remains of Shakespeare’s Curtain Theatre unearthed

Last October, archaeologists from Museum of London Archaeology (MOLA) surveying a future construction site on Hewett Street in Shoreditch, north London, unearthed the remains of The Curtain Theatre, one of London’s earliest theaters and the space where some of Shakespeare’s most famous plays were first staged. The discovery was announced Wednesday by MOLA and the property owners Plough Yard Developments who are delighted by the find and have plans to make the preserved remains of the Curtain Theatre the centerpiece of their new multi-use development. They’ve put together several redevelopment proposals which will go on public display at the site on June 8th and 9th.

Archaeologist excavating the inner wall of The Curtain Theatre yardSo far the archaeological team has uncovered the walls of the gallery and the internal yard of the playhouse, but lead archaeologist Chris Thomas believes that as much as three quarters of the structure has survived and remains to be excavated. That would make it by far the best preserved Elizabethan theater in Britain.

The Curtain Theatre was built in 1577 just 200 yards south of the succinctly named The Theatre, a polygonal open air playhouse built the year before that was the first public playhouse in London. Actor, carpenter and impresario James Burbage and his financial backer John Brayne built The Theatre on property leased from Giles Allen. It was at The Theatre that the Lord Chamberlain’s Men, the acting troupe that starred James’ son Richard as the leading man, first performed the works of their fresh new playwright/actor William Shakespeare.

Henry Lanman built The Curtain Theatre, naming it not after the proscenium curtain we know today (those didn’t exist in Shakespeare’s time) but after a nearby road called Curtain Close. You might think the rise of a competing playhouse a few blocks closer to the city walls would cause friction with the folks at The Theatre, but it didn’t. Lanman and Burbage worked closely together, pooling their resources and using The Curtain to stage gateway entertainments like bear baiting and sword fighting displays which would bring a new audience to the elaborate plays at The Theatre.

By late 1596, James Burbage was deathly ill and his sons Richard and Cuthbert were seeing to the business, business which was not going well. They had a major falling out with the landlord Giles Allen, so they left The Theatre and moved the Lord Chamberlain’s Men to The Curtain Theatre. The Curtain was the primary venue for Shakespeare’s plays between 1597 and 1599, while The Theatre went dark. Henry V debuted at The Curtain, as did Romeo and Juliet. It’s The Curtain, then, which features so prominently in the prologue to Henry V:

O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash’d in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?

Richard Burbage, ca. 1600In 1599 the company would move to the Globe, the theater that is most famously associated with Shakespeare. The Globe was built out of The Theatre. Literally. With their lease set to expire at the end of 1598 and their shareholders short on funds, the Burbages hatched a daring plan. In the dark of night on December 28, 1598, Richard Burbage, Cuthbert Burbage and a team of carpenters led by Peter Street took The Theatre apart half-ton oak beam by half-ton oak beam and carried it in wagons to Street’s yard in Bridewell. The wood was kept there until the foundations of the Globe were finished the next spring, then it was ferried across the Thames and used in the new theater’s construction.

Allen was less than pleased, to put it mildly. He brought suit against Peter Street and the Burbages for, you know, stealing his whole theater. The Burbages countersued and the cases remained active for years, but we don’t know of any final ruling.

The Curtain Theatre remained in use for a couple of decades after the Lord Chamberlain’s Men decamped to the Globe. The last reference to a play being staged there is in 1622, and there is nothing at all about it in the historical record after 1627. It’s thought to have been dismantled by the Puritans after the Civil War. Over time, the exact location of The Curtain Theatre was lost. A plaque at 18 Hewett Street marks the general area, but it can get specific now.